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Phillip Boa and the Voodooclub Blog - A kind of diary by Phillip Boa

Phillip Boa and the Voodooclub



Last Updated: 11/21/2009

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Friday, November 20, 2009 
What do Michael Jackson + Goalkeeper Robert Enke have in common?

Well-I try my best to explain: the deaths of people like James Brown and his funeral,that attracted ten thousands of fans,  worked as a role-model for a new Marketing Tool/Profit-Gainer:
 
Michael Jackson was worthless to his moneysucking environment.
As a Product he turned out to be "profit-less" over the years.
But right now ,as a Dead product ,  his legacy(Songs, Shirts, Films...name it!) can sell eternally.
As clever as all the Jackson-benefitters might be, they did not exploit enough the NEW Profit-Machine of the century: not Death, no: FUNERALS!!!

The people who manage the death of Germany's Football-Goalkeeper Robert Enke(he committed suicide recently) were one big step ahead:
they let not only 50000 people in a stadium see Enke's coffin and look in a macabre,confused way  at the mourning and crying widow, but let All Major TV-stations see this event live!

I don't know how much money  was exchanged for the TV-rights, but I am already planning MY funeral live, in one of my favourite clubs, no TV + Radio of course, 80,-Euros/ticket and give my once half, now quarter-successful Popstar-career a proper boost.

My friend Thomas K, agent, has already secured the rights for a world tour of Michael Jackson's coffin, laid out in the middle of the football-pitch and every fan present has the right to touch it once.

This all leads us to a complete Re-Thinking of Celebrity-careers: more than ever, early Death is an option: it will be part of the recording or management-contract!!
Another prosporous marketing idea for the future: " Live Suicide" or "Live and let Die"
Or: Celebrity No1, 2 and 3 fight against each other, Live in Arenas  and Worldwide on TV!
Survival is NOT an option, as contracts demand.

P.B.

GERMAN LANGUAGE/deutsch:

Was haben der Tod von Michael Jackson und Robert Enke gemeinsam?
Ein zaghafter Erklaerungsversuch:
ich denke, der Tod von James Brown diente zunaechst als Vorbild/RoleModel fuer die zeitgemaesse Vermarktung eines verstorbenen Kuenstlers: zigtausende waren zu seinem Sarg gepilgert.
Michael Jackson, als Mensch fuer die Absauger dessen, was er als Produkt abwirft, absolut wertlos geworden, als Produkt nicht mehr profitabel genug,  wuerde als toter Kuenstler endlos unendlich wertvoll werden; was er dann bereits jetzt schon geworden ist.
So gewieft wie die Vermarkter von Jackson auch sein moegen-in einem Punkte waren sie weder konsequent noch schnell genug:
die Vermarkter des Todes von Fussballtorwart Robert Enke waren da schon einen grossen Schritt weiter:
sie bahrten den Sarg des armen Robert Enke vor 50000 Zuschauern in einem Fussballstadion auf und liessen nicht nur diese auf geschmacklos-makabre Art und Weise  auf die weinende,trauernde Witwe starren anstatt auf ein anstaendiges Fussballspiel, nein:
sie  liessen dieses Event direkt Live von den groessten TV-Sendern uebertragen.

Nur Gott weiss, wieviele Gelder mit diesen gigantischen TV-Rechten umgesetzt wurden; aber ICH selbst plane bereits mein Begraebnis in einem meiner groesseren Lieblings-Clubs, 80,-Euro/Ticket, um der ex halberfolgreichen, nun eher viertelerfolgreichen Karriere meines Popstar-Daseins einen entscheidenden Push zu geben.

Mein Freund, Agent Thomas K., hat sich nun die Rechte gesichert fuer die weltweite Stadiontour des Sarges von Michael Jackson, der in der Mitte des Fussballfeldes aufgebahrt wird
und den jeder Eintritt-leistende Fan dann einmal anfassen darf.
Dies fuehrt uns zu einer neuen Form des Profitmachens: die gigantische Vermarktung von Beerdigungen!!!!!
....aber auch die Re-Strukturierung von Celebrity-Vertraegen: gegen Ende der Vermarktungskette, wenn das Produkt kaum noch etwas einbringt, wird in den Vertrag die Klausel der Vermarktung des Todes hineingeschrieben.
Dann kann es womoeglich Gladiatorenkaempfe geben, die in grossen Arenas+ TV (spaeter natuerlich als Kinofilm oder DVD etc) live stattfinden und die Ex B-Promis im Stadium des D-Promi-Daseins dann vertragsgemaess ausfuehren.

