Thank you to everyone who has been reading my Oscar nomination
prediction blogs which have so far accumulated more than 100 views.
This is the final entry for predictions since the nominations will be
announced tomorrow morning at 5:30 am Pacific. I'll be posting a separate
entry later today that will simply list all my predictions and then you can check back
tomorrow for the results of how I did.
BEST PICTUREPREDICTIONSThe Curious Case of Benjamin Button
The Dark Knight
Milk
Slumdog Millionaire
WALL-E
The
two certain nominees are Golden Globe winner
Slumdog Millionaire and
The Curious Case of Benjamin Button, which I expect to receive more
nominations than any other film this year.
Milk is a pretty safe bet
even though it was left off the list for the Golden Globes, and I don't
see how the Academy can ignore the combination of box office smash and
critical success of
The Dark Knight, easily the biggest film of 2008.
Smart money will bet on Frost/Nixon to grab the fifth spot, but I'm
going out on a limb and predicting
WALL-E to become only the second
animated film to ever be nominated for Best Picture (the other being
Disney's
Beauty and the Beast which lost to
The Silence of the Lambs 17
years ago). This is a last minute change for me, as I had anticipated
predicting
Frost/Nixon when I first started writing these blogs, and I
just think there's enough love for
WALL-E out there that it will be the
surprise nomination this year. Last year I made a similar last minute
change removing
Michael Clayton from my predictions to replace it with
The Diving Bell and the Butterfly, and I ended up being wrong. This
year, however, with such a small amount of truly great films to choose
from I think a surprise nomination is definitely in store and I'm just
not sensing the enthusiasm for
Frost/Nixon like I am for
WALL-E but
maybe that's just because I'm blinded by my own enthusiasm for it.
I'd
say the second most likely surprise nominee would be for holocaust
drama
The Reader since it would be a posthumous nomination for both
producers Anthony Minghella and Sydney Pollack.
Revolutionary Road
certainly has the pedigree of a Best Picture nominee, but I don't think
it's a matter of enthusiasm for that film as much as it is enough
voters seeing it and liking it enough to put it on their ballot. Clint
Eastwood has had a pretty hot streak getting movies nominated for Best
Picture lately, but I don't expect
Changeling or
Gran Torino to even
come close to a nomination.
Vicky Cristina Barcelona won the Globe in
the musical or comedy category, but I don't see that translating into
an Oscar nomination. Two that would be on my ballot are
In Bruges and
The Visitor, but they're perhaps too small to land a nomination for
Best Picture. The smaller independent film that could be another
surprise Best Picture nominee, however, is
The Wrestler which has only
been building in momentum since its eleventh hour release.
WALL-EHOW I WOULD VOTE1. WALL-E
2. In Bruges
3. Milk
4. The Visitor
5. The Dark Knight
BEST DIRECTORPREDICTIONSDarren Aronofsky "The Wrestler"
Danny Boyle "Slumdog Millionaire"
David Fincher "The Curious Case of Benjamin Button"
Christopher Nolan "The Dark Knight"
Gus Van Sant "Milk"
Once
again the two locks for nominations come from
Slumdog Millionaire and
The Curious Case of Benjamin Button, which will be the first nomination
for both
Danny Boyle (who won the Globe) and
David Fincher respectively. Even if
The Dark
Knight doesn't land a Best Picture nomination, it's a safe bet that
director
Christopher Nolan will also be landing his first directing
nomination. The only contender with a prior nomination on my list of
predictions is
Milk's
Gus Van Sant whose direction for
Good Will
Hunting lost this award to James Cameron for
Titanic eleven years ago.
Once again the smartest bet would be for another
Frost/Nixon nomination
whose director
Ron Howard has not only been nominated before but won
this award seven years ago for
A Beautiful Mind. This is where I think
The Wrestler will be pulling off a surprise nomination for director
Darren Aronofsky who is already admired for his work on previous films
such as
Requiem for a Dream and
The Fountain.
If Aronofsky is
not the surprise nominee it may be time to nominate
Vicky Cristina
Barcelona's
Woody Allen once again who was a surprise nominee in this
category fourteen years ago for
Bullets Over Broadway.
