Gender: Male
Status: In a Relationship
Age: 33
Sign: Aries
City: London
Country: UK
Signup Date: 8/10/2006
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Thursday, December 20, 2007
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Current mood:  happy
Category: Goals, Plans, Hopes
Guys, I've just come back from the cinema and I saw my ad on the cinema screen. http://www.dfsonline.co.uk/cinemaadverts.php
I squealed with joy, I felt giddy with excitement, to see myself on a screen thaaaaaat big. Woah!
Never mind the money, just the thrill of seeing myself on the screen like that!
Methinks I'm going to the cinema a lot until the end of the January sales when they will stop running that ad.
Alex
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Tuesday, November 27, 2007
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Current mood:  artistic
Category: Jobs, Work, Careers
Youtube has been fantastic for me as an actor - you can post audition pieces there for casting directors to look at. This has proven to be great for me as I am a gymnast and free-runner and often, a lot of the tricks I can do cannot be replicated in a tiny central London casting studio - so what I do is I make sure I email the youtube link to the decision makers. It has helped me on 2 ocassions already and increasingly, casting directors are happy to look at youtube links.
The beauty of youtube is of course you get to edit and present the best possible performance of whatever you do - a luxury you don't get in an audition situation.
http://www.youtube.com/watch?v=ocLaoAuF9Xs is an example - we shot this in about 5 minutes in the carpark.
Alex
 | Currently listening: Milkshake By Kelis Release date: 27 January, 2004 |
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Wednesday, November 14, 2007
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Current mood:  awake
Category: Jobs, Work, Careers
I have had an email this morning from a friend in San Francisco who has read the latest blog entry - so here was my reply to him.
It is entirely a conspiracy to keep insiders in, and outsiders out, and the price of becoming an insider is spending an obscene amount of money on those overpriced drama school for rich kids. And for those who paid that price at drama school, they are fiercely defensive against outisders who have not made that 'sacrifice' and paid this price to get through drama schools - and they're like "well, do you know my parents had to remortgage the house, sell my sister into slavery and my mother walked the streets of kings cross just to put me through this overpriced drama school for 3 years - how dare you call yourself an actor if you and your family have not suffered as much as mine!!!" And I say, "boo fucking hoo hoo, my heart bleeds for your family - I have talent. You can't buy that at a drama school at any price."
Alex
 | Currently listening: Hung Up By Madonna Release date: 17 November, 2005 |
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Wednesday, November 14, 2007
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Current mood:  bitchy
Category: Movies, TV, Celebrities
Now I've made my feelings clear about casting directors before, but boy don't they just fucking annoy me.
Many casting directors will not consider non-trained actors for speaking parts. Their reason is that they cannot be trusted to talk, because until they've blown a fortune on drama school, they're not qualified to use their vocal chords and their mouths to form intelligible words.
What the fuck do they call what ordinary people to communicate with each other then? Sigh language? Baby-talk (as opposed to a trained actor's prose)? Gibberish?
So let me get this right, babies learn to utter their first words at about 18 months, and then they kinda stagnate at "mama", "papa", "peepee" and "poopoo" until they turn 18, their parents remortgage the house to send them to an expensive drama school, then they really learn how to talk - right I get it.
Once this casting director posted on an actors' networking website, and he was casting for the part of an ambitious young man who works in finance. and I applied for the job. He called me up and we had a chat. I told him that I had spent 4 years upon graduation working in finance and was the real thing. And he then said, "oh, but you didn't go to drama school did you? Then I cannot consider you for this speaking part. Maybe if you looked the part, we can consider you when we need background artistes."
And so I got curious and I asked him why I needed to go to 3 years of drama school just to learn how to act myself - as if I wasn't doing that already when I was going to the office everyday in those 4 years.
He said, "well, it's one thing being yourself in your own private life, it's another when I point a camera at you, and let's see if you still know how to be yourself when you know there is a camera point at you and you know you're being watched.."