P.B.







Monday, October 12, 2009 
hey there,
the experiment worked.
It seemed difficult in the first place: Jaki Liebezeit, since his days with Can, a "refuser" of songstructures, breaks,arrangements etc.
agreed to play with us live.
 us-that is the Voodooclub, me +Pia,Toett,Maik T.,Moses,Oli:
a band known for complicatedly  arranged song structures (just listen to "This is Michael", a more successful single for us: it has so many surprising stops + weird parts that even our classically trained guitarist Oli had immense problems to play it).....and on top of that I like a nice melody,by the way...

Jaki had endless discussions with us that he can't play those weird arrangements, but in the end...he did!
the rehearsals were difficult,the soundcheck of the first gig in Hamburg was like a heavy culturepolitical fight between a professor and some stubborn students...
but-the gig worked!
now, after 4 shows, with a triumphant show in Berlin, Jaki feels comfortable and happy and is sad that next saturday(Duesseldorf) will be the last concert with us(99,9%- you never know).
 After Duesseldorf I will feel the same, but now...
it's before!!!
so don't miss out  or prefer to watch the absurdest light entertainment for the masses at home: TV. Watch "Popstars" or the fucking jungle and get older, dudes.....
we won't.
cheers, boa.
Saturday, October 10, 2009 

        Samstag, 10. Oktober Astra Kulturhaus, Berlin

     Phillip Boa and the Voodooclub feat. Jaki Liebezeit

       - Astra Kulturhaus, Revaler Str. 99, 10245 Berlin


                     http://www.astra-berlin.de/




Friday, October 09, 2009 

09 October
: Alter Gasometer, Zwickau - doors open: 20.00 h

Phillip Boa and the Voodooclub feat. Jaki Liebezeit (Can) on stage: 21.00 h

» Alter Gasometer Kleine Biergasse 3, 08056 Zwickau

» German tourblog


Wednesday, October 07, 2009 

08 October
: Batschkapp, Frankfurt - doors open: 20.00 h

Phillip Boa and the Voodooclub feat. Jaki Liebezeit (Can) on stage: 21.00 h

» BATSCHKAPP Maybachstraße 24, 60433 Frankfurt/Main

» German tourblog


Monday, October 05, 2009 

Category: Music

all was going good...Then about 1 hour before the show decided to put everything in doubt by discussing the sense of any western music.  For one hour I feared that Jaki was going to quit and leave the project.
I talked to him: I explained that I am a songwriter and of course I use recycled Western music-klischees as much as every pop/rock/electro-blablabla-band. I use it because I grew up to...Songs! and beats. And i compose songs to make the people -?move? think? doubt? love? trigger the good memories? feel warm? and all over , with the help of beat and sounds, create something that makes the people ...yeah-happy!!
And I play the songs live to people for exactly the same reasons: I want them to come to my shows, listen to new + old songs and make them shout+scream or just listen....and I want them to walk home...well,yeah: happy:
Jaki doesn't like rock/Pop-music very much .....and he suddenly realized that he prefers to -only-play ethnic/world music beats. Well, ok; I died. For a minute. But its 2009 and I don't die that easy anymore.
Well, Jaki played! And he was great!
Now,after the first show, I know he was very nervous,too ...playing to/with  a rock band....must have seemed weird and contradictious to him ....and his doubts were how he expressed his"fears".
I guess he thought that the V-Club-Fans would not like his performance.....because he mainly plays on "slow" songs...
but the fans did welcome him or,at least,just saw him as a normal member of the Voodooclub.
In fact almost all the people liked what Jaki was doing and respected him very much.
On the old song"Moon" and the 1996-song "Sleeper" Jaki played a rhythm that sounded extremely unusual to the rest of us. Not a rock-rhythm at all. But we managed still to put Pia's atmospheric , dreamy vocal lines on top of that.
Oli's solo to "Sleeper" was again a 60..s influenced Shangrila-Guitar-Solo that Oli played on top of Jaki + Pia; basically an impossible thing, but Oli did it.
Oli did some little mistakes, but on the whole he played wonderful-and brings a good new influence into the band.
Jaki was a guest on the first 11 songs + then decided to play on "Fine art in silver", "Black Light" and then, believe it or not, "Kill your ideals".
After the show he was smiling like a happy kid. I felt relieved. He said: yes, we will play 4 more shows like that, of course!
Because I think Jaki noticed, that the Voodooclub and him made the people  happy.
This is it: wake up in the morning or do the dishes..or drive in the car or being in a bus or train........while listening to great music.
That's it. It seems like nothing but it means a lot more!!

