Okay, so here goes!
First off, this SATURDAY and this SATURDAY ONLY, you can come to an advance screening of my film GERONIMO. It starts at 2:00pm at the Heard Museum so get there early because I don't know how it's going to go.
So one last time.
Saturday, NOVEMBER 1st, 2:00pm, doors close! ( I dunno though )
There are some cool films screening before this, here is the info on them.
Sat, 1 Nov, 2008 7:00 AM - 12:00 PM
Held in conjunction with the Navajo Weavers' Marketplace and as the kickoff to the Heard Museum's new film series Cinema Saturdays, three films by and about American Indians will be shown.
The day features the Phoenix premiere of Woven Ways (50 min., 2008), produced and directed by Linda Helm Krapf, at 10 a.m. This film tells about the impacts of uranium mining on their land and livestock that sustain their culture and economy as well as the environmental issues that threaten their health and well-being.
At 11 a.m., WGBH will premiere the ReelNative Project, in which eight Native residents produced mini-documentaries about the Indian experience in Phoenix.
Finally, the advance screening of Geronimo, an episode in the upcoming miniseries We Shall Remain, will begin at 2 p.m. Geronimo was produced and directed by Dustinn Craig, White Mountain Apache/Navajo, and Sarah Colt. Free and open to the public.
Location: Heard Museum 2301 N. Central Ave., Phoenix, AZ 85004 (Map)
Fees: free.
Contact: 602.252.8848
So, I'll BLAHHHHGGGGG now.
I left Arizona in June 2006 with a fully packed VW Jetta to drive all the way to Boston with out going pee once! I made it as far as Tuscon, so much for the pee record. I got to Boston about a week after I left and started work! This is always the case for me, I get hired to make films set in the Southwest but have to move to the east coast! It makes perfect sense I know! This pic was taken about 15 minutes before I left my house alone! I had to find a place to live when I got to Boston because the awesome family was to follow!


When I got there I unloaded all my junk into my new office!

I actually slept here many nights in the first 2 months before my family moved out. My good buddy Myrton put me up in his place and so did Sherene! My eternal thanks to them, but I still managed to sleep here because I didn't like driving around in Boston and I had free internet from this office! I'd rent movies and fast food and live here, very depressing because I missed my family sooooo much.
Eventually the family made it out and I was happy!


One happy family and now it was time for me to leave back to Arizona for weeks at a time, leaving my loved ones behind yet again to fend for themselves in Beantown! When pre production was over months laster, Velma knew Boston better than I did! She drove everywhere and knew of all the places to eat, shop and all that! It's funny because when I was there by myself, I was too chicken to explore, but she never has been! She's my hero!
The Film is about GERONIMO! He's everywhere, on t-shirts, stickers, really bad stencils, and all kinds of cheesy badly designed crap! He's a total ICON! And there I was, a White Mountain Apache filmmaker working in Boston to Co-WRITE/PRODUCE/DIRECT a biographic history documentary film with a white woman who would become my ally against the evil omnipotent forces of the world! It was a tricky thing for the both of us, because sharing a film is hard to do for independent filmmakers, yet through it all, we came out better friends than anyone would have ever guessed, including us.
So we were in the trenches, going through all kind of drama throughout the year! You can go back to my old blogs if you want to rehash it all. There were times that I completley hated it and other times that I was completley in love with it all! I would do it all over in a heartbeat! Even though I know I will not be making any more films of that size and scope in the near future, I am glad I was there to make everyone think deeply about this history of Native America, myself included! I am glad the history made people uncomfortable, scared, and tense! Believe me, for me it was always worse. After all, I was a lone Indian, sourrounded by white people in the deepest depths of the Hoity Toity Liberal STRONGHOLD! Just blocks away from Harvard Square!
Anyway, I'm back in Arizona and much stronger mentally and as a filmmaker. I have a deep respect for the disctinctions for the Apache bands, to the extent that I can't even use the word APACHE without making sure that my particular tribe is identified. I think everyone involved in the process learned a great deal and were changed in one way or another. There were times when I was going insane with anger, sadness, contempt, confusion, apathy, empathy and determination to win! From the very start I wanted to make the BEST FILM in the SERIES. There are 5 histories being told in these films, and five different teams of producers. Out of all the teams, we were the only ones that had to be located at the head offices under the supervision of bosses. This was a plus and a neagative, but it's over now and I am happy, home and freelancing! Like nothing ever happened.
So this saturday is your chance to see it! A whole year and a half after I finished the film! It's been sitting on a shelf in some Boston highrise waiting for this weekend!
The film will broadcast spring 2009, so if you miss it this weekend, you'll have to wait till then.
What I am most proud of is the fact that I was able to cast REAL APACHES to portray APACHES! Yay for the home team! The usual way to go for these things is to use the casting books from the actors guild and stuff like that. The only problem is that all the headshots of Indians don't look one bit like any Apache person I have ever seen. Nothing against my fellow Natives and tribes, but every since I was a little kid watching movies about Indians and Apaches, I never got to see my people.
Together my co-producer and I, found a way to get around the pitfalls of the system and we hired White Mountain Apache people to play, DRUMROLL PLEASE, White Mountain Apaches!
We were able to cast Chiricahua Apache Descendants from Mescalero to portray Chiricahua Apaches!
Unheard of! I wish the film had more of them, but we were working under great constraints and tight budgets, but I am most proud of this aspect of our process. My good buddies from Whiteriver came through, my new friends from Mescalero came through and everything came together! Now this will not be a visual epic like the LAST SAMURAI, because it's public television and we don't have a hundred million dollars to throw at a film. We have less than one percent of that kind of dough, and I'm still so very proud of what we managed to get. Mostly thanks to the Apache People from Mescalero and Whiteriver, they just look right because they are right. It's a testament to using the right Indians to play themselves! Maybe that will catch on someday.
: )
So heres some pictures from the shoot to hopefully get you to come to the screening! If it's a big turnout, that will be a positive signal to head hanchos of large institutions that can greenlight more films of this magnitude!

















Now I love these 2 top photos because you see the Indians having a blast laughing and joking around! Everyone else is all business!

that's me and Sarah Colt. We are both credited as Director, Producer, Writer.
I got an additional credit as a cinematographer! I shot much footy in the re-enactments of the film!


That's our Director of Photography, Michael Chin. He is the coolest, and I got to shoot because he let me and encouraged me to do so. Other DP's didn't like that, but he was super humble and not threatened by me shooting! He is a master cinematographer!
Now the White Mountain Scouts!







More production stuff








All that to burn a Wikiup!
Now these are my pics from the day we shot with the peeps from Mescalero! So friggin bad ass! We did a night dance but it was near impossible to take pictures, so you'll have to settle for these day ones.














When it's all said and done, it came down to two and a half days of re-enactment shooting. The last half day was spent in the helicopter shooting ariels for about 4 hours in the sky. Then 5 days of scenic shooting, and 3 days worth of interviews with Apache Descendants, and 2 days with accademics, and one day for a pick up shoot at the tail end. To make this film! Come see it!
: )