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For those of you so inclined, I maintain a complete mirror of this blog at Blogger: http://poetry-of-zahhar.blogspot.com/. What's useful about this site is having the ability to organize posts by keyword. So groups of posts there can be read in relation to their shared associations.



Zahhar

Erin Thomas


Last Updated: 11/4/2009

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November 1, 2009 - Sunday 

Current mood:loomy
Category: Writing and Poetry

  Every morning she prays her rosary. Although I am in no way religious, being there and in some way part of the process brings a certain peace to the moment and a sense of hope to the day ahead:

morning prayer


from lightly swirling mists of mind she wakes
and sips a breath from cream and coffee walls
beside her dreams still breathe sonorous airs
concealed beneath the lashes of her love

silently her fingers slide beneath
the rise and fall of blankets puffed with down
feeling for the signs of her faith
that carried all her whispered hopes to rest

she rolls to find beneath her shoulder blade
sixty wooden markers linked by grace
and frees them tenderly into her grasp
impressions left behind of reverence

she touches sanctity between her brows
and presses to her lips a deep respect
then one by one her fingers trace the path
of patience lowly chanted through the light

within the depths of soundless sightlessness
he senses gentle motions brush his back
a thought a breath a passing ray of light
return him slowly from the fields of night

a pastel shaded window fills his eyes
followed by a clock and dresser drawers
a soft and rhythmic murmur fills his ears
underscored by contemplative rests

the air is still as old cathedral pews
he closes both his eyes and meditates
on every word and every shift of wood
that count her prayers soft against his skin


October 12, 2009 - Monday 

Current mood:could be better
Category: Writing and Poetry
Unrealized


Life came through her garden, humming
ageless songs within her throat.
She snipped here and there seeking
in her arbitrary way some perfection.
Twigs and withered blossoms fell
to rest and decay in soft tended loam.
Here and there a solitary bud caught
her eye and she raised shears to remove
some hint--crease or brown--of imperfection.

He was nipped in the bud,
the briefest snow white broke
though green, ready for light.
But was it frost or cruel shears--
he knew not. Just instant loss...
If he ran blood through those
unspread petals it might have felt
like a broken heart, crushed
in the clutches of unrealized
potential. The fullness of sun
hardly seen, barely felt, never known.


August 1, 2009 - Saturday 

Current mood:very tired
Category: Writing and Poetry

    Contrast


    I

    She dreams amid the depthless id,
        a realm of raw potential
    drifting at the edge of thought.
        Unmanifest essentials
percolate through layered folds of mind
forever just outside the touch of time.
    She breathes creation deep in caverns, tucked
        far from any insight, guess, or reason.
    She seethes formation leagues beneath the waves,
        far from hints of light or apprehension.
    She is the well from whence the waters spring,
        from whence the building blocks of life are sprung.
    She is the void from whence the stars are born,
        issued forth beyond the scope of scorn.
            She sleeps eternal with the night,
        giving birth to endless silhouettes
    that rise into awareness, taking shape
as all the many forms that move amid the day.


    II

    He springs to life a burst of light,
        exploding pure perception
    figures brought to sudden view.
        Diversified conceptions
manifest amid a constant stream
that sears the retina with vivid scenes.
    He brings discernment high to foggy heights,
        making all attempts to clear the distance.
    He sings invention miles from the surf,
        building means to navigate enigmas.
    He is the peak from which the fires spring,
        from which the smoke and thunderclap are sprung.
    He is a vision, stirred from out the deep,
        driven to avoid the sloughs of sleep.
            He strives forever with the day,
        raising every kind of edifice,
    each structure hewn from earth and wood
to shelter nascent notions from the jaws of night.