bye bye, P.
Wednesday, September 30, 2009 
Saturday, 03 October: Uebel & Gefährlich, Hamburg

Doors open: 19.00 h

Special guest: Neat Neat Neat on stage: 19.45 h

Phillip Boa and the Voodooclub on stage: 20.45 h

» Uebel & Gefährlich Feldstr. 66 (Im Bunker), 20359 Hamburg

» German tourblog



Monday, September 21, 2009 

JANE WYMAN EP

by Phillip Boa and the Voodooclub


New single out in stores incl. 3 brandnew tracks as CD and download



» Order CDX Amazon

» Download EP Musicload

» Download EP Amazon-MP3



Exclusive iTunes track



In addition to the three new songs of the single
Jane Wyman EP

iTunes exclusively offers another new track with the title

We Got Something to hide
for download.

» iTunes EP + exclusive track




Friday, September 18, 2009 

Category: Music
hey,
my new EP is out now, Friday 18
hope you like it...
this will be the last single from the diamonds fall-album.
most of you know "Black light" + "jane wyman", but these versions are shorter, with more compact editing.

the 3 new songs on the physical EP are from the time around 2003 and 2007   ...roughly...since they are all a bit different.

David Vella and me + pia wrote,recorded + produced them...with no help of an extra-producer....
"holly said" is a fast rockabilly,psychobilly rock piece...
"morse code" is electronic, with a great ,leading Pia-voice
".....and sunday lunch "(oh my god-i forgot the title of it) is fast,  indie-dance song with a great fucked-up stop in the middle and lyrics that i wrote when i felt lonely one morning in Malta, went to a pub and spent 5 hours there...

anyway.....thanks to the people who helped me release another "product" with love.

bye bye,phil


Wednesday, September 16, 2009 

JANE WYMAN EP out in stores 18/09/09


The single edit of Black Light from the forthcoming Jane Wyman EP is on our MySpace player now, check it out!

Boa: "... the black light, a song about remembering a wonderful love that madly and sadly had to be ended..."

» Boa MySpace player

The new single/EP includes, besides the two single edits of Jane Wyman and Black Light,
three unreleased brandnew songs and will be available in major stores like Saturn and Media Markt
as well as in well-assorted record stores. Furthermore you can pre-order the single/EP here.
As of 18 September, you can download the single/EP from iTunes, Musicload and AmazonMP3.



See you on the special shows in October...

Cheerio, the Voodooclub!


Tuesday, September 08, 2009 

New video clip JANE WYMAN by Phillip Boa and the Voodooclub online!





Watch & check it out here:

» Jane Wyman on YouTube (in great HD quality & resolution)

Please, feel free to rate the clip & leave your comments.

Monday, August 31, 2009 


Phillip Boa and the Voodooclub will open the show performing about 9 songs with Jaki Liebezeit: 5 or 6 songs from the new "Diamonds Fall"-album plus 1 "Diamonds Fall"-B-side plus 2 old songs. Then Phillip Boa and the Voodooclub will play, without Jaki, mainly single material. For the final encore, Jaki will join the band again and play probably 2 songs together with the Voodooclub. Furthermore it is planned that the songs are recorded for a possible live album.



» tickets online via eventim or ticketmaster

 
Saturday, August 29, 2009 
a) english language

wir fahren fahren fahren
auf der Autobahn....
i love to stop at every cool rest station and on our A1 there are a lot.
Usually I hope to meet Nuns there; they are interesting to listen to and to watch, because they see the normal world from a very own perspective. I love that.
But no - there are no Nuns - so I order my Cappuccino and head straight back into the car.