Clint Eastwood
has been nominated here three times in the last five years (including a
win for
Million Dollar Baby) but I don't expect
Changeling or
Gran
Torino to earn him what would be a career fifth nomination for Best
Director.
Stephen Daldry has been two for two in this category with
Billy Elliot and
The Hours, but it's unlikely that
The Reader will
continue his streak. Two directors making their feature length debut
who I would like to see nominated are
Martin McDonagh and
Charlie
Kaufman for
In Bruges and
Synecdoche, New York respectively, but an
early release date for
In Bruges seems to limit its chances in this
year's race and not everyone enjoyed
Synecdoche, New York as much as I
did.
Andrew Stanton could become the first director to be nominated
for an animated film if the academy loves
WALL-E enough, but a more
likely surprise nominee would be
Happy-Go-Lucky director
Mike Leigh who
has been nominated twice before for
Secrets & Lies and
Vera Drake.
Christopher NolanHOW I WOULD VOTE1. Christopher Nolan "The Dark Knight"
2. Martin McDonagh "In Bruges"
3. David Fincher "The Curious Case of Benjamin Button"
4. Gus Van Sant "Milk"
5. Charlie Kaufman "Synecdoche, New York"
BEST ADAPTED SCREENPLAYPREDICTIONSThe Curious Case of Benjamin Button - Eric Roth and Robin Swicord
Doubt - John Patrick Shanley
Frost/Nixon - Peter Morgan
The Reader - David Hare
Slumdog Millionaire - Simon Beaufoy
Eric
Roth won this award fourteen years ago for
Forrest Gump and should have
no problem being nominated again for the screenplay he adapted from F.
Scott Fitzgerald's
The Curious Case of Benjamin Button. It will be a
first nomination for Robin Swicord who has a co-writer credit for the
screen story and has also worked on the screenplays for
Memoirs of a
Geisha and 1994's
Little Women. Simon Beaufoy already won the Golden
Globe for his
Slumdog Millionaire screenplay based on the novel Q&A
by Vikas Swarup, and it would be his second nomination after having his
original screenplay for
The Full Monty lose to "Matt Affleck" for
Good
Will Hunting eleven years ago.
Screenplays based on
award-winning stage productions are always safe bets for Oscar
nominations, especially when the screenplay has been written by the
playwrights themselves so Peter Morgan should certainly be nominated
for the
Frost/Nixon adaptation of his own stage play, having also been
nominated for original screenplay two years ago for
The Queen. John
Patrick Shanley should also get nominated for the same reason with the
adaptation of his own stage play
Doubt, and will most likely be the
only writer/director nominated in this category. Shanley won the Oscar
for original screenplay twenty-one years ago for his outstanding script
for
Moonstruck.
Defiance director Edward Zwick worked with Clayton
Frohman on the adaptation of the novel by Nechama Tec, but
Defiance
will only be competing in technical categories if it receives any
nominations. The only other writer/director who could be nominated
here is Christopher Nolan who shares credit with his brother Jonathan
and David S. Goyer for the screenplay for
The Dark Knight. Nolan
should have won in this category seven years ago when he was nominated
for his film
Memento, but he lost to Julian Fellowes for
Gosford Park.
I'm not predicting
The Dark Knight to be nominated for Screenplay, but
after receiving a nomination for the Writers Guild of America (WGA)
award its chances of also being nominated here are pretty decent.
I'm
instead predicting the fifth spot for Adapted Screenplay to go to
something a little more serious, and I think it will end up being
The
Reader based on the novel by Bernhard Schlink with the screenplay
written by David Hare who was nominated here six years ago for
The
Hours. Justin Haythe is too new a name to earn a nomination for his
Revolutionary Road screenplay adapted from the novel by Richard Yates,
and even though the Academy usually loves to nominated actors who
become writer/directors a nomination for Clark Gregg's
Choke screenplay
based on the novel by Chuck Palahniuk is the darkest of horses in this
race.
