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Eric Olsen


Last Updated: 11/21/2009

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Gender: Male
Status: In a Relationship
Age: 45
Sign: Gemini

City: Santa Clara
State: California
Country: US
Signup Date: 8/19/2007

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Sunday, November 29, 2009 

Current mood:  inspired
Category: Music
 
Ahhh, the holidays have arrived once again, my dear Deka-Friends...
 
After a night out shopping by moonlight until the dawn of the new day, shoving that person who so rudely tried to cut in front of you in line at the mall, and running up a credit card bill you cannot possibly pay off in this life or the next...why not take some time for yourself, and "recharge your batteries" by tuning into this week's Dekadance show? Remember, being a good capitalist consumer is very hard on the mind, body, and spirit...not to mention the wallet!
Here's this week's weary holiday shopper-approved Deka-Features....
 
Please don't forget the following:
 
ELEKTRO MUZIK NON STOP on www.live365.com. E.O.'s online radio station - I currently have TEN HOURS & 30 MINUTES of music up - running 24 hours a day, 365 days a year! Check it out, and tell a friend!  Here's the link!
 
 
Thanks!   E.O. aka "The Dekadancer"  
 
DEKADANCE ARTIST FEATURES FOR SHOW AIRING FRIDAY, DEC. 4th FROM 9pm UNTIL SATURDAY, DEC. 5th @ 1am PST ON KSCU 103.3 FM IN SANTA CLARA CA. USA - ONLINE SIMULCAST @ WWW.KSCU.ORG
 
All German - All Elektro Night!!! 
 
(Rotersand only want to be loved, just like everyone else....)
 
ROTERSAND - "Random is Resistance" (new release)/"1023" (2007)/"Dare To Live (Perspectives On Welcome To Goodbye)" (2006 import remix version of 2005's "Welcome To Goodbye")/"Welcome To Goodbye" (2005)/"Truth is Fanatic" (2004 debut): Rotersand are one kickass German Elektro band, and they prove it once again on their excellent new album, "Random is Resistance." I said "once again," because the band proved they were a definite musical force to be reckoned with on their fantastic 2004 debut, "Truth is Fanatic." I consider that album to truly be an Elektro Muzik masterpiece. In fact, I'll be featuring "Truth is Fanatic" in its entirety on this week's Dekadance. The new "Random is Resistance" comes very damn close to be equally as good as "Truth...," no small feat when you start your career with a debut that strong. 2007's "1023" and 2005's "Welcome To Goodbye." were both very good albums too, but they aren't quite as good as the debut or the new release. Let me be crystal clear here, Rotersand have never put out anything that wasn't pretty damn good and of exceptionally high quality. The band mixes Elektro, Synthpop, EBM, and even a dash of Modern Rock, into a delicious sonic stew that will have you coming back for more. The musical dish is then garnished with the excellent vocals of Rotersand mastermind Rasc, who sings in a clear vocal style. Rasc has a deep, yet expressive voice that has a good range to it, so he can hit a high note or two when he needs to. I strongly urge you to go out and pick up ALL four of the full-lengths by Rotersand, you'll be glad you did! Here's a bio on the band courtesy of Metropolis Records:
 
(Rotersand comin' at ya live, direct, and in full effect!)
 
 
When Rasc and Gun decided to form Rotersand in September of 2002, they were by no means strangers. Their paths had crossed more than once in the past, as they had cooperated with bands such as The Fair Sex, 1am and Warm. This made them eager to create their very own gestalt of electronic music: invigorating and contemplative, contemporary yet timeless. Almost to their surprise the project effortlessly took off.
The energetic, poignant sound of Rotersand instantly caught audiences' attention when they opened the "Legends United" Tour in September 2002. It was during that tour when they convinced Krischan E. Wesenberg to join them. Rasc and Gun had already followed Krischan's work as a Techno and Electro underground producer for quite some time. From the day they joined forces, their music gained even more momentum - they were an instant match.
When their EP Merging Oceans, was released in Spring 2003, Gun, Rasc and Krischan, received worldwide attention. For several months the band occupied top rankings in the German Alternative Charts, the Nordic Alternative Charts and the Dutch Alternative Charts. The title track "Merging Oceans" was heavily broadcast by radio and internet stations around the world.
(Rotersand pay their respects to the Godz of Elektro, at the Temple Of The Synths)
Rotersand's 2004 debut album, Truth Is Fanatic is still getting relentless dance floor attention. The album's 12 impressive tracks convey their creative spectrum. From floor shaking pounders ("Almost Violent" / "Social Distortion") to emotional ballads ("One level down" / "Hush"), their music is always plausible and authentic. Rotersand's special melange of 80's Pop, Electro, Techno and even classical elements made Truth is Fanatic a truly brilliant debut.
For 2005, Rotersand upped the ante with their follow-up album, Welcome to Goodbye. They dramatically improved their musical style and sound with the album and even gave some of the songs a bit of a Pink Floyd influence. Each song had incredible power and energy from start to finish. Rotersand became a band to be reckoned with.
Having spent 2006 on the road building their reputation as a powerful live act, Rotersand unleashed their eagerly anticipated 3rd album 1023 (ten twenty-three) for 2007. According to Rotersand singer Rasc, the title refers to the room number of a Detroit hotel the trio checked into during their US tour the prior year. “The atmosphere in this derelict, at one time luxurious and now forsaken hotel was both sinister and eerie. We felt as though we were in a combination of a surreal computer game and Stephen King's “Shining.” Needless to say, the otherworldly atmospheric experience left quite an impression on Rotersand, and can be seen throughout the album. 1023 was an influx of emotions, which is exemplified through the palate of sounds Rotersand used to paint their experiences. The hard and fast paced club hits crashed against the more somber tracks to create a potent dynamic. Following up 1023 was the I Cry EP in 2008.
(Rotersand's Rasc belts one out...)
Rotersand returned for 2009 with a digital only EP, War On Error, and their fourth album, Random Is Resistance. The band’s site eludes: “The system has declared war on error. War against the unpredictable, the imponderable, the incomputable in all of us. In order to fight back, we ought to be less transparent and less calculable – we ought to really become the error in this ever-refining consumerist machinery. Random Is Resistance” Besides the concept behind it, the album is laced with plenty of dance tracks with the signature sound Rotersand is known for: catchy melodies, great bass lines, and intelligible vocals.  www.myspace.com/rotersand
 
(Pandique - Much more than just "Show Room Dummies"!) 
 
PANDIQUE - "In Sturm Und Leben" (new import release)/"Weltenklang" (2004 import debut): I was going to feature Pandique back on the Sept. 25th edition of Dekadance, but I ran out of time. Pandique are another fine Elektro band from Germany, who play a potent mixture of Elektro & Synthpop, with just a touch of EBM thrown in to spice up the mix. Pandique have just recently released their first album in many years, five to be exact, since their fine 2004 import debut "Weltenklang." The employ a mix of both English & German lyrics, and have a female vocalist who takes the lead on a couple of songs. Other than that, I don't know much else about this mysterious duo, so here is a short bio from their MySpace site, listed below:
 
(Pandique - MIB baby! )
 
Torsten Kreissl and Thorsten Berschuck are Pandique.
They released their debut-album "Weltenklang" in 2004 via Pandailectric Records. Pandique describe their own music as electronic trance-pop and their mainly German and socio-political lyrics put them in the ranks of And One, Apoptygma Berzerk and Melotron, without copying them. They also acted as remixers for bands like Interface, Funker Vogt and Endanger. The album, with German and English lyrics, is a wonderful mix of synth-based electro and pop tunes. For now we are preparing the second album title "In Sturm Und Leben" which will be released on 22th May 2009 on Echozone/BOB Media/Sony Music. 
Discography
2004: Weltenklang
Reviews:
...I would not be surprised to see this band growing out to become a established synth-pop icon in their homeland....(side-line)
...Mit Weltenklang haben die deutschen Newcomer Pandique ein beeindruckendes Debut hingelegt...(Orkus)
...Fein kompakter Electropop für den denkenden Synthie-Freak mit Weltempfänger...(Sonic Seducer)
2009: In Sturm Und Leben  
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DEKADANCE w/ E.O.
Fri: 9pm - Sat: 1am PST
KSCU 103.3 FM / Santa Clara CA. USA
DEKADANCE is in its 25th year on KSCU!
Saturday, November 21, 2009 

Current mood:  hungry
Category: Music
 
Happy Thanksgiving To You All,
 
Those of you who receive the Deka-Update outside of the U.S. may know it by its other name, Thursday.  I have arranged a nice set of Deka-Features to aid you in your post-Thanksgiving meal digestion. or indigestion, as the case may be. Lots of new stuff by bands you know and love, with none of the "freaky stuff" that might cause you unnecessary acid accumulation in your tummies....
 
But first, this important holiday reminder: 
 
ELEKTRO MUZIK NON STOP on www.live365.com. E.O.'s online radio station - I currently have TEN HOURS & 39 MINUTES of music up - running 24 hours a day, 365 days a year! Check it out, and tell a friend!  Here's the link!
 
 
Thanks!   E.O. aka "The Dekadancer" 
 
DEKADANCE ARTIST FEATURES FOR SHOW AIRING FRIDAY, NOV. 27th @ 9pm UNTIL SATURDAY, NOV. 28th @ 1am PST ON KSCU 103.3 FM IN SANTA CLARA CA. USA - ONLINE SIMULCAST @ WWW.KSCU.ORG  
 
(Bad Lieutenant - Good Logo)
 
BAD LIEUTENANT - "Never Cry Another Tear" (new debut release): I first heard about former New Order/Electronic main man Bernard Sumner's new musical project only recently. Since I have most everything else "Barney" has done, I figured I had to get my hands on the debut by Bad Lieutenant as soon as it was out. Glad I did too, cuz I really like this CD! The sound of BL is a natural extension of his former project Electronic's last album, 1999's "Twisted Tenderness." That album, which looks like it will be Electronic's swan song, was more guitar-oriented than the previous two Electronic releases. BL's debut is pretty much in the same musical vein. So, if you liked "Twisted Tenderness," you'll definitely dig "Never Cry Another Tear." There are synths to be had and heard on the BL album, but the sound has more of an Alternative/Indie Rock vibe to it. So, those of you New Order fans out there who were expecting "Blue Monday 2009" are gonna be a bit disappointed. The songwriting is great on the new CD, and I must say that anytime I hear something new by Barney, I always find myself struck by how he continues to improve as a vocalist. Remember the early New Order days when he had trouble singing in key? Those days are long behind Barney now, as his vocals are one of the highlights here, along with new vocalist Jake Evans, who is quite good as well. Here is a short bio on BL courtesy of Wikipedia:
 
(A Bad Lieutenant never smiles...) 
 
Bad Lieutenant are an English alternative rock band formed in 2007. The band consists of former New Order lead singer and guitarist, Bernard Sumner and Phil Cunningham along with Jake Evans of Rambo and Leroy. Stephen Morris, New Order's former drummer, guests on a number of tracks, as does Blur bassist, Alex James.

Biography

After Peter Hook's departure from New Order in early 2007, the remaining members elected to continue to make music as New Order. The band would continue to exist in a figurative sense until early 2009 when Bad Lieutenant was officially announced, along with details of the debut album Never Cry Another Tear.
Hook went on to form an all bass supergroup, Freebass.
The band's debut single "Sink or Swim" was released on September 28, 2009, followed by the album Never Cry Another Tear on October 5, 2009. The album features collaborations with Blur bassist Alex James.
The band will then set off on a tour of the UK throughout October and November. The band has canceled all four of their U.S. tour dates. Later in the year, they support the Pet Shop Boys in their British leg of their Pandemonium Tourwww.myspace.com/badlieutenantmusic
 
(Bad Lieutenant - Bernard's smiling in this pic, cuz he stole those shoes...)
Discography

Albums

http://upload.wikimedia.org/wikipedia/commons/1/19/Electronic_band.png
(Electronic - The superb Sumner and the mighty Marr)
 
ELECTRONIC - "Twisted Tenderness" (w/ bonus tracks - 2000 release)/"Raise The Pressure'"(1996)/"Electronic" (1991 debut):  Well, I can't really play Barney's new band, without giving you some of his last one now, can I? I loved Electronic, and thought all three of their releases were great. A lot of people in the musical press have bagged on the second release, 1996's "Raise The Pressure," as being substandard. To that I would say, to borrow an English phrase, "bullocks." Electronic found a great balance between synth and guitar, with Barney's distinctive vocals topping it all off. Plus, Johnny freakin' Marr was in the band, what more could you want?!! To me, Electronic picked up right where New Order left off, just like Bad Lieutenant is picking up right where Electronic left all. It's all been a natural progression, musically speaking, As they say, it's all about the journey. So, enjoy this bio on Electronic courtesy of Wikipedia:
 
(Bernard Sumner - just pluckin' & singin') 
 
Electronic were an alternative dance group formed by New Order singer and guitarist Bernard Sumner and ex-Smiths guitarist Johnny Marr. They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995.

History

The two first met in 1984 when the Smiths guitarist contributed to a Quando Quango track that Sumner was producing. Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. He decided to produce a solo album but found that he did not enjoy working alone, so he called Marr for help.
Inspired by contemporary dance music like Italo house and acts such as Technotronic (Sumner even did a remix of Rockin' Over the Beat in 1990), their initial concept was to release white label records on Factory and remain an anonymous entity, in contrast to their considerable reputations with The Smiths and New Order. The track "Lucky Bag" and the name Electronic itself are two of the vestiges of this initial approach. In 1989, Pet Shop Boys singer Neil Tennant suggested a collaboration when he heard of the budding partnership through sleeve designer Mark Farrow .
The fruits of this union became "Getting Away with It", Electronic's debut single which was released in December 1989 and sold around a quarter of a million copies. It was a Top 40 hit in America the following spring and they toured in support for Depeche Mode in August, 1990. After this success, Sumner and Marr took a more commercial direction, blending synthesizers, guitars and analogue technology whilst retaining the template of contemporary alternative rock.
 
(Johnny Marr - he just plucks...) 

Albums

Electronic

After a year of intensive recording (and eighteen months after "Getting Away with It"), the debut album Electronic was released to critical acclaim and domestic commercial success, featuring the Top 10 single "Get the Message" and another Top 40 single, "Feel Every Beat". The album sold over a million copies worldwide.
As well as its fusion with rock and pop, Electronic continued their interest in dance music by inviting DJs to remix their singles and album tracks; this was a trend that continued throughout their career. Prominent acts that worked on Electronic songs around this period include Danny Rampling, DNA, Dave Shaw and Quando Quango founder and Haçienda DJ Mike Pickering.
After the first album was released and promoted, Marr and Sumner recorded albums with The The and New Order respectively, regrouping with Neil Tennant in 1992 to record their fourth and highest-charting single "Disappointed", which had been played live on a short tour of Europe the previous December.

Raise the Pressure

Electronic was resumed when these activities ended, and work began on the second album in late 1994. The core duo was joined by Karl Bartos, ex-percussionist and songwriter with Kraftwerk (of whom both Sumner and fellow Joy Division member Ian Curtis were fans), who commuted to Manchester for the writing sessions.
After a long period of mixing, Raise the Pressure was eventually released in July 1996 on the Parlophone label in the UK and Warner Bros. in the US, as Factory Records had gone bankrupt in 1992. Like its predecessor it fused dance music with a guitar-led approach, but some reviewers felt its production was too rich and distracted from the songs. Two guitar oriented tracks, "Forbidden City" and "For You", were released as singles and made the UK Top 20, with the dancier "Second Nature" issued in February 1997 and reaching the Top 40.

