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Sexe : Male
Statut : Divorcé(e)
Age : 93
Zodiaque: Vierge

Ville : Melbourne
Région : Victoria
Pays: AU
Date d’inscription :: 14/10/2004

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mercredi, janvier 23, 2008 

Humeur actuelle :  distrait

I'm in ur internets, taking a blog.

So I was reading an interesting discussion on a pop culture based blog the other day, where the author was reviewing the latest chapter of recent indie comic darling Scott Pilgrim. Scott Pilgrim is a cute and hilarious funny tale of a Canadian slacker trying to win the heart of an American Amazon.ca delivery girl - but to end up being her one and only, he has to defeat her 7 evil ex-boyfriends in video game boss like battles. Anyway, this blog douche basically called it an empty and vapid experience in storytelling because of its supposed reliance of videogame aesthetics (which couldn't be further from the truth - the videogame humour, along with music humour, is what supports the story itself). The writer goes on to deride video games and the culture associated as a hollow and fruitless medium with no merit or substance. 
 
While his blog entry itself was about a comic review.
 
 Rightly so, a few readers of the blog pointed out the hypocrisy involved (saving me the trouble), since comic books themselves have had that argument aimed at them for a long time, and are only now slowly being appreciated as a genuine medium of art and storytelling (emphasis on slowly). I can't bring myself to consider a "graphic novel" as an art form myself. I know Maus won a Pulitzer Prize and The Watchmen made it as one of Time Magazine's "100 best English-language novels" from 1923 to now, but there's still that stigma there. People probably said the same things about film and animation before it began to boom decades ago.

They say that beauty is in the eye of the beholder, and I think this carries through to art aswell. There is no taste for "art" which
 carries through absolutely en masse. But it is something which is galvanised by the whims and trends of the majority. 
So through this discussion I began to wonder if anything beyond painting, sculpture and photography will ever be revered as a classic true form of art like they are, especially with this age of mixed media we're now in shaping us? Will a video instillation ever be regarded as a masterpiece at an equivalent of the Louvre a century from now? Will a photobook, an example of graphic design or a graphic novel/comic ever be regarded in the same way a Dada manifesto or a book of Shakespear are?
Will even the video game 50 years from now start to be treated as more than a guilty waste of time as forms of new media before it?

Hey don't look at me, I dunno. ?_?

 

Actuellement j'écoute:
The Eraser
Par Thom Yorke
Date de publication : 11 July, 2006
lundi, mai 21, 2007 

Whoo, it's been a week now since I saw Nine Inch Nails and I guess I should gush all about it now. Pretty good night, lots of great songs, drama, malfunctions and even a Trent Reznor hissy fit (!!).



Set list for the night:

Somewhat Damaged
You Know What You Are?
Sin
March Of The Pigs
Piggy
The Beginning Of The End
Survivalism
Ruiner
Burn
Gave Up
Help Me I Am In Hell
Me, I'm Not*
The Frail
The Good Soldier
Wish
Only **
Capital G
Suck
Hurt***
The Hand That Feeds
Head Like a Hole****


(asterix marks = DRAMA and will be explained soon)

Anyway, this was my first time seeing NIN, after just missing out on them in late 2005. They actually played at a larger venue back then, but this time we were all crammed into the inner city Metro nightclub, which had thankfully gone under a facelift since the last time I was there as a teenybopper.
Here's a good shot of it from the show 2 nights after from the official NIN site (I'm still waiting to see pics my friend took from the night we went)



We were worried that this gig wouldn't go ahead, since NIN cancelled the two prior shows in Sydney due to Trent losing his voice, or something. But I guess the few days rest worked for him, since it was still on. Rocking up to the venus with some friends, I felt quiet alienated by the fact that I think I was one of the very few people lining up who wasn't wearing black anywhere, especially with all the goths that came out to play. Don't think I've ever seen as many corsets in one area before. I fixed my lack of black once inside though by getting one of the new "Art Is Resistance" Year Zero T's (very cool).
Doors opened at 8, got some drinks and the T while waiting for the support band which came on at 9 (and sounded like an industrial drug fucked poor man's John Lennon) and cleared off within the half hour, then waiting til 10 for NIN.
Trent eventually came on, still pretty beefy but hadn't bothered to shave in quite a while.
What a way to open a concert though. Somewhat Damaged and You Know What You Are? are songs to get people in the mood for fighting. Or wrist cutting.
I was totally stoked that they played Sin and Ruiner, and found it neat they managed to fit in 5 songs from the new album (though I was hanging for Vessel), though the new material didn't always fit in with the older catelogue. The concert the night after they included Hyperpower! from YZ in the line up, No You Don't from the Fragile and Dead Souls (!!!) from the Crow Soundtrack.