    III

    They weave cotillions day by night,
        dancing waves of symmetry
            that co-arise from mystery
                and foam against the light.
    Their voices hum with rhythmic steps,
        taps and scuffs of unity
            reechoed through eternity
                among the silent stars.
        Arm in arm, from world to world,
    they dip and rise, they tuck and twirl,
toe to toe and heel to heel
                        through galleries of loss.
        They sway against impermanence,
    reinventing innocence,
and recreating elegance
                        from water, dust, and ash.



  This poem is my third synthetic ode. Though I started working with this form over a year ago, I've only managed the time for three of them. They're semantically and structurally complex not just to write, but even to think about. They are three part poems that take and run with some ideas from the original odes of Pindar, way back around 500BC.
His extent odes are now referred to as Pindaric Odes, as are modern odes written in the same style (rare).

  What I take from Pindar's odes is this: The first and second parts, the strophe and antistrophe, must be metrically identical and share many semantic and phonemic parallelisms between them. Part three, the epode, does not have to follow the metrical, semantic, or phonemic structure of the first two parts. There must be sufficient enough tension between the strophe and antistrophe as to represent two distinct voices. And, within the corpus of the author, the structural aspects (meter, parallelisms) of each ode should be unique to that ode alone
—no other odes should use the same structure between them for parts one and two.

  The reason I call my odes "synthetic odes" and not Pindaric Odes is because they attempt to incorporate Hegelian Synthesis into the structure. Thus part one becomes the thesis, part two the antithesis, and part three the synthesis. The thesis presents some idea, expression, vantage point, or perspective. The antithesis presents, as far as possible, the opposing idea, expression, vantage point, or perspective. The synthesis attempts to unify the oppositions, or at least explore a possible unification. In this poem are presented "yin", "yang", and "tao". In Pindar's odes, the epode was optional. In my odes, the synthesis is integral.

  As a poet I strive to walk the thin frail line of "say what you feel" and "refine what you say"—the break-down of two opposing schools of poetry. But there is a third element not commonly talked about or recognized as integral to poetry and poetics
—Reflection. I believe that the exploration of the synthetic ode is uniquely suited to the development of this element within one's craft.


Currently listening:
Phases Of The Moon: Traditional Chinese Music
By Various Artists
Release date: 1990-10-25
July 4, 2009 - Saturday 

Category: Writing and Poetry

  If a fragment of verse sits unchanged in a poem for six months, then maybe it's time to remove it from the poem and let it become its own creature. And sure enough, soon as I cut and pasted it into its own Open Doc, my brain exploded with ideas on ways to bring it to fruition. About half way through I realized what it was about, and titled it accordingly:

Maya


From hard hidden folds where granites press
stony drops through limestone crevices
to streams that coalesce in emptiness
and pool in caverns dripping far from sight
to canyon narrows carved from monuments
heft high above a universe of waves
to stillborn depths where ancient forms of life
move like starving ghosts amid the void
she creeps through time an ever present force
birthing shapes amorphous to the mind
which rise and bubble out into the light
manifest for moments on the wind


July 1, 2009 - Wednesday 

Category: Writing and Poetry

  A few days ago I returned from a two week long road trip with my significant other. The apex of this journey took place at the Devils Tower (Bear Tower by some accounts) national monument in Wyoming, where we camped two nights. This place is sacred ground to many. Though I don't personally think in terms of "sacred", the place is very special to me for reasons currently beyond my capacity to understand or express.

  I've always felt connected to traditional Native American ways of viewing the world, and in some ways with their cultures. Perhaps my karma was such that this couldn't be helped. I was born here on the soils of California, nourished on foods grown from the dust of their ancestors, and nurtured with waters that welled from and washed over these same sands. Every molecule in my body—and by extension my spirit—has manifest from these lands and from those who have returned to its soils. Inheritance is not just genes and culture—it is much more.

  We don't choose our inheritance. We are manifest from it. For some reason, I have always deeply sensed that from which I've manifest. In recent years I've begun to better understand this sense, and perhaps I'm also beginning to learn how to convey some of this understanding.