I pointed out to him that at my local supermarket, they had recently installed a CCTV system and they even have a guy sitting in front of a whole set of TV screens watching the CCTV, and there was a big sign informing shoppers that their every move in the store was being watched and filmed. "So did the cashier suddenly forget the difference between a 20p and a 50p coin? Were the staff suddenly unable to tell the difference between an orange and a lemon? Were people suddenly inarticulate mumbling fools the moment they were being filmed at work? "
And so that convinced this casting director to invite me for a proper audition, and we did some reading of some lines and he remained unconvinced. So he asked me about what I used to do in finance and about other speaking roles I have had. He got particularly interested in the fact that I had done a HSBC corporate training video, and he said, "I'd really love to see it."
I said to him, "It's me in a suit talking about finance. I'm in a suit now, and I've just spent the last ten minutes talking to you about my old job in finance, what is the difference? Are you still convinced that somehow I would lose my ability to talk and form words the moment I have a camera pointing at me? What do you think we have been doing for the last 30 minutes? Sign language? You were scrutinizing my every movement, every word since I got here, am I suddenly going to forget how to talk the moment you turn a camera onto me?"
At that point, I whipped out my high tech phone and started filming myself, and I said, "That's strange, I can still talk - maybe there's something wrong with the filming device on my phone. I'm still that loud mouthed bitch of an actor who used to work in finance. I'm recording this and somehow, I've not been reduced to a mumbling idiot. Either there's something wrong with this phone, or there's something wrong with your theory."
Alex
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Friday, October 19, 2007
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Current mood:  bitchy
Category: Movies, TV, Celebrities
I've just taken part in the filming of episode 8 of series 4 of The Apprentice (UK) with Sir Alan Sugar. Basically, it was the episode where the contestants are split into 2 teams and are given a fairly mundane product, in this case, an anti-bacteria tissue and they have to come up with a TV + poster ad campaign for the product.
The two ads are then shown to Sir Alan and a panel of ten viewers representing a spectrum of the general public: old ladies, young students, working professionals and of course, I was the token non-white member of the panel. Hurray for positive discrimination. Could I make a career out of being the token non-white character on British TV for the rest of my life?
Anyway, both ads were shockingly bad - cliche, unimaginative, unoriginal and desperately lacking in creativity. The second team had a marginally more catchy ad, but the presenter was reading from his notes throughout the entire presentation. And at least the first team did the entire presentation without any notes.
And of course, the panel tore into both ads as we hated them both. We do get to vote in the end which ad we preferred. This was not part of the selection process - it's always just Sir Alan's decision at the end of the day in this game, but he was interested to see what we thought.
As I was about to cast my vote, I thought, but both ads are equally shite, what should I do? Whom do I vote for?
So I did the most obvious thing.
I voted for the team with the more good looking and better dressed guys. Yes one team did dress a lot better than the other.
This is after all reality TV.
So here comes the moral of the story, if you wanna do reality TV, here are three useful tips that you should remember:
1. Be good looking & sexy 2. Be well dressed 3. Don't be ugly
Oh, and if you can't fulfill all 3 conditions, then don't do reality TV.
I did tell you this was reality TV, what the fuck were you expecting? Plato? Freud? Socrates?
Alex
 | Currently listening: Born Slippy By Underworld Release date: 20 August, 1996 |
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Sunday, October 14, 2007
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Current mood:  bitchy
Category: Jobs, Work, Careers
I've just had my first taste of reality TV today, I took part in a programme called 'Better Off Wed' that will be shown on E4 in November. Here is a description of the programme taken off its website:
Better Off Wed will ask couples to stop and honestly evaluate whether they are compatible enough to make a lifelong commitment to each other. Our couples will watch their relationship play out in front of their wedding congregation, before they are asked to make the biggest decision of their lives – do they really think they are better off wed? If they do then there's no better time or place for their wedding ceremony than right there and then. Better Off Wed aims to help couples make a huge decision whilst offering the viewer a real insight into modern relationships.
The filming I did today involved a group of panelists trying to work out the compatiblity of a few couples.In the exercise, we were shown a photo of one half of the couple and five possible candidates who could be their other half. Of course, whilst the objective of the exericse is to try to match each photo with the right partner, it just descended into a free-for-all mudslinging match. Here's a comment I overheard from another panelist:
"Oh fuck. That woman... is the kind of woman you'll ignore in a club, and only pull when you get to the kebab shop at 4 am."
And when I saw the same photo, I had this to say about her.
