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January 27, 2009 - Tuesday
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 I've been rebuilt. Of course first I had to get bruised, broken and beat down. And all this happened in the span of 72 short (yet at times very long) hours at the Borderlands Boot Camp. It was an amazing experience where I had the opportunity to workshop stories with the likes of F. Paul Wilson, Douglas E. Winter, Mort Castle and Elizabeth Massie. It was an event in which I was allowed into the minds of Gary Braunbeck, Thomas Monteleone and editors from Ace Books (Ginjer Buchanon) and Grand Central Publishing (Jaime Levine). My story had the bejeebus workshoppped out of it. At times I was told it was one giant plot hole, that I was failing to live up to my potential (which was prefaced that the instructor was well aware of said potential) and that I was good writer (but in this case had written a so-so story in need of serious revision). I learned a lot about writing, the industry and most importantly myself as a stringer of sentences.. I met people with whom my only interactions previously had been online, people I "knew" that I got to actually know (or at least meet): John Hornor Jacobs (who gives his own thoughts on the experience HERE), Tom Beck, Erik Williams and Kim Despins. On top of that I made some great new friends and writerly acquaintances: Kevin Lucia, Brittany Muscarella, Michael Smith, Susan Taylor, Selena Chambers, Jerry Enni, Nicole Ferweda and a slew of other faces (and talented wordsmiths). It was three days of sensory overload coupled with sleep deprivation and the only thing I can think is -- I can't wait to go back.
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December 24, 2008 - Wednesday
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December 18, 2008 - Thursday
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Category: Writing and Poetry
Announcing the WinnersThe HL V3 and DRP 10 Holiday Debut Contest was a big hit. We had tons of folks signing up to the last minute on four blogs for their chance at the latest goodies from Cutting Block Press and Dark Recesses Press. In our hope to get the prizes to the winners before the holidays ended, it was a quick contest, but a hefty one. So without further yammerage, here are our winners: First Prize - JANOne Copy of Horror Library Vol. 3 One Copy of Dark Recesses Press #10$10 Gift Certificate to the Horror MallSecond Prize - Bret JordanOne Copy of Horror Library Vol. 3One Copy Dark Recesses Press #10 Third Prize - Horror.101One Copy of Horror Library Vol. 2 Fourth Prize - GrimGnomeOne Copy of Horror Library Vol. 1Congratulations to the winners! And thank you, everyone, for your enthusiastic participation. For more info on the Horror Library Vol. 1 - 3 and Dark Recesses Press 10: CLICK HERE!Happy Holidays, my friends! Wickedly Yours, Fran FrielPS - Winners will be contacted by email.
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December 11, 2008 - Thursday
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HL V3 and DRP 10 Debut ContestThe dark geniuses at Cutting Block Press and Dark Recesses Press have been busy gathering some fine reading for their fans. Just a few of the names you'll find in these two volumes of dark goodness: Bentley Little, Clive Barker, Gary Braunbeck, Jack Ketchum, Jeff Strand, Michael Arnzen, Kealan Patrick Burke, Cody Goodfellow and many more. Whether you are a new fan or an old one, you're going to love this contest! How to Play: All you have to do is post a comment here on this blog and you'll automatically be entered into the contest. For an extra entry: Just post a link to this contest on your blog and leave a comment here with the link to your blog. Here's the main contest link: http://horrorlibrary.blogspot.com/2008/12/horror-library-vol-3-and-drp-10-holiday.htmlYup, it's that easy. But what do you win?
First PrizeOne Copy of Horror Library Vol. 3One Copy of Dark Recesses Press 10$10 Gift Certificate to the Horror MallSecond PrizeOne Copy of Horror Library Vol. 3One Copy Dark Recesses Press 10 Third PrizeOne Copy of Horror Library Vol. 2 Fourth PrizeOne Copy of Horror Library Vol. 1Deadline for the contest: December 14th at Midnight, Eastern US Time Winners will be announced the following weekend. So there you have it, a great way to win some holiday gifts for your friends or for yourself. Good luck! Wickedly Yours, Cutting Block Press & Dark Recesses Press
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November 29, 2008 - Saturday
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Thanksgiving. What a blast. I love the food and the fun. It is, for the most part, a wonderful time each year. But, it is not necessarily Thanksgiving that I wish to talk to you all about today.
