Sexe : Female
Statut : En couple
Age : 26
Zodiaque: Taureau
Ville : Brooklyn
Région : New York
Pays: US
Date d’inscription :: 20/02/2006
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jeudi, décembre 17, 2009
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1. 2010 Autonomedia Calendar of Jubilee Saints:
Radical Heroes for the New Millennium
2. Creating Insecurity:
Art and Culture in the Age of Security
Edited by Wolfgang Sützl & Geoff Cox
3. New Distribution Titles
4. Upcoming events
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1. 2010 Autonomedia Calendar of Jubilee Saints
Radical Heroes for the New Millennium!
Autonomedia’s Jubilee Saints Calendar for 2010! Our 18th annual wall calendar, with artwork by James Koehnline, and text by the Autonomedia Collective.
Hundreds of radical cultural and political heroes are celebrated here, along with the animating ideas that continue to guide this project — a reprieve from the 500-year-long sentence to life-at-hard-labor that the European colonization of the “New World” and the ensuing devastations of the rest of the world has represented. It is increasingly clear — at the dawn of this new millennium — that the Planetary Work Machine will not rule forever!
Celebrate with this calendar on which every day is a holiday! Ships within 24 hours.
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2. Creating Insecurity
Art and Culture in the Age of Security
DATA Browser Number 4
Edited by Wolfgang Sützl & Geoff Cox
Today we are facing extreme and most dangerous developments in the thought of security. In the course of a gradual neutralization of politics and the progressive surrender of traditional tasks of the state, security imposes itself as the basic principle of state activity. What used to be one among several decisive measures of public administration until the first half of the twentieth century, now becomes the sole criterion of political legitimation. The thought of security entails an essential risk. A state which has security as its sole task and source of legitimacy is a fragile organism; it can always be provoked by terrorism to become itself terrorist.
Following the words of Giorgio Agamben (from his 2001 article “On Security and Terror”), security has become the basic principle of international politics after 9/11, and the “sole criterion of political legitimation.” But security – reducing plural, spontaneous and surprising phenomena to a level of calculability – also seems to operate against a political legitimacy based on possibilities of dissent, and stands in clear opposition to artistic creativity. Being uncalculable by nature, art is often incompatible with the demands of security and consequently viewed as a “risk,” leading to the arrest of artists, and a neutralization of innovative environments for the sake of security.
Yet precisely the position of art outside the calculable seems to bring about a new politicization of art, and some speak of art as “politics by other means.” Has art become the last remaining enclave of a critique of violence? Yet how “risky” can art be?
The contributors to DATA browser 04: CREATING INSECURITY address these questions at the intersection of art, technology, and politics.
Contributors from Giorgio Agamben, Konrad Becker, Bureau of Inverse Technology, Geoff Cox, Florian Cramer, glorious ninth, Brian Holmes, carlos katastrofsky, Martin Knahl, Norbert Koppensteiner, Daniela Ingruber, The Institute for Applied Autonomy, Naeem Mohaiemen, Mukul Patel, Luis Silva, Wolfgang Sützl, Tiziana Terranova, and McKenzie Wark.
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3. New Distribution Titles
Upsetting the Offset: The Political Economy of Carbon Markets
Edited by Steffen Böhm & Siddhartha Dabhi
Upsetting the Offset engages critically with the political economy of carbon markets. It presents a range of case studies and critiques from around the world, showing how the scam of carbon markets affects the lives of communities. But the book doesn’t stop there. It also presents a number of alternatives to carbon markets which enable communities to live in real low-carbon futures.
“If you wondered whether capitalism could ever produce the perfect weapon of its own destruction, try this heady mix of carbon fuels, the trade in financial derivatives, and more than a dash of neo-colonialism, and boom! But this book is far from resigned to that fate. After examining the case against carbon trading… the book turns to alternatives, to hope, to sanity, and to the future.” Professor Stefano Harney, Queen Mary, University of London, UK
Shalom Neuman
40 Years of Fusion Art, 1967–2007
An oversized, full-color, hardbound retrospective volume surveying the visual and “fusion” art of Shalom Neuman, with accompanying texts by Enrico Baj, Donald Kuspit and Robert Morgan, an interview with Neuman conducted by Tsaurah Litzky, and photos by James Dee, Deborah Fries and Francis James.
The Polymath:
or, Life & Opinions of Samuel R. Delany, Gentleman
By Fred Barney Taylor
A feature-length cinematic portrait of this larger-than-life iconic figure, fluidly fusing meditative and experimental imagery, autobiographical anecdotes, family home movies, and literary excerpts to produce a stylized and highly unusual documentary. The film's nonlinear structure follows Delany's own use of autobiography, science-fiction, social criticism, pornography and semiotics. Also features an appearance by novelist Jonathan Lethem. The bonus disc contains 2 and 1/2 hours of never-before-seen Delany interviews and includes the full version of his own film, The Orchid. 2 DVD set, 80+150 min.
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4. Upcoming events
East Coast Release Events for Imaginal Machines
All power to the imagination? Over the past forty years to invoke the imagination as a basis for radical politics has become a cliché: a rhetorical utilization of ideas already in circulation. But what exactly is radical imagination? Come join us to celebrate the release of Imaginal Machines: Autonomy & Self-Organization in the Revolutions of Everyday Life (Autonomedia / Minor Compositions), a new book by Stevphen Shukaitis exploring the potentials and limits of collective imagination in social movement organizing. Shukaitis will be doing a series of events on the east coast to celebrate its release Dates will include:
And finally, while this is not an Autonomedia events, the folks at Red Emma’s are so wonderful we just had to throw in a mention of their five year anniversary and Red & Black Ball.
Celebrate Five Years of Red Emma’s at the Red & Black Ball!
December 19, 2010 7:30PM - 11PM, at 2640 Saint Paul Street
That's right my fellow mischief-makers: the Red Emma’s Red and Black Ball returns again this year on December 19! Join the Red Emma's collective as we celebrate the traditional anarchist gift-giving season with an all-out, over-the-top evening of revelry in your Victorian-era red and black finest! Think Victorian-era dances, parlour games, phrenology, and, of course, spirits to warm your body and soul. Think renaissance festival dress gone anarchist. Think steampunk. Think Alan Moore (“V for Vendetta,” “League of Extraordinary Gentlemen”). Live and DJ’d music throughout the evening, as well as performances, games, "etiquette" lessons, phrenology, and more, led by our very own Master of Ceremonies, Ryan Coffman, with the help of a variety of Baltimore favorites! Plus ... freakin’ amazing vegan cake. And booze.
Last year’s Red and Black Ball was possibly one of our favorite events we’ve ever pulled together ... and this year's ball is sure to be even better, because it also doubles as our fifth anniversary party! So pull out that fancy dress you picked up at a thrift store; borrow your brother’s tuxedo! Make a mask, or grab one at the door! This is the holiday party you don't want to miss ... come out and celebrate with us!