"She's obviously lost all interest of trying to look attractive for anyone - look at her chunky plastic glasses and what she is wearing. I would be very surprised if she has ever gone out with anyone attractive because someone like her would feel so inadquate with someone verging on attractive. She'll probably end up marrying some fat and ugly bloke who doesn't care how unattractive she is because he's equally tragic"
I added, "There's a difference between simply looking geeky and being plain unattractive. All a geek needs is a make-over, someone's who's plain unattractive needs plastic surgery. And for her, I would suggest starting with her receding hairline. I mean, how many women have receding hairlines?"
I finished by saying, "Her fiance isn't ugly but he has a criminal dress sense, so he probably doesn't know the difference between what's attractive and what's ugly - that's why he's going out with her. And for wearing that ugly top in that photo, he deserves to be marrying someone like that. But hey, by that token, that makes them a perfect match."
OK, we were very cruel. Needlessly cruel. But this woman was minging. I swear, what was she thinking going on reality TV putting herself up for this kind of abuse? I hope she gets paid well for it.
And then from that point on, it was like, bring it on baby - the producers loved the bitchiness and encouraged it - they told me it was funny and made good TV. So okay, I had plenty more venom for the rest of the show. Here's another good one I came up with:
"You can tell a lot about a person from his appearance. Take this guy for example. If this is the state of his face and his clothes, can you imagine what his bedroom or kitchen would look like? If he can't even be asked to make an effort to look presentable before having his picture taken for a TV programme, then he certainly will not be the kind of man to bother to keep his house neat and tidy. Now would you want to marry a man like that? I didn't think so."
Now there were other panelists who were very quiet. There was this student who came along and all she said all day to me was, "I have a headache / I'm sleepy / I wanna go home." And when asked for her opinion, she usually just shrugged her shoulders and said, "I dunno, I just think they look good together."
I can tell you that she's not going to be used much in this programme, that's for sure.
And there was this other girl, who looked like a page 3 model. She turned up with the shortest skirt ever and midway through the shoot, half a nipple popped out of her top. Yup, she wore such a low cut blouse and was not wearing a bra - and being quite animated, she swung her arms around as she talked and suddenly, I could just make out the dark brown part of her nipple emerging against her pale eggshell biege skin. I whispered to another panelist, "does she realize what is happening?" And the reply was, "Some people would do anything to get on TV."
Whilst there were about 20 panelists today, 3 stood out from everyone else - the two nastiest bitches (me and the "kebab shop" comment guy) and Miss half a nipple. But the thing is, can you actually go on reality TV programmes like that and just be nice? Now don't tell me Shilpa Shetty was nice - her case was different. She was bullied and won on a wave of sympathy votes. However, how many nice contestants were actually remembered eh? I thought, well fuck it, I'm not even going to appear on TV if I am nice so I may as well risk offending these people I don't know and be a real bitch for what it's worth. I just hope they live in somewhere like Aberdeen, Swansea or Hull and I'll never meet them - cos I was just downright cruel today. I should be ashamed of myself - but hey, I'm a shameless self-publicist when it comes to my acting career and I do whatever I have to do.
Alex
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Friday, October 05, 2007
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Current mood:  bitchy
Category: Fashion, Style, Shopping
Oxfam is a brilliant humanitarian charity that fights global poverty. www.oxfam.org
In the UK, they run a set of second hand shops which depend on donations from the general public and these donations - clothes, books, CDs, DVDs etc - are being sold at a very reasonable price and all proceeds go to charity. Brilliant. So you get a bargain, and get to do some charity work at the same time - which is why it's great to shop at Oxfam.
Or is it?
Well, with all due respect to Oxfam, they don't produce their own products and rely entirely on donations. Sometimes they receive great stuff, sometimes they get real shitty trash - but they try to sell it all anyway. The trick is simply to avoid the shit and buy the good stuff.
Earlier this week, I went for an audition which was for the part of a busy City excutive in a suit and tie who needs to grab a quick snack during his busy day at the office. The casting brief was very clear: very smart city executive, super smart suit and this guy looks like he makes more in a month than most people do in a year. So I arrived at the casting studio, and I see that well, about half the actors who turned up did actually receive the casting brief, the other half didn't.