  The best way I know is through poetry:


summer solstice at Bear Tower (2009)


    wind falls on the cottonwoods
          like a soft cool rain
sprinkled lightly upon the spirit
              beneath clear skies

    one by one the hosts
          of distant worlds
peek out through the void
              clearing away the dusk

    to the west a column vaults
          black against the night
holding the inmost eye
              fixed on her sudden stance

    in the dark a deer-drum
          follows the sound of prayers
resounding through the shadows
              to the stars




May 2, 2009 - Saturday 

Category: Writing and Poetry

  Not much to say here. Just:


reality



he longs to recall
innocence a time before

when he slid through nimbus
hopes on smooth white wings

before the sky fell crashing
twisted frames of light

before radiating refresh
rates dulled his retinas

it weighs on his chest
a crushing shadow of loss

an emptiness an urge to
realize stolen potential

a quiet rage stoked in the
depths of ransacked moments

each day he sees his life
taken slowly sipped away

and now his limbs begin to
tremble palsied graying skin

there will be no life to flash
before his lids in the end

for he died long ago when
all he lived for fell struck

from a sky full of dreams




March 30, 2009 - Monday 

Category: Writing and Poetry


  This was written in January 2006, a couple months before I began blogging here. It is the first of three related poems--the other two of which are "oak dream" and "markers"--that are each connected by a powerful dream I had in 2001:



Three Ravens


Likeness

a shadow-figure bounces limb to limb
dropped from high within a lobe-leafed crown
to settle in sere blades of weedy grass

cast from a dreamtime archetype
with lifelike detailed lifelessness
the image shines absorbing light

motionless by roots that vanish deep
it stares face-up awaiting scrutiny
with all the passion of an obelisk

no hint of air disturbs its place
those steady strands that broke its fall
as if to catch a secret prize


Presence

concealed in part by leaf and limb
a single pair of talons scratch
against imperfect plates of bark

a shard of rough obsidian regards
the hidden topside of a sturdy branch
where unseen from the ground an icon lures

all that stirs the careful air
is feathered curiosity
that taps and probes a private find

shelled by billowed tufts of nimbus green
the living marker cocks desultory glances
working to unlock its mystery


Metamorphosis

human arms reach out to merge with wings
that beat and glide within a canyon formed
by sprawling concrete towers gray with age

human legs press back against the quills
that turn their flight down narrow lanes of stone
led by blindsight to a courtyard park

and here within there stands and spreads
the only living structure found
amidst this city lost to time
amid the dreamscapes of the mind

and in the shade of gaze and bough
one hand holds a figurine
that splits along its downy breast
where silver light shines from its depths




Currently listening:
Tchaikovsky: Symphony No. 3
Release date: 1992-10-28
March 25, 2009 - Wednesday 

Current mood:anxiously mellow
Category: Writing and Poetry


  I'm trying to learn what I've half forgotten, how to bring moments of thought--imaginary or reflective--to life through imagery in words. But with all the insights I've gained since before forgetting, I find now that I want to try out strange oblique angles. No, this isn't about me, nor anyone I think I know. But it is about someone. It's definitely about someone:


Sunday morning


He drove home a bright blond
kiss still glowing warm
on his five o clock shadow
The sun breeze speckled a golden fan
from across the horizon to the white
picket edge of the pacific
coast highway

At the end of his curvy driveway
he swept into his arms the blushing
gaze of a long white gown
laughing light amber bubbles lightly
carried across the cream canyon
threshold where orange shades of sunset
played on the lintel

All night long he wrinkled satin sheets
with passion promise and wild prose
warbled up from his songbird heart
until stars melted away
stirred in milk and coffee snug
in the arms of a long and phoneless
Sunday morning sleep


But that was then now far
at the end of the long dim
hall of yesterday today


He drives home an empty seat
that scrapes at his stiff right arm
demanding he hear the howl
of silence stark beside him and
yanks at the wheel momentary jerks
toward oncoming lights