It all takes place at 2640 Saint Paul Street, December 19, starting at 7:30PM. Tickets are $10-$15 sliding scale, and include food and a free drink. Masks provided for those who need them. Proper attire is NOT required, but isn’t it more fun to cobble a costume together? Email info@redemmas.org for more info ... this event is all-ages, and no one turned away for lack of funds.
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That, me thinks, is all for now. A happy jubilee to all, and to all a good night.
Cheers
Stevphen
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:: Autonomedia:: Seditious & Delicious ::
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mardi, octobre 27, 2009
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Humeur actuelle :  enroué
1. Toward A Global Autonomous University: Cognitive Labor, The Production of Knowledge and Exodus From The Education Factory, edited by the Edu-factory Collective, released
2. Imaginal Machines: Autonomy & Self-Organization in the Revolutions of Everyday Life by Stevphen Shukaitis released
3. Ideology of Design Reader, and Exhibition, Novi Sad, October 23rd – November 23rd
4. Upcoming bookfairs and events
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1. Toward A Global Autonomous University: Cognitive Labor, The Production of Knowledge and Exodus From The Education Factory
Edited by the Edu-factory Collective
What was once the factory is now the university. We started off with this apparently straightforward affirmation, not in order to assume it but to question it; to open it, radically rethinking it, towards theoretical and political research. The Edu-factory project took off from here… Edu-factory is, above all, a partisan standpoint on the crisis of the university… The state university is in ruins, the mass university is in ruins, and the university as a privileged place of national culture – just like the concept of national culture itself – is in ruins. We’re not suffering from nostalgia. Quite the contrary, we vindicate the university’s destruction. In fact, the crisis of the university was determined by social movements in the first place.
This is what makes us not merely immune to tears for the past but enemies of such a nostalgic disposition. University corporatization and the rise of a global university… are not unilateral impositions or developments completely contained by capitalist rationality. Rather they are the result – absolutely temporary and thus reversible – of a formidable cycle of struggles. The problem is to transform the field of tension delineated by the processes analyzed in this book into specific forms of resistance and the organization of escape routes. This is Edu-factory’s starting point and objective, its style and its method.
Contributors include Toni Negri and Judith Revel, Andrew Ross, Stefano Harney and Fred Moten, George Caffentzis and Silvia Federici, Naoki Sakai and Jon Solomon, Eileen Schell, Amit Basole, Carlo Vercellone, the Counter Cartographies Collective, Jason Read, Randy Martin, Xiang Biao, James Arvanitakis, Marc Bosquet, Vidya Ashram, Aihwa Ong, and many more.
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2. Imaginal Machines: Autonomy & Self-Organization in the Revolutions of Everyday Life
Stevphen Shukaitis
All power to the imagination? Over the past forty years to invoke the imagination as a basis for radical politics has become a cliché: a rhetorical utilization of ideas already in circulation, invoking the mythic unfolding of this self-institutionalizing process. But what exactly is radical imagination? Drawing from autonomist politics, class composition analysis, and avant-garde arts, Imaginal Machines explores the emergence, functioning, and constant breakdown of the embodied forms of radical imagination.
What does it mean to invoke the power of the imagination when it seems that the imagination has already seized power through the power of the spectacle? Does any subversive potentiality remain? Perhaps it is only honest to think in terms of a temporally-bounded subversive power. It might be that imaginal machines only work by breaking down. That is, their functioning is only possible, paradoxically, by their malfunctioning. By reopening the question of recuperation, the inevitable drive to integrate the power of social insurgency back into the working of capital and the state, we create possibilities for a politics continually reconstituted against and through the dynamics of recuperation: to keep open an antagonism without closure.
“Imaginal Machines explores with humor and wit the condition of art and politics in contemporary capitalism. It reviews the potentials and limits of liberatory art (from surrealism to Tom Waits) while charting the always-resurgent creations of the collective imagination. Shukaitis exhibits a remarkable theoretical breadth, bringing together the work of Castoriadis, the Situationists, and autonomous Marxism to define a new task for militant research: constructing imaginal machines that escape capitalism. Imaginal Machines is truly a book that makes a path by walking.” – Silvia Federici, author of Caliban and the Witch: Women the Body and Primitive Accumulation
“If you have ever had someone say to you, ‘okay it’s fine to criticize but what would you do?’ this is the book for you. Shukaitis takes us on a raucous ride through actually existing alternative organizations that are anarchic, loving, fun, and best of all they work. We meet people and organizations who imagine a completely different way of being together in the world. And we are never far from a sophisticated theoretical travelogue as we walk these roads with the author. What would you do? Try this, and this, and this!” – Stefano Harney, Chair in Strategy, Culture, and Organization, University of London
Stevphen Shukaitis is an editor at Autonomedia and lecturer at the University of Essex. He is the editor (with Erika Biddle and David Graeber) of Constituent Imagination: Militant Investigations // Collective Theorization (AK Press, 2007). His research focuses on the emergence of collective imagination in social movements and the changing compositions of cultural and artistic labor.
A series of events are planned for release of Imaginal Machines including in Edinburgh (November 1 st), Vienna (November 26 th) and other to be announced shortly. For more information check at http://www.minorcompositions.info.
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3. ID: Ideology of Design October 23rd – November 23rd, 2009
Kuda, Novi Sad & Autonomedia, New York Announce “ID: Ideology of Design”
ID: IDEOLOGY OF DESIGN
October 23rd –November 23rd, 2009
Museum of Contemporary Art of Vojvodina
Dunavska St. 37, Novi Sad
Opening of the exhibition: Friday, October 23rd
In what way are design practices perceived and understood today and in what way can one follow their crucial development during the last decades of the 20th century and their connections with artistic practices and critical discourses?
Planning for mass production, graphic design, industrial design, design of environment, advertising, interior design, fashion design etc. are but some of the determinants of this complex discipline of culture.
Whether we examine its development in socialism or capitalism, design is always in close and dynamic connection with the economic and productive bases of society, building different and/or specific relationships of man with material culture. The object of researching and Ideology of Design exhibition are theories and practices (of industrial and graphic) design that were taking place during almost half a century of the socialist Yugoslavia, and their wider social and ideological context.
Design is a pregnant and highly interdisciplinary field which includes achievements from culture, science, architecture, technology and artistic practice, and thus represents a fertile soil for sociological and philosophical discussions on technology and market, about the social and political-economical dynamics and the labor process. A special aspect of the project was set on discussions and practices led at the time of socialist Yugoslavia which tried to define the role of design in a (non-)market socialist economy, its functionalism and its being conditioned by the market, or its social engagement, and the role of design in forming a new relationship of man with material objects, a new way of life towards establishing a classless human community.
Developing progressive, critical and contradictory positions, design was simultaneously presented a symbol of a post-war reconstruction of a country under the wing of industrialization and liberation of man from material privation, but as decades went by it played more and more one of the main roles in building a socialist market society.