They were wearing Oxfam chic. And not just Oxfam chic, it was the dead man Oxfam chic (DMOC) look.
What is that DMOC look? It's simple. Imagine some poor widow who's husband has just died at the age of 89. And after the funeral, a friend gently tells her, "it's time to clear out his things, keep what you want, and the stuff you don't need, well, we can give it to Oxfam. They'll be able to sell it off and raise some money for their great charity work."
So the poor widow gathers the old man's clothes and shoes brings it down to Oxfam. The clothes smell and look like they've just come from a 89 year old dead man's closet, but the charity gladly accepts the donations and doesn't ask too many questions from the kind old widow.
An hour after she leaves the shop, our poor actor walks in and asks the shop manager behind the counter, "Excuse me, I need to get a suit and tie in a hurry for an audition tomorrow, do you have any?"
The manager replies, "I've got some there but they're all too big for you, but someone's just brought some of this in earlier and I think they'll fit you."
The poor actor purchases the dead man's suit and tie and even took his shoes, all for a very reasonable price - and that money is now furthering Oxfam's great work. However, the moment he walks into that casting studio, the casting director is thinking, "We said successful business executive in the City, and this guy go raids his great grandfather's closet for the DMOC look. Can he even follow basic instructions? He's probably a nutter, an idiot or a rebel - either way he'll be difficult to work with on set. NEXT!"
OK, I don't expect many in my industry to match my satorial standards (only two have so far actually, an English director called Joe and a Norwegian actor called Odin) - but for fuck's sake, what the fuck were you thinking? DMOC look? Perhaps if you were up for the part of some senile old man in nursing home, yes the DMOC look would be good. Or some retro 70s piece where the DMOC look would fit right in.
You can actually get a pretty decent look suit, shirt and tie from places like Primark all for £30 only. It ain't Saville Row, but at least it's not DMOC. For some of these actors, just to come into London, have lunch in London would've cost them about £10-£15 already.
As an actor, it is your responsiblity to have at least one or two respectable formal outfits for auditions and sometimes you'll be expected to provide your own costume for a part. I have 18 suits and 400+ ties counting, but I am a bit extreme. A craftman invests in his tools and an actor needs to invest in his costumes. Even if you're not a man who regularly wears a suit and tie or even likes the formal look, trying to protest against wearing a suit with the DMOC look when a £10k advertising contract is on the line is a pretty stupid idea.
Tell you what, give me £10k, and I'll wear the DMOC look. What the heck, I'll run through Trafalgar Square stark bollock naked with a Turkey on my head for that price. Yet these poor actors can't be asked to make an effort to dress the part for an audition even when £10k is on the line. Go figure.
What kind of attitude is it from these actors? Are they just total fucking retards? You go through all that effort to get training, to get an agent, and you get to the stage in your career when you get considered for an audition for a prominent brand name commercial that is worth £10k buy-out - and you turn up with the DMOC-look. I just wanted to take some of them aside and ask them, "excuse me, but do you realize you look like you're wearing the clothes of an 89 year old dead man that he bought back in 1979? Have you even read the casting brief before putting these clothes on?"
Like I've said at the start, I respect and support the great work of Oxfam as a charity. And yes I do pop into their stores in London when I do pass one and look for bargains. By all means, shop @ Oxfam, but do recognize the difference between a great bargain for something gorgeous and a dead man's leftovers.
Alex
 | Currently listening: POP! - 20 Hits By Erasure Release date: 24 November, 1992 |
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Saturday, September 01, 2007
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Current mood:  bitchy
Category: Goals, Plans, Hopes
On the 30th August I was performing at Cafe Royal with UDC (United Dance Creations www.udc-dance.com ) for the European launch of Nick & Milly cosmetics. http://www.nickandmilly.co.uk/
I arrived at about 3 pm for the rehearsals at the Paper Club in Cafe Royal and it was a stunning venue. The staff there were busy putting on the final touches for the grand red carpet event that night.
After rehearsing for an hour, we had a break and I went up to the bar and asked for some water. The man behind the bar glared at me and I repeated myself, half wondering if he spoke any English. "Yes, I heard you the first time," he said. "But you do know you will have to pay for it. Can you?"