Today I would like to talk about the day before Thanksgiving or Thanksgiving Eve. Yeah, it's lame. I know. More specifically, I want to talk about something that happened this Thanksgiving Eve.
Before I go into that I would like to tell you about one of my daughter's favorite things to do. She likes to walk through the house talking in an automated-type voice. She says, "I am a robot and I am here to disturb you." Keep that in mind while you read. That statement, in and of itself, is disturbing.
Now, onto Thanksgiving Eve.
Upon arriving home on Wednesday my children went outside and I went in to the kitchen where my wife, Catherine, was preparing the turkey—her first. I'm sure she'll remember her first time. Ba-dum-bum. Come on guys. Cut me some slack.
I looked out the kitchen window and what do I see? Guess. Okay, you'll never guess, so I'll tell you. I saw my seven-year-old daughter digging a hole with my shovel.
"What is she doing?" I asked my wife and then proceeded to head outside. I stopped near my daughter, mindful of how wide she was swinging the shovel as she tossed the dirt around the yard. "Chloe, can you put my shovel up?"
"I'm digging a hole, Daddy."
"I know that, Sweetheart—I don't want holes in the middle of the yard. So, let's put the shovel away."
She stopped digging long enough to look up at me and say, "Daddy, this is my grave yard and I'm digging graves for my animals."
I stood silent for a minute as she went back to digging her hole—she actually did a really good job with it, too. Finally, I turned around and walked away, not sure what else to say at that moment. I went inside, no longer interested in the turkey but more preoccupied with staring out the window at my daughter and son.
"So, why is she digging holes?" Catherine asked.
"She's not digging holes—they're graves. And have you seen Pouncer?"
"Umm . . . no," she said.
Pouncer, by the way, is our cat of eight years. I stood at the window as Chloe dug holes and my son, Logan, who is three, stood near her. After each hole was dug Chloe placed an animal shaped sand toy in each one. Logan then covered the animals and patted them down with the shovel while Chloe searched out bricks from a fire pit Catherine had made so we could roast marshmallows outside.
"Our back yard is turning into a toy graveyard," I said as my wife seasoned the turkey.
Finally, Logan grew tired of planting toys in the ground and he said, "I'm done." He came inside and my daughter finished the chore at hand. I walked outside and stood near the center of the yard. There were small mounds all over. Bricks sat either on or by the mounds. My daughter was placing her last brick in place.
"Hello, sir," she said to me. "Would you like to take a tour of my pet cemetery?"
Just for the record, there is a difference between a regular every day tour and a grand tour. As my daughter has informed me, a tour is just where someone shows you things you can't touch. A grand tour is where you can touch the items and do all sorts of fun things.
"Sure, I'll take the tour of your pet cemetery."
She takes me by the hand like a morbid mortician and leads me along a path of blocks and mounds. She told me which animals were in which graves.
"This one is a flamingo. That is a penguin. That is a seahorse. Over there is a lion and her baby. Poor baby."
We came to the end of the tour and I looked down at my daughter in something that I guess was amazement. It may have been shock, but I am not sure. I do know one thing is certain, if she would have done her robot voice she would have succeeded in disturbing me.
"That is . . . very interesting . . . Sweetheart." It was all I could think to say at the moment.
Chloe looked up at me with her eyes bright and her smile beaming from ear to ear. "Come back anytime, Sir—I'm always burying something."
Honey, have you seen Pouncer?
