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November 1, 2009 - Sunday
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Current mood:loomy
Category: Writing and Poetry
Every morning she prays her rosary. Although I am in no way religious, being there and in some way part of the process brings a certain peace to the moment and a sense of hope to the day ahead:
morning prayer
from lightly swirling mists of mind she wakes
and sips a breath from cream and coffee walls
beside her dreams still breathe sonorous airs
concealed beneath the lashes of her love
silently her fingers slide beneath
the rise and fall of blankets puffed with down
feeling for the signs of her faith
that carried all her whispered hopes to rest
she rolls to find beneath her shoulder blade
sixty wooden markers linked by grace
and frees them tenderly into her grasp
impressions left behind of reverence
she touches sanctity between her brows
and presses to her lips a deep respect
then one by one her fingers trace the path
of patience lowly chanted through the light
within the depths of soundless sightlessness
he senses gentle motions brush his back
a thought a breath a passing ray of light
return him slowly from the fields of night
a pastel shaded window fills his eyes
followed by a clock and dresser drawers
a soft and rhythmic murmur fills his ears
underscored by contemplative rests
the air is still as old cathedral pews
he closes both his eyes and meditates
on every word and every shift of wood
that count her prayers soft against his skin
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October 12, 2009 - Monday
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Current mood:could be better
Category: Writing and Poetry
Unrealized
Life came through her garden, humming
ageless songs within her throat.
She snipped here and there seeking
in her arbitrary way some perfection.
Twigs and withered blossoms fell
to rest and decay in soft tended loam.
Here and there a solitary bud caught
her eye and she raised shears to remove
some hint--crease or brown--of imperfection.
He was nipped in the bud,
the briefest snow white broke
though green, ready for light.
But was it frost or cruel shears--
he knew not. Just instant loss...
If he ran blood through those
unspread petals it might have felt
like a broken heart, crushed
in the clutches of unrealized
potential. The fullness of sun
hardly seen, barely felt, never known.
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August 1, 2009 - Saturday
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Current mood:very tired
Category: Writing and Poetry
Contrast
I
She dreams amid the depthless id, a realm of raw potential drifting at the edge of thought. Unmanifest essentials percolate through layered folds of mind forever just outside the touch of time. She breathes creation deep in caverns, tucked far from any insight, guess, or reason. She seethes formation leagues beneath the waves, far from hints of light or apprehension. She is the well from whence the waters spring, from whence the building blocks of life are sprung. She is the void from whence the stars are born, issued forth beyond the scope of scorn. She sleeps eternal with the night, giving birth to endless silhouettes that rise into awareness, taking shape as all the many forms that move amid the day.
II
He springs to life a burst of light, exploding pure perception figures brought to sudden view. Diversified conceptions manifest amid a constant stream that sears the retina with vivid scenes. He brings discernment high to foggy heights, making all attempts to clear the distance. He sings invention miles from the surf, building means to navigate enigmas. He is the peak from which the fires spring, from which the smoke and thunderclap are sprung. He is a vision, stirred from out the deep, driven to avoid the sloughs of sleep. He strives forever with the day, raising every kind of edifice, each structure hewn from earth and wood to shelter nascent notions from the jaws of night.
III
They weave cotillions day by night, dancing waves of symmetry that co-arise from mystery and foam against the light. Their voices hum with rhythmic steps, taps and scuffs of unity reechoed through eternity among the silent stars. Arm in arm, from world to world, they dip and rise, they tuck and twirl, toe to toe and heel to heel through galleries of loss. They sway against impermanence, reinventing innocence, and recreating elegance from water, dust, and ash.
This poem is my third synthetic ode. Though I started working with this form over a year ago, I've only managed the time for three of them. They're semantically and structurally complex not just to write, but even to think about. They are three part poems that take and run with some ideas from the original odes of Pindar, way back around 500BC. His extent odes are now referred to as Pindaric Odes, as are modern odes written in the same style (rare). What I take from Pindar's odes is this: The first and second parts, the strophe and antistrophe, must be metrically identical and share many semantic and phonemic parallelisms between them. Part three, the epode, does not have to follow the metrical, semantic, or phonemic structure of the first two parts. There must be sufficient enough tension between the strophe and antistrophe as to represent two distinct voices. And, within the corpus of the author, the structural aspects (meter, parallelisms) of each ode should be unique to that ode alone—no other odes should use the same structure between them for parts one and two.