Twisted Tenderness

Electronic did not promote Raise the Pressure with a tour, although they performed its singles live on television shows like Top of the Pops and TFI Friday. Instead, they chose to swiftly record their third album. This was to be a reaction to the lengthy processes behind Raise the Pressure, with an emphasis on writing and demoing songs quickly before recording them. Marr and Sumner were joined by Doves bassist Jimi Goodwin and Black Grape drummer Jed Lynch, and together they made the album Twisted Tenderness as a more conventional four-piece group. The album did not return the group to their early nineties levels of popularity but was well received by the critics.

Current Status

Neither Sumner nor Marr have gone on record with any formal dissolution of the band despite both having moved onto other projects. However, in 2003 Marr did agree that the band had reached "its natural conclusion" and was happy with the way it ended on a positive note. Sumner recorded with New Order again and in 2009 formed a new band - Bad Lieutenant. Marr has since worked with many acts, including The Healers, Pet Shop Boys, The Cribs and Modest Mouse. Marr and Sumner played with the Doves for the Manchester v Cancer charity concert of January 2006 and the compilation album Get the Message - The Best of was released that September to mild promotion and sales.  www.myspace.com/electronicuk
(Snow Patrol - "Up To Now" cover) 
SNOW PATROL - "Up To Now" (new Best Of 2 CD set): I've enjoyed the music of this Northern Irish/Scottish band for some time now, but this will be the first time I have featured the band on Dekadance. I felt it would be a good time now to do a feature on SP due to the release of the band's new 2 CD "Best Of," entitled simply "Up To Now." This new set also feature several brand new tracks, which are also quite good. In fact, the new single "Just Say Yes" even features some cool synth sounds, and is definitely worth checking out. For those who may be unfamiliar, or hibernating in a musical cave, SP kind of alternate their sound between anthemic, rousing upbeat tunes, and very melodic slower ballads, all of which is topped off by vocalist Gary Lightbody's emotive and evocative voice. Here's some info on "Up To Now" courtesy of Wikipedia:
 
(Snow Patrol say "cheeeze")
Up to Now is the first compilation album of original songs (and third overall) by alternative rock band Snow Patrol. The album features tracks spanning Snow Patrol's fifteen year music career, including tracks from The Reindeer Section, a side-project/supergroup involving musicians from all over Scotland. The album was released primarily as a two-disc set and a three-disc digipak format containing one DVD of bonus material, a limited edition heavyweight box was also sold. Three new songs were released on the album. One of these was "Just Say Yes", the lead single taken from the compilation.
The release has been described by the band as a collection of the band's best loved songs, and not a greatest hits. It was received positively by music critics for not being a typical hits record. The album performed well commercially, reaching the top 5 in three countries and the top 40 in another. It also sold quite well on the iTunes Store.

Background

The album marks the band's 15 year music career. Band members chose songs they like from all five studio releases, and added a few b-sides, rarities and three new recordings to compile the track list. The band's label was originally going to call the album a Greatest hits, however, the band noted that they hadn't had that many hits. They went on to suggest a Best of, before realizing it was along the same lines. Singer Gary Lightbody has made it clear that the album wasn't a greatest hits record, and has expressed his dislike for such. He further explained that the band couldn't have had such an album anyway, as they hadn't had enough hits yet. According to him, the compilation is a way to leave the last 15 years behind, and it looks forward to 15 years in the future. The album's title, "Up to Now" was specifically chosen as to indicate the band has more to offer in the future, and that it wasn't a way of saying goodbye. The band believes that the album signifies a portrait of the band, who they are, "warts and all". Lightbody said it represents the band making a statement, explaining: "We've climbed a hill and now we're looking back and taking in the view for a bit. It's nice to show people that we didn't just arrive overnight". The artwork for the album was revealed on 25 September 2009. The song "Make This Go on Forever" was left off the album. The band found it a tough choice, but they did it as to evenly represent all their albums. They also felt the selections should draw all sorts of fans: those who've supported from the start and those who might be hearing the band for the first time.  www.myspace.com/snowpatrol
http://upload.wikimedia.org/wikipedia/en/8/80/TheKillersRoyalAlbertHall.jpg
(The Killers - "Live From The Royal Albert Hall" cover)
THE KILLERS - "Live From The Royal Albert Hall" (new live DVD + CD set): I've kind of had a love/hate thing going with Las Vegas, Nevada's The Killers for some time now. I loved their first album, kinda hated the second, and then kinda loved the third one again. I also think vocalist Brandon Flowers is sometimes a little too into himself and the whole "Rock Star Fame" crap. But, there is no denying that the band write very catchy, melodic tunes. I like The Killers best when they embrace their love of 80's synthpop bands, and like them the least when Flowers indulges his obsession with Bruce Springsteen. I'm not going to go all into the sound of The Killers, cuz you should all be aware of what these guys sound like. If you aren't, I'm very worried about you, and you definitely need to get out more. This is the band's new live concert DVD + CD, recorded this past summer at the world famous Royal Albert Hall in jolly old London, England. Here's some info on it courtesy of Wikipedia;
(The Killers need a ride to the next town...)
Live from the Royal Albert Hall is a live album and DVD by American rock band The Killers. It was released on November 10, 2009 in the UK, Canada and the US. The album is pulled from two nights the band performed at the Royal Albert Hall in July 2009, and also includes footage from festival dates the band headlined during the middle months of 2009  A CD of live material accompanies the DVD as part of the package.
The artwork resembles the artwork for the band's third studio album, Day & Age, and was designed by artist Paul Normansell.  www.myspace.com/thekillers
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DEKADANCE w/ E.O.
Fri: 9pm - Sat: 1am  PST
KSCU 103.3 FM / Santa Clara CA. USA
DEKADANCE is in its 25th year on KSCU!
Sunday, November 15, 2009 

Current mood:  adventurous
Category: Music
 
It's getting to be that time of year again,
 
The holidays are fast approaching, Xmas ads are constantly on TV, and here in N. Cali, the temperature has already fallen to a chilly 60 degrees!  So, I have some Deka-Features for you this week that will have you shakin' your booty on the dancefloor and getting that blood pumping through you. Think of it as the E.O. energy saving plan, cuz if you're dancing, you don't need to turn on a heater! But first, this info for ya....
 
ELEKTRO MUZIK NON STOP on www.live365.com. E.O.'s online radio station - I currently have TEN HOURS & 43 MINUTES of music up - running 24 hours a day, 365 days a year! Check it out, and tell a friend!  Here's the link!
 
 
Thanks!   E.O. aka "The Dekadancer" 
 
DEKADANCE ARTIST FEATURES FOR SHOW AIRING FRIDAY, NOV. 20th FROM 9pm UNTIL SATURDAY, NOV. 21st AT 1am PST ON KSCU 103.3 FM IN SANTA CLARA CA. USA - ONLINE SIMULCAST AT WWW.KSCU.ORG  
 
(Scooter - "Under The Radar Over The Top" front cover) 
 
SCOOTER - "Under The Radar Over The Top" (new import release)/"Jumping All Over The World" (2008 import)/"The Ultimate Aural Orgasm" (2007 import)/"Excess All Areas' (2006 import live release): When it comes to Techno music, my extensive CD collection begins and ends with the German Techno/Rave band Scooter. One reason is the fact that Scooter has an excellent vocalist and MC in H.P. Baxxter. You see, I generally find instrumental Techno music to be very repetitive and boring, which is one of the reasons I don't have any Techno in my collection. Scooter have but one musical mission - and that is to get your ass movin' and shakin' on the dancefloor. The vocals of H.P. add a lot to Scooter's music, as the guy has a killer voice, even when he shouts instead of sings (H.P. is also a GREAT singer - and I wish he would sing more in Scooter). Scooter's music also has lots of tempo changes and various samples and effects that keep it all interesting. The song length is also worth mentioning here, as Scooter rarely have a track that is much longer than six minutes max, while most Techno acts regularly have tracks that last an hour or more, or at least they seem that long to me.  On the new album, Scooter's track time is the shortest yet, with many tracks barely hitting the four minute mark. That makes each track on the new album practically explode with sonic energy, as Scooter pack A LOT of stuff into each track. Here's a bio on Scooter courtesy of Wikipedia:
 
("Are you ready for the sound of Scootah!")
   
Scooter are a German hard dance band founded in Hamburg, who have sold over 25 million records and earned 80 gold and platinum awards. Scooter are considered the most successful single-record German act with 23 top ten hits. The band is currently composed of members H.P. Baxxter, Rick J. Jordan and Michael Simon. Although most of the band's early recordings are in the styles of happy hardcore or hard trance, Scooter have experimented with other dance genres such as hardstyle and jumpstyle, and occasionally hip hop, hard rock and house.
Scooter's trademark sound features spoken or shouted vocals, pitch-shifted chorus vocals and live performance elements such as crowd samples. Among their more well-known hits are "Hyper Hyper", "Move Your Ass!", "Fire", "How Much Is the Fish?", "Posse (I Need You On The Floor)", "Ramp! (The Logical Song)", "Nessaja", "Weekend!", "Maria (I Like It Loud)", "One (Always Hardcore)", and "Jumping All Over the World".

Career

Celebrate the Nun and The Loop

In 1986 H. P. Baxxter and Rick J. Jordan met in Hanover, Germany through a small ad and founded the new wave band Celebrate The Nun. The band released two albums, Meanwhile (1989) and Continuous (1991), and five singles. Slin Tompson left the band in 1990 to start a project on his own. Lead vocals were done by Baxxter and female vocals were delivered by Baxxter's sister Britt Maxime. Not finding the expected success in the new wave arena Baxxter kept working at the former Hamburg based Indie label (currently Edel Records) in distribution and sales where he met Scooter's future manager Jens Thele. Soon afterwards, in late 1993, the former Celebrate the Nun members joined up with Baxxter's cousin Ferris Bueller under the management of Jens Thele to form a remix team known as The Loop. The Loop became one of the top remix teams in Germany, releasing remixes for artists like Adeva, Holly Johnson, The Tag Team, RuPaul, and Marky Mark feat. Prince Ital Joe.

Beginning

Scooter started as a project in 1994. Their debut single "Vallée De Larmes" (French for Valley of Tears) reached #8 on the German official dance chart. In April, Scooter played their first live show at "The Palladium" in Hamburg. At that point, Scooter officially switched from being a project into a band, and Baxxter's "rapping" became one of the band's trademarks.
At first, "Hyper Hyper" was expected to be a small hit within the club scene, but it became a platinum record, selling 700,000 units, eventually reaching number 2 on Germany's Media Control single chart. Scooter's third single "Move Your Ass" reached number 3 within Media Control's single chart after a few weeks of its release. The follow-up singles, "Friends" and "Endless Summer", occupied similar positions.
The band maintained the initial technique of their sound throughout their second album, Our Happy Hardcore, until the style became noticeably different with their 1996 single "I'm Raving" (from the 3rd album Wicked) as the tempos were down to 138 BPM from their previous tempos which were between the range of 160 and 190 BPM. The single got gold certification, reaching no. 4 in Germany.
Scooter's fourth album, Age of Love, went gold, selling 250,000 units within four weeks of its release.

1998–2002

In 1998, Ferris Bueller (Soren Buehler) left the group to pursue a solo career, and was replaced by DJ Axel Coon, who had been working with the band at the recording studio for some time already. Scooter released one of their memorable singles "How Much is the Fish?" which charted at #3, selling over 300,000 units and becoming another gold single. Their fifth album, No Time to Chill, reached the number 4 position on the Media Control album chart.
In July 1999, "Faster Harder Scooter", Scooter's first single from their sixth album, Back to the Heavyweight Jam, reached number 7 at home. "Back to the Heavyweight Jam", "Fuck the Millennium", band members' use of aliases and the spoken intro to "Fuck the Millenium" all heavily reference The KLF, who pioneered the concept of live crowd samples as part of their stadium house concept and White Room album.
Scooter released their seventh album, Sheffield, in May 2000. Sheffield took another new direction including 6/8 rhythms on tracks "Don't Gimme the Funk" and "Sex Dwarf". In late 2000, after their second single "She's the Sun," Scooter were awarded a Comet at the 2000 VIVA Comet Awards in the "Most Successful Dance Act" category.
The band's 21st single, "Posse (I Need You on the Floor)," was the first Scooter single since "Endless Summer" to include a high-pitched-voice in the chorus. Their eighth album, We Bring the Noise, released in June 2001, included another single, "Aiii Shot the DJ." A limited edition version of the album included a cover of the 1978 City song "Am Fenster" as a bonus track.
In December 2001, Scooter released their 23rd single "Ramp! (The Logical Song)" from the compilation album Push The Beat For This Jam. The single shipped over 200,000 units in Germany and went gold in many countries as well as platinum in Australia, Norway, and the United Kingdom, where 407,000 copies of the single were sold.

2002–2006

At the beginning of 2002, the band released their second Best Of album titled Push the Beat for this Jam (The Singles 98-02). Coon left the band to pursue a solo career in DJing and remixing, and Jay Frog became the new DJ.
As a quick way of introducing the new member Frog to their fans, the trio released a second compilation album in November 2002, 24 Carat Gold. Scooter's 24th single, "Nessaja" was a cover version of the title track from Peter Maffay's musical Tabaluga, and debuted at number one on the German official single charts.
Scooter enjoyed a comeback within the UK charts, with 6 top 20 UK singles "The Logical Song" (UK #2), "Nessaja" (UK #4), "Posse (I Need You On The Floor)" (UK #15), "Weekend!" (UK #12), "The Night" (UK #16) and "Maria (I Like It Loud)" (UK #16) all charting within an 18 month period.
In 2003, the video for "Weekend!" caused a scandal with its scenes of topless dancers. The song reached number 2 on the German Media Control single chart.
In March 2003, Scooter released their next studio album, The Stadium Techno Experience. The album climbed to number 7 on the Media Control album chart. The single "The Night" became the last to feature the high pitched voice effect and reached the Top 10 in Germany. The next single from the album, "Maria (I Like It Loud)", was released in collaboration with hardcore producers Marc Acardipane and Dick Rules, reaching number 4 on the single charts.
Mind The Gap was Scooter's 10th studio album, released in three different versions: basic, regular and deluxe. The 28th single, "Shake That!" flavored with 70's disco sound was released on 4 October in most European countries, entering the German Media Control single chart at number 8 and gaining Gold certification in the Czech Republic.
Their 11th studio album, Who's Got the Last Laugh Now?, featured a cover version of "Everlasting Love." The Who's Got The Last Laugh Now? 2006 tour was followed by the release of both the CD and the 2-disc DVD entitled Excess All Areas, one of the DVD's containing the final Hamburg concert of the tour and the second containing every music video released so far.
 
(Scooter - H.P. Baxxter will box you now....)

