Why? (ep) Smegma Records - smeg007
This Swindon, UK duo has been gradually collecting
loyal followers at every show. Not bad—considering they are a two-piece
band consisting only of a bass that is played like a guitar, and drum,
and manages to land a lucky beginning supporting Primal Scream. They
are truly innovative.
Opening for big
names such as Anti-Nowhere League, Subhumans, Discharge, Buzzcocks,
Goldblade and even The Restarts, 2 Sick Monkeys have gained respect,
standing on their own—with their might and distinctive style of punk.
Their
natural, instinctually raw and mood provoking post-punk elements, was
discovered on their previously released CD, ‘Curse Of The Monkey’ where
I was instantly floored. Guess what? I still am.
The
first song off of their new album, ‘Why?’ winds up in the first couple
of bars of their first track, ‘Why?’ Pete Tower, gargles out in raw
old-school 80’s vocal resonance. Following, the guitar strums and
syncopated snare drums that hit on the off-beat, subtle flashes pass
for nimble guitar twiddlings. Pete rattles off crystal clear,
politically charged lyrics, ‘Why Do We Have To Fuck Iraq? ‘Why Do have
to suck so much American cock?’ all before the chorus [and he’s dead
serious]. Cutting through the bullshit, Pete voices out loud what many
have dared to ask…and this hits on all levels. At the M8, the vocals
are absent until the second meter where the vocals are accapella, in a
more shouted spoken word with sharp significance. Building upon angst,
Pete belts a drawn out plea—‘Why?’ – in a one more time around, ripping
through the first verse repeat as the snare hits the beats as one last
proverbial, ‘Why?’ lingers pass the halt.
A creeping bass crawl is all in suicidal rhythm
guitar successions in, ‘Big Words,’ lined with Fred’s blurted lyrics as
Pete belts on the chorus backups. Starts and stops triplicate drum
rolls and Fred’s long drawn out, ‘No!’ fills the gap to the M8.
Switching, triangle drum tings with jazz undertones morph into a slower
almost reggae beat, speeding back to the energy for the repeat. With
the lyrics undermining pretentiousness in their effective simplicity,
it conveys just what the song is about. There is a chase to the fluff
as the main vocals are more guttural and the blast reaches its end.
‘Walk
A Fine Line,’ is a great jam confessional. It’s a blend of punk - with
what I can only classify as a southern rock/country twist. The
micro-fast twiddlings and snare hits on the beat. Brusque guitar
strokes roundabout in beefy channeling coupled with high notes and that
signature snare. It is all running on sheer energy. The bass is front
and center on the bridge, carrying the entire melody. A surgically
tight hybrid of entanglements with bass twiddlings could possibly be
replaced by a fiddle, making this song so damned memorable. The
precursor of cymbal, snare, and plucky bass crashes to a full stop.
‘Retro
Age,’ is about making people realize you can’t stay stuck in the past,
or you’ll be left behind. Surely, this song guarantees their
permanency in the here and now. The intro accapella bass is much like
the influential post-punk leanings. As bass chugs throughout, Pete is
more into spoken verse than shouts as Fred holds the harmonies. Back
up croons integrate with Pete’s chorus shouts as dirgier bass plucks
has the snare panging off beat all on the second verse. It ends with a
joining chorus finale shout, ‘backwards!’ (Nice touch.)
Triplicate
snare and bass strums roll quickly into mid-tempo levels on, ‘Me Me
Me,’ with the lyrics cleverly humorous and all done in sardonic full
snotty flavour. It had me chuckling at the first verse. Triplicate
snare and guitar strums are rolled into quickened tempo. High register
vocalled back ups adds texture while the choppier second verse digs
deeper energy, and the scratched up bass is in higher notes. The
pluck-drums are more stunted. There are no restraints as the repeat
renditions oddly, reminding me of the days of New Order, are stripped
down to the confessional, ‘Me’s’ belting all the way through.