Benjamin ButtonHOW I WOULD VOTE1. The Curious Case of Benjamin Button - Eric Roth and Robin Swicord
2. Slumdog Millionaire - Simon Beaufoy
3. Frost.Nixon - Peter Morgan
4. The Dark Knight - David S. Goyer, and Christopher and Jonathan Nolan
5. Choke - Clark Gregg
BEST ORIGINAL SCREENPLAYPREDICTIONSHappy-Go-Lucky - Mike Leigh
Milk - Dustin Lance Black
Vicky Cristina Barcelona - Woody Allen
The Visitor - Tom McCarthy
WALL-E - Andrew Stanton and Jim Reardon
This
is probably the most difficult category to predict this year as there
are no less than ten scripts with an excellent chance of being
nominated with no clear frontrunners. The closest thing to a lock is
Woody Allen who seems to be on a hot streak lately that started with
Match Point two years ago (we'll ignore the disappointing
Scoop) and
continued this year with both
Cassandra's Dream and
Vicky Cristina
Barcelona, the latter of which has been nominated by the WGA and will
earn him what will be his fifteenth Oscar nomination for screenplay
(he's won twice for
Annie Hall and
Hannah and Her Sisters). I hope his
streak continues when they release his latest film this year called
Whatever Works starring Evan Rachel Wod and Curb Your Enthusiasm's
Larry David. Second most likely nominee this year would be newcomer
Dustin Lance Black, a former Mormon who writes for HBO's Big Love and
has received much acclaim as well as a WGA nomination for his
screenplay for
Milk.
The third WGA contender in this category
that I'm predicting is Tom McCarthy whose film
The Visitor focuses on
identity and immigration in post-9/11 New York. McCarthy (who also
played reporter Scott Templeton on the final season of HBO's The Wire)
manages to tell a story with controversial themes in a way that is
never in your face or preachy, but always involving and moving. It was
not only one of the year's five best screenplays but one of the years
five best films. I'm keeping my fingers crossed for writer./director Martin McDonagh who not only deserves a
nomination here, but would be my pick to win. Once again his chances
may suffer from the early release date and his screenplay for
In Bruges
may be a bit too profane for many voters. Charlie Kaufman won this
award four years ago for
Eternal Sunshine of the Spotless Mind, but
with so much competition this year I don't see his screenplay for
Synecdoche, New York earning him his fourth nomination. Another
writer/director that I am predicting to be nominated is
Happy-Go-Lucky's Mike Leigh who is no stranger to this category having
already been nominated three times for
Secrets & Lies,
Topsy-Turvy
and
Vera Drake. Though I don't understand why the Academy has a trend
of nominating him when he doesn't even write an actual script but
rather an outline of scenes that he leaves in the hands of his cast to
improvise during filming.
Another trend I see continuing this
year is nominating a Pixar film for screenplay. The screenplay for
WALL-E which director Andrew Stanton co-wrote with Jim Reardon should
join the ranks of
Toy Story,
Finding Nemo (also by Stanton),
The
Incredibles and
Ratatouille to earn a well-deserved Oscar nomination
for original screenplay. There has also been a trend to nominate the
Coen Brothers for screenplay, but even though
Burn After Reading
managed a spot on the list for the WGA I think the film is too divisive
to be nominated here. The WGA nominated script that could find its way
to this list, however, is
The Wrestler written by Robert Siegel who is
the former editor in chief for The Onion. Siegel is currently
receiving a lot of buzz for his directorial debut
Big Fan which is a
script he wrote about a New York Giants football fan who struggles to
deal with the consequences when he is beaten up by his favorite player.
Another likely contender is Jenny Lumet (daughter of respected
filmmaker Sidney Lumet) who received a lot of critical acclaim for
writing
Rachel Getting Married, but I think perhaps the field is too
full this year and voters will instead opt for the writers that have
directed their own screenplays. The same goes for Nick Schenk and Dave
Johannson who were recognized by the National Board of Review for
Gran
Torino, but probably won't rise above the competition for an Oscar
nomination. If one of Clint Eastwood's films does manage a nomination here
it would more likely go to J. Michael Straczynski, a frequent instructor
at various screenwriting seminars who also wrote a terrific sprawling
screenplay for
Changeling.
In BrugesHOW I WOULD VOTE1. In Bruges - Martin McDonagh
2. Milk - Dustin Lance Black
3. The Visitor - Tom McCarthy
4. WALL-E - Andrew Stanton and Jim Reardon
5. Synecdoche, New York - Charlie Kaufman
I knew this one would be the longest which is why I saved it for last.
Don't forget to check back tomorrow to see how successful I am with
these predictions.