At home he rattles the chain link weight
of a long black tie over concrete sighs
into moon shadow stillness where
cold kitchen tiles reecho his
every step like white ribs cracked
by the strain of tomorrow

All night long he creases cold gray sheets
with aimless strides across a plush brown carpet
to the moonlit banister where canyon
darkness beckons from the ache
Till finally the stars melt moonless
into strong black coffee stirred
with the acrid taste of final resolution
a bitter brew that will call that distant
Sunday morning back forever



March 19, 2009 - Thursday 

Current mood:good question
Category: Writing and Poetry




  Through the years I've found that my heaviest moods can be lifted, at least for a time, by the lightest of songs sung by these shrewd dark birds:


raven song


small black stones drop
through clear blue silence
and splash ever so lightly
in still water thoughts

ripples expand concentric
rebounding from the edge of mind
sliding back beneath eccentric
rings that wimple shards of light

                        and fade





Currently listening:
My Destiny: Mi Destino
By Oscar Lopez
Release date: 2003-10-07
March 18, 2009 - Wednesday 

Current mood:flat as a tag
Category: Writing and Poetry



  Type it up, give it a title, and send it off into the world--hope it one day fares better than I have:


release


she only waited
        never far from the unlit room
            he cowered within
    but brave soul he feared
                his crude cut walls

untouched he could imagine
        he was only lost in the night
            overhead a blanket of clouds
    so thick
                no light fell through

that in his cold and dread
        he need only wait
            through uneasy sleep
    a distant dawn
                but it never came

deep down he knew
        it was night eternal
            closed in the coal gray close
    of cinder block doubts
                scrape to the skin

when he realized
        there was nothing to lose
            but hopes long dead
    he stood up arms
                waving to feel

four thud walls and four
        creased corners yes
            but to his surprise a frame
    hidden all this time in the gloom
                an unlocked door



Currently listening:
Island
By David Arkenstone w
Release date: 1990-10-17
March 11, 2009 - Wednesday 

Current mood:a bit goofy
Category: Writing and Poetry


  A rare non-poem post. This is my narrative essay written for my English 200 class. Just got it back today--an A:


Reflecting on Shadows

          It's probably before midnight. I lay on the ground in my stark blue bag, gazing, staring up through the breathing hole into a moonless night. Stars everywhere. Countless twinkling eyes looking on, seeing nothing. All around I can hear coyotes barking, yowling, giggling—or were they wolves? Desert shadows gape amid the darkness. A chill breeze dries my half-shed tears.

          Will it always be this way?

          A few hours ago near dusk a man driving a dingy brown sedan stopped and let me out near the Pumpkin Center, not far from Globe, Arizona. Probably a wise move on his part. He saw my thumb not far south of I-40 and pulled over. Usually I can smell a would-be predator the way a dog smells fear, a scent like mildewed sheets and rotting semen felt just behind and below the eyes.

          Travelers like to talk. This is why they picked you up. A few of them hope for something other, which I've never offered nor allowed. This one, an obese man with mottled skin hung loosely from bulbous cheeks and chin, tried mightily for two and a half full hours to talk me into letting him suck me off, even going so far as to pull out his false teeth to assure me it wouldn't hurt.

          I was careful not to express disgust, merely disinterest. I was also careful not to abruptly ask to be let out, since this is a sign of fear, and fear is what lets a predator know you're prey. Instead I declined his advances, changed the subject artfully, and maintained professional tones.

          As I got in the car he asked where I was headed, as they always do. "South," I said simply. A 15 year old runaway has no real destination. Anywhere but back. Anywhere but back to the hell I left behind. So, for now, "South." It's where the road went. When I chose to let him know I was where I wanted to be, he wouldn't suspect I just wanted out. And I was right. One last solicitation leant grossly over the passenger seat as I closed the door, and then he was gone. A sigh of relief, and I hiked into the rocky, dusty desert to find my bed.