2006–2008

On August 14, 2006, it was announced that Jay Frog had decided to leave the band to pursue a solo career. Frog was replaced by Michael Simon, who had remixed some of Scooter's tracks while in search of success with his "Shahin & Simon" project. On August 19, Scooter played at the Tufertschwil Open Air in Switzerland, where Simon debuted.
The single "Behind the Cow" was premiered at The Dome 40 in Düsseldorf on December 1, 2006, and was released on January 19, 2007. The song and its lyrics are based on "What Time Is Love?" by The KLF. Their 12th album The Ultimate Aural Orgasm, which includes the songs "The United Vibe" (cover version of Den Harrow's "Catch the Fox"), "Scarborough Affair" or "The Shit That Killed Elvis" (collaboration with Jimmy Pop, the frontman of American fun-rock-band The Bloodhound Gang), was released on February 9, 2007. The second single release of The Ultimate Aural Orgasm was "Lass Uns Tanzen" which appeared in stores on March 23.
On August 10, Scooter released a new single called "The Question is What is the Question", the release of which surprised many of their fans as they were expecting a third single from the current album rather than new material. The band released a jumpstyle cover version of classic 70's track "How Do You Do" by Mouth & MacNeal. Scooter released their 13th studio album, Jumping All Over the World, on 30 November 2007, containing all three singles ("The Question is What is the Question", "And No Matches" and "Jumping All Over the World"). A limited edition of the album contains a bonus CD including all Scooter's German top ten hits, from "Hyper, Hyper" to "How Much Is The Fish?" as well as a previously unreleased version of "The Question Is What Is The Question?"
In November 2007, the band made its debut tour of Australia, never having visited the country before despite a #1 single there (The Logical Song) some 6 years earlier. Scooter performed at the famous Scattered rave party in Sydney as well as in Adelaide, Brisbane and Perth.
In March 2008, the group embarked on its first arena tour of the UK as part of Clubland Live, appearing alongside other All Around The World acts such as Cascada and Ultrabeat. During this tour, Scooter performed a retooled version of "I'm Lonely" from Jumping All Over The World; the single was released in Germany on 18 April 2008. "The Question Is What Is The Question" was released in the UK the same week, charting at number 49. The band made international news in May 2008 when Jumping All Over The World unexpectedly entered at number 1 on the UK Albums Chart, replacing Madonna's album Hard Candy after just one week. It is Scooter's first number 1 in the UK and first album release there in five years.

2009 Onwards

February 2009 saw the release of a Scooter tribute album entitled Hands On Scooter, featuring artists such as The Bloodhound Gang, Status Quo, and Sido covering or sampling Scooter songs.
During the summer of 2009, Scooter announced their next studio album, Under The Radar Over The Top. On August 14, 2009, Scooter released "J'adore Hardcore", the first single from Under The Radar Over The Top. "J'adore Hardcore" was based on Planet Funk's "Chase the Sun" and The Pitcher's "I Just Can't Stop." On July 30, 2009, during the video shoot for "J'adore Hardcore," Baxxter was almost a victim of a car bomb attack in Majorca, Spain. The group collaborated with Italian singer Antonella Ruggiero for another single, "Ti Sento", released October 2nd. Ti Sento became a hit in Germany, and was released the day the new album was released. During the first week of sales, Under The Radar Over The Top appeared 2nd on the German charts. Ti Sento appeared as a number 11 hit on German charts the same week and peaked at 10 the following week. It was confirmed on November 3rd that The Sound Above My Hair would be the third single from the album. The video premiered on Youtube on the November 12, 2009 it it can be seen Here. It will be released November 27, 2009.
The Under The Radar Over The Tour was announced before the album was released. Originally, the tour was only to be a week long through several German cities such as Hamburg, Berlin, and Leipzig at the end of March 2010. However, a UK Tour was later announced to take place before the German tour, in January of 2010.  www.myspace.com/scootertechno
(Scooter - They want YOU for the Scooter Army!)

Lineup

Current

Former

    Sören Bühler (Ferris Bueller, born: 29 September 1971) – 1993–1998, keyboards
    Axel Broszeit (Axel Coon, born: 23 March 1975) – 1998–2002, keyboards
    Jürgen Frosch (Jay Frog, born: 7 May 1976) – 2002–2006, keyboards
(Celebrate The Nun - "Continuous" - front cover) 
 
CELEBRATE THE NUN - The Extended Singles : Celebrate The Nun were an excellent German Synthpop band who released two superb albums during what I call Synthpop's "wilderness years," by which I mean the early 90's. The early 90's saw a mass extinction of 80's Synthpop bands, and the rise of Grunge. Quality Synthpop bands like Celebrate The Nun were few and far between. Celebrate The Nun was also my first introduction to two guys named H.P. Baxxter (vocals) and Rick J. Jordan (Keyboards), who would later go on to form the Techno/Rave band called Scooter. Celebrate The Nun specialized in very melodic Synthpop that was also moody and edgy. H.P.'s vocals were great, and Rick's synths and programming were top-notch. In fact, when you hear H.P. sing in Celebrate The Nun, you wish he would sing more today in Scooter. These releases are both out of print now and VERY difficult and expensive to obtain. "Meanwhile" can be found used, if you want to pay $50 or more for a copy. "Continuous" is almost impossible to find now at all, with the few I've seen online costing close to $100 for a used copy. These extended mixes I will be playing were compiled by my bro and Dekadance co-founder M.O. - who is the king of collecting the obscure, rare, and hard to find 80's Synthpop. Here's a very short bio on Celebrate The Nun courtesy of Wikipedia;
 
 
(Celebrate The Nun - "Meanwhile" - front cover)
Celebrate the Nun were a German New Wave band of the late 1980's and early 1990's. It included two current members of the techno group Scooter, H. P. Baxxter and Rick J. Jordan, alongside Baxxter's sister Britt Maxime and Slin Tompson.
The band released two albums Meanwhile in 1989, and Continuous in 1991, along with five singles. www.scootertechno.ru/nun.htm
Sunday, November 08, 2009 

Current mood:  aroused
Category: Music
 
Lookout! Jason is behind you with a large and blood-stained axe!  
 
I'm just kidding! Did I scare you? Well, even if Jason isn't behind you, Dekadance is still airing on Friday the 13th this week. I hope none of the equipment in the on-air studio blows up or anything... 
 
DEKADANCE ARTIST FEATURES FOR SHOW AIRING FRIDAY, NOV. 13th @ 9pm UNTIL SATURDAY, NOV. 14th AT 1am PST ON KSCU 103.3 FM IN SANTA CLARA CA. USA - ONLINE SIMULCAST @ WWW.KSCU.ORG
 
(Mesh - It's like they're playing in your living room!)
 
MESH - "A Perfect Solution" (new release on Metropolis Records www.metropolis-records.com) /"We Collide" (2006 import)/'Who Watches Over Me?" (2002 import)/"The Point At Which It Falls Apart" (1999 import - 2000 domestic)/"In This Place Forever" (1996 import - 1999 domestic)/"Fragile" (1995 import - 1996 domestic debut): Any time the English band Mesh put out a new release, it's an event, as they tend to go several years between albums. Another reason it's an event is because you know that when Mesh put out a new album, it's gonna be a great one. Mesh continue their long streak of musical brilliance with the new album, "A Perfect Solution," which is their first domestic release since 2000. I often compare Mesh to Depeche Mode, in that they both ride the Synth/Rock road musically. However, while Depeche Mode have kind of missed the mark, in my opinion, with their latest album "Sounds Of The Universe," - Mesh just keep refining and honing their sound. They sound stronger than ever on the new album, with an aggression and intensity that D-Mode has sorely lacked recently. Mesh would and should be huge in America, if they would just tour over here. They are a big live draw over in Europe, where they often play in front of large crowds. Of course, if they tour here they would probably have to play small clubs and "holes in the wall." Yet another reason I wish I lived in Europe, so I could see the majority of the bands I like actually play live. For many European bands, playing live here just isn't in their economic interest. That's why I salute they few who do, like Seabound, De/Vision, Covenant, etc. Needless to say, I have never seen Mesh play live, though I have met their live keyboardist and live backing vocalist Geoff Pinckney. I met Geoff at SynthCon 2001 in L.A. when he played with his excellent former group The Nine, who put out two great records on the A Different Drum label at www.adifferentdrum.com. Here is a bio on Mesh courtesy of Wikipedia:
 
(Mesh - "You cannot pass through this tunnel until you answer three riddles"....)
 
From Wikipedia:
Mesh are a band from Bristol, England whose music could be described as synth pop. Earlier tracks had more of an industrial edge than recent releases.
(Mesh - hangin' in the white room with no furniture)
 
Background
Mesh was formed in 1991 by Mark Hockings (vocals, guitars, keyboards, programming, lyrics) and Richard Silverthorn (keyboards, programming) after the two met at a gig where Silverthorn's band was playing. They were soon joined by Neil Taylor (keyboards, programming), a former band-mate of Silverthorn, and continued as this line up until September 2006.
On September 13, 2006 Neil Taylor announced that he was leaving the band to pursue other interests, saying "15 years is a long time and for me the time has come to move on and I need to give some headspace to other things in life". Hockings and Silverthorn have unequivocally stated their desire to continue making music as Mesh.
The band recruited keyboardist Geoff Pinckney (The Nine/Toffeetones Records) to act as a replacement for Taylor during their live performances.
Mesh have created a number of remixes, including a remix of the Apoptygma Berzerk song 'Mourn' for that group's 2006 cover album 'Sonic Diary' (which later appeared on Apop's album "7").
On January 8, 2009, Side-Line magazine informed that the electropop are working hard in their studio in Bristol writing and recording their new album describing the sound as 'Grittier and more Rockier than before'.  www.myspace.com/mesh_a_perfect_solution

Discography

Albums

    Fragile - (1994, Tolerance Records, (TOLCD001)
    Fragile - (1995, Memento Materia, MEMO 020) - Reissue
    Fragile - (1996, Jarrett Records, CDWERK05) - U.S. reissue with additional tracks
    In This Place Forever - (1996, Memento Materia, MEMO 021)
    Fragmente - (1998, Memento Materia, MEMO 027) - Compilation album. Featuring singles, b-sides and album tracks
    The Point At Which It Falls Apart - (1999, Memento Materia, MEMO 032)
    On This Tour Forever - (2001, Synthetic Product Records, SPR 012) - Live album recorded at various venues during 1999 and 2000
    Original 91-93 - (2001, Tolerance Records, TOLCD002) - Compilation album. Featuring early tracks recorded during 1991-93 and previously unreleased on CD
    Fragmente 2 - (2002, Synthetic Product Records, SPR 029) - Compilation album. Featuring remixes and b-sides
    Who Watches Over Me? - (2002, Home Records, 506167 2)
    We Collide - (2006, SPV, 82552) - Also released as a Ltd edition with bonus DVD (SPV 82550)
    A Perfect Solution (2009)
(Collide - kaRIN searches in vain for the earring she lost)
 
COLLIDE - "These Eyes Before" (new compilation of cover songs): Now, unlike Mesh, I HAVE seen Collide play live a few years ago in San Francisco. In fact, vocalist kaRIN was close enough to me where I could almost reach out to the stage and touch her, though since she was wearing a dress made of razor blades, I might have regretted it had I tried to. It takes a very special kind of woman to pull off a razor-blade dress like that, and kaRIN is definitely that kind of woman. I have had a major crush on her for many years now, and I'm not ashamed to admit it. I mean, look at her picture below, which is the cover of their new album of cover tunes - what straight man in his right mind wouldn't have a crush on her?!!! kaRIN has a very sexy and sultry voice that fits her lovely visage perfectly. When she sings, I get goose bumps and start feeling all warm and fussy inside. Her musical partner in crime is the electro-wizard Statik, who creates mysterious electronic soundscapes that fit kaRIN's vocals seamlessly. Statik is himself as mysterious as the sounds he creates, and I have a feeling that if I was standing in front of him, he could read my mind like Spock from planet Vulcan, or something. I can't prove that empirically, so let's just say it's a hunch. . Either way, If I was in a rumble in a dark alley, I'd want Statik on my side, know what I mean? Collide's new album,"These Eyes Before," is an eclectic collection of covers from a wide variety of bands. Not only does the band cover songs from the Alternative music realm, like "I Feel You" by Depeche Mode and "Creep" by Radiohead, but also songs like "Comfortably Numb" by Pink Floyd and "Tusk" by Fleetwood Mac. Now, many bands might not be able to pull off covers by such a wide range of bands, but Collide have the musical skill to not only pull it off, but to actually make each song their own. I suspect that has a lot to do with the fact that Collide are fine songwriters in their own right, as anyone can hear by just taking a listen to any of the band's back catalog. Here's a bio on Collide courtesy of Wikipedia;
 
     
From Wikipedia:  
Collide is a music duo founded in 1992, in Los Angeles, California, USA, that has incorporated elements of trip hop, darkwave, techno and music from the Middle East into their sound. Their imagery is said to be a wicked and neo-dark version of Scheherazade Arabian Nights tales.
The name comes from the 'collision' of musical styles, primarily the ethereal vocals provided by kaRIN and the electronic music provided by Statik. Collide's debut album, Beneath the Skin, was released in 1996, followed by a remix album, Distort, in 1998 containing remixes by artists such as Kneel Cohn of the bands Spirits In Sin and The Dead Stars On Hollywood. Dissatisfied with the music industry, Collide started their own record label, Noiseplus Music, and in 2000, they released their second studio album, Chasing the Ghost.
(kaRIN is one hot AND cool babe!)
 
Three years later, they released their third studio album, Some Kind of Strange. The following year, the band released another remix album, Vortex, containing remixes by numerous remix artists, including Charlie Clouser. Joining kaRIN and Statik this time around, and for their first live performances a little later in the year, were Scott Landes (guitar), Rogerio Silva (guitar), Chaz Pease (drums), and Kai Kurosawa (Warr Guitar/bass).
In 2005 Collide released a DVD, entitled Like the Hunted, along with a live CD. They then recorded with Curve's Dean Garcia in a project called The Secret Meeting. The album, Ultrashiver, was released under their Noiseplus label on June 26, 2007. On September 23, 2008, the band released their fourth studio album Two Headed Monster. Special guests on the album included Danny Carey from Tool and Dean Garcia from Curve.  www.myspace.com/collide
(Statik computes the distance an acoustic waveform will travel against a reflective surface)
 
Members

Full time members

    kaRIN – vocals, lyrics
    Statik – music, production

Live members

    Scott Landes – guitar
    Rogerio Silva – guitar
    Chaz Pease – drums
    Kai Kurosawa – Warr Guitar/bass
(Dead By Sunrise - "Out Of Ashes" front cover) 
 
DEAD BY SUNRISE - "Out Of Ashes" (new debut release): I literally just read about this new band yesterday in the latest issue of the Metal mag Revolver. Yeah, I'm a regular reader of Revolver, you got a problem with that? . While I wouldn't play on my show many of the bands I read about in Revolver, I have actually found out about quite a few of the heavier bands I play in that magazine. Though I have to admit, I actually picked up this latest issue because it was the "Hottest Chicks In Metal Of All Time" issue. OK, I'm a dude, you got a problem with that?  Once I read the interview with Dead By Sunrise, I knew I had to pick this CD up. I have always been a fan of the vocals of Chester Bennington, yes, THAT Chester Bennington from the band Linkin Park. I actually like some of Linkin Park's stuff, in particular, the songs without the damn rapping on them. So, now that Chester has his own band, I think it's time to give him his Deka-Debut. I have only given this album a brief listen so far, as I just got it yesterday, but I like what I hear. Chester is joined in the band by several members of the band Julien-K and Orgy, which are two other bands I like as well. The sound of the band is kind of like a heavier, more Rock version of Linkin Park, mixed with some Depeche Mode-type elements, all topped of with Chester's kick-ass vocals. It's very kool stuff that I think you will enjoy. Here is a bio on Dead By Sunrise courtesy of Wikipedia:
 
http://upload.wikimedia.org/wikipedia/commons/3/3d/Deadbysunrise_052909_3735.jpg
(Dead By Sunrise: So good, they can defy gravity....)
 
From Wikipedia:   
Dead by Sunrise is the side project of Linkin Park's vocalist, Chester Bennington. The band also features Amir Derakh, Ryan Shuck, Brandon Belsky and Elias Andra from Julien-K and Anthony "Fu" Valcic. Dead by Sunrise's debut album, Out of Ashes, was released worldwide on October 13, 2009.