The reason I call my odes "synthetic odes" and not Pindaric Odes is because they attempt to incorporate Hegelian Synthesis into the structure. Thus part one becomes the thesis, part two the antithesis, and part three the synthesis. The thesis presents some idea, expression, vantage point, or perspective. The antithesis presents, as far as possible, the opposing idea, expression, vantage point, or perspective. The synthesis attempts to unify the oppositions, or at least explore a possible unification. In this poem are presented "yin", "yang", and "tao". In Pindar's odes, the epode was optional. In my odes, the synthesis is integral.
As a poet I strive to walk the thin frail line of "say what you feel" and "refine what you say"—the break-down of two opposing schools of poetry. But there is a third element not commonly talked about or recognized as integral to poetry and poetics—Reflection. I believe that the exploration of the synthetic ode is uniquely suited to the development of this element within one's craft.
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July 4, 2009 - Saturday
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Category: Writing and Poetry
If a fragment of verse sits unchanged in a poem for six months, then maybe it's time to remove it from the poem and let it become its own creature. And sure enough, soon as I cut and pasted it into its own Open Doc, my brain exploded with ideas on ways to bring it to fruition. About half way through I realized what it was about, and titled it accordingly:
Maya
From hard hidden folds where granites press stony drops through limestone crevices to streams that coalesce in emptiness and pool in caverns dripping far from sight to canyon narrows carved from monuments heft high above a universe of waves to stillborn depths where ancient forms of life move like starving ghosts amid the void she creeps through time an ever present force birthing shapes amorphous to the mind which rise and bubble out into the light manifest for moments on the wind
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July 1, 2009 - Wednesday
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Category: Writing and Poetry
A few days ago I returned from a two week long road trip with my
significant other. The apex of this journey took place at the Devils Tower (Bear Tower by some accounts) national monument in Wyoming, where
we camped two nights. This place is sacred ground to many. Though I don't personally think in terms of "sacred", the place is very special to me for reasons currently beyond my capacity to understand or express.
I've always felt connected to traditional Native American ways of viewing the world, and in some ways with their cultures. Perhaps my karma was such that this couldn't be helped. I was born here on the soils of California, nourished on foods grown from the dust of their ancestors, and nurtured with waters that welled from and washed over these same sands. Every molecule in my body—and by extension my spirit—has manifest from these lands and from those who have returned to its soils. Inheritance is not just genes and culture—it is much more.
We don't choose our inheritance. We are manifest from it. For some reason, I have always deeply sensed that from which I've manifest. In recent years I've begun to better understand this sense, and perhaps I'm also beginning to learn how to convey some of this understanding.
The best way I know is through poetry:
summer solstice at Bear Tower (2009)
wind falls on the cottonwoods
like a soft cool rain
sprinkled lightly upon the spirit
beneath clear skies
one by one the hosts
of distant worlds
peek out through the void
clearing away the dusk
to the west a column vaults
black against the night
holding the inmost eye
fixed on her sudden stance
in the dark a deer-drum
follows the sound of prayers
resounding through the shadows
to the stars
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May 2, 2009 - Saturday
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Category: Writing and Poetry
Not much to say here. Just:
reality
he longs to recall innocence a time before
when he slid through nimbus hopes on smooth white wings
before the sky fell crashing twisted frames of light
before radiating refresh rates dulled his retinas
it weighs on his chest a crushing shadow of loss
an emptiness an urge to realize stolen potential
a quiet rage stoked in the depths of ransacked moments
each day he sees his life taken slowly sipped away
and now his limbs begin to tremble palsied graying skin
there will be no life to flash before his lids in the end
for he died long ago when all he lived for fell struck
from a sky full of dreams
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March 30, 2009 - Monday
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Category: Writing and Poetry
This was written in January 2006, a couple months before I began blogging here. It is the first of three related poems--the other two of which are "oak dream" and "markers"--that are each connected by a powerful dream I had in 2001:
Three Ravens
Likeness
a shadow-figure bounces limb to limb dropped from high within a lobe-leafed crown to settle in sere blades of weedy grass
cast from a dreamtime archetype with lifelike detailed lifelessness the image shines absorbing light
motionless by roots that vanish deep it stares face-up awaiting scrutiny with all the passion of an obelisk