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November 27, 2008 - Thursday
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 There are so many reasons to be thankful this year, here are a few... My wife. Her support for my professional ambitions (writing et al) is mindblowing and much more than I ever expected (or probably deserve). My family. For making life interesting (oh, so interesting). My job. Even though I've been known to gripe about the rigors of "the day job" I'm glad to have it, especially during these crazy economic times. My classmates and inner circle of writing amigos. Their feedback, encouragement and honesty make this whole writing thing A) fun B) worthwhile C) seem like a sane path (one that I can actually succeed in). My new office. That's right, we've finally gotten around to redoing our home office and it is capital A, Awesome. Maybe I'll take some pictures. Writers. Those that inspire me, entertain me and keep me chugging along in the hope that I can do the same for someone else. Readers. The people who check out my blog, the +HL+ Blog-O-Rama, my stories and ask about the novel. Thank you and have a wonderful holiday!
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November 21, 2008 - Friday
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Current mood:  awake
We've all heard the stories. Young lady meets prince charming, marries him and it turns out he is really the frog in disguise. Or, maybe it's more like the Beauty and the Beast but only the beast isn't some sweet guy trapped by a curse. Or maybe it's that man who you used to trust as a child who comes in the bedroom at night while everyone else is asleep. What are they to do? Get out? Sometimes getting out isn't as easy as it seems to you and I? Sometimes that love is really blind, especially when both eyes are swollen shut. And, it's compounded if you are not an adult. What am I talking about, here? Abuse. Simple as that. It's a five-letter word and it means HELL. A living HELL. In my life, which is still fairly young, I have seen the results of abuse—the long-term trauma that the victims go through. No, its not all short term, folks. There are scars left behind, some deeper than any physical wound. Just recently a friend of mine turned me onto a website that is looking to address this abuse. They are trying to bring awareness to something that should never happen to anyone. It is noble beyond words and something everyone should check out. It is called Patchwork and it's kind of unique in how they are attempting to bring awareness to abuse. It's like this. What they are doing . . . hold on a second. Why should I tell you what they are doing? Why don't I let Douglas Burchill tell you about it instead? Please, grab a cup of coffee and sit back and come with me as I have a brief conversation with Mr. Burchill. And when you're done sitting in with us, go check out Patchworkproject.com. First off, Doug, thank you for your time. Absolutely. Thank you for giving me the opportunity to talk about Patchwork. If you wouldn't mind, tell us about the Patchwork Project and what you aim to achieve with it. Patchwork is a domestic abuse awareness project comprised of writers, artists, publishers, and fans of the horror genre. At its core, it's a website where people can get in touch with organizations that provide services and information for victims of domestic abuse. You can find out how you can help out, and there are websites and phone numbers for getting help if you need it. It's also a creative space for writers and artists to use their talents to help promote awareness. If you're a fan of horror, you can check out some good stories, and some good artwork in the near future, and hopefully think about getting involved.
As far as what we're trying to do: We're trying to get people to face domestic abuse and take a stand against it. Domestic abuse is really a monster under America's bed. We know it's there, sometimes we catch glimpses of it, but we're scared to shine a flashlight on it and face it head on. I'm really happy with the number of hits we've had on the website's "Get Involved" and "Get Help" pages. Honestly, if just one person gets out of an abusive relationship, or makes a contribution, then I think we're on the right path. Can I ask what led to the creation of the Patchwork Project?? A lot of things came together at the same time. It was odd. The Patchwork Project started as an activism project for my college health class, and I thought it wouldn't be more than a couple of short stories I was planning to write to promote domestic abuse awareness. Then one of my co-workers at the day job was brutally murdered by her son. It was horrible—this great lady who we all loved was literally slaughtered in her own bed. And she had told us that her son was constantly harassing her for money, verbally abusing her. Thinking about the whole incident, I started to question what I could have done.
That's when Patchwork really started to take shape. If I had known phone numbers, if I had known more about the patterns of domestic abuse, if, if, if. I decided to create a place where people could get more info, get help; get involved somehow. I just didn't know how to promote it. Since I'm a horror writer, I thought I'd contact a few of the folks that had published some of my stories before. They got behind it in a way I didn't expect.
