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Helen Sventitsky



Last Updated: 11/23/2009

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City: Sparks
State: Nevada
Country: US
Signup Date: 6/13/2004

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Tuesday, November 24, 2009 

Category: MySpace
As you all can see, I did some major clean up of my myspace page.  Gone are these widgets that don't work, or clog your system as you view the page.  At sometime, I'll figure out what to put on here, how to make it easy on the eyes and all that.

In the meantime, a video announcement.  If you already saw this on my YouTube channel, please feel free to ignore.


Monday, November 23, 2009 


http://bigstarlet.posterous.com/

I admit, I'm always a little puzzled when on/off line acquaintances tell me that they are surprised to find out that I do write, sing and perform music. I mean, seriously. Do a search on Google for my name, and you'll see links of my work to music sites I've never heard of. I then look have a look over my Twitter stream, my FriendFeed stream, and even over on my Myspace accounts. Lots of pimping of other people's work. Hardly a peep about mine. I've now gotten to a point where all that is going to have to change. As with many women, I'm scared of coming across as boastful, arrogant, or even spammy when I try to encourage eyes and ears to my music. In my 16+ years as an online addict, I've seen many an attempt to show off their wares be meet with ridicule, sarcasm and, in some cases, out and out anger. There was once a massive subculture that didn't take too kindly to being "sold to" on their respective BBSs, and the like. These days, there is really no room for that kind of thinking. Promoting oneself on the internet (or anywhere else for that matter) has always been a fierce business, but, especially in this economy, everyone's out for their own. To this end, you cannot be afraid to put yourself out there, make yourself heard, and reap the resulting rewards (or scorn). Sure, you run the risk of annoying your friends. But if they didn't support what you are doing, would they be your friends?

Posted via Shareaholic

Wednesday, September 02, 2009 


My song, Mythical Haters, which people really really liked when I uploaded it to the RPM Challenge earlier this year, was accepted into my local free rag's first annual songwriting competition.  I'm up against the major heavy hitters in this area, which makes me both proud and horrified. :O

Anyway, I'd love a vote from any of you in this contest.  There are some real standout tracks in this thing, so winning it may be an iffy proposition at best, but it never hurts to ask! :D

Cast your ballot at the following link:

http://www.newsreview.com/reno/ballot/renosongwriting09

Thanks, everyone!

Helen Sventitsky on iLike - Add iLike to your MySpace

Sunday, June 14, 2009 


http://www.billboard.com/bbcom/news/trent-reznor-q...
Posted via Shareaholic


It's been a while since I've posted anything resembling any import. Judging from the contents of this entry,it may even be longer still.  Whateves.

For those of you following me on FriendFeed this morning, I've been closely following the Iranian Vote protests, the lack of reporting about them (until this morning) on US mainstream media outlets, and the Iranian efforts to crack down on not just the protests, but reporting about them (they blocked all internet communication outlets but Twitter - interesting).  Then @amandachapel (I can only admit that I'm still subbed to that fraud for comedic value, more than anything) showed up on my Twitter feed with the following:

SMEDIA QUOTE OF THE WEEK by @Trent_Reznor "I'll be tuning out of the SM sites because at the end of the day it's doing more harm than good."

Puleeze!

This quote was pulled from the above linked article from Billboard magazine.  Poor Trent let the haters get to him, and rather than block them from viewing his Twitter feed, he issued a press release saying he'll no longer be available online.

OMG! The apocolypse has arrived!



Granted, one can argue that "Celebrities" (and I use the term loosely, given that anyone with any kind of following can now be regarded as one, I suppose) have a harder time with social media than "normal" people, who don't have a problem with telling their friends (whether they know them in real life or not) what they had for breakfast that day.  Their words are always followed, and pounced on if they "tweet" something some may consider "out of line".  

Then there's the Kathy Sierra situaton.  You all know about what happened to her, don't you? 

I'll forgo my comments of what I think about people who issue press releases about being online.  But what I will say this.  If all you are are doing on there is answering people who do nothing but attack, you are doing it wrong.