History

Dead by Sunrise started to form in 2005 while Chester Bennington was writing songs for Linkin Park's album Minutes to Midnight. According to Bennington, "I came up with a few songs that felt and sounded really good, but I knew they weren't right stylistically for Linkin Park. They were darker and moodier than anything I'd come up with for the band. So I decided to work on them on my own rather than turn them over and have them transformed into Linkin Park tracks." However, the foundation for Dead by Sunrise was laid much earlier, when future bandmate Shuck met Bennington during the recording of Linkin Park's first album Hybrid Theory. In an interview, Shuck states that "I always used to go to his house and hear him play acoustic guitar. And I always thought to myself, 'Oh my God, these are such good songs.'
The band's name, which was previously "Snow White Tan," reflects the time during the album's recording. In an interview, Bennington stated that:
I came up with the band name because in the beginnings of making this album, I was partying ... we'll call it partying. It wasn't much fun, but we partied a lot. And there was a lot of times where I was kind of in a really self-destructive place, and sometimes it felt like you weren't sure if you were going to make it to the next day. The name kind of evolved from that lifestyle, and the title of the record, Out of Ashes, is kind of coming out of that self-destructive path I was on, and rising from the ashes, so to speak.
On May 10, 2008, Dead by Sunrise performed three songs ("Walking In Circles", "Morning After", and "My Suffering") at the 13th anniversary party for Club Tattoo in Tempe, Arizona. The song titled "Morning After" was written by Chester Bennington and originally performed on December 9, 2001 at the Live in Berlin concert. This was the first time that Chester had "officially" performed the song under a new name—Dead by Sunrise. In addition, this band has recently started touring with Linkin Park in Europe and Japan. In an interview with MTV, Bennington stated that "we're actually going to be jumping in the middle of [Linkin Park]'s set, playing a few songs, then jumping out and letting LP finish out the set." During their debut European tour the band took time out to send a message to the German Armed Forces.
Recording of the band's debut album began in July 2008 after touring for Linkin Park had finished. Working simultaneously on his solo album and Linkin Park's next record, Bennington recorded Out of Ashes with producer Howard Benson (who has also worked with My Chemical Romance, Daughtry, and simultaneously Full Circle by Creed) and bandmates from Julien-K. Bennington wrote most of the songs on an acoustic guitar before working with his band to reshape the track into hard rock, a ballad, or even removing all rock influence and creating a synth-driven track. Linkin Park bandmate Mike Shinoda confirmed that Out of Ashes is "much more of a rock album [than Linkin Park's albums]." Also of note, Bennington participated in all aspects of creating the record, including programming and production.
Videos have been filmed for "Crawl Back In" and "Let Down" with the former serving as the album's first single. "Crawl Back In" has reached the 11th spot on the Mainstream Rock chart. On August 16, "Crawl Back In" debuted on Dead By Sunrise's MySpace; the song can currently be found on iTunes in the US. On September 1 the song "Fire" was uploaded to Dead By Sunrise's MySpace. Also that song is offered if the album is pre-ordered. On September 8 2009, the video for "Crawl Back In" was released. On October 8, 2009 (just 4 days before the official release of the album) Dead By Sunrise released Out of Ashes on their MySpace page.  www.myspace.com/deadbysunrise
(Dead By Sunrise - waiting for their phone call to escape The Matrix...)
 
Band members

Discography

Studio albums

------------------------------------------------
DEKADANCE w/ E.O.
Fri: 9pm - Sat: 1am PST
KSCU 103.3 FM
Santa Clara CA. USA
DEKADANCE is in its 25th year on KSCU!
Sunday, November 01, 2009 

Current mood:  cranky
Category: Music
 
Daylight Savings Time Is Over!
 
Yeah! We get back the hour that The Man stole from us way back in, like March, or something. Isn't that just like The Man, always stealing' our shit and keepin' us down. So, my Deka-Peeps, it's time to get ready. The revolution will not be televised, cuz it's on the radio, my babies!
 
But, first, check this out Comrades!
 
ELEKTRO MUZIK NON STOP on www.live365.com. E.O.'s online radio station - OVER TEN HOURS of music currently up - running 24 hours a day, 365 days a year!  Here's the link!
 
 
DEKADANCE ARTIST FEATURES FOR SHOW AIRING FRIDAY, NOV. 6th AT 9pm UNTIL SATURDAY, NOV. 7th AT 1am PST ON KSCU 103.3 FM IN SANTA CLARA CA. USA - ONLINE SIMULCAST AT WWW.KSCU.ORG  
 
(Yet another great concert that the complexities of modern life kept me from attending...)
 
ECHO & THE BUNNYMEN - "The Fountain" (import - new release)/"Siberia" (2005)/"Flowers" (2001)/"What Are You Going To do With Your Life?" (1999)/"Evergreen' (1997)/"Very Best of: More Songs To Learn and Sing" (2006 - 1 CD + 1 DVD)/"Ocean Rain" (Original: 1984 / deluxe anniversary edition: 2003): As you read this, some of you may be all, like, "What's E.O., the Lord of Darkwave & Synth, doin' spinning Echo & The freakin' Bunnymen?!!" Hey, lemme give ya the 411 - I was playing what was then New Wave, and what is now often called "Alternative," when many of you reading this were just a twinkle in your daddy's eye! In fact, I'm so old that I recall when Echo & The Bunnymen were a brand new band, and songs like "The Killing Moon" and "The Cutter" were some of the newest, most cutting-edge songs coming out of England. What I admire most about EATB is that they aren't just resting on their 80's laurels, but continue to write great music. I'd even say that the band is writing some of their best songs now, at this point in their career. If you listen to "Siberia" from 2005, I would match that to anything the band wrote in the 80's. While I think the new album "The Fountain" just  barely misses the mark in being as good as "Siberia" was, it's still a really good album. Ian McCulloch still has that one-of-a-kind, instantly recognizable voice, albeit sounding a bit worn lately. Fortunately, that only adds to that pathos in a lot of the songs. Will Sergeant is still one hell of a guitar player, and always comes up with memorable riffs and interesting lines. McCulloch and Sergeant are now the only two original members of EATB left, but they wrote all the songs anyway, so the songwriting core of the band is still intact. I don't know how much more I can tell you about EATB that you don't already know, but here is a bio on the band courtesy of Wikipedia. Oh, by the way, I'll also be featuring EATB's fantastic side-project Elektrafixion, which released their one and only album, the excellent CD "Burned," in 1995. More about that below:
 
 (OK Bunnymen, up against the wall, arms at your side, and don't move!)
 
From Wikipedia:
Echo & the Bunnymen are an English post-punk group, formed in Liverpool in 1978. Their original lineup consisted of vocalist Ian McCulloch, guitarist Will Sergeant and bass player Les Pattinson, supplemented by a drum machine. By 1980, Pete de Freitas had joined as the band's drummer, and their debut album, Crocodiles, met with critical acclaim and made the UK Top 20. Their second album, Heaven Up Here (1981), again found favour with the critics and reached number 10 in the UK Album chart. The band's cult status was followed by mainstream success in the mid-1980's, as they scored a UK Top 10 hit with "The Cutter", and the attendant album, Porcupine (1983), reached number 2 in the UK. Their next release, Ocean Rain (1984), continued the band's UK chart success, and has since been regarded as their landmark release, spawning the hit singles "The Killing Moon", "Silver" and "Seven Seas". One more studio album, Echo & the Bunnymen (1987), was released before McCulloch left the band to pursue a solo career in 1988. The following year, de Freitas was killed in a motorcycle accident, and the band re-emerged with a new line-up. Original members Will Sergeant and Les Pattinson were joined by Noel Burke as lead singer, Damon Reece on drums and Jake Brockman on keyboards. This new incarnation of the band released Reverberation in 1990, but the disappointing critical and commercial reaction it received culminated with a complete split in 1993.
After working together as Electrafixion, McCulloch and Sergeant regrouped with Pattinson in 1997 and returned as Echo & the Bunnymen with the UK Top 10 hit "Nothing Lasts Forever". An album of new material, Evergreen, was greeted enthusiastically by critics and the band made a successful return to the live arena. Though Pattinson left the group for a second time, McCulloch and Sergeant have continued to issue new material as Echo & the Bunnymen, including the albums What Are You Going to Do with Your Life? (1999), Flowers (2001), Siberia (2005) and The Fountain (2009).
 
(Echo & The Bunnymen - just searchin' for the stage, man)
History

Early years

Ian McCulloch began his career in 1977, as one third of the Crucial Three, a bedroom band which also featured Julian Cope and Pete Wylie. When Wylie left, McCulloch and Cope formed the short-lived A Shallow Madness with drummer Dave Pickett and organist Paul Simpson, during which time such songs as "Read It In Books", "Robert Mitchum", "You Think It's Love" and "Spacehopper" were written by the pair. When Cope sacked McCulloch from the band, A Shallow Madness changed their name to The Teardrop Explodes, and McCulloch joined forces with guitarist Will Sergeant and bass player Les Pattinson to form Echo & the Bunnymen. This early incarnation of the band featured a drum machine, assumed by many to be "Echo", though this has been refuted by the band. In the 1982 book Liverpool Explodes!, Will Sergeant explained the origin of the band's name:
We had this mate who kept suggesting all these names like The Daz Men or Glisserol and the Fan Extractors. Echo and the Bunnymen was one of them. I thought it was just as stupid as the rest.
In November 1978, Echo & the Bunnymen made their debut at Liverpool's Eric's Club, appearing as the opening act for The Teardrop Explodes.
Echo & the Bunnymen's debut single "The Pictures on My Wall" was released on Bill Drummond's Zoo Records in May 1979, the B-side being the McCulloch/Cope collaboration "Read It in Books" (also recorded by The Teardrop Explodes approximately six months later as the B-side of their final Zoo Records single "Treason"). McCulloch has subsequently denied that Cope had any involvement with the writing of this song on more than one occasion.
By the time of their debut album, 1980's Crocodiles, the drum machine had been replaced by Trinidad-born Pete de Freitas. The lead single, "Rescue", climbed to UK #62 and the album broke into the Top 20 at #17, following critical acclaim. Their next album, Heaven Up Here (1981), was an even bigger critical and commercial success, reaching the UK Top Ten (#10), although a single lifted from the album, "A Promise", could only reach UK #49.

Mainstream success

In June 1982, the Bunnymen achieved their first significant UK hit single with "The Back of Love" (#19). This was followed in early 1983 with their first Top 10, the more radio-friendly "The Cutter", which climbed to #8. The parent album, Porcupine, hit #2 in the album chart. Now firmly established as a chart act, further hits followed with a one-off single, "Never Stop" (#15), and "The Killing Moon", a preview from the new album featuring a dramatic McCulloch vocal, which became the band's second UK Top 10 single at #9.
Following a PR campaign which proclaimed it "the greatest album ever made", 1984's Ocean Rain reached #4, and today is widely regarded as the band's masterpiece. Single extracts "Silver" (UK #30) and "Seven Seas" (UK #16) consolidated the album's continued commercial success. In the same year, McCulloch had a minor solo hit with his cover version of "September Song".
Echo & the Bunnymen toured Scandinavia in April 1985, performing cover versions of songs from Television, the Rolling Stones, Talking Heads and The Doors. Recordings from the tour emerged as the semi-bootleg On Strike. Unfortunately for the band, Ocean Rain proved to be a difficult album to follow up, and they could only re-emerge in 1985 with a single, "Bring On the Dancing Horses" (UK #21), and a compilation album, Songs to Learn & Sing, which made #6 in the UK album chart. However, all was not well in the Bunnymen camp, and Pete de Freitas left the band. Their next album, the self-titled Echo & the Bunnymen (1987), was recorded with ex–ABC drummer David Palmer, but when de Freitas returned in 1986, it was largely re-recorded. Eventually released in mid-1987, the record sold well (UK #4), and was a small American hit, their only LP to have significant sales there.
In the United States, the band's best-known songs were "The Killing Moon" (from Ocean Rain) and "Lips Like Sugar" (from Echo & the Bunnymen), although "Bring On the Dancing Horses" is well-known as one of the songs on the soundtrack to the John Hughes film Pretty in Pink. They also contributed a cover version of The Doors song "People Are Strange" to The Lost Boys soundtrack.

1988 split

McCulloch quit the band in 1988 and de Freitas was killed in a motorcycle accident in mid-1989. After former Colenso Parade singer Oscar turned down an offer to take over from McCulloch,[10] Pattinson and Sergeant recruited ex-St. Vitus Dance vocalist Noel Burke and drummer Damon Reece. Keyboardist Jake Brockman (a touring member of the band for several years previously, and a contributor to the 1987 album) was promoted to full member, and the five-piece recorded Reverberation in 1990. This did not generate much excitement among fans or critics, and the group was abandoned in 1992. McCulloch, meanwhile, had continued his solo career, with the albums Candleland in 1989 and Mysterio in 1992.

Reformation

http://en.wikipedia.org/wiki/File:IanMcCulloch.jpg
Echo and the Bunnymen at Paradiso, Amsterdam, in 2005.
In 1994 McCulloch and Sergeant began working together again under the name Electrafixion; in 1997 Pattinson rejoined the duo, meaning the three surviving members of the original Bunnymen lineup were now working together again. Rather than continue as Electrafixion, the trio resurrected the Echo & the Bunnymen name and released the album Evergreen (1997), which reached the UK Top 10.
Immediately prior to the release of the band's next album, What Are You Going to Do with Your Life? (1999), Les Pattinson quit to take care of his mother. McCulloch and Sergeant have continued to tour and record as Echo & the Bunnymen, touring repeatedly and releasing the albums Flowers (2001) and Siberia (2005). The group's current touring incarnation comprises McCulloch and Sergeant along with Stephen Brannan (bass), Gordy Goudie (guitar), Nicholas Kilroe (drums) and Ceri James (keyboards).
In 2002 the group received the Q Inspiration award. The award is for inspiring "new generations of musicians, songs and music lovers in general." The band were said to be worthy winners as they have done much to promote the Mersey music scene. In a later interview for Magnet magazine, McCulloch said "It validates everything that we've tried to achieve—cool, great timeless music. It's not like an inspiration award affecting the past, it's affecting the current music."
On 11 September 2006, Echo & the Bunnymen released an updated version of their 1985 Songs to Learn and Sing compilation. Now re-titled More Songs to Learn and Sing, this new compilation was issued in two versions, a 17-track single CD and a 20-track version with a DVD featuring 8 videos from their career.
In March 2007, the Bunnymen announced that they had re-signed to their original record label, Warner, and were also working on a new album. The band were also said to be planning a live DVD, entitled "Dancing Horses", which also contained interviews with the band. This was released in May 2007, on Snapper/SPV.
On 11 January 2008 Ian McCulloch was interviewed on BBC Breakfast at the start of Liverpool 08. He was asked about new Bunnymen material and he revealed that a new album would coincide with their gig at the Royal Albert Hall in September. He went on to say that the album was, "The best one we've made, apart from Ocean Rain."
In a 20 April 2008 interview with the Sunday Mail Ian McCulloch announced The Fountain as the title of the new Echo & the Bunnymen album with producer John McLaughlin, which was originally due to be released in 2008 but was finally released on 12 October 2009. The first single from the album, "Think I Need It Too", was released on 28 September 2009.
On 1 September 2009 keyboard player Jake Brockman died on the Isle of Man when his motorbike was in collision with a converted ambulance.  www.myspace.com/thebunnymen

(Ian can and will poke your eyes out with his hair...)