David Byron, who runs New Voices in Fiction Magazine, really went above and beyond. He got behind this project from the word go, putting up flyers and posts and banners. Kevin Colligan from Well Told Tales, Jeff Cercone from Down in the Cellar, R. Scott McCoy from Necrotic Tissue. I owe all of these guys a big "thank you" for helping promote the site.
The response from writers, like yourself, has been great. People seemed to get it right away. The artists are on their way, it just takes a little longer to get the art formatted for the site. What is, if any, the significance of the name of this project? You mentioned earlier the long-term effect on survivors of domestic abuse; scars that take a long, long time to heal, if they ever do. It's patchwork life, trying to keep all the pieces together. Then, there are the horror connotations like Frankenstein's Monster, Leatherface, etc. I think I actually had a name for the project before I fully knew what it would be. How can people help or get involved with the Patchwork Project? There are lots of ways. If you're a writer or artist, submit a work to the website then tell all your friends to check it out. Tell someone about the project, download a Patchwork flyer and print it, then put it up somewhere. Visit the sites of some of the organizations listed at Patchwork to find out what kind of help they need. It's not all monetary donations; some of them need clothing, old cell phones, or volunteers. In regard to stories, what are you looking for and what are you not looking for? We're looking for good horror stories. Nothing overtly pornographic or demeaning to victims, or anything that glorifies abusers. Other than that, it's pretty wide open. Patchwork is a nonprofit project, so we can't pay artists or writers. On the other hand, we're not so concerned with market formulas or themes, so this is a chance for people to make a statement with works that might not be published elsewhere. I'm excited to see how Patchwork evolves based on the contributions we receive. Douglas Burchill, I appreciate you taking the time to do this interview and I commend you for what you and your staff are doing here. Thank you, AJ, for your interest and letting me talk about it. And, for you, my faithful readers, if you know of someone who is going through abuse, please try and help them. If you are in an abusive relationship of any kind, get help—your life may very well depend on it. I'm AJ and I'm out. The Patchwork Project The National Coalition Against Domestic Violence The National Domestic Violence Hotline The Domestic Abuse Helpline for Men and Women In Centre County, PA: The Centre County Women's Resource Center Safe 4 All Also check out some of The Patchwork Project's friends: New Voices in Fiction Magazine Well Told Tales Down in the Cellar Necrotic Tissue
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November 19, 2008 - Wednesday
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Current mood:Deathmatchy
In lieu of my usual nonsensical, writerly ramblings this week's +HL+ Blog-O-Rama post is being replaced by a very serious question...Imagine a caged octagon. Now picture some of the fiercest, most dangerous beasts to ever roam the Earth confined inside, ready to rumble until there can be only one a la The Highlander. The contestants are (in no particular order, although some are obviously more awesome than others): 1) a zombie 2) a unicorn 3) a ninja 4) a shark (whether it is a robot shark or not is left up to you) 5) a crusty pirate (as opposed to lusty) 6) a bear (something vicious, possibly with magic powers, not one of those caring kind) 7) your choice of any or all of the Universal Monsters. The big question is who comes out on top? Sound off in the comments or drop me a note.
