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January 22, 2008 - Tuesday
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Thanks for helping out on this one! It was about 50/50 on which painting I should go with. "Charlie At The Opry" Or farm scene Charlie which is now called "Long Haired Country Boy". I love the action and expression of Charlie in the Opry sketch and I think I will paint both in due time. But, I went with "Long Haired Country Boy" for this one. Here are a few of your comments that helped in this decision. From Ellen: Hi Gary, I would say the first one reflects his work, and the second probably reflects his home or roots. Maybe where he is at peace. I would select the one that is closest to his heart. He may feel the work is a blessing that demonstrates his success. He may enjoy the second if it is his roots as it maybe what keeps him grounded. Touch call. I hope that helped a little bit. From Sadie: Charlie in the Garden definitely gets my vote! It looks a whole lot more like a _Gray_ than the first one does, to me... the Opry scene has been done, at least in photos -- but not just anybody can be a character in YOUR landscapes. I say it's much more of an honor to appear on the Gray Horizon than on the Opry Stage... Just my coupla cents. Sadie From Mary Celeste: Number two - most definately. Charlie is an artist for the people and the country scene depicts that. Also, I feel like it is more in keeping with your personal style, which should be reflected as well. From Forrest: BOTH GREAT ... BUT THE 2ND ONE HAS THE FLAVOR OF A PORTRAIT. ..THE FIRST MORE OF A POSTER 
It was a GREAT night At the Opry and a long over due night for Charlie. If any of you watched "Live At The Opry" this weekend you saw just how touched he was to become a member of the Opry family. I was honored to be asked to paint a piece for this historical occasion. He loved the painting and it will be on display at The Chalrile Daniels Museum in downtown Nashville.

"Long Haired Country Boy" 32x39 House Paint On 3d Wood Cutout

That Charlie's barn and horses in the background



Thanks for dropping by
Your friend and artist
Gray
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November 21, 2007 - Wednesday
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Hello folks, Turkey is in the oven and we are headed home to east Tennessee tomarrow morning for the Thanksgiving feast. Each year we have a family shooting competition from the porch (I took 2nd last year and was beaten out by my sister inlaw). I think this might fit into the category of, you might be a Redneck if?

This is my first painting from my little barn studio, though it's still in process I wanted to post something before Thanksgiving and wish you all a safe and happy holiday weekend.

BB On BEALE 32x49 House Paint On 3-d wood cutout 4,000
Thanks for dropping by!
Your artist and friend Gray
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October 17, 2007 - Wednesday
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Strings of blue lights and huge lit pictures of performers hovered over the 2,500+ guests at tables on Lt. George W. Lee Ave. between the Westin Memphis Beale Street and the Gibson Guitar Factory. The bash honored 50 years of soul, Hi records and Graceland. Steve Cropper, Isaac Hayes and William Bell were among the performers on the Gibson Stage on the west side of the street and J. Blackfoot, Ann Peebles and Preston Shannon were among those performing on the FedEx Stage on the east side. Asked to sum up the party in one word, Priscilla Presley said "extraordinary." Then she added "creative." "She (Pat Tigrett) always outdoes herself," said Priscilla, one of the party's national honorary co-chairmen.

Memphis Blue Boys Thought I'd feature a painting of the Rythm Section for the boys at HI Records being honored that night House paint on wood $1,000
Isaac Hayes, David Porter, Willie Mitchell, William Bell, the Hi Rhythm Section (Teenie Hodges, Leroy Hodges, Charles Hodges, Howard Grimes, Al Jackson Jr.), Ford Nelson and the Thomas family -- Marvell, Carla, Vaneese and their dad, the late Rufus Thomas -- were honored during the evening.

Pre Party @ the Peabody Lady L. (she helps sell my work in Memphis) and my brother Carlos (a great blues guitar picker)
 Off to the Ball
 Teenie Hodges (wrote "Take Me To The River") Photos above by: LIPSTIK Studio DOWNTOWN Memphis

 Blues Ball auction (Nice Hot Rod Guitar)
 Isaac Hayes

 Steve Cropper, famous Blues Brother: co-wrote such gems as "Knock on Wood," "In the Midnight Hour" and "(Sittin' on) The Dock of the Bay
 Teenie Hodges and the HI Records gang Photo by: LIPSTIK Studio DOWNTOWN Memphis
 Morgan Freeman and Bill Luckett, near their planned Ground Zero Blues Club.
Party Host: Pat Tigrett with Priscilla Presley