Discography

Studio albums

("Burned" promo front cover - I have a sealed copy that looks just like this)  
 
ELECTRAFIXION - "Burned" (original: 1995 [out of print] / 2 CD deluxe import version: 2007 ): I REALLY like this one and only album by this Echo & The Bunnymen side-project. Actually, it wasn't really a side-project, in that EATB were broken up at the time, and wouldn't officially re-form until two years after "Burned" came out. I think that "Burned" easily equals the best of anything EATB ever put out. What I like about Electrafixion and "Burned," is that they went for a bit of a harder-edged sound, and didn't try to duplicate the sound of EATB. To this day, I have never grown tired of listening to "Burned," and that is saying something coming from me. The record just flat out kicks ass. I think it was a totally underrated release at the time it came out. It was actually out of print for a long time, but was re-released on import in 2007 as a 2 CD deluxe version. This new version contains pretty much every song that Electrafixion ever recorded, and since Echo has re-formed, probably ever will record, unfortunately. Here's a brief bio on Electrafixion courtesy of Wikipedia:
 
(Blow smoke in my face, & I swear there'll be trouble, Ian!) 
 
From Wikipedia:
Electrafixion were an alternative rock band, formed by former Echo & the Bunnymen members Ian McCulloch and Will Sergeant in 1994, joined by bass guitarist Leon de Sylva and drummer Tony McGuigan. They released one album, Burned, and four singles and EP's before splitting up in 1996, due to the reformation of the Bunnymen. A posthumous limited edition 7" single, "Baseball Bill" was released in 1997. When touring, the band included Julian Phillips (formerly of Marion) on bass and his brother, George Phillips, on drums.
(The bad boys of Electrafixion)

Discography

Albums

    Burned (1995, WEA/Warners, CD/C, 0630 11248-2/-4) UK #38 (2 weeks)
-------------------------------------------
DEKADANCE w/ E.O.
Fri: 9pm - Sat: 1am PST
KSCU 103.3 FM
Santa Clara CA. USA
DEKADANCE is in its 25th year on KSCU!
Sunday, October 25, 2009 

Current mood:  tired
Category: Music
 
Happy Halloween, My Deka-Ghouls! 
 
I have some extra special, heavy duty stuff to ring in your Hallow's Eve, Eve right! Check out these super spooky Artist Features! But first....
 
ELEKTRO MUZIK NON STOP on www.live365.com. E.O.'s online radio station - over seven hours of music currently up - running 24 hours a day, 365 days a year!  Here's the link!
 
 
DEKADANCE ARTIST FEATURES FOR SHOW AIRING FRIDAY, OCT. 30th FROM 9pm UNTIL SAT. OCT. 31st AT 1am PDT ON KSCU 103.3 FM IN SANTA CLARA CA. USA - ONLINE SIMULCAST AT WWW.KSCU.ORG
 
HALLOWEEN IN DEUTSCHLAND FEATURE!!!! 

(Rammstein - taking a break from setting themselves, and the world, on fire)

RAMMSTEIN - "Liebe ist für alle da" (new release - 2 CD limited edition version)/"Völkerball" (2006 limited edition - 2 CD + 2 DVD): Those masters of Germanic mayhem are back with, finally, a new album! I just picked up the limited edition, 2 CD version, and I haven't had a chance to listen to it yet. However, there is a good deal of controversy floating around out there about the  new song and video "Pussy." Gee, why would a new song and video from Rammstein called "Pussy" generate any controversy? I just don't understand it.  I'll also be featuring the highly limited 2 CD + 2 DVD version of the live release "Völkerball," which happens to come contained inside a beautiful and very large hardcover book that includes tons of great photos. I can't think of a better way to kick off my Halloween Deka-Show than with some live Rammstein, can you? Here's a bio on Rammstein courtesy of Wikipedia:

(Rammstein hangin' at a backyard barbeque, and YOU are on the menu!)Rammstein is a German rock band from Berlin, formed in 1994. The band consists of members Till Lindemann (lead vocals), Richard Z. Kruspe (lead guitar and backing vocals), Paul H. Landers (rhythm guitar, backing vocals), Oliver "Ollie" Riedel (bass guitar), Christoph "Doom" Schneider (drums and electronic percussion) and Christian "Flake" Lorenz (keyboards). They are widely accepted as part of the Neue Deutsche Härte scene, alongside bands such as Oomph!, Eisbrecher, and Die Krupps. Their sound has been dubbed as Tanz-Metal (lit. "Dance Metal"). Their songs are usually in German, but they have also performed songs entirely or partially in other languages such as English ("Pussy", "Amerika", "You Hate", "Angel"; covers of Depeche Mode's "Stripped" and Ramones' "Pet Sematary"), Spanish ("Te quiero puta!"), French ("Amour" and "Frühling in Paris"), and Russian ("Moskau"). As of 2005, they had sold over 30 million records worldwide. Rammstein's entire catalogue is published by Universal Music Group. Since their formation in 1994, Rammstein has had no changes in their band line-up nor have any members left the band.

Rammstein takes their name indirectly from the German town of Ramstein-Miesenbach, the site of the flight show disaster on 28 August 1988. The band's signature song, "Rammstein", is a commemoration of the Ramstein airshow disaster. The second "m" in the band's name makes it translate literally as "ramming stone" to convey the Teutonic sound of their music. In a short period before the band became well known, they performed using the name "Rammstein-Flugschau" (literally meaning "Rammstein-Airshow").
Although the majority of their songs are written in German, Rammstein has had success across the world. It was confirmed in 2007 that the band had re-united from their vacation and had begun working on their sixth studio album, Liebe ist für alle da, which was released on 16 October 2009 in Europe.
(Rammstein ponder if they should hold a concert first, and then blow up the factory, or......)
History

Formation and early years (pre-1994)

Rammstein was founded by guitarist Richard Z. Kruspe. In 1989, he escaped to West Berlin and started the band, Orgasm Death Gimmicks. At that time, he was heavily influenced by American music, especially that of Kiss. After the Berlin Wall came down, he moved back home to Schwerin, where Till Lindemann worked as a basket-weaver and played drums in the band First Arsch.
At this time, Richard lived with Oliver Riedel, of the band The Inchtabokatables, and Christoph "Doom" Schneider (of Die Firma). Richard realized that the music he had previously created did not properly suit him; He envisioned something that would combine machines as well as the sound of hard guitars. The three started working together on a new project. Richard soon found it extremely difficult to write both music and lyrics at the same time, so he persuaded Lindemann to join Rammstein. Richard first discovered Till when he overheard him singing while he was working.
A contest was held in Berlin for amateur bands in 1994, the winner of which would receive the opportunity to record a four track demo CD in a professional studio. Kruspe, Schneider, Riedel and Lindemann entered and won the contest, which caught the attention of Paul H. Landers, who wanted in on the project upon hearing their demo. To complete their sound, Rammstein then attempted to recruit Christian "Flake" Lorenz, who had played with Paul H. Landers previously in Feeling B. At first Lorenz was hesitant, but eventually agreed to join the band.
http://en.wikipedia.org/wiki/File:Rammstein-flamethrowers.jpg
Rammstein using pyrotechnics during one of their most notable songs, "Feuer frei!" at the Globe Arena in Stockholm, Sweden in 2004.

Herzeleid (1995–1997)

Rammstein began to record their first studio album entitled Herzeleid in March 1995 with producer Jacob Hellner. They released their first single Du Riechst So Gut on 17 August and later released the album on 24 September 1995. Later that same year, they toured with Clawfinger in Warsaw and Prague. Rammstein headlined a tour of their own through Germany from 2 December to 22 December consisting of 17 shows which helped to boost the band’s popularity. They then went on several tours throughout early 1996, releasing their second single entitled Seemann on 8 January 1996.
On 27 March, Rammstein performed on MTV's Hanging Out in London; their first performance in the UK. Rammstein's first major boost in popularity outside Germany came when music director Trent Reznor chose two Rammstein songs, "Heirate mich" and "Rammstein", for David Lynch's film Lost Highway. The soundtrack for the film was released in the US in the fall of 1996 and later throughout Europe in April 1997.
Rammstein then went on to tour through Germany, Austria and Switzerland from September to October 1996, performing an anniversary concert on 27 September called "100 years of Rammstein". Guests to the concert included Moby, Bobo and The Berlin Session Orchestra, Berlin director Gert Hof was responsible for the light show.

Sehnsucht and Live aus Berlin (late 1996–2000)

Rammstein started recording Sehnsucht in November 1996 at the Temple Studios in Malta. The album was again produced by Jacob Hellner. The first single off of the album, entitled Engel was released on 1 April 1997 and later reached gold status in Germany on 23 May. This prompted the release of a fan edition of the single, named Engel - Fan Edition. This contained two previously unreleased songs, "Feuerräder" and "Wilder Wein". Release of the second single from the album Sehnsucht was "Du hast", which hit the German single charts August 1997 at number 5. Rammstein then continued touring in the summer whilst Sehnsucht was released on 22 August 1997. The album reached number 1 after only two weeks in the charts. Simultaneously, Herzeleid and both the singles off Sehnsucht ("Du hast" and "Engel") were in the Top 20 of the German charts. Rammstein continued to headline sold out shows throughout Europe in September, October and November 1997 before releasing their cover of Kraftwerk's "Das Modell". The single included another unreleased song entitled "Kokain". On 5 December 1997, Rammstein embarked on their first tour of the United States with KMFDM.
On 22–23 August 1998, Rammstein played to over 17,000 fans at the Wuhlheide in Berlin; the biggest show the band have ever played there up to that date. Supporting acts were Danzig, Nina Hagen, Joachim Witt and Alaska. The show was professionally filmed, intended to be released on their upcoming live DVD, Live aus Berlin.
Rammstein embarked on a live tour with Korn, Ice Cube, Orgy and Limp Bizkit called the Family Values tour in September through to late October 1998. To further continue their success in the US, Sehnsucht received Gold record status on 2 November.
The Band was nominated at the MTV European Music Awards for Best Rock Act and performed "Du hast" live on 12 November that year.
Rammstein had further success in 1999, starting off the year in February with a nomination for Best Metal Performance at the 42nd-annual Grammy Awards. A year after it was filmed, the Live aus Berlin concert was released on CD on 30 August 1999, with a limited edition double CD also available. Two weeks after it was released, Live aus Berlin went to number one in the German Album Charts. On 13 September and 26 November 1999 the video and DVD versions of the concert were released respectively.

Mutter (2000–2002)

The recording of Rammstein's album Mutter took place in the south of France between May 2000 and June 2000, and it was later mixed in Stockholm in October of that year. During Christmas 2000, Rammstein released an MP3 of "Links 2 3 4" as a taster for their new album.
2001 was a busy year for Rammstein, starting in January and February with the band playing the Big Day Out festival in Australia and New Zealand. January also heralded the shooting of the video for their upcoming single, "Sonne", recorded in Potsdam at Babelsberger Filmstudios from 13–15 January 2001. The video was released on 29 January 2001. The single for "Sonne" was released on 12 February 2001 in Europe, featuring an instrumental version of the song, two remixes by Clawfinger and "Adios" from the upcoming album.
Mutter was released on 2 April 2001, sparking another Rammstein tour through Germany, Austria and Switzerland. On 14 May, the second single off the album, "Links 2 3 4", was released, along with a video of the single on 18 May. After a tour throughout Europe in June, the band then toured the U.S., Canada and Mexico from June to August 2001.
"Ich will", the third single from the album, was released on 10 September 2001 and a Tour edition of the Mutter album was released, featuring alternative artwork and live versions of "Ich will", "Links 2 3 4", "Sonne" and "Spieluhr". From 8–12 January 2002, Rammstein traveled to Prague to participate in a minor scene for the film xXx. The band is seen in the opening scene, performing their song "Feuer frei!" in a concert. "Feuer frei!" was released across Europe as the first single from the xXx soundtrack on 14 October 2002. Rammstein released two remixes of the song. Furthermore, the single's track listing included "Du hast" and "Bück dich" cover versions by Battery. The video for the single was edited by Rob Cohen, which contains part Rammstein performance at the beginning of the film and part snippets from the film itself.
(Rammstein - Till's down! Must have eaten too much fire!)

Reise, Reise (2003–2005)

Rammstein recorded Reise, Reise at the El Cortijo studio in southern Spain between November 2003 and December 2003, it was later mixed at Toytown studio in Stockholm, Sweden in April and May 2004. The first single from the album was "Mein Teil", released on 26 July 2004. The video was shot in the Arena, in the Treptow district of Berlin. Outdoor shooting took place at the Deutsche Oper (Opera House) U-Bahn station on Bismarckstrasse. The director was Zoran Bihac, who also filmed the "Links 2 3 4" video. The video for "Amerika" was filmed on 6–7 August 2004 in the ruins of the former cement works in Rüdersdorf near Berlin, Germany under the direction of Jörn Heitmann (who also directed the "Ich will" video, among others). The space suits for the moon scenes were borrowed from Hollywood and 240 tons of ash were needed to create the moon landscape. The video premiered on 20 August 2004.
The second single from Reise, Reise was "Amerika", released on 13 September 2004. With the album released on 27 September, it went straight to top 10 charts throughout Europe. According to the Billboard charts, Rammstein were now the most successful German-language band of all time. Rammstein then toured Germany through November and some of December 2004, releasing the single "Ohne dich" on 22 November.
In February 2005, Rammstein toured Europe again. By 28 February 2005, Rammstein had played 21 concerts in front of more than 200,000 spectators in ten countries. It was on this tour that the band was faced with several lawsuits resulting from severe fire breathing accidents involving audience members. "Keine Lust" was the fourth single released from Reise, Reise on 28 February 2005.
From 27 May to 30 July 2005, Rammstein played festivals across Europe. Footage from these concerts eventually ended up on Rammstein's live DVD Völkerball, released in November 2006.

Rosenrot and Völkerball (2005–2006)

In August 2005, Rammstein revealed the name of their next studio album: Rosenrot. Their first single from the album, "Benzin", was released on 5 October 2005, with its video premiere on 16 September 2005. The album Rosenrot was released worldwide on 28 October 2005. Directly following the release, the album continued the success of its predecessor, Reise, Reise, placing on top 10 charts in 20 different countries.
16 December 2005 marked the release of the title track on the album Rosenrot. The video for "Mann gegen Mann" was released on 6 February 2006, with the single being released on 3 March. On 19 February 2006, Rammstein had an asteroid named after them, 110393 Rammstein.
On 17 November the first Rammstein Live DVD since Live aus Berlin from 1998 was released. Völkerball shows concert-performances by the band in England, France, Japan and Russia. The Special Edition is extended by a second DVD, which contains the documentaries "Anaconda in the net" by Mathilde Bonnefoy and the "Making of the album Reise, Reise" by Rammstein guitarist Paul Landers. The limited edition was released as a large black and white photo-book with photos by Frederic Batier, who had accompanied the band through their recent tours. The photo-book edition contains two DVD's and two live albums.