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November 14, 2008 - Friday
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Current mood:  busy
 I've mentioned before that I am in the home stretch of completing a MFA in writing, something I did more for my own selfish personal enjoyment. So last night sitting there in a room of writers the question came up (I'm going to paraphrase here), "Imagine you had never written a story before, what would you want/need to learn first?" Some people shouted out plot, a few said setting, others characterization (this resulted in some comments that you can't just have aimless characters with nothing to do and nowhere to do it at), pacing, POV, voice (not sure if this is actually teachable, but okay) and on and on. Flipping the question on it's ear for a moment, what as a reader is important to you in a story? What makes one story better, in general, than another? I'll admit that I read Chuck Palahniuk because of the voice (and wit) which some critics have described as a college-educated Oregonian 30-something male, but I digress. I read Steve Berry because of the quick pace and the action, his books are the sort that I can sit down with on a rainy Sunday afternoon and zip through. I find myself mesmerized by the characters in John Green's books, so much so that my personal library has gone from zero Green titles to three (all of his books) in a matter of weeks. My point is, I read different writers for different reasons, but in the end I suppose it all comes down to one thing: a good story. So, why do you read who you read? What is it in a given writer's ability to cobble together a story that makes it work? Are you drawn to particular keys over and over, across many writers? Or are you a bit like me and go for different books for various reasons? And for the writers reading this, what do you consider your strongest area? Where do you need improvement? What resources would help you improve? Just some food for thought. Note: Don't you just love PostSecret, especially the extra bizarre ones (see the pic above)?
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November 5, 2008 - Wednesday
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Current mood:  chipper
WARNING: I'm going political for a moment. A lot of things (in my opinion) went right yesterday, some things not so much and still there are a few major issues waiting around, hanging out by themselves in a dark corner of the gymnasium waiting for some sort of final decision. But more importantly, the talking heads, the winners and the losers have all been fairly unanimous in one thing since Brian Williams broke the good news (again, in my opinion) last night at 10 pm CST -- we, as a country, need to stay engaged in the political process and work together to take this country forward. So here is some serious: "Few will have the greatness to bend history itself; but each of us can work to change a small portion of events, and in the total of all those acts will be written the history of this generation." -Robert F. Kennedy And here is some funny: 
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November 1, 2008 - Saturday
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Category: Writing and Poetry
The Wonderful Mister GaimanHappy Halloween, my friends! Have I got an absolutely delicious treat for you, especially if you're a Gaiman fan. As many of you know, I adore Neil Gaiman. He was "the straw that broke the camel's back inspiration" for me to start writing after many years of pining about it. Hence, I'll always be grateful to him. In addition to the writing, he's inspired me by the kind of person he is. By all accounts, he's a sweetheart of a guy and extraordinarily kind to his fans. His latest project proves that he posses a generosity of spirit--the kind that I love and aspire to.
On tour with his latest release, The Graveyard Book, he read a full chapter at each stop of his book tour. BUT if you missed it like I did (dang!), not only did he read a chapter at each stop, his readings were video taped. You'll find his video tour, in its entirety, at Mr. Bobo's Remarkable Mouse Circus website! If you want a little background on the project, in his remarkable way, Neil talks about how The Graveyard Book came about: The TreatNo tricks here, kids. Just a great Halloween feast, so go visit Neil (one of my favorite storytellers) at the Mouse Circus for a delicious treat of storytelling and wonder: Click HERE for The Graveyard Book at Mr. Bobo's Remarkable Mouse CircusHave a marvelous night full of sweets and shadows, my friends. Happy Halloween! Wickedly Yours, Fran Friel
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October 24, 2008 - Friday
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Writers. We're a miserable lot.
It's true. We are. We moan and groan and complain and whine. It's what we do best. Well, other than write, that is.
We complain about the publishing world and form rejects. We complain about why people won't read our stories. We complain about markets going under. We complain about long waits and then complain when we finally hear back from a publication we have so impatiently waited on.
We complain about editing and rewrites. We complain when someone says you should workshop your stories. We complain when an editor actually takes the time to give out constructive criticism instead of sending that aforementioned form rejection. And, why? Because it wasn't what we wanted to hear.
Do you see a theme here?
Wait. It gets better.
We complain about a lack of originality but then don't do anything about it in our own writing. We complain about copycat writers but then turn around and copy them.
We complain about writer's block and them bemoan people when they tell us how they get out of that horrid gray area in most writers' lives.