Research work, exhibition and publications of the Ideology of Design deal with contextualization of contradictory processes refracted through theory and practices of design and, parallel to this, the way by which different ideologies of design and visual identities were created in the first post-war period of forming Yugoslavia, then during the tempestuous 1960s and 1970s until the very end when this community ceased to exist. Also, this project re-examines the chance to create a relationship between critical and historical practices of design and contemporary design, which is more and more seen as something belonging to the exclusively commercial aspect of creative industries, which, refracted through an ideological prism of neoliberal capitalism preserve the exploiting relationship regarding creativity and the creative person. In this sense, a question arises: Is it possible today to observe and practice design outside of the dominant functionalist principles and the market-dictated production and consumption, and to develop their engaged dimension in creating more humane social relations, i.e., is it possible to conduct politicization of design practices during “transition” times?
Ideology of Design is comprised of a couple of entireties, and of those didactic exhibition stands out, with the represented:
– Video recordings – interviews – with some of the most important protagonists of the Yugoslav theory and practice of design and history and art criticism, and among them are Jerko Denegri and Branko Vučičević from Belgrade, Matko Meštrović and Fedor Kritovac from Zagreb, Stane Bernik from Ljubljana and Branislav Dobanovački from Novi Sad. The series of interviews realised for the Ideology of Design project will be joined with an interview with Ivan Picelj, a graphic designer from Zagreb, on the occasion of the anniversary of Helvetica type, which was realised by Dragan Mileusnić and Željko Serdarević, a designer couple from Zagreb.
– In a joint production, Zagreb designer Dejan Krši ć and Center_kuda.org within the exhibition present a subjective timeline to the practices of industrial and graphic design, and institutional and alternative frameworks of design practices related to the paradigmatic social political and economical events in the socialist Yugoslavia.
– Spatial intervention of two art and designers’ collectives, Metahaven from Holland and Société Réaliste from France.
– “Total design” of the exhibition is completed by the mobile and modular furniture “Z” blocks made after the design of NAO – Normal Architecture Office and Srđan Jovanović Weiss from Philadelphia, USA.
– Workshops and educational-collaborative programmes will be organised and realised by two Novi Sad initiatives of young generation designers - Open Design Studio and A3.Format project.
– Public discussions and presentations will be organized during the one month of the exhibition, with some of the protagonists from contemporary scene of design theory and practice, such is design theorist Feđa Vukić from Zagreb, designer and writer Dejan Kršić from Zagreb and Borut Vild – designer from Belgrade. Precise program of the public discussions will be announced in the following days.
– Reader –
Apart from the spoken program that takes place during the exhibition, the discursive platform of the project is completed by the bilingual reader containing 13 collected essays that provide a theoretical insight into the project theme published by Autonomedia from New York. Among the authors of the essays you will find the works of: Jean Baudrillard, Igor Chubarov, an interview with Jerko Denegri, Branislav Dimitrijević, Hal Foster, Dejan Kršić, Nenad Malešević, Metahaven, Borislav Mikulić, Barbara Predan, Jacques Rancière, Feđa Vukić and WHW collective, editor: Branka Ćurčić, ISBN 978-1-57027-209-7, design of the reader: Peter Gregson Studio, Novi Sad
ID: Ideology of Design is an integral part of a long-term research project called Art Always Has Its Consequences, and four organizations are cooperating in this project: WHW from Croatia, tranzit.hu from Hungary, Museum Sztuki from Poland and Centar_kuda.org from Serbia in the period between 2008 and 2010. The project is dedicated to creating and distributing new discoveries and knowledge about paradigmatic socially engaged practices in art and design in the region and in the Eastern Europe, including their relationship with the wider European context in the past and now. Also, the exhibition is a part of the Individual Utopias Now and Before project which is realized in cooperation with SCCA/ pro.ba from Bosnia and Herzegovina and T.I.C.A. from Albania.
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4. Upcoming Bookfairs & Events
Autonomedia will be tabling at a number of events and bookfairs in the coming months. Here are some of the upcoming events:
That is all for now, me thinks. More to follow shortly. Wishing you all a lovely Halloween and a delightful day of the dead.
Cheers + solidarity,
Stevphen
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:: Autonomedia:: Seditious & Delicious ::
 | Actuellement j'écoute: Ghetto Blasters Par Mahala Rai Banda Date de publication : 2009-12-08 |
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jeudi, août 20, 2009
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Humeur actuelle :  amusé
1. CONNECTIVE MUTATIONS seminar with Franco ‘Bifo’ Berardi at 16Beaver, September 3rd– 6th, 2009
2. PRECARIOUS RHAPSODY by Franco ‘Bifo’ Berardi released by Minor Compositions, a new imprint distributed by Autonomedia
3. CRITICAL STRATEGIES IN ART AND MEDIA conference September 10th at Austrian Cultural Forum with Konrad Becker, Ted Byfield, Jim Fleming, Steve Kurtz, Amanda McDonald-Crowley, Claire Pentecost, and Peter Lamborn Wilson
4. Autonomedia tabling at multiple upcoming bookfairs and events
5. Several other new titles we distribute in our online bookstore
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1. CONNECTIVE MUTATIONS: AUTONOMY & SUBJECTIVATION IN THE COMING CENTURY
A SEMINAR WITH FRANCO ‘BIFO’ BERARDI
September 3–6, 2009 in New York City
Building upon the format of the “Continental Drift” seminars that Brian Holmes and 16Beaver have conducted during the past several years, this seminar is part of an ongoing series of dialogues and encounters. It will thus mix together presentations by Bifo along with interventions and discussions with Bifo and other invited contributors and collectives.
This seminar will focus on arguments and debates over the nature of the subject; the location and nature of the revolutionary subject have vastly shaped radical politics and organizing. The work of Felix Guattari and Gilles Deleuze changed the frame of this discussion, proposing the concept of subjectivation, or becoming-subject, as a framework to understand the multiple becomings and states of social encounters. This concept of subjectivation overlaps significantly with the concept of class recomposition developed in the 1960s and 70s by autonomist thinkers such as Sergio Bologna, Mario Tronti and Antonio Negri. Both strains of thought focus on how forms of social antagonism and resistance give rise to new social positions and possibilities for collective becomings.
Today we find ourselves in a transformed condition, one created by techno-anthropological and connective mutations, marked by overwhelming flows of immaterial labor and information flows that threaten to exceed the limits of the body. Cyberspace may be infinite, but cybertime is not. This intensification and expansion of technological dynamics and automatisms makes problematic the very possibility of collective subjectivation. Have we reached a stated where the immersive flows of information, affect, and desire act to dampen or even preempt the emergence of new collective subjects? These are the questions this seminar seeks to answer.
Organized by 16Beaver (http://www.16beavergroup.org) & Minor Compositions (http://www.minorcompositions.info)
For more information: http://www.16beavergroup.org/bifo
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2. PRECARIOUS RHAPSODY: SEMIOCAPITALISM AND THE PATHOLOGIES OF POST-ALPHA GENERATION
by Franco ‘Bifo’ Berardi
Edited by Erik Empson & Stevphen Shukaitis
Translated by Arianna Bove, Michael Goddard, Giuseppina Mecchia, Antonella Schintu, and Steve Wright
This is the first title released by Minor Compositions, which is a new series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.