The
beauty of the next 3 songs if that they are recorded live as you feel
like you are in the same room. On a high note, it is fitting that
‘Fuck Off,’ would end the EP. Rock ‘n roll base strums open the song,
all before the “Einz, zwei, drei, vein,” ques in the beat-shouts on the
chorus—inclusive with live crowd participating and Pete’s raspy
vocals. Drum pedal, cymbal and multiple bass strumming unwinds with
the final bar of the Looney Tunes classic, ‘That’s All Folks,’ on the
last notes as this live version ends with all cheers.
‘Why?’
is just a taster. Their full length EP will be released sometime this
summer as well as a full fledged European tour with The Dead Subverts
[Pete plays bass].
Pete and Fred are
keen and not to be underestimated by size. [Size doesn’t matter!]
Playing a bass like a guitar, gives an emotive resonance of the past
melding with the present. This is a great triumph for 2 Sick Monkeys
who live up their name of being one small outfit but with a big sound.
I think 'old school' is making a comeback, cos 2 Sick Monkeys don't come much more old school where punk is concerned. This is such an exciting CD really, well worth getting hold of. There are some fantastic songs and I like the split between the live and studio material.
The no nonsense banter is pretty funny and there is a great feel to the atmosphere.
They seem to make a big racket for just two guys (or is that two monkeys?). It's fun, sing-along songs, which give me fond memories of their shows.
Naturally the stuff tends to be of the politically active end of the spectrum, with a hefty does of abuse. Marvellous.
Review by Neil Duncan - Issuepunk Zine no.40
To find out how to get hold of a copy (or any back issues) go to:
Issuepunk Zine on Myspace or give us a shout
For sheer effort, toil and insistence the 2 Sick Monkey's put most bands to shame. This dynamic duo are up there with the best double acts around. Batman and Robin, Little and Large, Cannon and Ball, Morecambe and Wise, Peters and Lee ha, ha - ok not much competition but whenever you hear the name 2SM you know you are dealing with quality, dedication and 100% belief. More than likely when confronted with a CD to review you can expect a good old kick-arse outpouring and this little gem doesn't disappoint. In fact this is the bands best stuff to date and the disk that it comes on is a replica of an old 45 vinyl and is as cute as you like. Nice touch but nothing whatsoever to do with the musical puke that I shall commence to review...........now!
The eternal punk question 'Why' opens the show with a tumbling 4 string assault reinforced with rattling drums and flavoured with a despondant vocal resonance that hits the mark and hits it very deep indeed. The swaggering bass is halted about 3 quarters of the way through as the sound takes a slower mode of approach and gives out a heartbeat rhythm poised to hit a cacophonous coronary endline with almost soul shattering exactness. The musical precipice is teetered on with such teasing brilliance before the death knell is sounded and the whole effort folds with fervour and a last blast of defiance. 'Big Words' tunnels in with a simplicity that puts to rest any need for unnecessary complications and another solid song is had. 6 lines and a chorus make up a song that carries more weight than wordage and the Monkeys come up stinking of peanuts yet again. A nice strum, strum, strum and roll sequence is well included with a few other modes of operation taken that add a final interest to a meaty song.
'Walk A Fine Line' is a massive instrumental moment and does what it intends to do with a superb showcase given of just how talented this twinned terror is. Bass and drums - don't foget that - just bass and drums and yet this slice of melodic hard-baked puke is so damn textured and contains a kaliedoscope of rockin' rhythm and catchy riffs. It's fuckin' classy stuff and if this band has any doubters (which I very much doubt) then this will shut their mouths and put them right back in their place. Quality extremo!
'Retro Age' sees front urchin Pete offer the poser of why people seem obsessed with looking back rather than appreciating the reality and diversity we have today. A disease gone wild and one costing the scene dearly this output is well timed and hopefully it gets a few noodles asking questions of themselves instead of nobbing nostalgia rigid! A nifty track indeed.