We complain about guidelines. Double space or single space? Justified or ragged or tabbed? Do we have to use William Shunn's template for submitting stories? (No, but I recommend it—it truly has the professional appearance.) Bios or no bios? Contact information with the introductory letter or on the first page of the story? Headers? Funny—we complain about these things but then don't follow the guidelines, get rejected and then complain about why we got rejected.
Nag. Nag. Nag.
You see, writers are a truly miserable lot. And we love the company. So, let's go complain to all of our writer friends. Or anyone who will listen for that matter.
But, wait. There's more.
The biggest complaint I have heard recently is, believe it or not: How did that person get published? I write better than that person. I can't believe he/she got accepted and I didn't.
Oh, my head hurts.
What gives, people? Seriously. What gives?
Here's some advice from your Uncle AJ. Stop complaining. It doesn't get you anywhere and it makes people want to avoid you. Seriously. Stop complaining. To add to that, stop comparing yourselves to other writers. You are YOU—not King, Barker, Ketchum or Wilson. If you want to write like them, by all means, do so, but please, stop complaining when you can't capture their style. You HPL fans—he's hard to emulate, but it can be done. However, if it doesn't add up, don't whine about it. Try again. And KEEP trying, if that is what you wish to do or how you wish to write.
I like to view comparing ourselves to other writers in a similar way that Rick Warren views ministry. Bear with me here for a second and don't turn away.
"There are two reasons why you should never compare your shape, ministry or the results of your ministry with anyone else. First, you will always be able to find someone who seems to be doing a better job than you and you will become discouraged. Or you will always be able to find someone who doesn't seem as effective and you will get full of pride. Either attitude will take you out of service and rob you of your joy." --Rick Warren A Purpose Driven Life
Okay, now listen to me for a second. If you take the above quote and apply it to your writing then you may get more out of it than you think. For the longest time I wanted to write like—you guessed it—Stephen King. But, you know, I'm just not King. I am me. I write like me. It's that simple.
A couple of years ago I really sucked. I mean sucked big time. I had great ideas but when I put them to paper the stories were essentially ruined. Getting published was not even close to a reality.
After some long, thoughtful soul searching, I figured out that by trying to be like King I was actually hurting myself. Then I set out to discover if writing was something I wanted to pursue. There are so many great writers, both professional and amateur and I wondered if I even had a prayer in the market world. Again, I was comparing myself with others. No. No. No. No.
When I decided to be me and learn about the craft of writing I started to grow. I started to get that feeling that the stories don't suck half as bad as they used to. Now, the stories only suck about a third as bad as they used to. I'm happy about that.
There is always going to be writers out there that are better than me. Always. There are always going to be writers out there who are better than you. There's no need to get discouraged about that. There is this gentleman I know who is a much better writer than I am and every time I read one of his stories I think, 'Wow, this guy is good.' That gentleman is Ian Rogers. If you haven't heard of him, you are truly missing out. Look him up. But, I don't let that discourage me. In fact, I analyze a lot of his writing and look at the things at which he is very good at. Some of those things I apply to my own writing. It's a way of learning for me. Ian is just one example of someone who I KNOW is a better writer than I am. There are many, many, many more.
Ah . . . but there are those people I feel I write better than they do. But, I never say it or really think about it. Instead, I like to try and help them in the manner that I have been helped. Encouraging them, pointing out things that I have seen in my own writing that I see in theirs. It's amazing to see some of these people blossom right before my eyes. It's amazing to see them take to something and really work it until they get it right. They do NOT complain. As a matter of fact, one of these guys lets out a Yahoo or a Yippee every time he is rejected. His enthusiasm is contagious and his writing has improved ten fold in the less than a year I have known him. And that has nothing to do with me, and everything to do with him, his drive, determination, enthusiasm and willingness to constantly get better and better with each passing story.
Most of those folks are better writers than I am now!
What does it all boil down to? It's simple. Complaining isn't going to get you anywhere in the world of writing. Writing will get you where you want to go. Working on writing will get you where you want to go. An enthusiastic attitude will get you there. Not so much, however, complaining.