PRECARIOUS RHAPSODY explores how the story of our life, our loves, but also the history of revolts, defeats and restorations of order is an infinite series of bifurcations. At any given moment different paths open up in front of us, and we are continually presented with the alternative of going here or going there. Then we decide, we cut out from a set of infinite possibilities and choose a single path. But do we really choose? Is it really a question of a choice, when we go here rather than there? Is it really a choice when masses go to shopping centers, when revolutions are transformed into massacres, when nations enter into war? It is not we who decide but the concatenations: machines for the liberation of desires and mechanisms of control over the imaginary. The fundamental bifurcation is always this one: between machines for liberating desire and mechanisms of control over the imaginary. In our time of digital mutation, technical automatisms are taking control of the social psyche.
Franco Berardi Bifo is a contemporary writer, media-theorist and media-activist and author of numerous books, including ETHEREAL SHADOWS: COMMUNICATIONS AND POWER IN CONTEMPORARY ITALY, FELIX GUATTARI: THOUGHT, FRIENDSHIP, AND VISIONARY CARTOGRAPHY, THE PANTHER AND THE RHIZOME, POLITICS OF MUTATION, PHILOSOPHY AND POLITICS IN THE TWILIGHT OF MODERNITY, and THE FACTORY OF UNHAPPINESS. He is currently collaborating on the magazine DERIVEAPPRODI as well as teaching social history of communication at the Accademia di belle Arti in Milan.
To view and purchase this book, go to:
http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=629
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3. CRITICAL STRATEGIES IN ART AND MEDIA: PERSPECTIVES OF NEW CULTURAL PRACTICES
September 10, 2009, 1:30–9:00 pm
Austrian Cultural Forum (ACF)
11 East 52nd Street New York, NY 10022
http://world-information.org/wii/critical_strategies
A roundtable discussion of digital theorists and practitioners on the future of cultural intelligence and freedoms with: Ted Byfield, Steve Kurtz, Amanda McDonald-Crowley, Claire Pentecost, Peter Lamborn Wilson, Konrad Becker, Jim Fleming
Among the questions to be addressed during this conference are:
Beyond the obsolete models of artist or author as genius and their fetish objects, what collective and collaborative practices are inventing new terrains and flows? As information and communication technologies saturate our world, how is art giving way to new forms of cultural symbolic manipulation? Can we identify new models to replace the auteur and the artwork? If so, where do they come from and what might that say about the future of critical practices? What new kinds of “virtual” spaces are opening up for cultural practice in electronic media? As “old media” begin to collapse under the pressures of the virtual, what new media can we find? How are didactic illustration and channeled dissidence giving way to new forms of surprise and intensity? What strategies elude the creative industries’ seemingly infinite appetite for things radical? Are there any strategies that can elude being reduced to styles in the service of sales, or are critical practices doomed to play cat and mouse with the forces of consumerism?
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4. UPCOMING BOOKFAIRS & EVENTS
Autonomedia will be tabling at a number of events and bookfairs in the coming months. Come visit us at the following:
Is Black & Red Dead? Conference at Nottingham (UK): September 7th–9th (http://www.anarchist-studies-network.org.uk/IsBlackAndRedDead)
Bristol Anarchist Bookfair (UK), September 12th (http://www.bristolanarchistbookfair.org)
Manchester Anarchist Bookfair (UK), September 26th (http://www.bookfair.org.uk)
We will also be tabling at the London Anarchist Bookfair (http://www.anarchistbookfair.org) on October 24th and participating in the Edinburgh Radical Bookfair (http://www.word-power.co.uk/viewEvents.php), October 28th–November 1st.
5. New distribution titles
Autonomedia is not only a small publisher of radical books, we also distribute a curated selection of very reasonably priced books in our online bookstore.
Here is a sample: two new titles from Mayfly Books, a radical publisher in the UK that focuses on ethics and politics in organizational life:
ART AND CONTEMPORARY CRITICAL PRACTICE: REINVENTING INSTITUTIONAL CRITIQUE
Edited by Gerald Raunig and Gene Ray
‘Institutional critique’ is best known through the critical practice that developed in the late 1960s and early 1970s by artists who presented radical challenges to the museum and gallery system. Since then it has been pushed in new directions by new generations of artists registering and responding to the global transformations of contemporary life. The essays collected in this volume explore this legacy and develop the models of institutional critique in ways that go well beyond the field of art. Interrogating the shifting relations between ‘institutions’ and ‘critique’, the contributors to this volume analyze the past and present of institutional critique and propose lines of future development. Engaging with the work of philosophers and political theorists such as Michel Foucault, Judith Butler, Gilles Deleuze, Antonio Negri, Paolo Virno and others, these essays reflect on the mutual enrichments between critical art practices and social movements and elaborate the conditions for politicized critical practice in the twenty-first century.
http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=25&products_id=632
NEGATIONS
By Herbert Marcuse
Herbert Marcuse’s NEGATIONS is both a radical critique of capitalist modernity and a model of materialist dialectical thinking. In a series of essays, originally written in the period stretching from the 1930s to 1960s, Marcuse takes up the presupposed categories that have, and continue to, ground thought and action in our administered society: liberalism, industrialism, individualism, hedonism, aggression. This book is both a testament to a great thinker and a still vital strand of thought in the comprehension and critique of the modern organized world. It is essential reading for younger scholars and a radical reminder for those steeped in the tradition of a critical theory of society. With a brilliance of conception combined with an insistence on the material conditions of thought and action, this book speaks both to the particular contents engaged and to the fundamental grounds of any critique of organized modernity.
http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=3&products_id=633
That’s all for now (as a side note we will be sending out Autonogram updates on new publications and distribution titles, events, and other lovely things on a more regular basis, although you need not worry about your inbox overflowing, it will not go over one message per month or so).
Cheers + solidarity,
Stevphen
http://www.autonomedia.org
http://info.interactivist.net
http://www.myspace.com/autonomedia
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samedi, juillet 18, 2009
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Humeur actuelle :  doué
My, it has been some time since we posted one of these. Something always seems to come up that delays it: parking tickets, alien invasions, etc… but in that time there has been a whole slew of new books released and exciting new developments. So without further ado or excuses, here is the breakdown in more detail:
1. New Books: Black Fez Manifesto by Hakim Bey; Ethereal Shadows by Franco ‘Bifo’ Berardi; Strategic Reality Dictionary by Konrad Becker; Red Genes Blue Genes by Guillermo Jiminez; Living on Third Street by Hanon Reznikov; Work of Love by Giovanna Dallacosta; and Unleashing the Collective Phantoms by Brian Holmes.
2. Upcoming Books: Edufactory: Toward the Global Autonomous University by the EduFactory Collective; Creating Insecurity: Data Browser #4, edited by Wolfgang Sutzi; The Essence of Jargon by Alice Becker-Ho; New Lines of Alliance, New Spaces of Liberty by Antonio Negri and Félix Guattari.