I explained I was in the show that night, and all I wanted was a glass of tap water - it was not like I was asking him to slip me a bottle of their most expensive champagne. He then smirked and walked away - didn't even bother to offer me the courtesy of words. I looked at myself. Okay, I had just come from a dance rehearsal. I was in my shorts and T-shirt, covered in sweat. I could've easily been one of the builders putting up the decoration in the foyer. This guy who worked behind the bar thought he was above me, like there was some kind of social hierarchy in the club and he had established that as barman he out ranked me and it was his God given right to be as rude to me as possible.
I resisted the urge to respond. I remembered the words from the famous monologue from Cady in Mean Girls, "Calling somebody stupid doesn't make you any smarter." But at times like this, boy, it was hard to resist the temptation not to. I have a masters degree in financial management, am a chartered wealth manager, speak eight languages, have a sizable personal portfolio of investments that is about twenty times what a barman in London could earn in a year and I have an successful acting & modelling career on top of all that.
At that thought, I resisted the urge to assert my superiority over this barman - I turned to my choreographer who arranged refreshments for everyone.
We had a good show that night. The audience absolutely loved us. UDC has some of the most amazing talented dancers and I was humbled by what I saw from the other dancers. I felt very fortunate to have the chance to work with some of these extremely talented dancers and learn from them. Stella McGowan for example, is the 2005 British women's breakdancing champion and she was one amazing character. Oh, and the staff there were shocking rude to her as well.
After the show, I changed into my sleek black three piece suit with a striking silver tie. Well, you didn't expect me to spend the rest of the evening at a red carpet event in my dance clothes, did you? The first thing I saw when I emerged from the changing room was the same rude barman clearing empty glasses off the stage where we had been performing earlier.
That was my turn to smirk. I would've liked to seen him stand up on that stage, turn the lights on him and I would've like to seen him dance, sing a song or do anything to try to entertain this audience. But oh no, he just picked up the empty glasses - and then he returned with a broom to sweep up some broken glass on the floor.
I followed him to the bar. And I asked him for a diet coke, waiting for him to recognize me as the dancer he was shockingly rude to. He didn't appear to recognize me at all, all he saw was the sharp suit. I pushed him a bit more - "the dancers were great tonight, weren't they?" He replied in a voice that sounded almost sincere, "Yes sir, I am glad you liked the entertainment sir."
"Can I get you anything else sir?" He asked, still holding on to that smile on his face which belonged to a child that was so eager to please. What was he expecting? Tips? This friendly man in the expensive suit to offer him a better job than working behind a bar for the minimum wage?
"You know, one of your staff was really rude to one of my friends earlier. He's not very happy about it," I hinted.
"Oh really!" Mr Barman sounded genuinely shocked. "That is impossible. I mean... that's just not acceptable. If you could tell me who is was, I would report that member of staff to the manager here."
At which point I looked him in the eyes and said, "You really don't remember me, do you?"
He didn't reply. I don't know if he was pretending not to remember me, or he genuinely did not realize that I was the same sweaty dancer from a few hours ago. He looked genuinely worried. I smiled and walked away, and left it at that.
Recently I have gotten involved with MESH www.meshminds.com and they are a great network of professionals in the City who wish to pursue a second creative career. I am so sick and tired of hearing about talented actors and dancers who have to make ends meet by working in Starbucks and it is so nice to finally meet other talented creative people who have managed to strike the balance of having a professional career that does pay the bills and pursuing one's artistic ambitions. It is a balance that one can strike and that is what MESH is all about.
Alex
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Thursday, August 16, 2007
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Current mood:  awake
Category: Goals, Plans, Hopes
Whilst this is not strictly speaking an post about acting, I am sharing with you experiences of the last 24 hrs because I did learn something quite useful about myself and life.
I'm currently down with the FLU - and it's the flu from hell - nasty sore throat, congested head, runny nose and bouts of fever. I knew I had to turn up at Canalot Studios at Wednesday lunchtime for a workshop. A top advertising agency is putting together an ad proposal for a big corporate brand and they needed some beautiful models, dancers, free-runners and gymnasts to do a workshop, film it and then show the client the 'draft'.