As I said before: Writer's are a miserable lot. We really are. But, if we stop complaining about the state of things in the writing community and start doing something about it, then maybe we wouldn't be so darn miserable.
For now, I'm AJ and I'm out.
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October 16, 2008 - Thursday
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 This week's post is going to be a brief one and a day late. It has been a long few days. There was a professional conference (sadly, nothing to do with writing), some other life events and more sadly a death in the family. Like I said, long few days. The keynote speaker at the conference was a motivational guru, the sort of guy I would normally dismiss and be on my way, but in light of the other things happening in my life, his main point and my main point of this column was a simple question. Are you giving yourself every opportunity to succeed? This struck home in perspective of everything else on my mind. Life is short, fleeting even. Am I giving myself everything I can to reach the next level? I've thought quite a bit about this question in the days since and I would like to say I'm not sure. But that would be a lie. I know the answer and it is no. I procrastinate, volunteer for side projects and find myself doing everything but the writing I want need to get done. Everything came full circle last night, around 1 am as I toiled away on a short story (my Borderlands Boot Camp story). A story I've stopped and started umpteen times since July. After all those tries, I had a measly 1000 salvageable words. Why? I think I might have been standing in my own way. There was fear, of failure, of success, of what next. So, last night, I walk in the door a little after ten and know that the story is due. Literally. And I wasn't finished. So I started writing. A few hours later and I had over 5,000 words down. I don't think if I've ever written more in a single session before. This morning I spent a few hours whittling it down, editing, revising and so on and sent it off. I know it's not perfect, but it's something that I am proud of, a story that has some meat and room to become something special. The sort of story I've been trying to write for a long time. It's titled "Based on Actual Events," and it isn't ready for prime time, but hopefully the other attendees and instructors at the writer's retreat can help me get it there. What is important is that I got the story down, something that normally takes me weeks, sometimes months. I'm not sure how many stories I've started, stopped, even abandoned because the words didn't look right. But it wasn't that the words weren't right, the words were nothing more than letters on a page, it was the possibility of what those words could mean that got me spooked. The notion that a first draft, something worthwhile, might hold me accountable to revision. Put me in the position to send it out into the world and wait for word on it's fate. The idea that making the leap from short stories to novels might mean something, turn into what I want it to was terrifying. But something has changed for me in the last several days. Things are more clear. My job is to get the words down, then worry about making them shine. I will not fear the first draft. I will give myself every opportunity to succeed. Will you?
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October 12, 2008 - Sunday
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Category: Writing and Poetry
So What's It Really About?At first blush, this blog appears to be for writers, but to the dedicated readers and movie viewers out there, this blog is for you, too. It will enrich your experience of books and films and help you see at the most fundamental level why some stories work and some don't. Most of us have heard the terms theme and premise, and some will argue their meaning, but for today let's just say they're interchangeable and we'll go with premise as our focus. For our purposes, when we say premise, we're talking about the "controlling idea" (per Robert McKee in Story) or what a story is really about when you strip away all the window dressing. I'm eternally grateful to my mentor, Douglas Clegg, for reintroducing me to this concept because it makes the process of writing so much cleaner and the process of reading and movie viewing a ton 'o fun. Egri Calls It PremiseDoug suggested the book, The Art of Dramatic Writing by Lajos Egri, to help me deepen my understanding of the subject of premise/theme. Egri refers to the subject as premise and he begins the book this way: A man sits in his workshop, busy with an invention of wheels and springs. You ask him what the gadget is, what it is meant to do. He looks at you confidingly and whispers: "I really don't know."
Another man rushes down the street, panting for breath. You intercept him and ask where he is going. He gasps "How should I know where I'm going? I am on my way."...Every sensible invention must have a purpose, every planned sprint a destination.