Everyone, in life, deals with trolls.  They take forms in various guises.  The bUlly at school.  The viperous colleague, the secretly jealous best friend who tears you down in a dress colored as "being honest". And so on.  It's more insidious online for the obvious reasons that have been explained ad nauseum by other better about writing of this sort of thing.

That doesn't mean that you must put up with it.

TWitter, Facebook, et. al. has a bunch of tools for you to filter out/block people who spew hate your way. If you have a blog (or several), you have the option of blocking certain comments from accessing your entries, whether they be spam, from certain IP addresses, etc.  WOrdpress.com partners with Akismet, a firm which specializes in blocking blog spam/hate. 

The social networks that I belong to (the aforementioned FriendFeed, Twitter, MySpace, etc) have strong built-in filtering mechanisms to make your social networking experience the way YOU want it to be.   What people tend to forget (especially "celebrities") is that your Social networking account IS your house. You CAN control who goes in, who gets kicked out.  You can either allow a free-for-all democracy, or you can take control over how your fans (and others) behave themselves at your house.  To me, democracies do not work.  There's always some asshat who will try your patience, as well as the patience of others.  Personally, I have no time to deal with the asshattery of some blowhard with an agenda, so I toss him out.

A lot of them just have their PR people do it for them.  Dishonest, I know, but then there's no headache.  One of my all time fave bands has one guy handling their ENTIRE web presence for them, from their website to their Myspace to their Twitter accounts.  Again, dishonest, but less of a headache for the band. If you are too big, then it's too difficult to speak to everyone.   Artists such as myself do not suffer this issue, thank God/dess.

So, in passing, artists who are upset about hatred being spewed at them on their Twitter accounts need to control their accounts more effectively.  If they can't be bothered to learn the tools to make their experience online more enjoyable, they are...just...doing...it...wrong.  TA!
 


Tuesday, March 10, 2009 

Current mood:  bored
Category: Music
Once again, I took part in the RPM Challenge: record a CD in 28 days (or less).  Last year's efforts on my part yielded my first ever full-length, Monochrome in Technicolor. I recorded it using a PDA and an external 4 track digital recorder. I was able to sell a few copies (mostly downloads) and I got a few Honorable Mentions at some songwriting contests on SonicBids.  I didn't promote the CD half as much as I should have or could have, and I still have about 70 copies left in my garage (should anyone want one. :) ), but, all in all, not too shabby.

This year, I changed things up.  I did the whole thing on my recently purchased Asus EEE 1000HD netbook.  I also purchased an external audio device that records up to 24/96 and a couple of Korg Nanocontrols. One is a keyboard, the other is a recording control device.  I also bought a battery powered external mixer in which i could plug mics and instruments.  Nice upgrade, no?

I also changed up the style of music I did to almost straight up acoustic, with some backing done using strict drum and bass beats courtesy of my Fruity Loops - excuse me, FL STUDIO - software, and recorded the whole audio mess on N-Track.  

So, how did I do?

Initially, I was disappointed.  I'm guessing it was the mic I was using to do my vocals (I was too lazy to hook up a condenser mic, so I just went for the Shure 57 and 58 Beta mics I had lying around and wailed into those), or the levels I was recording the guitar (I did the whole thing direct in, rather than micing the guitar to either the whole or the fret), but i just experienced an AWFUL lot of hiss while listening to some of the tracks.  Also, it took me a LOT longer to program those spare backing tracks than I anticipated.  By the time I was done, I had only twelve days left to record guitar and vocals.  This didn't give me a lot of time to do vocal warm ups or to effectively learn the songs by guitar.  So, I think the project suffered as a result.  Lots of wonky stuff done on first take. Also lots of reverb and chorus effects applied due to some panicy attempts on my part to hide some flat notes.  

However, I've allowed the items to be unleashed for public consumption and ridicule.  Initially, the booty was exclusive to my blog, but folks were having a hard time listening to the songs on there, so, against my better judgement, they are now on my Soundclick page:

http://www.soundclick.com/bands/page_music.cfm?bandID=343








This is the only "social" site they will be on until I redo them all (or most of them). The playability should be easier. So far, the feedback has been, well, better than expected.  I've been pretty humble about this, since these recordings represent my first attempt to record myself playing guitar literally since my senior high school days.  Thankfully, noone who's given me feedback so far seems to be paying attention to that, and actually are focusing on the songs (well, and also the vocals, but then again, these will be redone, at some point).