no hint of air disturbs its place those steady strands that broke its fall as if to catch a secret prize
Presence
concealed in part by leaf and limb a single pair of talons scratch against imperfect plates of bark
a shard of rough obsidian regards the hidden topside of a sturdy branch where unseen from the ground an icon lures
all that stirs the careful air is feathered curiosity that taps and probes a private find
shelled by billowed tufts of nimbus green the living marker cocks desultory glances working to unlock its mystery
Metamorphosis
human arms reach out to merge with wings that beat and glide within a canyon formed by sprawling concrete towers gray with age
human legs press back against the quills that turn their flight down narrow lanes of stone led by blindsight to a courtyard park
and here within there stands and spreads the only living structure found amidst this city lost to time amid the dreamscapes of the mind
and in the shade of gaze and bough one hand holds a figurine that splits along its downy breast where silver light shines from its depths
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March 25, 2009 - Wednesday
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Current mood:anxiously mellow
Category: Writing and Poetry
I'm trying to learn what I've half forgotten, how to bring moments of thought--imaginary or reflective--to life through imagery in words. But with all the insights I've gained since before forgetting, I find now that I want to try out strange oblique angles. No, this isn't about me, nor anyone I think I know. But it is about someone. It's definitely about someone:
Sunday morning
He drove home a bright blond kiss still glowing warm on his five o clock shadow The sun breeze speckled a golden fan from across the horizon to the white picket edge of the pacific coast highway
At the end of his curvy driveway he swept into his arms the blushing gaze of a long white gown laughing light amber bubbles lightly carried across the cream canyon threshold where orange shades of sunset played on the lintel
All night long he wrinkled satin sheets with passion promise and wild prose warbled up from his songbird heart until stars melted away stirred in milk and coffee snug in the arms of a long and phoneless Sunday morning sleep
But that was then now far at the end of the long dim hall of yesterday today
He drives home an empty seat that scrapes at his stiff right arm demanding he hear the howl of silence stark beside him and yanks at the wheel momentary jerks toward oncoming lights
At home he rattles the chain link weight of a long black tie over concrete sighs into moon shadow stillness where cold kitchen tiles reecho his every step like white ribs cracked by the strain of tomorrow
All night long he creases cold gray sheets with aimless strides across a plush brown carpet to the moonlit banister where canyon darkness beckons from the ache Till finally the stars melt moonless into strong black coffee stirred with the acrid taste of final resolution a bitter brew that will call that distant Sunday morning back forever
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March 19, 2009 - Thursday
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Current mood:good question
Category: Writing and Poetry
Through the years I've found that my heaviest moods can be lifted, at least for a time, by the lightest of songs sung by these shrewd dark birds:
raven song
small black stones drop through clear blue silence and splash ever so lightly in still water thoughts
ripples expand concentric rebounding from the edge of mind sliding back beneath eccentric rings that wimple shards of light
and fade
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March 18, 2009 - Wednesday
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Current mood:flat as a tag
Category: Writing and Poetry
Type it up, give it a title, and send it off into the world--hope it one day fares better than I have:
release
she only waited never far from the unlit room he cowered within but brave soul he feared his crude cut walls
untouched he could imagine he was only lost in the night overhead a blanket of clouds so thick no light fell through
that in his cold and dread he need only wait through uneasy sleep a distant dawn but it never came
deep down he knew it was night eternal closed in the coal gray close of cinder block doubts scrape to the skin
when he realized there was nothing to lose but hopes long dead he stood up arms waving to feel
four thud walls and four creased corners yes but to his surprise a frame hidden all this time in the gloom an unlocked door
 | Currently listening: Island By David Arkenstone w Release date: 1990-10-17 |
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March 11, 2009 - Wednesday
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Current mood:a bit goofy
Category: Writing and Poetry
A rare non-poem post. This is my narrative essay written for my English 200 class. Just got it back today--an A:
Reflecting on Shadows
It's probably before midnight. I lay on the ground in my stark blue bag, gazing, staring up through the breathing hole into a moonless night. Stars everywhere. Countless twinkling eyes looking on, seeing nothing. All around I can hear coyotes barking, yowling, giggling—or were they wolves? Desert shadows gape amid the darkness. A chill breeze dries my half-shed tears.