          A rustle of sagebrush. The wind. And yet despite my startled attempts to make out the source of hidden noises, I feel strangely at ease, safe, tucked in this subzero bag. Not entirely at ease, certainly. Not entirely safe. But more so than I've ever been, than I've ever felt.

          This is why I ran.

          The sleeping bag was a random act of kindness. I found myself at the Grand Canyon National Park my third week free. A park ranger stopped me on the Bright Angel trail as I hiked down to the Colorado from the South Rim and tried to talk me out of the long hike—one, he told me, that was rarely attempted in a single day. When I refused to heed his good advice, he handed me a plastic milk gallon jug filled with water, and forbade me to continue unless I took it with.

          It was indeed a long hike, and the water probably saved my life.

          On my way back up, near dusk, I passed his station again, the last lone waif on the trail, dragging his blistered feet. He was actually standing outside as I approached, peering down the trail from under his trim green hat. He noted the empty jug, and invited me into the ranger's cabin to rest my unhappy heels. Once in, he sat me down at a table, offered  something to eat, and began asking questions. Where was I from. Who was I with. Where was I headed. Why was I hiking alone. What happened to my ID. On and on. And I wove him a thatch-work of lies, nearly waterproof.

          Finally, leaning on his elbows toward me from across the thick wooden table, he told me from under his bushy brown mustache—face straight, eyes level—that he thought I was a runaway. I looked him in the eyes with a face as straight and said, "Well anything's possible."

          He admitted defeat, however, and told me that since I wouldn't talk straight with him, he couldn't really offer me some kind of help. By help I could only guess he meant help getting put back into placement. No thanks.

          He let me leave, but as I reached for the front door he stopped me one last time,  bade me wait a moment, and disappeared into another part of the cabin. When he returned he had this very light down sleeping bag in his hands, and briefly told me about how he had confiscated it from some men who were illegally riding an ATV in the canyon that they had packed down in pieces. They were made to choose between a several thousand dollar fine or taking the ATV apart again, packing it back out with their gear—along with this sleeping bag—a five thousand foot climb to the rim, and then receiving only a thousand dollar fine after having the ATV and their gear confiscated. They chose the latter, grueling hike though it must have been, ranger at their heels each step of the way. He handed me the bag and insisted I take it, much the same way he insisted I take the water before. And it, too, probably saved my life.

          In fact, only the night before then I ended up having to sleep in a man's camper, who also tried to suck me off—For it was too cold to sleep outside. He must have been in his 60s, and looked the part of a grizzled old prospector, complete with salt and pepper beard, long hooked nose, gray furrowed cheeks, and dusty old Stetson. I made no compromise—I would have chosen homicide or hypothermia if it came to that—but eventually he offered the secondary bed anyway, grudgingly, moodily. He slept grunting and moaning in the overhead while I slept where the dining table dropped flat with the seats—eyes wide open.

          Now this sort of thing hasn't been a problem since meeting that ranger. Cold and windy as it was I was warm. Dark as it seemed I lived. Though I know I dance with death, ghostly grin and pale white bones rattling a step away, it's my dance, my fate—not theirs.

          In the treatment facilities and sterile wards I left behind, my fate was certain, signed and sealed by shrinks and social workers. Slowly, grimly, I would have been reduced to nothing more than a babbling misfit, ever overreacting to phantoms and fantasies.

          Between the toxic levels of psychotropic medication—my thoughts muddled to a fetid mud, the complete lack of an education beyond puzzles and coloring books, the never ending belittlement that poisoned even the slightest shoots of hope, the assurance from all involved that I'd live out my days dependent on the psychiatric system—industry—one way or another, and the terrorizing staff and inpatients that permeated that system like dry rot, I could never break free, become independent, and develop into an individual.