So which ones are happenin' and which ones are not?

Jodie - feedback for this one seems to be pretty good.  Lyrics are winning out.

Letter to Amy - This was my attempt to try on some North mississippi All Stars type of country blues.  It ended up sounding WAY too R&B for that.  I've got nice comments on my voice here.  This is also one of the most personal songs I've written, but if you don't like it, I would understand.

Lost Everline - This track has gotten the most thumbs down of any on the CD, so far.  Understandable.  I hadn't finished writing it when I started recording it, so it's got a "not really feeling this, need to rush through" kind of quality to it.  I also wrote this about a crazy ex-coworker of mine.  Hadn't really thought about her in a while, and it kinda shows. :(

John, What the Hell Were You Thinking - feedback on this one has been mixed, but veering on the pretty good, someone even telling me that this was my "niche".  I went for a poppy feel on this one, to kind offset the rather nasty lyrical content contained therein (for those of you wondering, this song was based on an incident in my life where I almost had another run-in with this evil putabitch (God, do I love that word) from back in the day who just about ruined my work rep and life in various ways.  Yes, his name really was John.  The last name, however, is a secret, and the secret shall remain eternal, unless he shows up here to comment, which I sincerely doubt he will).

Jeanie and Her Inner Rock God - People like everything about this song except for the bridge.  Yes, I agree, the harmonies at the bridge suck, and it was an instance where I was flat so much of the time, I threw on a bunch of effects to hide that fact.  Apparently it didn't work. Back to the drawing board.  Incidentally, this song is NOT based on anything that went on in my life, but was inspired by some of these women I knew who sang or played in bands, and had to work through these issues of male band members wanting to sleep with them.  Can you blame me for wanting to go solo?

Hurry Up and Dream - I wrote this for my honey! (awwwwwwwwww).  This was my attempt to do a cocteau Twins-type of dream pop piece.  Lots and lots of echo.  Again, I'm really flat here, trying to do the soft voice thing, so I threw a crap of reverb and chorus on it.  Le sigh...I got kudos for production on this, tho'.  Go fig.

How Badly Do You Need A Lover? - This is my token country song. This is probably the most generic piece of crap I've ever written (or close to it, anyway).  But again, people seem to really, really like it.  Again, I used the exploits of an ex-coworker for inspriration in the lyrical content (if anyone from my current job is reading this, this is NOT about anyone in the office.  fagetaboutit!).

Too Many Ghosts - I was channeling Larry McMurty when I wrote this. Another one people like. I got a lot of comments r.e. cowpunk, or metal country.  Tres cool, no?  Again, I need to redo the harmonies in the choruses and the bridge.  

Mythical Haters - This song, is, hands down, the best reviewed on the CD. People LOVE this!  Once I clean this up and do a better job on the guitars, this is going to be a "single". as well as another calling card for me at those songwriting contests. BTW, for the old MP3.com and AA.com denizens who might be reading into this, this song is NOT about my experiences with FT (God bless him), but was inspired by a comment left at this blog: http://angryaussie.wordpress.com, where a commentator asked Angry Aussie "Who are these mythical haters that you speak of", after one of his atypical rants about trolls on his YouTube channel.  Can you tell I spend too much time on the internet?

Back to Aromas - Yet another song about an experience from my life.  This is about the time my husband and I gave away our belongings and decided to spend a few years traveling about in an RV.  Our first stop was Aromas, CA, and this song was my commentary on life there.  Folks seem to like this, although, yeah, that instrumental in the middle may have to go.  I also need to work on my higher range a bit.

Rosebud Came A Dreamin' - after all that acoustic, I ran back into electronica, and, so far, the result is yet another thumbs down from the listeners.  I had the lyrics lying around.  I needed a CD over 35 minutes long. So there you go.  I'll probably ashcan this one.

So there you have it.  I won't be commercially releasing this particular CD, as I have plans for the songs on it to appear on other projects.  And those other projects will probably have to be strictly sold as downloads, as I don't have the money this year to do a full CD run.  

Did I mention I still have inventory? ;)