Liebe ist für alle da (2007 onward)

The band took a time out in 2006, and began work again in 2007. In an interview with German rapper Bushido (who contributed the "Electro Ghetto remix" of "Amerika") on 21 January 2007, Bushido reported recording a song with Rammstein, called "Vergiss uns nicht" ("Don't forget us"). In this interview, Bushido also mentioned that he was unsure whether it would be on their "Best of" album or not. This was the first mention of a "Best of" album, or the new album all together. On May 6, Rammstein announced a European Tour dates on their website. In addition, keyboardist Christian "Flake" Lorenz confirmed this in an interview with Metal Hammer Germany in November, stating that they would have most likely released a new album in 2008. The band did not tour during 2007 due to album production. Their website confirmed work on a new album, but no word of a "Best of" album has yet been mentioned. In January 2008, guitarist Richard Kruspe confirmed on the Talking Metal Podcast that Rammstein was recording an album as they spoke, during that same interview he confirmed a "big world tour" following the next album to contain U.S. dates.
On 4 November, the band finished the pre-production in Berlin and went to the Henson Studio in LA. After 7 intensive weeks they had recorded the drums, guitars and most of the vocals.
Two very short (less than two minutes) "making of" videos have been released during the development of the album. One video, released on the band's website, shows drummer Christoph "Doom" Schneider recording drums for one of the tracks ("Mehr"), and the second, released on the band's MySpace page, features keyboardist Flake Lorenz practicing notes for another track.
The June '09 release of Metal Hammer featured an interview with Rammstein-manager Emanuel Fialik. In regard to the upcoming album Fialik quoted "Musically, it has the force of Mutter while the beauty of the melodies of Sehnsucht – Just so it has fixed in my ears." and also that it will feature two soft ballads and the rest will be "hard as a rock". He even went as far to say that the disk is the biggest surprise since the birth of his son. The interview concluded with Fialik stating "It is musically the best Album, which until now has Rammstein recorded!"
In July 2009, the title track "Liebe ist für alle da" leaked onto the internet, along with promotional materials. This has led Universal Music to take action against certain fan sites.
It was confirmed in August 2009 that the new album will have 11 tracks, and mixing of the album - which was taking place in Stockholm - has been completed. On September 1, 2009, it was confirmed on the band's website that "Pussy" will be the first single from the new album. On the same day, The Gauntlet posted a promotional video for it. The video also confirmed the new album title, Liebe ist für alle da. Later, the title was confirmed again in an interview with Paul Landers for RockOne magazine.
The music video for "Pussy" was released 30 minutes early on September 16, 2009, at 20:30 GMT, released especially for the adult website Visit-x. The video contains graphic scenes of male and female nudity as well as women engaging in sexual activity with the band members. Metal Hammer released an edited version of the video onto their website.  www.myspace.com/rammstein

Discography

(Eisbrecher - They want to love you like a reptile)
 
EISBRECHER - "Sünde" (2008 import version - latest release)/"Antikörper" (2006)/"Eisbrecher" (2004 debut): I can't think of a better band to follow Rammstein on this week's Deka-show than this one! Eisbrecher are considered part of the same Neue Deutsche Härte (New German Hardness) scene as Rammstein. While Eisbrecher are most definitely hard, they can also be quite melodic. While they employ heavy guitar riffage much like Rammstein, they also tend to use just a bit more of the electronics in their mix than their more famous German brethren. While Eisbrecher don't light themselves on fire when they play live, they are a band that could eventually rival Rammstein as leaders in the German NDH scene. Here are two bio's on Eisbrecher for you to check out.  
 
(Eisbrecher - "Touch our snake, love our snake!")
 
In 2002 an unexpected Ice Age seized the world of music. After leaving the electro act Megaherz because of artistic differences, singer and mastermind Alexander “Alexx” Wesselsky (lyrics/vocals) along with sound-engineer and DJ Noel Pix (composition/keyboard, guitar, producer), founded the industrial dark-electro rock band Eisbrecher. The pairs aimed to create music far beyond all usual Metal clichés – modern electro Trip-Rock. Emotional, honest, forthright – Eisbrecher forges delicately brutal music without compromises. Heavy industrial guitar sounds, driving electro, and Alexx’s distinctive voice are clothed in beats both modern and danceable. The lyrics take their listeners on a cold seductive journey through individual human relations in a world growing darker.
Their debut Eisbrecher and the following album Antikörper pulled out all the stops and catapulted Eisbrecher into the spotlight. Within two weeks of its release, Antikörper made it to #85 of the German Media Control Charts, no small feat for a new underground act. Songs such as “Vergissmeinnicht” and “Leider” filled the dance floors worldwide, and the ensuing tours helped to fuel
Sunday, October 18, 2009 

Current mood:  anxious
Category: Music
Hello My Deka-Babies!
 
More Elektro/Synthpop love for ya on this week's Dekadance! Before we dive into it all, check out this important info:  
 
ELEKTRO MUZIK NON STOP on www.live365.com. E.O.'s online radio station - over seven hours of music currently up - running 24 hours a day, 365 days a year!  Here's the link!
 
 
Now, on with the Deka-Show!
 
DEKADANCE ARTIST FEATURES FOR SHOW AIRING FRIDAY, OCT. 23rd FROM 9pm UNTIL SATURDAY, OCT. 24th AT 1am PDT ON KSCU 103.3 FM IN SANTA CLARA CA. USA - ONLINE SIMULCAST AT WWW.KSCU.ORG  
 
A NAME & A NUMBER FEATURE #2 .... and more!
 
(Tom Shear aka Assemblage 23 - He wants to party with you)
 
ASSEMBLAGE 23 - "Compass'" (new release - out Tues 10/20 on Metropolis)/"Meta" (2007)/"Storm" (2004)/"Defiance" (2002)/"Failure" (2001): I've got two more bands with numbers in their names for ya on this week's Deka-Show; Assemblage 23 & Seven Red Seven (more about them later). Tom Shear aka Assemblage 23 drops his new album, entitled "Compass," this Tues. Oct. 20th. If it's anything like his past albums, get ready for some sonic awesomeness! A23 combines Elektro, Synthpop, and EBM into a heady mix that is hauntingly melodic, yet full of dark passion and dynamic rhythms. Tom's deep vocal style adds to the air of mystery and emotional intensity. I'm going under the assumption that I will have a copy of the new A23 album in my hands in time for Friday's show. If my assumption is incorrect, I will feature Filament 38 & Code 64 instead of A23. Here's a bio on A23 courtesy of Metropolis Records;
 
(Tom Shear aka Assemblage 23 -  Only a brave man in a plush chair turns his back on the tide!)
 
 
Tom Shear began constructing music at home under the moniker Man On A Stage in the late 1980's. Most of the music was very simplistic and poorly constructed, with no vocals at first but as time went on they occurred more often. While working on Man On A Stage, Tom Shear also was playing bass live for a punk-influenced band collectively known as the Advocates.
In 1988 at a Depeche Mode concert, Assemblage 23 was born. Tom was amazed by the industrial dance music that the opening DJ was spinning. His love of the electronic synth-pop sounds mixed with heavier darker aggression proved to be an turning point for him.
While in college, in addition to working on Assemblage 23 non-stop, Shear also collaborated with two friends, Mike Ukstins and Matt Guenette on a synth-pop project, Procession. The band didn't last long, but provided Shear with performance experience and practice. At first, Assemblage 23 was more of a hobby for Shear rather than a permanent project. There were occasional attempts and demos sent out, but when they lead to no interest in the band, Shear reverted back to making music for fun and his friends. In 1992, he self-released a collection of songs called "Wires". Several radio stations began playing the new act, and fledging magazines, such as Industrial Nation, began to show interest.
But it was a side project of Shear's called Nerve Filter that helped Assemblage 23 get some much needed recognition. On a whim, Shear sent copies of Assemblage 23 and Nerve Filter to Peter Stone of Xorcist, who in return handed them over to Don Blanchard of the now defunct 21st Circuitry Records. However, Blanchard's interest was not in Assemblage 23 but in Nerve Filter, although, a few Assemblage 23 tracks would later be released on several compilations. Arts Industria released the first 'official' Assemblage 23 song "Graverobber" on their Construction No. 009 compilation. Several more times Shear sent out demos to various labels, and even while being frustrated by the lack of interest, he still wrote more Assemblage 23 songs.
(Tom Shear aka Assemblage 23 - where the hell is the pizza guy? it's been thirty minutes already!) 
Finally in 1998, the Canadian label, Gashed Records signed Assemblage 23 and released their first album, Contempt in 1999, and the follow-up, Failure in 2001. Shortly after the release of Failure, Assemblage 23 had a falling out with Gashed Records and left the label to sign with Metropolis Records, who later that year re-released both Contempt and Failure. With only those two albums, Contempt and Failure, Assemblage 23 became one of the biggest names in industrial and EBM music today.
To further the American electro act's success, a third album, Defiance, was completed for October 2002. Defiance pushed Assemblage 23's sound to the limits of only the imagination. Signature melody constructions, driving rhythms, non-stop beats, and highly emotional and personal lyrics made Defiance a logical follow-up to the widely reveled Failure.
For 2004, Assemblage 23 returned with two singles, Let the Wind Erase Me and Ground, and their fourth album Storm. Dubbed the most complex Assemblage 23 release thus far, Storm experimented with innovative sound compositions and elements, solidifying A23’s position as the most successful American EBM act to date.
Two and a half years passed after the release of Storm, Assemblage 23 released the Binary single, and Meta album. Several tracks on Meta have the signature A23 sound while others are slightly different in approach. The album was a giant leap forward in the way of Assemblage 23’s sounds production and shattered any and all preconceived notions about the band and their music.
In 2009, Assemblage 23 released the Spark single as a precursor to his newest album, Compass. Each output shows a more polished and mature sound. Solid beats, interesting melodies, and meaningful lyrics give the album a dynamic clarity. From the intensive opening track, “Smoke,” to the danceable “Impermanence” through the heart-wrenching closing track, “The Cruelest Year,” Compass takes Assemblage 23 to the next level with each unforgettable song. www.myspace.com/officialassemblage23
(Seven Red Seven - "Shelter" - front cover):
SEVEN RED SEVEN - "Bass State Coma" (1994 - out of print)/"Shelter" (1991 debut - out of print): You want classic Synthpop, American style? Look no further than Seven Red Seven! Comin' at ya straight outta Chi-Town, 7R7 managed to put out one of the classic Synthpop albums of all time with "Shelter" in 1991 on long deceased now tiny indie label Speed Records. You'd never know it though, because the production values on "Shelter" were excellent. Another item of note is the fact that 7R7 put out their masterpiece when the Synthpop genre was almost extinct. By 1991, most of the 80's Synthpop bands had died out, and Nirvana and Grunge were king. However, that didn't deter 7R7 from releasing "Shelter," and thus Synthpop history was made. The duo tried to make a stab at the Techno world with their second release, 1994's "Bass State Coma,' which didn't quite work out as they planned. While "Bass State Coma" is not the classic that "Shelter" was, it still had several great songs on it. The only real drawback to "Bass State Coma" was the overabundance of instrumentals on the album. All the songs on the album with vocals are great, including an excellent cover of Stevie Wonder's "Superstition." "Bass State Coma" never saw wide release, and was later re-issued in 1997 on now extinct tiny Texas Synthpop label Jarrett Records as "Liquid." For some reason, the song "Bass State Coma" was left off of "Liquid," which makes the whole thing somewhat confusing. The well-known Synthpop band Iris covered the 7R7 song "You're The Answer" on their 2003 album, "Awakening."  In fact, I'd say Iris is the band that sounds the most like 7R7 of all the Synthpop bands out there right now. so, if you dig Iris, you'd love 7R7! Here's a short bio on 7R7 courtesy of Last FM:
 
(Seven Red Seven - back in the wilderness years of Synthpop)
From www.last.fm. :was a Synthpop band formed in the early 1990's, consisting of two Chicago natives, Mitchell Adrian & David Michael. After two releases that garnered only minor success, the pair moved on to producing albums for other acts. (E.O. Note: Seven Red Seven may have been only a minor success in the mainstream music world, but they were HUGE in the Synthpop world - especially at a time, in the early 90's, when Synthpop had all but disappeared!)

Their first album, Shelter, was released in 1991 on Speed Records. Minor hits from the album were Thinking of You and That Way Again, which both were released as singles, in 1991 and 1992, respectively. The album blended Synthpop, industrial and even some techno sounds into a sound reminiscent of bands like Cause & Effect, Cetu Javu and Anything Box. The second album - Bass State Coma, released in 1994, saw the pair moving further into an industrial/techno sound. The title track was released (in remixed form only) on the CD single Acceleration 7. The other track to see single release was Superstition, a cover of the Stevie Wonder song. (E.O. Note: This Wikipedia entry is incorrect, in that "Bass State Coma" was released on the ALBUM "Bass State Coma," which was later re-released minus that track, for some unknown reason, as "Liquid." "Bass State Coma,'"the album, is quite are, and wasn't widely released).
Seven Red Seven 
(Rupesh Cartel - "Man, these hotel rooms are getting smaller everyday!")
 
RUPESH CARTEL - The A Different Drum Extended Singles & B-Sides: I freakin' LOVE this Synthpop duo from Sweden! Rupesh Cartel play some of the catchiest, most melodic, most downright addicting Synthpop you will ever hear in this or any other lifetime. Also, I love the vocals of Viktor Ginner - they perfectly match the music. Kudos to Maestro Todd Durrant at A Different Drum for putting these guys on his label! All three RC albums are available at www.adifferentdrum.com, with the first two albums on the ADD label, and the third and latest, "Anchor Baby" being an import. However, what I'll be featuring on this week's Dekadance aren't the RC albums themselves, but the fantastic extended mixes released by the band. I love every one of the band's extended singles, along with their fine B-Sides. What I love most about these mixes is that they all take the great original song, and make it even better with the extended mix. These RC mixes remind me of the way extended mixes used to be in the 80's, where bands would just make a more fleshed out version of the original song. With a lot of the extended mixes I hear today, most of the time you can't even recognize the original song because it's been altered so much. I HATE THAT! Thankfully, there is none of those shenanigans to worry about with these RC mixes. Great stuff! Here's a bio on the band courtesy of their MySpace page;
 
(Rupesh Cartel - they make such a cute couple!) 
 
Nightclub Paparazzi is where you want to go if you feel like getting drunk when you are in the small town of Nyköping, Sweden. That is where Daniel Gustafsson and Viktor Ginner first spoke, a late night a few years ago. By closing time that same night they had decided to start making music together. Daniel has said that his first impression of Viktor was that he seemed nice but looked kind of geeky. As true as that may have been, they soon had a bunch of songs recorded. These first songs where the beginning of Rupesh Cartel, and some of the songs actually ended up on the debut album "Mainland" - released in April 2005. Rupesh Cartel plays dancey, thoughtful and kind of melancholic synthpop. The band released their second full-length album in 2007. The record is called 'The Disco and the What Not' and was released through Stockholm label Megahype. In early 2009 their third studio album, "Anchor Baby", will be out on Megahype and A Different Drum.
 
---------------------------------------------------------
DEKADANCE w/ E.O.
Fri: 9pm - Sat: 1am PDT
KSCU 103.3 FM
Santa Clara CA. USA
DEKADANCE is in its 25th year on KSCU!
Sunday, October 11, 2009 

Current mood:  drained
Category: Music
 
Hello Again, my Deka-Friends!
 
Welcome to this week's Deka-Update! Before we go any further, check this out!
 
ELEKTRO MUZIK NON STOP on www.live365.com. E.O.'s online radio station - over seven hours of music currently up - running 24 hours a day, 365 days a year!  Here's the link!
 
 
Now, on with the Deka-Show!
 
DEKADANCE ARTIST FEATURES FOR SHOW AIRING FRIDAY, OCT. 16th FROM 9pm UNTIL SATURDAY, OCT. 17th AT 1am PDT ON KSCU 103.3 FM IN SANTA CLARA CA. USA - ONLINE SIMULCAST AT WWW.KSCU.ORG  
 
(Who wants to see Covenant? I DO!)
 