3. Review Copies & Participatory Propagation: You Know You Want To!
4. Bookfairs: Providence (with the Sun Ra Arkestra!)
5. Upcoming Events: Seminar and event series with Franco ‘Bifo’ Berardi at 16 Beaver (NYC) in September 2009.
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1. New Books:
There has been a deluge of new Autonomedia titles over the past year. For more information about them go to http://www.autonomedia.org/newbooks. Here, however, are some highlights from our list:
Ethereal Shadows by Franco Berardi, Marco Jacqumet, and Gianfranco Vitali
Incisive analysis of media power in Berlusconi’s Italy along with a history of Italian independent media.
Black Fez Manifesto by Hakim Bey
New poetic rants and prose poems from the author of TAZ and Millennium.
Strategic Reality Dictionary by Konrad Becker
A conceptual arsenal for unlocking the secrets of consensus reality and the hyper-management of everyday life.
Subverting the Present, Imagining the Future, edited by Werner Bonefeld
New collection of autonomist essays on insurrections, movements, and building commons in the present.
Work of Love by Giovanna Dallacosta
New translation of a classic Marxist feminist text on the relation between housework and sexual violence.
Living on Third Street by Hanon Reznikov
A collection of essays, documents, and images from the Living Theater—the U.S.’s longest-running avant-garde theater project.
Red Genes, Blue Genes by Guillermo Jiminez
Exploration of contemporary political irrationality drawing from neuroscience and behavioral genetics.
Worst Book Ever by The Unbearables
New collection of writings from the Lower East Side’s best cultural provocateurs. The Unbearables at their worst.
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2. Upcoming Books:
There are a number of exciting books planned for release in the very near future. Coming soon!
Creating Insecurity: Data Browser #4, edited by Wolfgang Sutzi
Following up from the first three Data Browser collections, this volume explores the politics and practices of artistic and cultural production in an age dominated by security. How far can art go when securitization envelops all of society?
Edufactory: Toward the Global Autonomous University by the Edufactory Collective
A collection of essays exploring the dynamics of labor unrest and movement formation in the contemporary global university.
The Essence of Jargon by Alice Becker-Ho
The first widely available English translation of the former Situationist and poet’s excellent exploration of slang, argot, and the coded communication of the ‘dangerous classes.’
New Lines of Alliance, New Spaces of Liberty by Antonio Negri and Félix Guattari
In the depressing wake of the 1970s’ radical movements, Negri and Guattari collaborated on a series of essays and publications rethinking the possibilities and organization of communist politics. This edition of their collaborative work features a new introduction by Matteo Mandarini and the translation of several previously unpublished essays.
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3. Review Copies & Participatory Propagation: You Know You Want To!
While larger and more commercial publishers might have impressive advertising and promotional budgets to help flog their wares upon the public, we do not. And that’s where the free cooperation of the autono-mediated multitude comes in. If you’d be interested in writing a review of a new book, setting up a speaking gig or release event, organizing a red and black banquet, or some other form of autonomy-propagating activity, get in touch. For review copies and discussion of propagational strategies contact stevphen@autonomedia.org
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4. Bookfairs: Providence
Members of the Autonomedia editorial collective will be tabling a number of bookfairs and events in the coming months, but one of the most exciting of them is the annual Providence Anarchist bookfair. The Providence bookfair is a part of the annual Foo Fest, a community festival and gathering organized by the excellent AS220 art space. This year, the festival’s musical line up is simply stellar, featuring chaotic noise mongers Lightning Bolt and the legendary Sun Ra Arkestra. For more information go to http://www.as220.org/foofest
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5. Upcoming Events:
In early September there will be a series of seminars with Franco ‘Bifo’ Berardi at 16 Beaver in downtown New York City. This series will be modeled on the ongoing conversations and events that 16 Beaver has held with Brian Holmes (under the theme of “Continental Drift”). Bifo, who has been involved in autonomist politics and tactical media organizing for over forty years now, will be exploring the history and development of the subjectivation of autonomous politics and the possibility for movement composition in an age of fractalized and recombinant labor.
That’s all for now. More to come soon…
Cheers & solidarity,
Stevphen
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mercredi, avril 30, 2008
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JUDGE DISMISSES MAIL FRAUD CASE AGAINST BIO-ARTIST KURTZ
CONTACTS: Email: media@caedefensefund.org Edmund Cardoni: (716) 854-1694 Lucia Sommer: (716) 359-3061
Buffalo, NY—A process that has taken nearly four years may be coming to an end. On Monday, April 21, Federal Judge Richard J. Arcara ruled to dismiss the indictment against University at Buffalo Professor of Visual Studies Dr. Steven Kurtz.
In June 2004, Professor Kurtz was charged with two counts of mail fraud and two counts of wire fraud stemming from an exchange of $256 worth of harmless bacteria with Dr. Robert Ferrell, Professor of Human Genetics at the University of Pittsburgh Graduate School of Public Health.
Dr. Kurtz planned to use the bacteria in an educational art exhibit about biotechnology with his award-winning art and theater collective, Critical Art Ensemble.
Professor Kurtz' lawyer, Paul Cambria, said that his client was "pleased and relieved that this ordeal may be coming to an end."
The prosecution has the right to appeal this dismissal. How the prosecution will proceed is unknown at this time. If an appeal were undertaken the case would move to the New York Second Circuit Court of Appeals in New York City.
Lucia Sommer, Coordinator of the CAE Defense Fund, which raises funds for Kurtz' legal defense, said, "We are all grateful that after reviewing this case, Judge Arcara took appropriate action." She added that "this decision is further testament to our original statements that Dr. Kurtz is completely innocent and never should have been charged in the first place."
BACKGROUND ON DR. STEVEN KURTZ AND CRITICAL ART ENSEMBLE
Critical Art Ensemble (which Kurtz co-founded in 1987 with Steven Barnes) has won numerous awards for its bio-art, including the prestigious 2007 Andy Warhol Foundation Wynn Kramarsky Freedom of Artistic Expression Grant, honoring more than two decades of distinguished work. The group has been commissioned to exhibit and perform in many of the world's cultural institutions—including the London Museum of Natural History; The ICA, London; the Whitney Museum and the New Museum in NYC; the Corcoran Museum of Art in Washington, DC; Schirn Kunsthalle, Frankfurt; Musée d'Art Moderne de la Ville de Paris; der Volksbüne, Berlin; ZKM, Karlsruhe; El Matadero, Madrid; Museum of Contemporary Art, Helsinki; Museo de Arte Carrilo Gil, Mexico City and many more.
For more information about the case, please visit: caedefensefund.org
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mercredi, avril 30, 2008
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check it out: info.interactivist.net
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jeudi, février 14, 2008
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For the second year in a row, the National Conference on Organized Resistance (NCOR) is offering the Radical Theory Track--a selection of ten talks and co-presentations explicitly aimed at activists who wish to explore how social theory both informs and is born out of our political work.