'Me, Me, Me' is a bold as brass burst of 'who fuckin' cares' punk that dabbles in shock, cock and rock and really ruptures the ringpiece of sanity something rotten with its deviant saturated lyrics and somewhat comedic slant. The opening verse sets the tone - 'Who's been smoking all your fags, And licking your birds saddle bags, Who kicked all your windows out?' - interesting to say the least and I am sure a psychotic examination of the one who penned this tirade would have some very revealing results ha, ha. A granite song to savour and one to end the primary five tracks with sheer class.
A 'Why' reprise folds the studio matter with temper and insanity fused in a hailing snatch of nuthouse frustration before we are dealt 3 rough recordings from the band in 'live' mode. A bit of a collectors treat and the finale of that crowd pleasing diamond 'Fuck Off' puts a full stop to this short chapter in 2SM's persistant career.
Yes this is the best so far from this stunning outfit who for me are being sorely neglected by this fucked up scene. I rate these guys highly, very highly indeed and get really depressed when they seem to struggle for adulation alongside more corporate, 'in the clique' bands who are just going through the motions with an obvious lack of passion. For reality, sincerity and commitment these two twats of tuneage should be the top of the pile but with the current financial climate, the scenes lethargy and over-saturation of scenesters an extended struggle seems probable. They will get there though and if nothing else they can both take pride in their spirit, output and ethos - truly admirable. Everyone should get this who is involved in the scene - yeah everyone - so come on contact the band, buy and support the true!
Review by Dave Fungalpunk - click here to check his website and find loads of reviews, interviews and stuffThis e.p. is total new school pop-punk and fun all raveled into one. The cd has 9 tracks in which of 3 of these tracks are live which gives you a good push on things. Sounds like no matter what if these guys are playing a live show or in the studio recording a new record they still know how to have fun and you totally hear it in their music and professionalism as a band. I would have to say me,..me,..me is the best song on the record and the has the catchiest of sounds and lyrics,..check it before they wreck it people!Review by Beth @ Punk Rock, Hardcore and Ska Music Resource 'n' Review - Click here to see more of her reviews (they're in her blogs, click 'view all blog entries', then 'older' blogs)
Curse of the Monkeys (album)
Smegma Records -
smeg004This 2005 release is just the first of other albums i will review by the 2 Sick Monkeys band. Anyways on to the review of this album. Upbeat, well put together instruments and vocals on this 13 song full length make you happy to be listening to it and smashing the state of hardcore punk on songs like live it up(fuck it up),too many secrets,and 24/7,this whole album made me bang my head and bounce. I'm impressed by the whole arrangement and you should be too if you go check these guys out and pick up this very same cd and GET CURSED!
Review by Beth @ Punk Rock, Hardcore and Ska Music Resource 'n' Review - Click here to see more of her reviews (they're in her blogs, click 'view all blog entries', then 'older' blogs)
These fellas hail from the land of magic roundabouts, Swindon and are a 2 piece (drums + bass) that pound out punk rock tunes, street style with loads of passion.
The basslines are pulsating and totally fat and, having seen them live, 2 Sick Monkeys are an awesome band.
This CD, I think, is home recorded and I'd love to hear the outcomes of them in a proper studio with a better mix on the vocals. But don't get me wrong this is still impressive and highly enjoyable.
The highlight tracks for me are "24/7", "No Life" and "Taste The Pain". I wish they'd stuck their version of "The Worm Song" on there...maybe as a hidden track or something.
Great album, not a bad one amongst the thirteen tracks, do yourself a favour and grab a copy of this.