Because I'm driving a rental-car, I decide to listen to Radio, just to analyze what the youth of today is bombarded with.
The radio-hosts are unbearable superficial like the Nutella-TV spots; I imagine them being in those nightly TV Sale-shows in about 10 years. Dumb arrogance and ignorance is punished, sometimes.
 I suddenly realise how difficult  it is in Germany, to make a decent living from Music or Arts without making crap music or licking the culture-lobby's arses; impossible, basically.
I consider myself lucky to be a rare exception,  only because I am "from the last century" and have always been proud and stubborn.

Since I don't give a fuck really: I am starting to doubt if my thoughts that I utter via Twitter, Facebook...are a bit wasted; I hate writing stuff like"i am off to Paceville to party hard. The absurd superficiality of those mediums reflect our time:  the philosophy of "let other people do the thinking for us" seems ,via Net ,Radio+  TV to have become reality that nobody seems to question.
I might make my (sometimes stupid, I admit) tweets available only for people, who apply for a code that he gets from my Webmaster!??

why did I drive in the first place? Apart from the fact, that I love driving North, this time it was because I remembered my time in the German Army.
Sorry for being sentimental.
I wanted to re-live what me and my then-army-friend were doing: he had an old Ford Capri and we often took a drive in the afternoon, from the coast of the North Sea to the coast of the Baltic Sea....and back.
Since my friend had big problems with my musical taste, which was, back then, probably called New Wave/Punk (now Post Punk, I guess), we decided to listen to Al Stewart. Since I did not like Stewart's music back then, we played his song "On the border" all the time.  It did fit - it was Car driving music, and we listened to The Motors "Airport", which I suggested, and HE accepted.
Where was I? Oh yeah, German Radio: whenever you drive here, you zap and zap to finally find 2 ok songs, well....one is Amy Macdonald and the other one is the quiet song by Razorlight. The one by Razorlight is actually a good Song, even if the NME hates that band.
In between those 2 songs there is only: Zapping. Looking for those 2 songs.
The rest is fucking awful(normally). Suddenly I become a hardcore Fan of Bruce Springsteen, because he managed to fill the gap between the 2 other songs gracefully.

I am also a little bored with what the Indie-Scene offers us at the moment.
Whatever they call Electro nowadays is mostly already 5 music generations-recycled.
It reminds me of that creative Hole before the Strokes came to save Indie Music.Or Jack White.  But even Jack White has 10 new bands nowadays which all sound like B-Sides of the great White Stripes Albums.
Or is it that I am finally getting old? Oh well-it is about time anyway.
 The Membranes will reform for a bit and finally receive some respect that they did not get 20 years ago.
To my surprise they play the new song by The Gossip on the radio: great DiscoIndie with an almost R&B-voice she seems to scream "I'm a recycled digital piece of Carwreckpuzzle".
Good. Is it bad that I still love listening to XTC, New Order or Magazine?
I guess so and...NO - it isn't.
It is all about the eternity and beauty of the SONG itself. A good song wakes you up in the morning and it doesn't make a difference where it comes from.

Hereby my apologies to Gary Numan, writer of classic great tunes like "Cars". He once was supposed to present me some prize at a Music Awards of some sorts ; that was early 2000 at the Markthalle in beautiful Hamburg.
I hate events like that anyway and God only knows who persuaded me to go there in the first place. But seconds before that Awards started its cerenomy, I couldn't bare it one second more and left  as fast as I could.
No regrets here; but it was a bit humiliating to Gary, who I respect 100%.
I still feel bad about that.

Yesterday I saw a stupid film on TV; there were songs of T.Rex in it: really old stuff. The 2 young people  who were with me did not realize that its old music from the 70's. Tony Visconti had produced "20th Century Boy" so fresh that it can,  nicely remastered,  compete with all the new stuff.

Anyways-I like new music too, obviously.

I once wrote a song called "Pretty Bay" in the 90's.
The original idea for the song was born at Pretty Bay, Birzebuggia,Malta. I was in Malta for the first time, as a tourist, in 1990.
Since I was used to big beaches, that little/tiny beach there was very unusual to me; funnily enough, a year later they extended that beach- it is a lot bigger and longer now, but it still is.....small.
The tiny one was gone and I took that beach as an analogy for young people with no hope to find work: the Bay is not pretty! Civilisation and the urge to feed and provide humans spoiled the bay: you lie on the beach and you look onto a power station and dockyard-industry.
Disillusion.
 Dream this and get that.
But as well as the song "Albert is a headbanger"(also a song about a boy that stopped doing ANYTHING because of Disillusion) sounded funny, the song "Pretty Bay"
sounds romantic.
why......
don't lie on that beach reading or ignoring: take a swim and have a look from the sea onto that Bay: suddenly you can see "Pretty Bay" -unspoiled, romantic, almost like a Postcard-motif.