 Mr. Peebles and Judy Peiser, Executive Director and Co-Founder of the Center For Southern Folklore
~~ Thanks for dropping by ~~
Your artist and friend
Gray
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April 25, 2007 - Wednesday
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Hello, folks It's not that often that I get to meet someone who buys a peice of my work. But, this past month a myspace friend Heidi Lambert contacted me about doing a piece on Willie Nelson and her friend Mickey Raphael (Mickey has played and recorded with Willie for many years). Check out Mickey's website http://mickeyraphael.com/ I think you will enjoy! I got to meet with Heidi on my way back home to East Tn. I was going home for a weekend visit and met up with her along the route. I got to drop off her painting, have coffee, see her dance studio and view her new home. During our coffee at Starbucks I asked Heidi about her life in dance. She told me that she was on tour at the young age of 16 doing the thing she loves, Ballet. She now runs her own dance studio (Mountain Laurel Studios) and one of her latest productions was Suite Willie: "The Great Divide" ballet to the music of Willie Nelson. A must see! She gave me the DVD. Thank you Heidi for allowing me to spend some time at "Billy Bob's Texas" with Willie and the boys.
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December 11, 2006 - Monday
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Hello, folks I hope all is well with everyone! Thanks for all the comments and emails. I have a few things that I need to drop in the mail for a few of you. I'll get those CDs and art in the mail soon!! THE EVENT The Mike Smith Scholarship Charitable Trust has been established for area minority college students who will pursue studies in accounting or the arts.   musicans and party hosts: Look at that good chicken! We are in the south you know.  Musicans & event host Samra Smith   The sisters giving Henry a hand and some lovin going on in the upper right corner        I'd like to thank these musicans: Drummer Sam Rorex, Slide and Harp player Bill Steber Henry Butler and My wife Heather for helping raise over $30,000 that night. And to all the people who showed their love and support for the Smith family.  HENRY BUTLER A five-time W.C. Handy ..Best Blues Instrumentalist - Piano.. award nominee, Henry Butler knows no limitations. Although blinded by glaucoma since birth, Butler is also a world class photographer with his work displayed at exhibitions throughout the United States. Playing piano since the age of six, Butler is a master of musical diversity. Combining the percussive jazz piano playing of McCoy Tyner and the New Orleans style playing of Professor Longhair through his classically-trained wizardry, Butler continues to craft a sound uniquely his own. A rich amalgam of jazz, Caribbean, classical, pop, R&B and blues influences, his music is as excitingly eclectic as that of his New Orleans birthplace. Go Check out Henry's Music & Photography Henry Butler's MyspaceHenry Butler .COMHenry Butler's Photography
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October 31, 2006 - Tuesday
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Category: Art and Photography
 I will cut out all the X or black areas!     Size: 49x32    The Friuts Of Labor On display @ BB King's Los Angels PAINTING THE BLUES Gray continues creating work rich in southern imagery. His new series Painting The Blues is a beautifully soulful look into a 3-dimensional world of Church House stained glass colors and rustic self-taught expression. His is a fresh look into the past, taking things old and forgotten, and breathing the visual color of life back into what seems a fading memory of southern culture. Gray's work is like finding an old photo of your great grandmother long since lost and forgotten. Once you've found it and reconnected yourself to your own past, you treat it like a treasure to be handed down to the next generation, so that they, too, can know and have a connection to their own past history./Nashville Lifestyles Magazine Thanks for dropping by! Your artist, Gray
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October 11, 2006 - Wednesday
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Category: Music
THAT SURE WAS ONE "GREAT BALLS OF FIRE" WEEKEND! When I arrived friday afternoon downtown Memphis was on fire. No one was hurt, but the oldest church in the city was lost ): along with several cool old buildings. One of the rooms in my hotel caught fire, but not much damage just one window. I spent most of my time writing music on (Bobby Whitlock's) piano which was in my room. He co-wrote Layla and Bell Bottom Blues with Eric Clapton. I think I got a couple tunes out of her. The party was crazy! Roller skating girls, Harley riders, Art and some great GREAT music. I also got to meet the folks who bought my "No Name Charlie & The Memphis Street Sweeper" painting. All in all a great time! I had a professional photographer along with me but these shots are from my personal film camera. Below was one of my personal Fav's that night. ANN PEEBLES: "I Can't Stand The Rain" Called the "greatest record ever" by John Lennon, "I Can't Stand The Rain" deliciously blends blues, gospel and pop into an incomparable Memphis soul stew. Understandably her biggest hit, the song peaked at ..6 on the R&B charts in 1974.  Song for song, I Can't Stand The Rain represents the cream of Memphis based Hi Records' creative output, standing right alongside anything Al Green ever recorded for the label. Under the nimble direction of Hi Records head Willie Mitchell, the brilliant Hi house band laid down simmering grooves for Peeble's vocal explorations. Backed by the scorching horns of Stax veterans Andrew Love and Wayne Jackson, the fluid rhythms of the Hodges Brothers (guitarist Mabon "Teenie," bassist Leroy "Flick" and keyboardist Charlie), the unstoppable beats of drummer Howard Grimes, and the supporting vocals of singing team Rhodes, Chalmers and Rhodes, there was really no way Peebles could lose. Here was the same winning sound that drove Al Green's records to the top of the charts. Yet despite all its strengths, I Can't Stand The Rain was not the massive success it should have been. Over the years the album faded into relative obscurity, though it remained quite popular in Europe. If not for British label Dennon Records, one of the finest female soul records of all time might have tragically remained out of print. Fortunately this powerhouse of early '70s Southern Soul is back again for all to enjoy.  A special thanks to Tom and Sandy @ The Talbot Heirs in Memphis for giving me a great place to create and a wonderful insturment with which to do so. Talbot Heirs In Memphis
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September 20, 2006 - Wednesday
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Category: Art and Photography
 A big thanks to Wystan August Photography for shooting the event Wystan August
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