Will it always be this way?
A few hours ago near dusk a man driving a dingy brown sedan stopped and let me out near the Pumpkin Center, not far from Globe, Arizona. Probably a wise move on his part. He saw my thumb not far south of I-40 and pulled over. Usually I can smell a would-be predator the way a dog smells fear, a scent like mildewed sheets and rotting semen felt just behind and below the eyes.
Travelers like to talk. This is why they picked you up. A few of them hope for something other, which I've never offered nor allowed. This one, an obese man with mottled skin hung loosely from bulbous cheeks and chin, tried mightily for two and a half full hours to talk me into letting him suck me off, even going so far as to pull out his false teeth to assure me it wouldn't hurt.
I was careful not to express disgust, merely disinterest. I was also careful not to abruptly ask to be let out, since this is a sign of fear, and fear is what lets a predator know you're prey. Instead I declined his advances, changed the subject artfully, and maintained professional tones.
As I got in the car he asked where I was headed, as they always do. "South," I said simply. A 15 year old runaway has no real destination. Anywhere but back. Anywhere but back to the hell I left behind. So, for now, "South." It's where the road went. When I chose to let him know I was where I wanted to be, he wouldn't suspect I just wanted out. And I was right. One last solicitation leant grossly over the passenger seat as I closed the door, and then he was gone. A sigh of relief, and I hiked into the rocky, dusty desert to find my bed.
A rustle of sagebrush. The wind. And yet despite my startled attempts to make out the source of hidden noises, I feel strangely at ease, safe, tucked in this subzero bag. Not entirely at ease, certainly. Not entirely safe. But more so than I've ever been, than I've ever felt.
This is why I ran.
The sleeping bag was a random act of kindness. I found myself at the Grand Canyon National Park my third week free. A park ranger stopped me on the Bright Angel trail as I hiked down to the Colorado from the South Rim and tried to talk me out of the long hike—one, he told me, that was rarely attempted in a single day. When I refused to heed his good advice, he handed me a plastic milk gallon jug filled with water, and forbade me to continue unless I took it with.
It was indeed a long hike, and the water probably saved my life.
On my way back up, near dusk, I passed his station again, the last lone waif on the trail, dragging his blistered feet. He was actually standing outside as I approached, peering down the trail from under his trim green hat. He noted the empty jug, and invited me into the ranger's cabin to rest my unhappy heels. Once in, he sat me down at a table, offered something to eat, and began asking questions. Where was I from. Who was I with. Where was I headed. Why was I hiking alone. What happened to my ID. On and on. And I wove him a thatch-work of lies, nearly waterproof.
Finally, leaning on his elbows toward me from across the thick wooden table, he told me from under his bushy brown mustache—face straight, eyes level—that he thought I was a runaway. I looked him in the eyes with a face as straight and said, "Well anything's possible."
He admitted defeat, however, and told me that since I wouldn't talk straight with him, he couldn't really offer me some kind of help. By help I could only guess he meant help getting put back into placement. No thanks.
He let me leave, but as I reached for the front door he stopped me one last time, bade me wait a moment, and disappeared into another part of the cabin. When he returned he had this very light down sleeping bag in his hands, and briefly told me about how he had confiscated it from some men who were illegally riding an ATV in the canyon that they had packed down in pieces. They were made to choose between a several thousand dollar fine or taking the ATV apart again, packing it back out with their gear—along with this sleeping bag—a five thousand foot climb to the rim, and then receiving only a thousand dollar fine after having the ATV and their gear confiscated. They chose the latter, grueling hike though it must have been, ranger at their heels each step of the way. He handed me the bag and insisted I take it, much the same way he insisted I take the water before. And it, too, probably saved my life.
In fact, only the night before then I ended up having to sleep in a man's camper, who also tried to suck me off—For it was too cold to sleep outside. He must have been in his 60s, and looked the part of a grizzled old prospector, complete with salt and pepper beard, long hooked nose, gray furrowed cheeks, and dusty old Stetson. I made no compromise—I would have chosen homicide or hypothermia if it came to that—but eventually he offered the secondary bed anyway, grudgingly, moodily. He slept grunting and moaning in the overhead while I slept where the dining table dropped flat with the seats—eyes wide open.