Anyway, what made the night extra memorable was the DRAMA.

First: Computer rig malfunction on Me, I'm Not.
http://www.youtube.com/watch?v=1XdS50e8iqQ

Me, I'm Not and also The Good Soldier are songs they only just recently added to their shows sinc ethey got into Australia, and I think before this they had only managed to play Me, I'm Not about twice or so, heh.

Second: Only, the broken guitar remix.
http://www.youtube.com/watch?v=UOtCjBr0Iuw

At least the song ended up getting played in the end. But all the technical screw ups would be cheezing Trent a bit...

Third: Hurt heckling
http://www.youtube.com/watch?v=AnX_UPfoy-s

Yup, some drunk idiot was actually calling out stuff to Trent during Hurt, and Trent actually stopped right in the middle of the song to address the guy. Obviously pissed off, TR goes straight into The Hand That Feeds and that was the end of the concert, not bothering to play the last song on the set list which he's been playing to cap off every show of the tour thus far, Head Like a Hole.

Overall, a great night and the band played well - Aaron North was doing some crazy guitar fu and Trent sounded pretty well for a guy with a bad throat, but in the end where was just a bit of a sour taste left in the mouth due to what happened at the end. But in the end that just makes it a little bit more memorable I think. :)

Alot of the other songs played on the nights down here in Melb can be found on YouTube pretty easily.

Also, an interesting interview with Trent here by one of our main newspapers, where Trent rails his own record company for being rip-off artists. There was also another in a different paper which panned him a little bit for losing his cool on the first Melbourne gig.
http://www.news.com.au/heraldsun/story/0,21985,21741980-2902,00.html?from=public_rss


Actuellement j'écoute:
Year Zero
Par Nine Inch Nails
Date de publication : 17 April, 2007
vendredi, avril 20, 2007 

Humeur actuelle :  pétillant

Well it's just over halfway through the MICF and the show I am somewhat affiliated with, Insert Name Here (The Prequel Sequel) is going strong. I've been to about 4 of the shows so far and there's an awesome line up of genuinely hilarious and hilariously bad short films to see in the line-up, plus some winners from last year (such as the ever loved "Kung Fu Kitties"), with Jaymie at the front of it all as this years workhorse, and doing pretty well for it.

The show runs at 6 pm on Sundays and Wednesdays at Bar Open, 317 Brunswick street (which is a few doors up from the cnr of Johnston and Brunswick street).

Also, for those city bound tomorrow, be at the Melbourne Town Hall (Crn of Collins and Swanston Street) at 4pm to see INH show host and comedian Jaymie Wilson plus fellow comedian Dead Eizenburg (plus countless others) ransack the area in zombie makeup and garb. It'll definitely be something to see.
I'll be there snapping pictures for sure.

Just waiting for some reviews for the show - if they're anything like last years, that'll be great.

Speaking of great shows, I saw Zack Adam's Elevator (uplate!) on Wednesday night with a lady friend and it was pretty damn funny. I met him last year at the Adelaide Fringe and caught his show at last years MICF and it was pretty good, so it was a no brainer to check out his new one this year. It was a fun show with a theatric bent that really held the attention of the audience in an involving way - not by actual participation but maybe it was something to do with the cosy atmosphere of the venue, or the fact that Zack (or Shane, I should say) performed as if he was actually speaking to the members of the audience, rather than just a sea of faces. 
He's got another show at Pony on the 25th I think so anybody in the vicinity of Melbourne should check it out. I even got a free badge. You won't though. But it's cute.

His myspace: http://www.myspace.com/zackadamselevator
  

Unrelated stuff: I bought the new NIN album today (Year Zero), may do a little thing about it later. I heard alot of it off their own website, but I have a thing about actually getting to own the albums - having the packaging and CD in your hot little hands. Will definitely give it a work out very soon.

Actuellement j'écoute:
Year Zero
Par Nine Inch Nails
Date de publication : 17 April, 2007
mercredi, février 07, 2007 

Humeur actuelle :  pétillant

After missing out on Muse TWICE in 2004, I finally got to see them last week at Festival Hall. About damn time if you ask me. I've been following the band since 2000 I think, since I heard their first single released here (Muscle Museum) and went on to get their first album - so it's been a long time coming.

All I can say is that this is a band that is made to be seen live. There's a bit of theatrics to the show - videos and animations shown on curtainy type screens, strobe lights that flash in sync with well timed drum beats, a piano with a LED display, giant inflated balls released into the crowd and smoke machines out the wazoo - but the most impressive part of seeing them live is to hear and see them play. There's some bands out there that can not even come close to matching the musical quality of how they sound on an album (a testiment that some bands are either too overproduced for their own good or that their shortcomings are just masked too well in the studio),  but Muse actually matched and went above anything you'd hear on a CD player.