But the night before that, I went to bed at 11 pm Tuesday, having taken a sleeping pill and 2 aspirins. The aspirins didn't seem to work, neither did the sleeping pill, and by 4 am I was still lying in bed, in all my winter clothes, shivering with fever, in so much physical pain feeling absolutely wretched. I cried and I kept saying, "I just want to die, I am suffering so much I just want to die." And my partner said, "don't be silly, you are very ill yes, but you don't want to die."
I finally took a dose of ibuprofen instead which broke the fever and I did get at least about 7 hours of sleep which allowed me to turn up at Canalot Studios feeling actually quite human. As the studios were rather small, and it was a lovely summer's day, we decided to go to the park opposite the studios and have our workshop there. The park was virtually empty. We were happily doing our workshop when two women with five children between the two of them approached. I can try to describe them in detail, but it felt like Vicky Pollard had a twin and here they were together, the Pollard twins.
Their kids strayed into our workshop because naturally, kids are fascinated by beautiful dancers and gymnasts. We told them to be careful as they were trying to do what we were doing. The moment one of us spoke to one of the children, Ms Pollard, who had been on the bench chain smoking with her twin, yelled at us, "Oi, who the f*ck do you think you are? This is our park, I come here every f*cking day with my kids, my kids are not going anywhere, you move!"
We stared at her in disbelief. The park was empty - apart from our group, her kids and the Pollard twins. We were shocked that she would use such language in front of their children. Yes I had no doubt she normally talks like that - but in front of very young children?
We tried to be reasonable with her. She told her that we can move, but she should be careful as her kids are trying to attempt some gymnastics manouvres with no training, no coach and no safety mats.
Well, what I really wanted to say to her was this, "if any one of your kids get hurt, or die, then you'll just have another to have more children, so that you can claim more benefits and get a bigger council flat. I'm sure you can find someone in that sorry council estate of yours who must be drunk enough or stoned enough to impregnate even someone who looks just like Vicky Pollard. But if any of these models or actors get hurt because of you or your kids, then TV and film producers, casting directors and theatrical agents are going to be really, really upset."
But no. I didn't say a word. I didn't see the point in talking to her. She was beneath me. That was my Eureka moment when I realized, God! Even though I had been really ill, and I felt a lot of physical pain, I certainly don't want to die! I have so much to live for, so much to give! But hey, if I was one of them Pollard Twins, then yeah, they may as well just through themselves out of the window the moment they have a mild headache because they have absolutely nothing to live for. Go figure. A life where you wake up, and watch daytime TV. Can't work, won't work. Live off benefits. Then go to the park and pick a fight with random strangers. Quel horreur. But such is this whole white underclass we have in the UK.
For those of you not in the UK, you see, we have this problem here in the UK - it's called unemployment benefits. The government gives out free money to unemployed people who don't work so they don't starve - it's not much, but it's been enough to create a whole white underclass of people like Vicky Pollard.
It seems ironic that whilst it's so un-PC to talk about 'class' in the UK, humour makes it perfectly okay to laugh at characters such as Vicky Pollard. After all, arts does immitate life. Matt Lucas and David Walliams didn't just pluck that character out of thin air, no! They live in a dodgy looking council block near Canalot Studios, London W10. And every equally dodgy looking council block in the UK.
Anyway, I'm sure you want to know what happened next with the Pollard twins. Whilst the two mothers ganged up on one of the men running the workshop, one of their sons, about 7 or 8 years old had been observing the free-runners doing somersaults off benches, walls and tree trunks. And guess what the little rascal did? Somehow he managed to get on top of a wall, and we heard him shout, "Mummy look!"
We looked up in horror and shouted for him to come down. And Ms Pollard told us, "Oi, mind your own f*cking business and leave my son alone! This ain't your f*cking private park!"
And guess what? He jumped off the wall, which I estimate to be a bit more than 2 metres, and landed face first - SMACK - into the concrete below. What a sound. Nose and mouth were bloody. Nasty. And you know what the Pollard twins did as the boy began to scream his head off at the sight of this much blood?
They started screaming even louder at the men running the workshop, "This is all your fault, I'm going to f*cking sue you. How dare you do this to my son? C'mon, do you want some? I'm not f*cking scared of you."