          It was a rare moment of clarity that made me realize that to live out my days this way was a fate worse than death, for it was living death—death of spirit, mind and soul. In a San Fernando Valley group home in the Los Angeles area, I was restrained one day by one of the staff during a destructive rage of mine. His name was RJ, a typical Valley boy in his early 20s. I don't remember quite what set me off, but because of the constant cloud of confusion and self doubt I suffered under, it didn't take much. I do remember smashing a closet door and putting my fist through my bedroom walls a few times—it was an actual house owned by the residential treatment facility—before he stunned me with a cuff to the head and slammed me face down on the shaggy dark brown carpet with my right arm pinned painfully behind my back. Once I was immobile he taunted me calling me a "crazy psycho", a "stupid mental patient", a "weak witted nut-case", and the like. Which of course enraged me all the more.

          But it wasn't this that brought that lucid moment. I yelled at him, between curses, that he had my bad arm wrenched up behind my back and that it was hurting. Instead of loosening his grip he slowly wrenched it tighter until something audibly crunched, ripped, or both. I shrieked pain, cursing him all the more. He threatened to break it—again—laughing. It had been broken longways along the upper arm and across the ball socket a year and a half before when a car smashed into a box fort I built in an alley a few blocks from home—a brief interlude when I lived with my mother. He sneered as he said that he could just say I fell and that no-one would believe me. This was probably true.

          His wife and co-worker, who had been chiming in insults as all this went on, kicked me in the face and said mockingly, "I don't know how he got that bruise. He must have been hitting himself again." And, well, yes I had been known to do that. I don't really know why.

          This is when it hit me. That's when I realized that the only chance I had—if there was a chance—at a life other than exactly this, over and over again for the rest of my days, was to face my worst fear and escape this detrimental "treatment"—To strike out on my own.

          The only chance I had then was this, these long stretches of highway crisscrossed throughout the States, nights sprawled out on dirt or nestled in snowbanks, soup kitchens shelter missions and motel vouchers, the surreal uncertainty of each new lift to anywhere.

          My soul wells up to think on it. For now I've survived, like the last lone survivor of a shipwreck or plane crash. Still, I know it's far from over. This is dangerous, precarious living.

          So here I am. Smack in the middle of the nowhere, waiting for sleep, waiting for dawn, waiting for my clear night sign that everything will be alright somehow—a shooting star. If I gaze on the depths long enough, I'll see one. I know they're just rocks falling from space or skimmed off the upper airs. But I feel a hand in it, an assurance.

          My thoughts drift as I fall asleep. Sometimes I see something move in the shadows, and I start. Then I realize it was only a moment of dream, not yet wholly asleep, phantoms lurking amid my soul. Almost always I feel a presence outside my field of vision as I phase into dream. Even now as I come back to my thoughts I feel it near. Is it just me?

          I'll survive for now. Just survive. A worthy goal until I know more about life, about who I might be, what I might be capable of accomplishing. Tomorrow when the sun glides to view I'll lift my head to see where I've ended up, pack my meager belongings, and hike back to the road. That's one thing I've learned about myself since running away. I have an uncanny sense of direction.

          Maybe I'll make my way down to I-10 and head east. Oklahoma. Tulsa. A pretty how town where anyone lives. My mother's father lives there with his second wife in a drafty old two story house, nearly as worn as the ground it creaks against. I met him once 6 or so years ago, a rugged old war veteran, bald as a white-washed cannon ball—as my mom would say—full of stories and strong opinion, rasped out like a strong grip—beak stern, eyes strident. He might have some ideas for me, advice. He's one rigid old codger from what I remember. But maybe he'd be willing to take me on, help me figure out how to get my messed up existence in order.

          God knows that, as much as these endless strips of asphalt comfort and assure me that I have in fact escaped the sulfurous pits of hell, I don't want to live this way forever. There must be a way to improve upon my condition. There must be a way forward, despite my lack of education, despite the pain and trauma I carry within, despite everything I'll have to overcome or learn to live with—

          Ah. There it is. A long thin stroke of light against the canvass of night, already fading.