Review by Mr T in Lights Go Out Punk Zine - Issue 2...click here to see how to get yourself a copyGenuine stuff here from two regular 'erberts who work their asses off and rely on bass, drums and vocals for almost their entire sound.The CD starts menacingly with an ominous heartbeat and a sudden smashing of glass that burst through into the albums best track namely 'Live It Up'. A full on heavy drilling that is brief, basic and top drawer stuff. A real crackerjack. 'Too Many Secrets' is another stunner with 'Can't Deny' yet another above average effort that is disappointingly followed by the bloody awful 'Built To Win'. A horrible moment for me and I'm sure which fans of the Monkeys will love or hate. Thankfully the rest of the CD gets back on track with '24/7' a bloomin' marvellous number. There are a couple of others I'm not over keen on but in general the album is not bad. There is an experimental touch there which sometimes works and sometimes fails but which should be applauded nonetheless. The result is a very individualistic sound that is a credit to the bands know-how and talent. The best way for me to sum up the album would be to liken it to a packet of Opal Fruits. There's some flavours we love, some we don't mind and some we just can't work out if we love or hate but its always worth buying another packet. Finally the instrumental 'Jemima Pooka' is a good orchestrated instrumental and worthy of a mention too.
Review by Dave @ FungalPunk. Click this link to check out his site and see loads more D.I.Y Punk-related goodness!Only drums and bass+vocals. It sounds as this should sound really poor. If there isn..t a guitar on this record so must the bassist Peter be really fast when he plays because it sounds like if there..s a guitar in the background somewhere. But I don..t want to say anything about this more and I will instead admire the good punkrock they..re doing. Even Fred who plays drums is skill and they manages to get foreward a really interesting record on these small instruments. I think about groups like Business, Splodge and those a little bit messier groups.(SEVEN)
Review from Skrutt fanzine, Sweden. Click this link, then click on Recensioner/Reviews to see reviews of bands from all over the world....top stuff!Nowhere Nothing (e.p.)
Smegma Records -
smeg002
Ok, so it's a couple of years old now, but 2 Sick Monkeys deserve a mention because they play millions of gigs and a lot of top quality stuff and are a really cool band. In some respects this sounds a little more polished than their later work, which could be a tacit acknowledgement of how good stuff sounds with a bit of edge to it.
You get four great and varied old school punk offerings, enjoyable and entertaining. You can probably get this off the guys for a couple of quid if you ask them nicely, and it would be worth getting.
Review Neil Duncan - Issuepunk Zine no.40To find out how to get hold of a copy (or any back issues) go to:
Issuepunk Zine on Myspace or give us a shout
This 2003 Smegma Records release includes 4 songs,3 of them are punching punk in the face and the 4th one, titled song 2, is an instrumental that includes some folkiness and acoustics to it,but it ends up being my favorite song on the whole album. So check it before they wreck it
Review by Beth @ Punk Rock, Hardcore and Ska Music Resource 'n' Review - Click here to see more of her reviews (they're in her blogs, click 'view all blog entries', then 'older' blogs)
Industrialised warehouse punk here that deceptively ensnares the listeners attention with an unsettling, underlying double edged blade that on the one side is gothic and blunt but on the other modern and sharp. The savage and deliberate bass lines are backed by some exquisite drum rhythms resulting in a sobering brew that is slightly reminiscent of a spectral Joy Division but which has a newer, revitalised punk attitude that seemingly drips oppression with each note. 'Nowhere, Nothing', 'Never Say Never' and 'Bad Old days' seem borne of the same mood and moment and are individually high class offspring with the latter ending this temperamental trio in superb chant and rant style. The finale of the quartet is an instrumental effort called 'Song 2' that is a choice little snippet that showcases another facet to the Monkey's outpourings. As a live band this duo are fantastic and spirited and judging by this 4 tracker it seems they ain't half bad in the studio either. Highly recommended.