May I further explain that whilst her son was covered with blood about 10 metres away, screaming his lungs out for her to help - she IGNORED her seriously injured son for she was more interested in spoiling for a fight. How would you feel, if you were that boy, if you were that badly hurt, and your mother was more interested in provoking a stranger into a fight than checking how badly hurt you were when your face is covered with blood?
Maybe that does just epitomize the whole Vicky Pollard attitude - no matter how bad the situation is, she'll come up with a rant that denies all responsibility, oooh, something like...
"Yeah but not but yeah but no but yeah but ... I never even said something or nothing, SHUT UP!" Given the amount of blood there was on the ground, I daresay he was pretty badly hurt. I felt sorry for the child. We had to tell her, "We'll call an ambulance for your child. Can you see that he is hurt?"
And she said, "You gotta pay me for this. How much money have you got? You gotta gimme money for his medical shit and all that."
No interest in her child's injuries. These white underclass mothers - you see, they know that if they get pregnant and have a child, they are entitled to receive more welfare benefits. More children, more money. No one told them that they have to be a mother and take care of these children. God only know what kind of childhood these children have on these estates with such mothers who only see them as money. This mother clearly did not love her child one bit. Even strangers would react to a child falling down in the park and getting hurt - this woman couldn't be bothered with her own son. How sad for the child - to be this unloved.
I can just imagine the story she tells the other teenage mothers in her council block about how her son got hurt. Ooooh - us nasty models and actors ....
PS. Feeling much better now, thanks. Now I know I have so much to life for!
Alex
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Wednesday, July 18, 2007
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Current mood:  hot
Category: Movies, TV, Celebrities
Sorry I've been neglecting my blog - but tonight I just had to come back here and post today's experience.
Those of you in the states would already be familiar with the highly successful NBC gameshow Identity www.nbc.com/identity Well, the programme has crossed over to the UK and BBC is currently recording the first series. And as a D-list (or more Z-list) celeb I was invited to be on the show. At first they were going to use my 'identity' as a BBC children's TV star (a bit of an exaggeration but I was in Numberjacks) but they got another BBC children's TV presenter recently, so they used 'appeared in a Madonna video' instead.
The filming was at the 3sixty Studios in Manchester and I was really looking forward to it - I've seen the American version online and it looked like great fun. And boy it was a TOTAL anticlimax. Where do I begin?
Firstly, the format of the game was dumbed down. Whatever for? In the US version, you have one life line which allows you to get away with one mistake, and after that, one wrong answer and it's game over. In the UK version, you merely take a step down the money ladder with each wrong answer.
In the US version, one stands to win $500,000 a cool half a million bucks - in the UK, the top prize is just £10,000 (approx. US$20,000). If it's any consolation, we've got Donny Osmond presenting the show instead of that fat guy in the US version. Whooppee. Go on Donny, do Soldier Of Love for us, I'm old enough to remember that one.
Anyway, game shows like that are only fun when the contestants are good. In my episode, we had a really really thick guy. Two of the "identities" included: "Mensa member" and "Freemason". And he turned to Donny and asked, "where's Mensa? What's a Freemason?"
This thicko contestant kept making wrong guesses and his best friend, girlfriend and brother were equally thick. Especially the girlfriend. And he thought I was a member of a heavy metal rock band. Yeah right. Which one? Lordi? Metallica? Iron Maiden? Guns 'N' Roses? I mean, do I even look vaguely like someone who could even own an Iron Maiden CD? Actually I do have a Metallica CD somewhere, I bought the single for Enter Sandman in 1991. Folly of youth. I much prefer Dannii Minogue and Scooch to heavy metal really.
Anyway, the series is coming out in late August. According to the crew, this guy was not the worst yet - they've had far worse contestants. Now this is really bad TV. Nobody wants to scream at their TV sets at dinner time saying, "YOU THICK THICK THICK BASTARD, HOW COMPLETELY IDIOTICALLY RETARDED AND DUMB ARE YOU?" No, you'll wanna see someone who's stunningly intelligent impress you with their knowledge and skill in these game shows and win the big prize. Do they ever screen these contestants? Shouldn't they ask questions like, "Are you a total idiot? Are you devoid of common sense and basic reasoning skills?"
But hey, if everyone who takes part is really that good, then they'll have to give out loads more prize money. Maybe this is why they are deliberately inviting these really stupid thickos to take part.
Alex
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