I probably have written about that Analogy of that song before; sorry about that.

But where was I again? On that sentimental trip  to the North: I drove there and did it.
Although I did not like my time in the army there, I had to go there....
and felt sad.
Drove to Hamburg as fast as possible.

And I couldn't stand to hear that song by Al Stewart.
Whenever I try to hear that song  I  start crying.
That's how powerful a SONG can be.

Good night.



b) in german language:

.............
Wir fahren fahren fahren
auf der Autobahn....
an jeder Raststaette stoppe ich,ohnehin, in der Hoffnung, Nonnen zu treffen und ihren Gespraechen zu lauschen,weil sie anders sind und diese Welt anders beobachten...
aber da man sie selten trifft, bestellt man einen Cappuccino und haut damit ab, zurueck ins Auto...
ich entscheide mich, Radio zu hoeren, um ein wenig zu analysieren, mit was der junge Mensch heute berieselt wird......Radio also.....
die Moderatoren, die die Junghoererschaft bedienen wollen, die sind so dummdreist-dass die 2009-Nutellawerbung dagegen wie Shakespeare wirkt;
in ihrer niemals ihnen gelingen wollenden Art, cool sein zu muessen...ich schliesse kurz die Augen,ooops,no,ich fahre ja Auto...schliesse trotzdem kurz die Augen,weil ich vor mir das Bild sehe, wie wir diese Typen allesamt nachts wiedersehen werden, wie sie dort stehen werden vor den Gluecksraedern, Raetseln und den Verkaufssendungen von neun live oder 3neun live oder so aehnlich...
zu meiner Ueberraschung finde ich einige Songs ganz ok....ploetzlich schaetzt man Songwriter wie Bruce Springsteen mehr und ausser der Albern-Rap/Ragga-Fraktion ist alles  einigermassen gute Fahrunterhaltung....na ja....
nett anzuhoeren ist der neue Song von The Gossip....manche nennen wohl auch das Electro...es ist soooo recycled, so nach groovendem digitalen Schrott klingt...

auch erschliesst sich mir, wie clever die Sportfreunde Stiller sich von einer fast fussball-karnevalswelt ueber MTV Unplugged/ihre besten Songs mit Streichern Versehen bis dahin, wo sie vielleicht hinwollen: mit Udo Juergens-Chorus  irgendwie als Songwriter in dieser verflucht unmoeglichen deutschen Musiklandschaft  ein Leben in Anerkennung zu erreichen.....was ihnen sogar ein wenig gelungen ist....
manchmal wuenschte ich, ich haette etwas von diesem Ehrgeiz,durch mehr affenartige Vermarktung in den deutschen Medien meinen Stolz ein kleines bisschen zu entehren.......
aber nein,das wuerde mir nachher zu weh tun...
da faellt mir ein...ich beginne,  am Sinn meiner Twittereintragungen zu zweifeln.....mir liegt es fern, Dinge zu schreiben wie "ab nach sylt und abends party machen".....ich sollte darueber nachdenken, dass nur wirklich interessierte Leser ueber Codes/Zugaenge, die der Voodooclub-Webmaster vergibt,  meine Beitraege(auch Blogs etc) erreichbar zu machen!? Oder ist es besser,  ausnahmsweise   "elitaer" zu sein als einer der Schafe zu sein und  Alles abzustossen, was ueber die Aussagekraft der Nutellawerbung hinausgeht?
Na ja, wie so oft, ist das, was ich hier schreibe, "preaching to the converted" und auch laengst ein Klischee....in der Tat wuerde ich gern mehr schreiben, leide jedoch unter der Angst, Dinge zu schreiben, die sowieso klar sind...

das Lustige ist, dass ich die Dinge textlich einfach besser in englischer Sprache reduziert auf den Punkt bringen kann. Komisch.