Dave @ FungalPunkA four track single with the two-piece group 2 Sick Monkeys and the first song which also is the titletrack is a song which really gives us the singers voice in a good way. A little bit hysterical and really obvious that this is a clear hitsong in the sign of punk. They go on in a wonderful way and my thoughts go back to the 80..s streetpunk. Song 2 is an instrumental and it could have been taken away from the record.(SEVEN)
Skrutt fanzine, SwedenTwo Sick Monkeys are two guys from the Punk Rock hotbed that is Swindon, Wiltshire (home to Buzztone and...um..). Formed in 2001 to support Darrin Mooney of Primal Scream, these guys kick up a righteous racket armed with only a bass guitar, a drum kit and their snotty punk vocals. The sound is surprisingly big considering there are no guitarists in the band, and the melodies really do stick in your head. The music is a simple punk rock formula, in the vein of Snuff and Citizen Fish (minus the ska, and of course the guitars).
First track Nowhere, Nothing, which is the main single on this release, is the stand-out track. With a vocal line that will have you putting on your best Wiltshire punk accent and singing along. The last track, Song features acoustic guitars and keyboards, and takes a more measured approach, slowing down the tempo and creating a smoother musical environment which rounds off this single nicely.
Definitely a band to keep an eye on, this is a solid release that is nothing original, but possesses a certain charm that will win you over, and possibly have you seeing them support some bigger bands in the Wiltshire area.
Review by Ben Gosling @ Punktastic.comFull Flavour Behaviour (e.p.)
Smegma Records -
smeg001
full flavour behaviour didn't give me the full flavour i needed like the other sick monkeys punk rock albums did, but this is their earliest of music and like it or not some fans of certain bands are either more impressed with the bands old stuff or new. in this case i think i like 2 sick monkeys more recent stuff then this one although this isn't necissarily bad just not as pushing as the others in music and sound as i like,still good just not my favorite plain and simple,these guys work hard but on this album they're hardly working for the fan in me to pull over this one as a favorite listening,still yet you be the judge and critic and take your own listen cheers to the 2 sick funkeys i mean monkeys
Review by Beth @ Punk Rock, Hardcore and Ska Music Resource 'n' Review - Click here to see more of her reviews (they're in her blogs, click 'view all blog entries', then 'older' blogs)
Another spirited offering from 2SM which opens in a raw edged style with the turbulent 'Time' which has the Monkey's showing an ability to construct songs of both unique approach and sound. 'Bodybag' is a nasty slaughterhouse affair that the lover of the rough house mix will take extreme pleasure from. It's a harsh cacophony that works well as does track 3 which again has raucous vocals and an unprocessed musical accompaniment. For me both tracks are adequate but could be enhanced with a greater clarity of vocal. Maybe this would destroy the whole hard edge but is a personal preference and shouldn't be taken as authoritative gospel. Despite this tame criticism the ensuing instrumental, namely 'TST', is a real good dance mash and has a definite psychobilly sound that will appeal to the wider audience. 'Retro Age' is the finale of another good offering from 2SM who are always worth checking out regardless of being a seemingly acquired taste.
Dave @ FungalPunkOn the song Time they have a guitarist and sure it..s a little bit more sound on it but it..s enough with bass and drums as they have otherwise. Fast punkrock is what the group gives us and you become treally happy when you hear this because this is the way punk shall treat us people. You shall be happy and satisfied when you hear the music and that you really become when you hear this one. Humour and punk mixed…sometimes it..s a really good combination.(SEVEN)
Skrutt fanzine, SwedenFree 3 Track Sampler given away @ Wasted 2005
This three track effort can only be decribed as poor, a photo copy cover, looks like a sample disc to show off a back catalogue (3 songs from 3 different albums) and not a commercial release. I don't know for sure as there is no real info with it, just a web address that I could not get into. Anyway the music, unfortunately the songs sound terrible due to crap sounding production. This is not to say the band itself is crap, just the production, maybe they were trying for a retro punk sound? it hasn't worked.From what I can tell singer sounds a bit like Ian Dury when he made an effort, and just drunk and shouty when he dosen't. Maybe they sound better live??
2 out of 5 Review by Stuart @ PunkoiukIf anyone out there has reviews or would like to review us, please get in touch here or at
info@2sickmonkeys.com.
Cheers for reading and see ya soon
2SM