Alot of the songs were from the new album - Super Massive Blackhole had some newbies dancing while Knights of Cydonia was reserved for the climatic last encore, and tracks like Hysteria and Time Is Running Out which came from their previous (some would say mainstream breakthrough) album got some of the loudest cheers, though some older gems like Sunburn (from the first album Showbiz), Plug-in Baby and Citzen Erased had some of the hardcore fans down in the pit bouncing and cheering appreciatively.

Personal highlights was getting to hear Map of the Problematique live, and the rush of recognising the intro riff of Stockholm Syndrome. I'm a little bit sad I didn't get to hear Muscle Museum or Hyper Music live, but for a hour and a half concert they coverered alot of their hits and fan favorites, so I can't complain at all.

The play list was as follows...

Take A Bow
Hysteria
Supermassive Black Hole
Butterflies And Hurricanes
Map Of The Problematique
City Of Delusion
Citizen Erased
Sunburn
Apocalypse Please
Invincible
Time Is Running Out
Plug In Baby

Soldier's Poem
Starlight
Stockholm Syndrome

Knights Of Cydonia

A great image was Matt being spotlighted inbetween songs, as he ran to the opposite side of the stage (the side I was on), right up on the edge near the speakers and starter playing the opening riff of Plug In Baby with a wide grin on his face. Too cool.

I might edit some pics in, if any that I sneakily snapped turn out.
Anyway, it was awesome. The end!

 

samedi, janvier 27, 2007 

Humeur actuelle :  chaud

I'm kinda behind when it comes to movies that have come out in the last year or so, and I actually somehow havn't seen a fair few flicks in my life that by popular opinion, I should have. Example: I havn't seen any of the Godfather movies. I havn't seen Scarface or E.T., and I definitely havn't seen Titantic... but that was actually by my choice, I have to admit. ;]

So! I'm making myself a list of movies which I either havn't seen, or saw so long ago that I can't remember them, and from this list I'll try and go hire them all out to watch. I'll update this list as I add to it, and knock off the ones I eventually watch.

To watch:
Garage Days
Pi
Buckaroo Banzai
Time Bandits
The Godfather trilogy
Scarface
Heat
Teenage Mutant Ninja Turtles 1 + 2 (rewatch)
E.T.
The Professional (rewatch)
Cronos/Chronos
Four Rooms
Any Rocky movie?
Dr. Strangelove
Crash (the one with people wanting to bonk each other in accident wrecks)
Joy Luck Club (I guess...)
Lilo and Stitch
The Highlander (rewatch)
Wall Street
Robocop
Flash Gordon (rewatch)
Child's Play series
Rob Roy
Silence of the Lambs (rewatch)
Gangs of New York
The Last Samurai
Animal House
Orgazmo (rewatch)
Sideways
House of flying daggers
The Jacket
Big Fish
Labyrinth (rewatch)
The Dark Crystal (rewatch)
Interview with a Vampire
Fear and loathing in Las Vegas
Bad Santa
Oldboy
American Werewolf in London
Creepshow
The Hitcher (original)
Fast times at Ridgemont High
The Amityville Horror
House of Wax (remake)
They
Repo Man
Near Dark
The Dead Zone
Stay Alive
Dirty Deeds
A Life Less Ordainary (rewatch)
Young Frankenstein
The Fly
District B13
They Live
I *heart* Huckabees
Slackers
SLC Punk!
Reality Bites
The Benchwarmers
The Ringer
Freddy Got Fongered
The Adventures of Braon Munchausen
Brazil
The Last Kiss
Videodrome
Heavy Metal
Stick It
Primer
Mad Max I, II, Beyond Thunderdome
Bill & Ted's Excellent Adventure + Bogus Journey (rewatch)
Time After Time
A boy and his dog
Dreamscape



Recently watched (which were on the "to watch" list):
Cry Wolf
The Faculty (rewatch)
You, Me and Dupree
Hard Candy
Pulse
The Corpse Bride
Bachelor Party
Bram Stoker's Dracula
Little Shop of Horrors
Thank You For Smoking
Grave of the Fireflies
Twin Peaks: Fire Walk With Me
Blue Velvet
Dune
The City of Lost Children (rewatch)
The Devil's Backbone
Tank Girl
Johnny Pneumonic
Texas Chainsaw Massacre (remake)
Waiting...
The Running Man
Legend
Mirrormask
Snakes on a plane
Proof
Nacho Libre
Angel Heart
Jacob's Ladder
Munich
North Country
Borat
Chicken Little
Stay
Punch Drunk Love
Brick
Escape from L.A. (rewatch)
Battle Royale
A Very Long Engagement
Wallace & Grommit: Curse of the wererabbit
Pan's Labyrinth
The Departed
High Fidelity (rewatch)