          It shouldn't always be this way.



Currently listening:
Beethoven: Symphony No. 4
Release date: 1994-09-09
March 5, 2009 - Thursday 

Category: Writing and Poetry



  Self discovery implies the existence of a self to discover—Something clearer than metaphor, something more concrete than abstraction. Yet when we press our inward eye against the pane of our being, we find ourselves gaping into the unknown, seeing only the dust of time and culture that has accumulated there—Like a fog.

  We wave our hands and fidget our fingers as we strive to express it, "It's like a mustard seed ...", "It's like a reflection ...", "It's that place from which all experience ...", and it goes on. Almost always it's "like", it's "as", it's simile and metaphor. It never just is. And after so many years with my face nearly flat against that pane, I can't seem to figure out where or what it is. So I've let go of trying to answer the age old question of, "Who am I?" I've let go even of asking. I am. Whatever I am, however it happened, it's here. It just is
For now:


        Creation


        You are already all
                you've longed to be
close your eyes and breathe
        trust in the rhythm of inspiration

        The work is done
                all that remains now
is the clear crisp waters of faith
        on your sapling words

        They sprouted when your soul was new
                in dark brown soils where
confusion percolated down to nourish
        tiny roots of sentience

        Blind to all knowing they pushed
                cracked open the earth and spread
tremulous shoots
        glittering themes of light

        What could be eons passed
                bending with the sun
singing out to stars perhaps
        long since vanished

        All unwitting you kept
                your garden safe from saws
that would plane your understanding
        into signposts and billboards

        A garden not unlike perhaps
                the long ago Eden that once
rustled softly in morning winds
        yearning to the step of creation

        Now open your eyes
                and behold strong green sprays
swaying over streams of time
        they were always there




February 21, 2009 - Saturday 

Category: Writing and Poetry


  I think I'm different now, all of the sudden. Yes, there's been a change. This one is for my fiancee, my Joy. For it is she who has helped me to understand my children, and to love them all, seeking always their fullest potential:


Labor


for Joy


Plain white lines frame
        unuttered dreams
still beating nearly silent
    in warm red darkness

Crinkled edges sing
        what yet may be
beckon bend your ear
    to the still small song

Don't ball them up and sigh
        convinced of failure
and chuck them crumpled waste
    in steel mesh exile

Each half-creation is a child
    striving for full potential
life is born in whispers
        too faint for the world to hear




February 20, 2009 - Friday 

Current mood:utterly feckin exhausted
Category: Writing and Poetry




  Something's happening, with revelation, with tears, without understanding:


        paper


        I see you now
                as if for the very first time
            floating before my gaze
white—changeable as the clouds
                    full of reflection
    clear—deep as a canyon pond

        perhaps you're a spring
    gushed from furthest mystery
                a taste—artesian

        I see you now
                    suddenly as if never before
    welling up on my eyes
            sparkling clarity
                bubbling hope



January 27, 2009 - Tuesday 

Current mood:uneasy
Category: Writing and Poetry



  Started school last week. My first time in college in over eight years. I've always wanted to shoot for a degree in something--hell anything--but overcoming a complete lack of education, and by extension a complete lack of emotional-intellectual confidence and cultural preparation, has been challenging.

  But this poem has nothing to do with that. For class notes I'm using the same composition books I take out backpacking with me, and I discovered a fragment in one of them that I decided to finish.

  The notes seem to have been taken at the end of my last Lost Coast Trail hike, which was a seven day walk. I'm pretty sure this was inspired by the beach at Bear Harbor, at the northern end of the Sinkyone Wilderness State Park:


Rinse


Waves crash across the coarse gray sands
                    rising washing
          sinking seeping
                                                  into night

Waves echo from tall silhouettes
                    ancient cliffs
          canyon bluffs
                                      carved from night

Waves beat my heavy thoughts to rest
                    ground to dreams that
          sparkle faintly
                                          within the night