Radicals have long acknowledged the importance of guiding thoughts in our work to transform the world. We also understand the need to develop and critically evaluate our own theories in a world rife with exploitation, oppression, and hegemonic thinking. Thus, the Radical Theory Track aims to provide a space at NCOR in which to engage in theoretical discussion and debate as political practice--a forum in which theoretical discussion is not divorced from movement concerns and experience, or bound up in abstraction, but in which careful and original analysis of dynamic concepts that are key to radical Left theory and strategy can be articulated, shared, critiqued, extended, and proliferated.
The Radical Theory Track is co-curated by an organizing collective of the Institute for Anarchist Studies (IAS) and the Free Society Collective, with much support from the NCOR collective. The idea for the track emerged out of the annual Renewing the Anarchist Tradition conference, a project of the IAS, as a way to create more spaces for anti-authoritarian Left scholarship-as-praxis. We hope you will join us, whether for one, some, or all of the sessions.
SATURDAY, MARCH 8
"In the World But Not of It": New Anti-Authoritarian Approaches to Reform Struggles, with Chris Dixon
9:30-11:00 a.m.
This workshop will focus on a promising area of strategic reflection: the relation between reform and radicalism. While some anarchists have dismissed reform-based work, many anti-authoritarian organizers in the United States and Canada have embraced what we might call an "abolitionist" approach, to use a term popularized by the prison abolitionist organization Critical Resistance. This approach is oriented toward building movements on the basis of collective fights for survival and dignity while struggling against all systems of oppression. Visible in diverse groups, it fuses autonomous politics with a groundedness in some of the most oppressed sectors of society (such as migrants, prisoners, and First Nations and other racialized communities). In the process, it suggests new ways of thinking about the possibilities and limitations of reform struggles. In this workshop, we will explore an abolitionist approach--what anarchist panther Ashanti Alston calls "being in the world, but not of it." Together, we will look at case studies and engage reflections from organizers. In examining these examples, we will search for what is potentially useful in our day-to-day work. This workshop will thus challenge us to rethink our assumptions and approaches to reform struggles as we seek to build liberatory movements.
Chris, originally from Alaska, is a longtime anti-authoritarian organizer, writer, and educator, and a PhD student in the history of consciousness program at the University of California at Santa Cruz. He is a member of the administrative collective of Colours of Resistance, serves on the advisory board for the journal "Upping the Anti," and has recently moved to Sudbury, Ontario, where he organizes with Sudbury against War and Occupation.
Visions of Anarchism in the Twenty-First Century, with Cindy Milstein and Brian
11:10 a.m. to 12:40 p.m.
Anarchism is not a static political philosophy or social view. It is constantly evolving and shifting its focus. In the past twenty years, we've seen anarchism play a crucial role in the development of a radical ecology movement and the movement against capitalist globalization; become increasingly visible via publications, conferences, and bookfairs, traveling culture, and numerous community-based projects; and emerge as a more expansive, compelling perspective. What lessons can we draw from the past couple of decades regarding which general approaches do and do not seem to contribute to the building of anarchist networks, visibility, and infrastructures? Where will and/or could anarchists concentrate their theoretical, direct action, and organizing energies in the century that's just starting to unfold? And what might the search for utopia and an anarchist vision of a free society look like, especially in view of the possibilities of this historical moment? This session is devoted to opening up a discussion about the shape of contemporary anarchism as an idea and a practice, beginning from our shared sensibilities and moving on to a variety of points of departure.
Cindy is a co-organizer of the Renewing the Anarchist Tradition conference, a board member of the Institute for Anarchist Studies, and a collective member of both Free Society and Black Sheep Books in Montpelier, Vermont. She also taught at the "anarchist summer school" called the Institute for Social Ecology. Her essays appear in several anthologies, including "Realizing the Impossible: Art against Authority" and "Globalize Liberation," and she does community organizing at home and public speaking/popular education anywhere else.
Brian hails from a small town in which anarchists maintain a wide array of social programs including regular Really Really Free Markets, free breakfasts for day laborers, free grocery distribution, a books-to-prisoners group, and several different publishing projects. He has outrun police vans in Leipzig, dodged tear gas canisters in Quebec City, and lodged with the MST on occupied land outside Belo Horizonte; he also writes and edits.
Red and Black: Toward Common Ground, with Pavlos Stavropoulos
2:00 to 3:30 p.m.
This presentation will offer a foundation for the examination of anarchism and indigenism by exploring common principles as well as areas of potential misunderstanding or disagreement. Many traditional indigenous political systems can be described as anarcho-communist, lacking institutions of coercive authority or private property. Indigenous liberation movements also appear to have a strong ethno-nationalist and spiritualist component. How has colonialist language influenced our understanding of traditional indigenous systems? Can anarchist analysis provide a different framework through which that language is understood and used? Can traditional political systems and the contemporary indigenous movements that are inspired by them offer viable alternatives to the current statist systems? Is a true indigenous anarchist philosophy, devoid of Eurocentrism, possible or even desirable?
Pavlos is a political science graduate student at the University of Colorado at Denver completing his masters in indigenous political systems, and a longtime community activist on indigenous solidarity, anarchist, environmental, and anti-globalization struggles.
Remaking Gender, Remaking Ourselves, with Ace McArleton
3:40 to 5:10 p.m.
As all we aspiring gender-radicals know, the urgency of dismantling the Gender binary and hierarchical system it supports means dissenting from, interrogating, and challenging practices of (big-G) Gender that hurt others and ourselves. But it also entails making something new with (little-g) gender that celebrates our complexities as people while moving us toward greater joy, expression, and liberation. Unmaking and undoing gender is a part of this process; yet so too is the practice of doing anew and making anew. This talk will explore, how do we both inhabit the deconstructive, critical moments as well as the moments of remaking and rebuilding in regard to G/gender? As in all our organizing efforts, we must strive not only to resist social and political ills but to shape together those new practices that move us closer to freedom.
Ace has happily lived in central Vermont for five years with his loving orange cat named Poopers. He works as an out trans butch in the building trades, works with teenagers, and is a collective owner of Black Sheep Books. Ace taught gender theory at the Institute for Social Ecology, and is a member of the Free Society Collective.
Meddlesome Property: A Brief History of Black Autonomist Movements, with Kazembe Balagun
5:20 to 6:50 p.m.
In recent years, the work of C.L.R. James and James Boggs, as well as lesser-known Black queer and feminist collectives, has brought the concept of "Black autonomy" to the foreground. In this brief talk, I will look at the history of Black Autonomism from its roots in revolutionary nationalism, Marxism, and anarchism. In the mix also will be the continued resistance that has taken place from the plantations to the prison industry.
Kazembe is a writer from New York City. He currently serves as the outreach coordinator at the Brecht Forum, and his writings can be found on blackmanwithalibrary.com.
SUNDAY, MARCH 9
Between Now and Utopia: Understanding Capitalism, with D. T. Cochrane and Peter Staudenmaier
9:30 to 11:00 a.m.