Warum ich eigentlich losgefahren war, Richtung Norden......das ist wohl ein wenig zu sentimental, befuerchte ich ....

ich erinnerte mich an meine Zeit bei der Bundeswehr....da sind wir monatelang aus Langeweile  nachmittags von der Nordsee zur Ostsee und wieder zurueckgefahren, im  alten Ford Capri meines damaligen Bundeswehr-Kumpels....
da ich ihm meinen Musikgeschmack absolut nicht nahebringen konnte, einigten wir uns auf einen Song, der zu dieser Fahrt irgendwie auch passte und den wir beide mochten: ”On the border” von Al Stewart...yes I know, der Song erscheint Euch vielleicht kitschig oder uncool;  ist aber irgendwie auch Autofahrmusik, wenn man einfach so drauflosfaehrt.

Ist  egal, ob der Song oder der Singer uncool ist...was die Indie/Alternative/Electro.....Szene seit ungefaehr ein oder 2 jahren zustande bringt, ist auch nicht viel besser....man wartet mal wieder so .....auf irgendetwas Aufregendes... so wie damals,  bevor dann die Strokes und die White Stripes kamen.....ein Loch...
ich mag die erste Strokes immer noch sehr und das Talent von Jack White ist unbestreitbar... aber er verpielt sein unbestreitbares Talent  in all seinen neuen Bands;  die klingen aber allesamt wie eine B-Seite der White Stripes....
ich habe so meine Krisen, was die coole Musik angeht....cool ist, obwohl uncool, Slayer oder Kiss....uncool ist das 5 Generationenfache Recyclen durch tausende neue Bands der letzten 2 Jahre....
oh no ...zu negativ....ich mag schon einige....
das ist hier nun wirklich irrelevant und vollkommen subjektiv....

aber der Song an sich ist etwas Uebernatuerliches,Grosses....da dachte ich an Razorlight, eine Band, die der NME bereits als uncool ad acta gelegt hat...dieser Song, ich hoerte ihn soeben,  ist leider Gross, es ist ein guter Song, egal wie uncool oder cool Johnny Borrel sein mag....
da faellt mir ein, dass ich mich bei Gary Numan entschuldigen muss. Der sollte mir mal einen Award uebergeben und ein paar nette Worte ueber mich sagen; da ich die Veranstaltung in der Hamburger Markthalle damals, Anfang 2000, unertraeglich fand und ich Sekunden vor Beginn der Zeremonie die Flucht ergreifen musste, hatte ich Gary, einem Mann, den ich absolut 100% achte und respektiere, irgendwie vor den Kopf stossen muessen. Ich hasse solche Events ohnehin und.....na ja ...Sorry!!!!

frueher hasste ich als New Waver/Postpunker etc.  Leonard Cohen...seit 10 jahren liebe ich ihn, nein, nicht ihn, sondern seine Songs.....sie sind sehnsuechtig und zeitlos...
...ich moechte jetzt "Just like Heaven" von The Cure hoeren...oder Joy Division.....
 oder die Strokes....
warum...weil das Original besser ist als alle klonenden Indie-Bands der letzten 2 jahre.......
das, was mich  antreibt, ist immer, einen grossen, zeitlosen Song zu schreiben....ich finde persoenlich Valerian und Jane Wyman sind grosse Songs...und doch gebe ich wohl zu, dass  "And then she kissed her" wohl dem Angestrebten naeher kommt....und ich denke nach....war der letzte Grosse Song, den ich geschrieben habe, "Rome in the Rain"?
Die Antwort ist der Diskussion freigegeben und erzeugt Ehrgeiz in mir....

Man muss die Hintergruende kennen......manche von Euch kennen einer meiner Songs,  aus den 90ern,
er heisst "Pretty Bay"........wie ist er entstanden?
(Vorsicht, denn das Folgende koennte ich durchaus schon einmal geschrieben haben)