Now this sort of thing hasn't been a problem since meeting that ranger. Cold and windy as it was I was warm. Dark as it seemed I lived. Though I know I dance with death, ghostly grin and pale white bones rattling a step away, it's my dance, my fate—not theirs.
In the treatment facilities and sterile wards I left behind, my fate was certain, signed and sealed by shrinks and social workers. Slowly, grimly, I would have been reduced to nothing more than a babbling misfit, ever overreacting to phantoms and fantasies.
Between the toxic levels of psychotropic medication—my thoughts muddled to a fetid mud, the complete lack of an education beyond puzzles and coloring books, the never ending belittlement that poisoned even the slightest shoots of hope, the assurance from all involved that I'd live out my days dependent on the psychiatric system—industry—one way or another, and the terrorizing staff and inpatients that permeated that system like dry rot, I could never break free, become independent, and develop into an individual.
It was a rare moment of clarity that made me realize that to live out my days this way was a fate worse than death, for it was living death—death of spirit, mind and soul. In a San Fernando Valley group home in the Los Angeles area, I was restrained one day by one of the staff during a destructive rage of mine. His name was RJ, a typical Valley boy in his early 20s. I don't remember quite what set me off, but because of the constant cloud of confusion and self doubt I suffered under, it didn't take much. I do remember smashing a closet door and putting my fist through my bedroom walls a few times—it was an actual house owned by the residential treatment facility—before he stunned me with a cuff to the head and slammed me face down on the shaggy dark brown carpet with my right arm pinned painfully behind my back. Once I was immobile he taunted me calling me a "crazy psycho", a "stupid mental patient", a "weak witted nut-case", and the like. Which of course enraged me all the more.
But it wasn't this that brought that lucid moment. I yelled at him, between curses, that he had my bad arm wrenched up behind my back and that it was hurting. Instead of loosening his grip he slowly wrenched it tighter until something audibly crunched, ripped, or both. I shrieked pain, cursing him all the more. He threatened to break it—again—laughing. It had been broken longways along the upper arm and across the ball socket a year and a half before when a car smashed into a box fort I built in an alley a few blocks from home—a brief interlude when I lived with my mother. He sneered as he said that he could just say I fell and that no-one would believe me. This was probably true.
His wife and co-worker, who had been chiming in insults as all this went on, kicked me in the face and said mockingly, "I don't know how he got that bruise. He must have been hitting himself again." And, well, yes I had been known to do that. I don't really know why.
This is when it hit me. That's when I realized that the only chance I had—if there was a chance—at a life other than exactly this, over and over again for the rest of my days, was to face my worst fear and escape this detrimental "treatment"—To strike out on my own.
The only chance I had then was this, these long stretches of highway crisscrossed throughout the States, nights sprawled out on dirt or nestled in snowbanks, soup kitchens shelter missions and motel vouchers, the surreal uncertainty of each new lift to anywhere.
My soul wells up to think on it. For now I've survived, like the last lone survivor of a shipwreck or plane crash. Still, I know it's far from over. This is dangerous, precarious living.
So here I am. Smack in the middle of the nowhere, waiting for sleep, waiting for dawn, waiting for my clear night sign that everything will be alright somehow—a shooting star. If I gaze on the depths long enough, I'll see one. I know they're just rocks falling from space or skimmed off the upper airs. But I feel a hand in it, an assurance.
My thoughts drift as I fall asleep. Sometimes I see something move in the shadows, and I start. Then I realize it was only a moment of dream, not yet wholly asleep, phantoms lurking amid my soul. Almost always I feel a presence outside my field of vision as I phase into dream. Even now as I come back to my thoughts I feel it near. Is it just me?
I'll survive for now. Just survive. A worthy goal until I know more about life, about who I might be, what I might be capable of accomplishing. Tomorrow when the sun glides to view I'll lift my head to see where I've ended up, pack my meager belongings, and hike back to the road. That's one thing I've learned about myself since running away. I have an uncanny sense of direction.