Do we need to understand capital and capitalism if we want to struggle for and create positive social forms based on autonomy and solidarity? If we do, what should this understanding inform? Is it simply a matter of "know your enemy" or should it show us pitfalls to avoid in a postcapitalist society, keeping the ills of capitalism from emerging anew? Or would it have something to say about how a postcapitalist society should be organized? Even capitalism's critics, despite invoking its name as the source of our current political and economic ills, are far from having a universal agreement on the essential characteristics and/or structure of capitalism. From common ground yet with different perspectives, D. T. and Peter will offer their thoughts on what capitalism is, what capitalism does, and how understanding capitalism can help anarchists and other anti-capitalists in both their current organizing and their articulations of a postcapitalist society.
After two degrees in economics left D. T. less than convinced by capitalism's justifications, he fled the clutches of neoclassic thought. His journey led him to heterodox political economy. Now, as a PhD candidate in social and political thought at York, D. T.'s research interests include capital theory, business history, and the process of technological and social change.
Peter is an anarchist and a historian who has been involved in anti-capitalist politics since the 1980s, and whose work focuses on modern European right-wing thought, including fascism and Nazism. He recently returned from a year of research in Germany and Italy. Peter used to facilitate courses called Understanding Capitalism and Alternatives to Capitalism at the Institute for Social Ecology. He has worked extensively with a variety of cooperatives and worker collectives.
Anarchist People of Color, Civil Rights, and the Myth of Liberation, with Ashanti Alston and Ariel
11:10 a.m. to 12:40 p.m.
While the civil rights movement won many small victories for U.S. blacks who were interested in playing by the rules of the electorate and accepting minimalist strides, movements that sought liberation outside the legislature and pushed the boundaries of what made the mainstream United States comfortable were crushed. As anarchists--wanting to highlight social, political, and economic contradictions within the United States as well as destroy the illusion that is the "American Dream"--we are charged with carrying the legacy of many of these liberationist groups. As people of color, we carry the baggage of both the hollow victories and outright failures of civil rights. Is liberation even still a viable concept? What can anarchists learn from the confrontation in this discussion? How can we use this to more critically engage with the work we are doing? How should it inform our present and future choices for strategizing and organizing?
Ashanti is the national co-chair of the Jericho Movement and a member of the revolutionary black nationalist Malcolm X Grassroots Movement. A former member of the Black Panther Party and the Black Liberation Army, Ashanti was a political prisoner for fourteen years in the United States. He is known as the anarchist panther and is the author of the essay "Beyond Nationalism, But Not without It."
Ariel is helping to organize the New York City Anarchist Bookfair, and the Berkeley Anarchist Students of Theory and Research and Development (BASTARD) anarchist theory conference, and taught classes in Girl Army (women's self-defense) as well as firearm practice and safety. She has been a member of Anarchist People of Color, and contemplates the possibility of anarchist economics.
Beyond "Representation": Anti-Authoritarian Alternatives to Democracy, Justice, and Green Capitalism, with Carwil James
2:00 to 3:30 p.m.
How we can envision a democracy that goes beyond political parties and media figures, a justice that is more than public trials and incarceration, or an economics that allows space for planning a sustainable world together? Anarchists, along with others from many ethical and cultural standpoints, have ways of conceptualizing these aspects of life that go beyond the one-dimensional forms that have become known as representative democracy or the justice system, market economics or climate change solutions. This session will be a discussion of working alternative models to various "representative" systems that never really represent us, from grassroots democracy in Bolivia to collective visions for a sustainable response to climate change.
Carwil researches strategies of grassroots autonomy and disruptive protest in Latin America as a CUNY Graduate Center anthropology student. He taught at the New College of California, and worked in campaigns against U.S. wars and corporate globalization and supporting indigenous resistance to oil exploitation.
Taking Nonviolence (and Violence) Seriously, with Mark Lance and Matt Meyer
3:40 to 5:10 p.m.
Discussions of nonviolence and violence in radical circles seem almost always to generate more heat than light. Frequently one finds a near-fundamentalist faith on both sides: those like Colman McCarthy who insist that Malcolm X was no better than the Klan because both advocated violence, and others like Ward Churchill who take advocacy of nonviolence to be no more than craven complicity with oppression. Less often, the debates are more civil but rather stale, as when it is assumed up front that what is at issue is merely a choice of tactics, no more important than, for instance, whether to utilize street theater in a demonstration. Sad to say, things are rather more complicated, and indeed downright messy. This talk will try to bring a bit of this complexity to the table by summarizing some work by a wide range of activists, social theorists, and philosophers. We'll see that the range of attitudes toward the morality and politics of violence is broader than usually thought, and explore what certain of the more interesting currents have to do with an anarchist or anti-authoritarian vision of society. In the end, this talk will suggest that there are plenty of tactical issues, but matters of deep principle also, even if the relevant principles are more complicated than either "never use violence" or "by any means necessary." There will also be lots of time will be left for discussion and debate.
Mark is a professor of philosophy, and professor and chair in the program on justice and peace at Georgetown University. In his day job, he writes and teaches about philosophy of language, logic, epistemology, moral philosophy, and political philosophy while trying to subtly subvert, in small and local ways, the function of an elite educational institution. In one of his many night jobs, he has been an activist for over twenty years, working on a wide range of peace and social justice issues both local and global. Mark is currently on the board of the Institute for Anarchist Studies and the editorial collective of "Perspectives on Anarchist Theory." He is also at work on a book defending an idiosyncratic version of anarchism, to be finished sometime in 2008.
Matt, the former chair of the War Resisters League and the founding chair of the Peace and Justice Studies Association, is currently the educational director of a small, alternative high school in New York City. Author of "Guns and Gandhi in Africa: Pan African Insights on Nonviolence, Armed Struggle, and Liberation" (2000), and "Time Is Tight: Urgent Tasks for Educational Transformation--Eritrea, South Africa, and the United States" (2007), Matt is in constant search of a better, twenty-first-century, working definition of the phrase "revolutionary nonviolence."
"Get Out of Art Free": Collapsing the Binary of Culture and Politics, with Erika Biddle, Lindsay Caplan, and Malav Kanuga
5:20 to 6:50 p.m.
Anti-authoritarian social movements are increasingly posing the question of possibility. This marks a return to important questions of politics beyond resistance, but it's often difficult to transform our responses into practice. In an exploratory effort, we suggest taking this moment to draw inspiration and insight from some artistic and cultural strands of our radical tradition that have historically been on the periphery of political action, yet focus on the question of potentiality in-through-and-against the social context. Most of us know that there is a profound relationship between art and a horizontal politics. But is it simply a matter of linking together art and revolution? Or is there a co-articulation between the two? Whatever the description, the conceptual as well as practical concerns seem to remain muddy. This panel will seek to explore historical and contemporary precedents in the relationship between art and revolutionary processes, and then ask how this may help anti-authoritarian movements today better understand the twin tasks of creativity and critique.