COVENANT - "Skyshaper" (2006 - latest studio release)/"Northern Light' (2002)/"United States Of Mind" (2000)/"Europa" (1998)/"Sequencer" (original: 1996 / reissued: 1997, 1999)/"Dreams Of A Cryotank" (debut - original: 1994 / reissued 1995, 1997, 1998, 1999): I just read online at Side-Line Magazine that the long-awaited new Covenant album, entitled "Modern Ruin," has been delayed until Spring 2010. I've included the article below. While that is a for sure a bummer, you might be cheered up by the flyer above, as Covenant will be in concert here in San Francisco this Sat, night, October 17th! So, expect some new songs to be played from the upcoming album, as well as the Covenant classics you know and love. In honor of their appearance here in the Bay Area, I'll be featuring the entire Covenant catalog on Dekadance this week! How kool is that?!! I'll say it for you right now, you're welcome!!!  If you are unfamiliar with the sound of Covenant, they sound like...wait, these guys have been around a long time...if you are unfamiliar with the sound of Covenant, exit the musical cave you've been dwelling in, and go buy one or all of their albums! There, I just saved myself some typing!  Here's some bio info on Covenant courtesy of Wikipeda, and that Side-Line article I mentioned:
 
(Covenant - "they always walk single file to hide their numbers") 
 
 
Just before embarking on a mid-America West Coast teaser tour for their upcoming album, Covenant's Eskil announces via a post on the official Covenant website that their new album "Modern Ruin" will be delayed and will only see the light of day in mid-spring 2010, at the earliest. The delay has been caused by what Eskil calls "the reconstruction of the band's German label SPV". Meanwhile the band are performing new songs: "(...) I would like to take the opportunity to say thanks to our many friends around Terra Firma for the patience enduring our new songs when they are being shaped and rebound. There won't be any rewards in afterlife though as we consider afterlife most improbable as desirable. This is our time, its your time."
Covenant consisting now of Daniel Myer, Eskil Simonsson and Joakim Montelius, will be touring the USA without Joakim. Imperative Reaction's Sam will be replacing Joakim.
 
From Wikipedia:
Covenant is a band from Sweden whose music comprises a mixture between electropop and electronic dance music. They have been releasing their music since the early 1990's.
 
(Covenant -  Can you say, "Computer Love"?) 

History

In the late 1970's and early 1980's, electronic music and several of its sub genres became a preferred musical style among European underground culture. It gained favor initially within major cities and eventually trickled into the continent's more socially secluded regions. This new wave of music was discovered at different instances by a group of young friends living among the shadows of Helsingborg, a scenic municipality in western Sweden. Eskil Simonsson, Joakim Montelius, and Clas Nachmanson, three teenagers with mutual, youthful curiosities for science, philosophy, and matters of existence, were enthralled by the unique presentation and the emotional content offered through the music, specifically by that of bands such as Kraftwerk, The Human League, and by EBM pioneers Front 242 and Nitzer Ebb.
The friends carried this fascination with them to university life in Lund, a municipality lying approximately 50 kilometres (32 miles) southeast of Helsingborg. In between their academic endeavors and discussions of worldly affairs, they assembled a small recording studio in Nachmanson's bedroom and began to experiment with their own musical compositions. In 1989, the name "Covenant" was selected for the group—a name derived from the unspoken, spiritual bond the trio professes to share.
As Covenant, the three produced their first publicly-released track, "The Replicant", by invitation of Swedish record label Memento Materia. "The Replicant" was released on a compilation album in 1992, and the track thrilled label executives, prompting them to ask for a full album. In 1994, the group compiled enough songs to release the album, which became Dreams of a Cryotank. Dreams was well received by critics and fans alike, and with its success, the boyhood friends decided to take their musical efforts more seriously. They upgraded and added more equipment, relocated their studio, and committed to tour.
(believe it or not, they are in their bathing suits in this pic - hey, it's damn cold in Sweden!)
In 1995, Covenant performed at a festival in Germany upon the request of Off-Beat Records. The band impressed Off-Beat's attending A&R representative, who signed them to a record deal the following day. Excited by the prospect of broader exposure, the crew eased further away from their educational pursuits and devoted themselves to completing a new album, 1996's Sequencer.
With Sequencer, the band sought to improve upon the weaknesses they found in Dreams by combining sequencing, diverse melodies, and commanding lyrics. It became an instant classic among many observers, some of whom boldly declared it "the best electro album of the decade."  It would go on to be re-released a number of times throughout the world and remains a club favorite in many settings.
Later in the year, San Francisco-based record label 21st Circuitry agreed to distribute Covenant's albums in the United States, expanding the band's reach in the process. As results, the group created the Theremin EP in 1997 specifically for an American release and started to accept tour dates throughout the US and Canada.
The trio's third full-length album, Europa, debuted in 1998. Europa carried Covenant's aggressive, often distorted brand of music into the beat-driven realm of synth pop, marking the beginning of a gradual evolution in the band's collective sound. Also in 1998, they sued the Norwegian black metal/Industrial metal band The Kovenant (then known as Covenant) for the rights to the name "Covenant", arguing that they had the name first. The Norwegian band changed their name, relenting and allowing both bands to go on with as few problems as necessary.
(Covenant - "They're too sexy for their suits...")
Covenant spent 1999 touring, changing record labels, and on the preparation of another album. Off-Beat Records went out of business, and Dependent Records was created by former Off Beat employees. Together with a few selected former Off-Beat acts, Covenant joined Dependent. In addition, Covenant was signed with SubSpace Communications in Sweden, effectively ending their tenure with Memento Materia. Meanwhile, 21st Circuitry Records ceased operations, leading the three to find a new home in America with Metropolis Records (Metropolis had bought the rights to the 21st Circuitry back catalogue). Shortly thereafter, the band's first three albums and the Theremin EP were re-issued in the US under the Metropolis label.
United States of Mind was released in 2000, and with it, Covenant's tendencies strayed further into synth pop. A stand-alone single called Der Leiermann, sung to the tune of the album track Like Tears in Rain, was a version of the German Art song of the same name, sung entirely in German (every other Covenant song has English lyrics). This song originally was a poem from Wilhelm Müller, which has been set to music by Franz Schubert as part of the poem cycle "Die Winterreise".
A live album, Synergy, was released later in the year; it featured tracks from the band's first four albums played in concert. The group continued with 2002's Northern Light, which they portrayed as having a more somber, colder sound in comparison to their earlier offerings. In another transition between labels, the European release of Northern Light was handled by Sony Music's Ka2 division rather than Dependent or Subspace.
While they continue to produce music together, Montelius and Simonsson have since taken up residence in separate countries; Montelius resides in Barcelona, Spain, and Simonsson lives in Berlin, Germany. Nachmanson remains in Helsingborg.
Covenant released its sixth studio album, Skyshaper, in March 2006 to an overall positive reception. The band toured Europe prior to the album's release and now plans to tour the United States beginning in September 2006.
In March 2007, Covenant announced that Nachmanson would not be touring with the band in 2007. His replacement will be Daniel Myer of Haujobb. In an interview with Side-Line magazine Covenant's Joakim Montelius says he is not sure if Clas will still continue with Covenant.
In October 2007, Covenant released the road movie "In Transit" on DVD. It contains material from the world tour undertaken in support of the album "Skyshaper" and documents the band's travels in Europe, North America, South America and across Russia for a period of 18 months. The band confirmed Clas' departure on the DVD documentary.
(Covenant's Eskil - OK ladies, begin your swooning....)

Personnel

Current members

    Joakim Montelius – lead lyrics, composition, production, synths, additional vocals
    Daniel Myer – engineering, production, synths, additional vocals (began touring in 2007, now writing and working in the studio)

Former members

    Clas Nachmanson – engineering, production, synths, additional vocals (left in 2007)

Discography

Full-length albums

(Ladies & Gentlemen - I present the great Jarkko Tuohimaa of Neuroactive)
 
NEUROACTIVE - The A Different Drum Singles: Finland's Neuroactive has been a musical staple on Dekadance for many years now. Neuroactive is really the musical alter ego of Jarkko Tuohimaa, who is the handsome lad pictured above and below. Jarkko knows his way around a synthesizer, that's for damn sure! He has written some of the most memorable Synthpop of the last ten years, and beyond. For two albums, 1999's "Fiber-Optic Rhythm," and 2001's "Transients," Jarkko worked with a man who I think has one of the finest voices in Synthpop, a kool kat named Kimmo Karjalainen. Kimmo's vocals were, in a word, awesome. I still listen to those two albums all the time. The earlier Neuroactive stuff had a darker, EBM vibe to them, thanks to the fine other vocalist that Jarkko worked with, a man named Vesa Rainne. Unfortunately, both Vesa and Kimmo left Neuroactive, so for the last two albums, 2005's "N-Gin"and the new CD "Antidote," Jarkko has worked with a variety of the best vocalists in the world of Synthpop. To me, Neuroactive has been up there among the best bands in Synthpop for many years now, and I HIGHLY recommend you check out/pick up their releases. Besides being a master musician, Jarkko is also a nice guy. While I haven't met him face to face, as he lives in Finland and I live in California, I have communicated with him several times via email. Plus, we are both Scandinavian, so that automatically makes us Scanda-homie blood bros!  Many of these Neuroactive singles from the A Different Drum label are out of print, but some may still be available - all the albums can be found at A Different Drum. Here's a bio on Neuroactive courtesy of the band website, listed below:
 
(Jarkko of Neuroactive - watch out! he's using ultrasonics!)
 

Neuroactive is one of the most successful Finnish technopop bands on the international scene. Neuroactive was formed in 1991 by J. Tuohimaa, V. Rainne and V. Brusi. Neuroactive had their first record deal with Cyberware Productions in 1994 which lead to their first release "Morphology" within the same year. The most successful tracks on that album were "Obsession", "Tension" and "Burning". The first album was mainly influenced by electro and industrial techno and most of the tracks were taken from old demos which were made during the band's early days. In 1995 Neuroactive released the EP "Neuron". It got very positive feedback from European press and audience.

1996 was year when Neuroactive didn't release any albums nor singles. Most of the year was spent remixing, gigging and preparing a video for "Space Divider", which was the song most radios and clubs picked up for their playlists. In 1997 this video won the 2nd prize in the Finnish national TV's JYRKI (MuchMusic Finland) music program in the category of "The Best Finnish Debut Video Of The Year". The highly acclaimed second album "Phonic Trace" was released in 1997. It included hits like "Space Divider", "Surface" and "Shapeless". It introduced a new, pure electronic sound, matched with some catchy synth hooks and more melodic vocals. "Phonic Trace" established Neuroactive in the Scandinavian synth-pop fore front. In 1998, the American audience raised their interest in Neuroactive.

dramatic line-up changes

Shortly after the release of "Phonic Trace" two members of the band, V. Rainne and V. Brusi, left from Neuroactive. J. Tuohimaa decided to continue Neuroactive by himself. At first he thought about making the next album in the drum and bass/jungle vein with guest vocalists and mostly instrumental tracks, but future showed a new direction...

At the beginning of 1998 J. Tuohimaa requested
K. Karjalainen (of [Active] Media Disease) to sing a track called "Parallel" which led to a mutual understanding to create an album more in the synthpop territory. They were so satisfied with the results that they decided to continue in co-operation. The current line-up is K. Karjalainen on vocals and lyrics, and J. Tuohimaa on programming and composing. This co-operation breeded the "Parallel Lifeforms" CDM. In the summer of 1998 the "Phonic Trace" CD was licensed to America by a label called A Different Drum. After a few months Neuroactive decided to move entirely onto A Different Drum. The "Parallel Lifeforms" CD single was released on A Different Drum in November of 1998. It has received very positive feedback from the American press.

new album, new style

The third full length CD, "Fiber-Optic Rhythm", was released in March 1999. It reveals Neuroactive's new blend of techno-pop and electronica styles. It has new variable song structures and also guest vocalist
MIDIHEAD from Monolithic and Geoff Pinckney from The Nine.
Compilations and Remixes
Neuroactive has participated on more than twenty compilations all over the world: Cyberl@b, 5-years of electronic tears, Risen, Electrauma 3 and Neo-Industrial Resistance, to mention a few. The main goal has been to make exclusive remixes or whole new tracks for each compilation release. Therefore there is plans to release sort of back catalogue from the past compilation remixes called "Compiled". Neuroactive has also remixed other electro/Synth-pop bands like Blue October, Aghast View, Aiboforcen!, The Nine, Brave New World, and more.

Neuroactive turns techno-pop

"Today I see my music has gone through an evolution, from my own version of EBM through some ambient techno to today's Techno Pop. Today there are some influences from great artists of Drum and Bass or Goa Trance, but mainly my music just stays inside the term of "Techno Pop". I'm trying to get away from the EBM label in my music. As music has to be labeled to listeners - I think Techno Pop includes enough variety for me to move.." - J. Tuohimaa.

All of Neuroactive's music is created in their own recording studio "Soundwave 2000" (previously called Neuronaut Studio). Most of the sounds are created with old mono analogue or analogue modeled synthesizers. Neuroactive's favourite synthesizers are the Korg MS-20, Sequential Pro-One, and Roland JP-8000. Drum sounds are created with samplers and processed with the computer.

"Fiber-Optic Rhythm" is licensed to Cyberware Productions in Europe and to Out of Line in Germany
.
(Jarkko ponders the future of humanity)
 
The Tour
Neuroactive toured in USA summer 2000. Successful USA Summer Synth-pop Tour included tour dates:
May 25th in New York City NY at Lions Den, May 28th in Washington DC at The Black Cat, May 31st in Northampton MA at Club Metro, June 1st in Philadelphia PA at Newmarket Cabaret, June 4th in Chicago IL at Club Neo. Bands that joined Neuroactive for Summer Synth-pop Tour were: Iris, Echoing Green, Cosmicity, Faith Assembly, Neuropa, B! Machine, Count to Infinity.
A Different Drum (USA) / Cyberware Productions (Europe) has released a limited edition 2 CD (22 tracks) called "Neurology (1994-2000)" that takes all of the Neuroactive remixes that were made especially for compilation CD's in the past and will put them nicely in one place for old and new fans. This release includes material from the band's early days until the present. "Neurology (1994-2000)" is released 23rd of December 2000.
Another interesting release series is coming from A Different Drum which is called "A Different Mix Vol. 3". This third sequel will introduce Neuroactive's remix work on various interesting A Different Drum bands tracks (Alphaville, Iris, B!Machine, etc.) . Out now...
Brand new album from Neuroactive "Transients" was released November 6th 2001 from A Different Drum. Musical style and sound remains unique to all Neuroactive releases. With this release Neuroactive introduces slightly softer side of their work but still includes some floor fillers like: "Play" and "Wonders of the world".
Next album N-GIN
Neuroactive has finally mastered new electro album: "N-Gin". One of the reasons album was delayed were 'cos during the process of "N-Gin" Soundwave 2000 studio was moved to new location and made new acoustics. Album will include guest singers: Viktor Ginner from Rupesh Cartel, Carlene Bachman from Blind Faith And Envy, Kristy Venrick from The Azoic, Nate Nicoll from B!Machine and Kirk Taylor from The Dignity Of Labour. New album will sound more harder and more electronic than ever before...
"This album has been hard release to finish. There has been tons of material made for this album, but only fraction made into the final release."
-J. Tuohimaa
The album should surprise fans a bit with a slightly different twist. New album will introduce band in more faster tempo Techno-Trance-vibe with slight blend of synth-pop melodies. Most of the material is upbeat and therefore more club friendly than previous release. Unfortunately Kimmo (Vocalist on last 2 albums) left Neuroactive shortly after "Transients". Check out sample track "New Sensation" on audio page. Track was also released on Alfa Matrix compilation Cyberlab 4.
Neuroactive - Antidote - album cover
(Neuroactive -"Antidote" - front cover) 
Discography
Albums
    Morphology (1994)
    Phonic Trace (1997)
    Fiber-Optic Rhythm (1999)
    Neurology 1994-2000 (2000)
    Transients (2001)
    N-gin (2005)
    Antidote (2009)
(Active Media Disease - "Organic" - front cover)
 
(ACTIVE) MEDIA DISEASE - "Organic" (2000 debut [and only] release - out of print): First of all, I gotta thank my pal Tommy T of the DSBP label (www.dsbp.cx), who actually had a new, sealed copy of this very hard to find CD that I picked up from him recently. Thanks Bro! You remember me talking about the fantastic vocalist Kimmo Karjalainen in the Neuroactive segment above? Well, he was also in a band called (Active) Media Disease, which I will also be featuring on this week's Deka-Show. AMD put out only one release, the excellent album "Organic," before deciding to call it a day. The sound of "Organic" is in a similar Synthpop musical vein as Neuroactive, but with a harder-edged, more aggressive approach on some tracks on the first half of the album. Some other tracks on the CD, particularly the second half, are mellower and more Synthpop in style. Kimmo's amazing voice shines throughout the album, which, when combined with the great music, makes it a must-have CD for your collection - if you can find it, that is! Here's a little blurb I found from VP Teittinen, one of the members of AMD. Unfortunately, there isn't much info on the web about AMD - but at least we have the music, right? Enjoy!
 