Als ich das erste mal nach Malta kam,als ahnungsloser Tourist,1990, kannte ich die maltesischen,sehr kleinen Straende noch nicht...der Strand von Pretty Bay(in Birzebbugia) war der kleinste, den ich je gesehen hatte.....
als ich ein paar Monate spaeter nach Malta zurueckkehrte, hatte man diesen Strand vergroessert.
Wer mal zur Pretty Bay kommen sollte, der wird schnell denken, dass der Strand, diese Bucht,ueberhaupt nicht pretty ist....der mensch hat sie durch die Industrie entstellt....Hafenanlagenindustrie, ein Stromkraftwerk etc.  nehmen den Blick vom Strand ein.....
mir fiel auf, dass dieses Bild "Pretty Bay" ein Bild ueber den Menschen ist....den zivilisierten Menschen,der versorgt werden will....wie auch "Albert is a headbanger" ein Song ueber den desillusionierten, vielleicht ohne Arbeit seienden jungen Menschen ist (der Song ist von 1989) handelt Pretty Bay davon, dass die Versorgung und Ueberzivilisation des Menschen diesem auch die Arbeit wegnehmen wird.
Nichts Anderes wollte ich in dem Song sagen....es war Prophezeiung....du liegst also am Strand der Pretty Bay und siehst, was der Mensch erschaffen hat, um uns diese Welt zu ermoeglichen.....
und Du findest es haesslich.....und du siehst vielleicht Dich selbst, Deine Angst....
nur ist "Albert" ein recht lustiges Lied und "Pretty Bay" ein romantisch klingendes  Lied.....weil es den naechsten Schritt beschreibt:
es ist das Nicht-Aufgeben, das Licht, das Schoene....
es ist nicht wegzudenken und, wenn wir alle ein wenig denken und dagegensteuern: schoen....pretty....
go there......und Du findest genau das: liege nicht nur am Strand der Pretty Bay, sondern :
 schwimm einmal raus und schau Dir  dann aus DER Perspektive die Pretty Bay an: der Anblick ist ganz anders: schoen, fast wie ein Postkartenmotiv....
you know what I mean ....

ooops ich bin komplett abgedriftet....ich habe die Bundeswehrzeit nicht sehr gemocht, damals...nur,wenn ich heute diesen Song von Al Stewart hoere, muss ich fast weinen, kann ihn nicht zuende hoeren......


Good Night.

Thursday, August 13, 2009 



» Pre-Order Jane Wyman EP Amazon

Jane Wyman EP - Release 18/09/09
The video for the new Jane Wyman EP was shot and is currently in post-production. Approximately two to three weeks prior to the EP release, the video clip will be available on MySpace and YouTube. Radio stations will start playing Jane Wyman and Black Light (two track promo single) probably at the end of August. The EP will be released via Constrictor/Rough Trade and includes – besides the two single edits of Jane Wyman and Black Light – three unreleased new songs. These new songs do not originate from the Diamonds Fall period, but from the period between 2003 and 2006. In January/February 2009, they were newly edited and mixed by David Vella and Boa in the Temple Studios, Malta. David also played the drums on these songs. Phillip is currently staying in Malta and trying to reconcile with David Vella.


Boa + Tintow, video shoot July 2009

Friday, July 31, 2009 
hey
a small note from the summer....
as i wrote on twitter, i'm training myself like a dog to kill my natural born nihilistic negativism....

i hang out and listen to people who speak about all and nothing, i observe them and what the mediapeople write if the editor allows them some space between the michael jackson-articles.....what i see and what i hear is what i store and feed myself with...
i came to a conclusion: i will write new songs from november on.....cause ?ever gave me the licence to do it.....
my old friend John Robb from manchester was asked by another, credible and important band, to reform his witty+eccentric punk band The Membranes -one of the leading bands on my old label Constrictor....would be wonderful..... i would love to do a london-show next year.....we might be on a UK-CD/compilation so that could be a reason.....

i am looking forward to the 5 shows in october: presenting the drumming of moses and jaki liebezeit.....and the skilled but still adventurous playing of new guitarist oli ...to you....by the way, the 3 new bonus track on the september EP will not dissapoint you at all.....the only problem is, that they sound very different from the Diamonds Fall material.....
a bit different is,surprisingly, the new video for Jane W, pia and I did not fight once ,although we were close to each other for 36 hours, wow....it is almost finished by Frank; it was fun to do and the picture is very clear and, of course has the Jean Pierre Leaud/Jaques Tati usual twist to it........
we're gonna play at least 2 songs  that we did not play since 1987 (from the 1st album) /1996

hereby, i now wish my loyal fans as well as interested bygoers a nice summer and luck and all of that...i can't think of more pleasing klischees right now...
now let me go on with my almost superficial twittering , reading, thinking and training myself.....
love, phil.