Erika is an editor at Autonomedia and managing editor for "Perspectives on Anarchist Theory," the biannual journal of the Institute for Anarchist Studies (IAS). An IAS board member, she is also currently working on a film project on utopianisms.
Lindsay is an editor at Autonomedia, and researches social and aesthetic theory at the Graduate Center of CUNY.
Malav is a collective owner of Bluestockings bookstore on the Lower East Side of New York City as well as a PhD student and teacher in the CUNY system.
For more on NCOR, see: http://www.ncor2008.org/index.php
For more on the IAS, see: http://www.anarchiststudies.org
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dimanche, février 03, 2008
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A belated blog with some information about new books that Autonomedia has put out in recent months.  Mariarosa Dalla Costa, (ed.) Gynocide: Hysterectomy, Capitalist Patriarchy and the Medical Abuse of WomenA concise volume of essays on women and "male science," drawing on theoretical perspectives developed in recent decades by radical Italian feminists. This book discusses hysterectomy as a form of "sexocide" that has been in practice from the 1800s through contemporary times, and relates it back to the witch hunts that plagued Europe from the 14th–17th centuries. The essays (and accompanying glossaries and testimonials) collected in Gynocide examine the historical, legal, ethical, psychological and medical aspects of deeply rooted sexist practices in defining and treating issues of contemporary women's health. Translated by Danila Obici and Ralph D. Church from the 3rd Italian edition of Isterectomia, Il problema sociale di un abuso contro le donne, contributors include Paolo Benciolini, Mariarosa Dalla Costa, Daria Minucci, and Riccardo Smaritani. 150 pp, $14.95 For more information or to buy the book, go to: http://autonomedia.org/node/60*  Geert Lovink & Trebor Scholz (eds.), The Art of Free CooperationWhat are the rules of collaboration in "free cooperation"? If you are anxiously awaiting an answer to this question, or debates linking web-based, cooperation-enhancing technologies to the broader world of political activism, check out this book. Put together as a response to what the editors identified as a "crisis in new-media art education," Free Cooperation contains essays from media theorists and critics Howard Rheingold, Christoph Spehr, Brian Holmes and the editors. The book provides concrete tactics and techniques for voluntary associations, be they cultural, political, social, economic, and examines the dynamics (or, the methodologies and politics) that can emerge within such groups, and also comes with DVD packed with additional texts, highlights from an international "Free Cooperation" conference, and a feature-length film collage, narrated by Tony Conrad. Limited copies (of the DVD) are available. 274 pp, $20 For more information or to buy the book, go to: http://autonomedia.org/node/41*  p.m., Akiba: A Gnostic NovelA new "gnostic novel" by the Swiss author of the utopian classic bolo'bolo. Since there are still few bolos here on planet Earth, why not visit the meta-universe "Limboland" for some insight on how to create new utopias? Akiba combines the age-old schemes of millennial and modern utopias with recent research in ecology, quantum physics and computing, the mathematics of the Big Bang, Peak Oil theories, and the work of Roger Penrose, J. R. Searle, and others. 278 pp, $15.95 For more information or to buy the book, go to: http://autonomedia.org/node/58
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vendredi, février 01, 2008
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Humeur actuelle :  en éveil
Greetings Autonogram recipients,
It's copy/paste + copyedit Autonomedia-related events day at Autonomedia HQ!
Sorry for the short notice, but NYC fans please take note: Peter Lamborn Wilson and Anne Waldman will be reading on Monday at the Living Theatre.
Here's the info:
LIVING POETS SERIES at The Living Theatre presents ANNE WALDMAN and PETER LAMBORN WILSON (aka Hakim Bey) reading from their works at The Living Theatre with music by STEVEN TAYLOR & TYLER BURBA 21 Clinton Street (between Houston and Stanton Streets) MONDAY, FEBRUARY 4 at 8pm suggested contribution: $6.00
Peter Lamborn Wilson is an American political writer, essayist, and poet, known for first proposing the concept of the Temporary Autonomous Zone (TAZ), based on a historical review of pirate utopias. He sometimes writes under the name Hakim Bey. The pseudonym is a combination of the Arabic word for 'wise man' — as well as any "decision-maker" or "ruler" — and a last name common in the Moorish Science Temple. Bey, originally a Turkic word for "chieftain," traditionally applied to the leaders of small tribal groups. In historical accounts, many Turkish, other Turkic and Persian leaders are titled bey, beg or beigh. They are all the same word with the simple meaning of "leader." Also in Turkish, Hakim means judge and Bey is a generic word for a gentleman (mister) generally used after a name.
Anne Waldman is an American poet. Waldman was born in Millville, New Jersey and grew up on MacDougal Street in New York City. She received her B.A. from Bennington College in 1966. During the 1960s, along with poets, Gregory Corso and Allen Ginsberg, Waldman became part of the East Coast poetry scene, giving frequent readings at the The Poetry Project at St. Mark's Church. She ran the project from 1966–1978. She has published more than forty books. Waldman became a Buddhist, practicing with the Tibetan Chogyam Trungpa Rinpoche, who later became Ginsberg's guru. With Allen Ginsberg, she founded the Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado (Now Naropa University). She is a Distinguished Professor of Poetics at that institution.
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vendredi, juillet 27, 2007
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 Autonomedia has just released a new book on those lovable Dutch anarchists, the Provos. More information here. The book, by Richard Kempton, is the first book on the Provos in English! Provo: Amsterdam's Anarchist RevoltRichard Kempton Provo staged political and cultural interventions into the symbolic and everyday spaces of Holland from 1962–1967. In this first book-length English-language study of their history, Richard Kempton narrates the rise and fall of Provo from early Dutch "happenings" staged in 1962 to the "Death of Provo" in 1967. He chronicles Robert Jasper Grootveld's anarchist anti-cancer campaign, the riots against Princess Beatrix's marriage to an ex-Nazi, and the famous White Bicycle program. He also comments on parallel contemporary and near-contemporary movements (including Dada and Situationism), Amsterdam's previous anarchist traditions, the spread of Provo through Holland and the development of the Kabouter party, and ends by offering an existentialist critique of Provo and other anarchist movements of the 1960s. "This book is more than welcome. It begins to remedy the striking paucity of reading matter in English on the Provo movement—a movement with so many lessons, both positive and negative, for radicals today." — Donald Nicholson-Smith, translator of Guy Debord's Society of the Spectacle "Thanks to Kempton's engaging history, Amsterdam's Provos will careen into your heart on their white bicycles, toss you a chicken, and renew an anarchism that both provoked authority and promised a free and communal civic space." — Cindy Milstein, Institute for Anarchist Studies "Absurd and artistic as well as effective and influential, today's Left could learn a lot from the Provo's spirited anarchy." — Stephen Duncombe, author of Dream: Re-Imagining Progressive Politics in an Age of Fantasy Richard Kempton lived in Amsterdam in the early 60s, and came to Provo in 1965 when his Dutch wife wrote a paper on Provo Speech for a class. Her interest inspired him to write this book because he couldn't find one to read. He is a retired librarian living in Los Angeles.
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