(Active Media Disease - "Organic" - back cover) 
 
 
(Active) Media Disease released the album “Organic” in the USA in, I think 1997, and after the record company Interbeat kinda vanished, the band did the same. Actually I guess there were two egoistic artists in the band and sometimes that’s one (or two) too many, so we decided to call it quits and continue making music within other projects.

Kimmo Karjalainen went on to write lyrics and sing for Neuroactive on several albums, while I explored new territories under the project name “Devotional”. You can listen to some of my stuff at myspace.com/devotionalweb


I also created a MySpace page for some Media Disease remixes I made that never got published, you can check ‘em out at myspace.com/activemediadisease

Music never dies, it just gets older and weirder. ;D

Take care! - vp teittinen, ex-md member.
  
 
 
---------------------------------------------------
DEKADANCE w/ E.O.
Fri: 9pm - Sat: 1am PDT
KSCU 103.3 FM
Santa Clara CA. USA
DEKADANCE is in its 25th year on KSCU!
Sunday, October 04, 2009 

Current mood:  busy
Category: Music
 
Good To See You Again - Welcome Back....
 
To yet another Deka-Update. It's back to the Elektro/Synthpop on this week's Deka-Show, after last week's foray into Gothic Metal. Before we go into all that, be sure to check out my internet radio station, which is called ELEKTRO MUZIK NON STOP, at www.live365.com. I have over seven hours of music on there now for you to enjoy! Tell a friend! Here's the link:
 
Now, on with the Features.... 
  
DEKADANCE ARTIST FEATURES FOR SHOW AIRING FRIDAY, OCT. 9th FROM 9pm UNTIL SATURDAY, OCT. 10th AT 1am PDT ON KSCU 103.3 FM IN SANTA CLARA CA. USA - ONLINE SIMULCAST AT WWW.KSCU.ORG
 
A NAME & A NUMBER FEATURE!!! (Band's with a number in their name - get it?!!)
 
(Cesium_137 - they'd like to ask you a few questions...)
   
CESIUM_137 -  "Identity" (new release)/"Proof Of Life" (2007 release)/"Intelligent Design" (2006 release)/"Elemental" (2004 release): The new album by this excellent duo is due to come out on Tues, Oct. 6th. I'm hoping I will have received it in time for Friday night's show, but you know how the mail is these days. In case I don't, as a back up plan, I will play SEVEN RED SEVEN and CODE 64 in place of CESIUM_137. If I receive the new CESIUM CD in time, then Cesium will be featured. The sound of Cesium_137 is a mix of Elektro/Synthpop/Futurepop with Trance overtones sprinkled liberally throughout. Add in vocalist Isaac Glendening's distinctive vocals, and you have, in a nutshell, the Cesium sound. These guys have really grown by leaps and bounds musically from their first Industrial-style release in 2001, entitled "Advanced/Decay." With each new release, the band further refines and advances their sound, which is all you can really ask for in a band, isn't it? So, let's hope I receive the new Cesium album in time, and can feature it for you on Friday's show. Here's a bio on Cesium_137 courtesy of Metropolis:
 
(Cesium_137 - find the sharpest angle - end of the building, or Isaac's hair!)
   
Isaac Glendening and Matthew Cargil formed Cesium_137 in 1998. Experimenting with various forms of dance music and making an effort to generate new tones within their compositions, the duo began performing at various underground nightspots in their native Philadelphia area. They were uninterested in becoming grouped into the emerging "rhythmic noise" scene, and sought inspiration in classical forms of song structure while maintaining their passion for original sounds. Finding a common interest in progressive electronic music, and pop song structures, Cesium_137 put together a cassette demo for Tom Shear of Assemblage 23, and later recorded a demo Shear produced. This demo, The Art of Controlling and Composing, brought Cesium_137 much success. Their hit song, "Language Without Lies," played on underground radio stations and at night clubs all over the world.
Soon afterwards Vincent Guzzardo joined the duo as a live drummer, bringing a raw enthusiasm for synthpop and EBM, as well as an intimate knowledge of chord progression to their music. They began recording a full-length album with a self-release in mind at West Orange Laboratories and began working with Producer Daniel Kesserich. While recording the album, they caught the attention of Tonedeaf Records, who signed them to release the debut, Advanced/Decay. Their first single, "The Fall," became a dance floor hit. Comprised of remixes by several underground artists, this single took them back to Tom Shear with his remix of "Language without Lies." That song, and "The Fall (edit)" made Side-Line magazine dub their music "a revelation" in the field of EBM.
Advanced/Decay took various elements of the old school EBM and synthpop masters and fused it with projections of the future of electro pop. The disc was Cesium_137's first step into the professional arena and was incredibly popular in the underground Electro/Goth scene. Following that release and many compilation appearances, Tonedeaf Records released their second single, "Regrets." Unfortunately, following that single was the attack on September 11th which led Matt Cargil to join the U.S. Navy.
 
(Cesium_137 - live & direct!)   
Following this loss, preparation began for the next album that not only embraced the band's enthusiasm for trance and synthpop but employed unique sound structures to create a more original sound. The band worked only with notable producers and engineers to ensure quality and to give the band access to a larger variety of tone generation source production options. While more than half of 2004's album Elemental was produced by Cesium_137, the remainder was produced in conjunction with Soundwave2000 Studios in Finland, Danse Macabre Studios Germany, and with their favorite new media Composer, Andreas Meyer (aka Forma Tadre). Cesium_137 also worked on a few mixes at the infamous Studio Crash! with dance music guru and friend Dave Falciani. Each member of the associated team has a background in classical music study, and contemporary electronic music production, bringing a true understanding of song structure in each fold of the production process. Simply put, Elemental was the dream Cesium_137 conjured into reality. It is a perfect synthesis of classic pop song structures, emotive vocals, and hard dance music grafted into one form. Several months later, the Luminous EP was released, featuring remixes by such bands as Imperative Reaction, Haujobb, Flesh Field, and Sweep, as well as four brand new tracks and a multi-media mini movie for the song "The Weakener."
The band began working on their next album, Intelligent Design, during the course of 2005. To tide fans over until it was completed, Cesium_137 released the digital only single, Hollow. Since their humble inception, Cesium_137 hasn't been afraid to experiment with different ideas. With the release of their third album in 2006, Intelligent Design, this evolution had never been more apparent.
While still maintaining their electronic body music roots, Cesium_137 has continued to embrace other electronic dance music genres in order to forge a fresh sound and keep the dance-floors busy. For the duo’s 2007 album, Proof Of Life, they enlisted the talents of accomplished electronic musician/producer Paul J. Geissinger (aka Starkey) for the vocal production elements and drastically changed their mix studio to open up fresh and innovative (analog) avenues of aural manipulation. The evolution of this new sound focuses on Cesium_137’s classical music tendencies as well as their rampant technophilia. Proof Of Life gave thirteen reasons why Cesium_137 is one of the front runners in the trance-pop genre. Prior to the release of the album, the duo released a digital only single for Flight.
In February 2009, Metropolis Records released the out of print The Fall (Version 2) EP as a digital only release. Advanced/Decay (Version 2 Extended) was also released digitally on March 31, 2009. For October, the band is set to unleash their newest album, Identity. Never an act to stagnate musically, Identity finds the band once again pushing the boundaries of electronic music. Seamlessly combining EBM, pop, and trance has been Cesium_137’s modus operandi since its inception, and it quickly becomes evident that they have once again hit their mark. From the opening notes of “Embers,” Identity proves to be harder, darker, and more driving than any of C137’s previous works, while still delivering the melodies that have become their signature sound. 
Cesium_137 is named after a radioactive isotope of caesium. It continues a tradition in industrial music of incorporating a number in the band name, which became popular after the example of Front 242. It also continues the narrower tradition in industrial music of adopting the name of an isotope as the band name, as with Carbon 12 and Front 242 offshoot Cobalt 60. www.myspace.com/cesium137
Discography
Studio Albums
(Colony 5 - why, oh why, did we glue our cheeks to this wall?!!)
 
COLONY 5 - "Buried Again" (2008 import - latest release)/"Fixed" (2005 import release)/"Structures" (2003 import release)/"Lifeline" (2002 debut release):  Colony 5 is an awesome Elektro/Synthpop duo from Sweden. They play an ultra-melodic style of Synthpop, with some harder Elektro overtones thrown in as of late, particularly on their latest, the 2008 import "Buried Again." Colony 5 are right up their with Synthpop genre leaders De/Vision and Camouflage in both songwriting and production skills. Vocalist P-O Svensson has a great voice, and the keys and programming by Magnus Kalnins are superb. I have never heard a bad track from these guys. If you are a fan of modern Synthpop, you should go out and immediately purchase every release by Colony 5. That is not only a recommendation, it is a command! Here's some bio info on Colony 5 from various sources:
 
(Colony 5 - is that the bar way over there?)
 
 
And a new album was announced despite several rumors of Colony 5 splitting up or not releasing anything else. It was planned for early that year but this fourth album being their uncompromising, fun album they continued working on it until November and set a early 2008 release date instead. The new single “Knives” is being released inside 2007 though. And it's promising an album with heavier sounds, dirtier sound and less commercial melodies, but with the ever present soul of C5 always being there. 
Colony 5 also changes their Germany/Austria/Switzerland record company, signing a deal with Infacted Recordings. They also work closely with Epicentre Booking for their shows in mainly Germany.
 
2006
2006 is a silent year, the only release is ReFixed which is the FIXED album remixed by Amplifier straight through.
Colony 5 also did not perform so much this year, playing only Arvikafestivalen and some gigs around Norway, Denmark and Germany.


2005
Colony 5 has now been a duo for over a year and now it's time for the first real release. The first single "Plastic World" was unleashed in Feb/March, it is taken from the album FIXED which is then released the 18th of April worldwide.
It is a more diverse album than before still within the regulated formula we've worked with since the very beginning of Colony 5. It's dance floor friendly, melodic and emotional.
This time Colony 5 wins a SAMA award for best song with "Plastic World."


2004
2004 was a good year for Colony 5 despite only releasing a singles collection "Colonisation" featuring three new songs (the single was supposed to be a double A-side called "Fate/Accelerate" with Science as a B-side but they opted to released it exclusively on "Colonisation".
They also visited some new countries (Russia and Mexico for example) but kept the amount of gigs down to focus on the new album. But the work put in to C5 in 2004 didn't become visible until the beginning of 2005 when the release of the new single "Plastic World" and the album �FIXED�.
Colony 5 also shot a video for "Plastic World" as a low budget but humorous minimalistic adventure. Colony 5 again got nominated for a SAMA award, this time looses out to Statemachine


2003
On the 31st of March Colony 5 releases their new single "Black" with three new songs on it. It's followed by the second album "Structures" on the 19th of May. On the album there is also a video for the song "Black" that got some respectable air-time on Onyx.tv

Colony 5 are also nominated at SAMA as Best Newcomer, but sadly looses to Melody Club.

During the summer Colony 5 plays the big festivals, Arvikafestivalen, Wave Gotik Treffen and M'era Luna. They also appear on the NBC Giga channel as special guests and did an interview for the program Starsearch on Onyx.tv

The fall is time for more production and a much needed vacation for all. Sadly it also becomes more than a vacation for Johan who leaves the band 1. Nov.

P-O and Kalnins keep the name and work on.


2002
Colony 5 releases their first own CD in the form of the EP "Colony 5" followed by the full length CD "Lifeline".

In the summer of 2002 Magnus Kalnins joins the band and C5 releases the second single,
Follow Your Heart, with three brand new songs.


2001
Johan Nilsson joins the band in March. In April C5 performs live in a contest called "Quest for Fame". Most of the demo synthbands from Sweden participates in the contest and Colony 5 ends up at second place right after Michigan.

In July C5 appears with the song "Stay young" on the Compilation Monument 7 (released by Powerspot / Memento Materia)

In August Magnus Löfdahl leaves the band.


2000
C5 appears with the song "Liquid Love" on two compilations: Monument 6 (released by Powerspot / Memento Materia) and Shadow Dancing released by A Different Drum.

1999
Colony 5 is founded by P-O Svensson and Magnus Löfdahl in March.
The whole project is more of a hobby than a serious music band, and the music is more or less influenced by synthpop. After a while the music changes and the sound becomes harder and faster.
 
From Wikipedia:  
Colony 5 is a Swedish Futurepop/synthpop/EBM band founded in March 1999. P-O Svensson started the band as a hobby with Magnus Löfdahl. The music style has changed with group membership and their sound became more consistent. They have toured through Europe - Denmark, Russia, Germany, Belgium, Holland, Switzerland, Poland, Norway, Estonia as well as the United States, and Mexico.
The band's name is a reference to a location mentioned in the second Star Trek episode, Charlie X.
Following a performance at the Quest for Fame contest (they came second), they began recording their first EP, Colony 5, and their first full CD, Lifeline. they released their second single, "Follow Your Heart", then in 2003, the single "Black," and the album Structures, which was featured on NBC Giga. Their output slowed in 2004 and 2005, as they toured eastern Europe. They released a collection of singles called Colonisation and a new album in 2005, Fixed.
The band came in second at the "Quest for Fame" competition and was nominated as "Best Newcomer" at the Scandinavian Alternative Music Awards 2005. And again for Best Band and Best Song (Plastic World) at Scandinavian Alternative Music Awards 2006 which they won.
On December 14 2007 Colony 5 released the first single from their, then upcoming full length album, Buried Again.. The "Knives" MCD showed off a harder sound as a first taste of what the album would sound like. Buried Again was released in February 2008 on Memento Materia for Scandinavia, Infacted for Germany and ArtOfFact in the USA.
Colony 5 is currently working on a new album.

Members

    P-O Svensson (1999 –)
    Magnus Löfdahl (1999 – 2001)
    Johan Nilsson (20012003)
    Magnus Kalnins (2002 –)

Discography

Albums

    Lifeline – 2002
    Structures – 2003 
    Colonisation – 2004 (Best of)
    FIXED – 2005
    ReFixed – 2005 (FIXED remixed by Amplifier) 
    Buried Again – 2008
----------------------------------------------
DEKADANCE w/ E.O.
Fri; 9pm - Sat: 1am
KSCU 103.3 FM
Santa Clara CA. USA
DEKADANCE is in its 25th year on KSCU!
Monday, September 28, 2009 

Current mood:  distractable
Category: Music
The 69 Eyes on tour:

05.10.2009


Bottom of the Hill


San Francisco, CA, USA + The Becoming + Dommin