Maybe I'll make my way down to I-10 and head east. Oklahoma. Tulsa. A pretty how town where anyone lives. My mother's father lives there with his second wife in a drafty old two story house, nearly as worn as the ground it creaks against. I met him once 6 or so years ago, a rugged old war veteran, bald as a white-washed cannon ball—as my mom would say—full of stories and strong opinion, rasped out like a strong grip—beak stern, eyes strident. He might have some ideas for me, advice. He's one rigid old codger from what I remember. But maybe he'd be willing to take me on, help me figure out how to get my messed up existence in order.
God knows that, as much as these endless strips of asphalt comfort and assure me that I have in fact escaped the sulfurous pits of hell, I don't want to live this way forever. There must be a way to improve upon my condition. There must be a way forward, despite my lack of education, despite the pain and trauma I carry within, despite everything I'll have to overcome or learn to live with—
Ah. There it is. A long thin stroke of light against the canvass of night, already fading.
It shouldn't always be this way.
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March 5, 2009 - Thursday
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Category: Writing and Poetry
Self discovery implies the existence of a self to discover—Something clearer than metaphor, something more concrete than abstraction. Yet when we press our inward eye against the pane of our being, we find ourselves gaping into the unknown, seeing only the dust of time and culture that has accumulated there—Like a fog.
We wave our hands and fidget our fingers as we strive to express it, "It's like a mustard seed ...", "It's like a reflection ...", "It's that place from which all experience ...", and it goes on. Almost always it's "like", it's "as", it's simile and metaphor. It never just is. And after so many years with my face nearly flat against that pane, I can't seem to figure out where or what it is. So I've let go of trying to answer the age old question of, "Who am I?" I've let go even of asking. I am. Whatever I am, however it happened, it's here. It just is—For now:
Creation
You are already all you've longed to be close your eyes and breathe trust in the rhythm of inspiration
The work is done all that remains now is the clear crisp waters of faith on your sapling words
They sprouted when your soul was new in dark brown soils where confusion percolated down to nourish tiny roots of sentience
Blind to all knowing they pushed cracked open the earth and spread tremulous shoots glittering themes of light
What could be eons passed bending with the sun singing out to stars perhaps long since vanished
All unwitting you kept your garden safe from saws that would plane your understanding into signposts and billboards
A garden not unlike perhaps the long ago Eden that once rustled softly in morning winds yearning to the step of creation
Now open your eyes and behold strong green sprays swaying over streams of time they were always there
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February 21, 2009 - Saturday
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Category: Writing and Poetry
I think I'm different now, all of the sudden. Yes, there's been a change. This one is for my fiancee, my Joy. For it is she who has helped me to understand my children, and to love them all, seeking always their fullest potential:
Labor
for Joy
Plain white lines frame unuttered dreams still beating nearly silent in warm red darkness
Crinkled edges sing what yet may be beckon bend your ear to the still small song
Don't ball them up and sigh convinced of failure and chuck them crumpled waste in steel mesh exile
Each half-creation is a child striving for full potential life is born in whispers too faint for the world to hear
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February 20, 2009 - Friday
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Current mood:utterly feckin exhausted
Category: Writing and Poetry
Something's happening, with revelation, with tears, without understanding:
paper
I see you now as if for the very first time floating before my gaze white—changeable as the clouds full of reflection clear—deep as a canyon pond
perhaps you're a spring gushed from furthest mystery a taste—artesian
I see you now suddenly as if never before welling up on my eyes sparkling clarity bubbling hope
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January 27, 2009 - Tuesday
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Current mood:uneasy
Category: Writing and Poetry
Started school last week. My first time in college in over eight years. I've always wanted to shoot for a degree in something--hell anything--but overcoming a complete lack of education, and by extension a complete lack of emotional-intellectual confidence and cultural preparation, has been challenging.
But this poem has nothing to do with that. For class notes I'm using the same composition books I take out backpacking with me, and I discovered a fragment in one of them that I decided to finish.
The notes seem to have been taken at the end of my last Lost Coast Trail hike, which was a seven day walk. I'm pretty sure this was inspired by the beach at Bear Harbor, at the northern end of the Sinkyone Wilderness State Park:
Rinse
Waves crash across the coarse gray sands rising washing sinking seeping into night
Waves echo from tall silhouettes ancient cliffs canyon bluffs carved from night
Waves beat my heavy thoughts to rest ground to dreams that sparkle faintly within the night
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