...Reams of paper of paper bear miles of writing--all of it without any point at all. There is much feverish activity, a great deal of get-up-and-go, but not one seems to know where he is going.So again, what is the story really about? On the deepest level of your feeling self, what is the story saying to you? Premise is not to be confused with plot. It's not what happens to whom, it is what underlies all the action and interactions of a story--a statement of the human condition that everyone can feel or identify with, even if we don't agree with it. Egri offers the following examples: Romeo and Juliet - Premise: "Great love defies even death." King Lear - Premise: "Blind trust leads to destruction." Macbeth - Premise: "Ruthless ambition leads to its own destruction." Othello - Premise: "Jealousy destroys itself and the object of its love." Driving SatisfactionIn exploring this subject, I have learned that in standard story telling you will find that every paragraph and every sentence drives toward the premise in a great story. Without this clear path, a story feels less satisfying even if you're not aware of why that's so. There's a sense of ungroundedness or something out of place, even if it's an interesting or entertaining story. The premise is the unifying force, the thing that holds all the elements together, and without it, a story doesn't feel solid. Writers don't usually start out knowing what the premise of a story is, rather it emerges as they write, but the important thing is for them to notice it, and to then refine it to its simplest form. Ultimately, the story should be edited to clear away anything that doesn't support the premise and fill in the gaps to clarify and strengthen it where needed. The Tease As readers and movie watchers, if you're a geek like me, you can tease out this idea for yourself to see if a film or a book holds together. You'll start to notice that really powerful stories have very strong and clear premises. Sometimes they're hard to nail down at first, but if you keep paring down the themes within the story, you'll find one shiny idea that unifies the whole echilada. For a poorly written story, you may be entertained, but the theme, if you can pin it down at all, won't hold together from start to finish. Teasing out the theme is harder than it sounds, but it's a very statisfying and instructive exercise, especially for writers and lovers of story. It really demonstrates how important this concept of a unifying idea is to every single aspect of a well wrought tale. Reoccuring themes for writers will arise from this exercise, as well, since themes/premises ultimately come from their conscious and unconscous beliefs and passions. I suspect readers and movie viewers, if you look more closely, you'll find that you're drawn to the work of specific writers because your beliefs and passions are in alignment with the writer's (via the themes of their stories). Nothing like a little psycho-babble blogging, but I think you'll find this "premise" true. I don't have the magic to fully convey what premise or theme is in one blog, in fact, I'm still learning myself, but I hope I sparked your curiosity on the subject AND its importance in the composition of a truly great story. Don't take my word for it, read Egri, McKee, Gotham Writers' and anyone who will enlighten you on the subject. Now, get out there and go hog freakin' wild with this idea (yeah, baby, I'm a party animal, eh?). I guarantee it will change your writing and your appreciation for a well told tale. See you next weekend! Wickedly Yours, Fran Friel
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October 8, 2008 - Wednesday
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 Fly free. Or don't. There are writers, probably more than I realize that are completely capable of writing a story, reviewing it on their own and revising without the assistance of any outside eyes. I am not one of those writers. I love the workshop environment, whether it be online or as part of something more formal like a MFA program. My writing requires the use of first readers. Whether it be a short story or the novel I rely on the thoughts, critiques and scrutiny of others. Some are writers, some readers (as in they have no desire to write anything themselves), but they all share the commonality of having a keen sense of detail and plot. I hope that they aren't afraid to tell me when something works and when it doesn't. I bring this all up because as I near the end of a graduate degree in writing, an experience filled with group workshopping, and work on my novel while having the amazing opportunity to act as a first reader for a handful of other writers, I realize the importance of the first reader (importance for me anyways). So thanks to those that read my writing before it resembles anything close to a final product and an even larger debt of gratitude to those writers that have allowed me to look over their words in the early stages (from you I have learned so much). And a future thanks to those that I plan to tap/ask to look over MOAAG in a few short months. I've made it clear how I feel about first readers (beta readers), for the other writers out there, what is your take on this?
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