Have already watched (your suggestions):
Boondock Saints
Princess Bride
Any Monty Python
The Prestige
Eternal Sunshine of the Spotless Mind
The Shawshank Redemption
The Machinist
Howl's Moving Castle
Ghost in the Shell
Ninja Scroll

 

dimanche, août 27, 2006 

Humeur actuelle :  heureux
A few weeks ago the word leaked out that Kevin Smith himself would be travelling down to Australia for the first time to promote advance screenings of Clerks 2. My friends and I were lucky enough to be on the recieving end of this rumour and sure enough, the tickets went on sale online without much warning. The date: 25th of August. The venue: The Astor theatre.

I've never been to the Astor before, and while I know it has alot of history to it - the seats are damn cramped. But never mind, this was an awesome experience. We arrived at the Astor about 5:30 pm, to see a line of people (mostly clad in black amusingly - I was feeling like an outsider in attire that wasn't monotone of the same shade) going right down the street and around the corner. In a hilarious moment, my friend wondered aloud if he could join some friends already there near the start of the line, to which accusing looks of people midway in the queue plainly answered: "No, asshole, back of the damn line". I ended up bumping into several people I knew in the queue around the corner, which was really funny, as this seemed to be an event that drew everybody in a certain social circle out of the woodwork.

Anyway! Just after 6 or so the line started to move into the Astor. I was sad at the fact the people at the door took the tickets whole, instead of stripping off a stub - I'd have liked a physical memento of the night. The lower seating area in the large theatre were looking packed, so we went up to the relatively empty upper seating area, and took the first row behind the 'reserved' seats. It was good cause we were centered enough to watch the film properly, and also high enough to see the stage still, where close to 7 pm, a presenter from film promotion company PopcornTaxi came out. The aim of the group it seems is to bring directors, actors, writers, cinematograpgers and basically anybody involved in the movie making process out to the fans for such events like this one, which I thought was cool. We were warned about no photography during the film itself, which is fair enough, and then out came Kevin Smith himself onto the main stage, to a massive applause. He did not dress for the occasion, but hey, that's Kevin Smith. Decked out in his trusty 'Silent Bob' duster and cut off jeans attire, he greeted us all and thanked us for coming, but had something serious on his mind. Something going on in our world which he felt it was serious to talk about. The fact that Pluto wasn't a planet anymore. "I was brought up in a 9 planet system!" he cries. Through this, he's able to work in a joke about how he's now classified as a planet himself, while Tom Cruise has been delegated to the planetary status of "falling star".  Throughout his talks with the audience later in the evening, it's apparent that Kevin really does have the gift of a comedian, with quick wit and great timing. If he never went into film making outright, I'm pretty sure he'd have found his way into showbiz another way. His opening introduction was very short, under 5 minutes, and promised a long and fun ("until they kick me out") Q and A session after the movie. And then the movie started.

I just want to say that this is the way Clerks 2 has to be seen. With a large theatre full of Kevin Smith fans, you know you were in for an atmopheric (albiet somewhat geeky as I'll touch on later) vibe. The place was absolutely rife with laughter at all times, it was great.
The movie itself was great. I'm not going to compare it to the first because they're a decade apart and I'm not sure if it's fair to put Clerks 2 up against the phenomenom of it's predecessor, although together they are great bookends to every movie he's made inbetween, and also together complete an arc which addresses that in the end, you really should be happy with where you are in life even if you didn't hit it so big. The clever thing about Clerks 2 is that it's sentimental, romantic, and very clearly has something poignant to say - it's just disguised in "ass to mouth" jokes and Star Wars rants, which makes it more palletable to the more rabid fanbase. The hard fact is that we all grow up, no matter how set in our slacker ways we are. And for those in the transitional phase in their life, where they're thinking "I really should start doing something", this is the movie for them. And really, when aren't we thinking that we should be reaching for something more? There's no easy answers for this, because there's rarely any easy breaks. But I think the message is that with a bit of faith, and friends, maybe where you are isn't so bad. And maybe where you're going, isn't as far away as you think. Social messages aside, the movie is also very hilarious. There's everything you've come to expect from Kev - the witty back and forth of pop culture peppered conversation, analysing of relationships and dynamics, and an outrageous chain of events that reach a crescendo where you're left wondering, just as in the first, "what else could go wrong?". It's great to see all the characters again aswell. Randall is the guy that would drive you absolutely around the bend, but is always likeable, and kudos to Smith for taking him to a place you wouldn't expect at the end. It all does become a touching display of friendship, something you may not have anticipated from the guy who did Mallrats. I also have to give props to the way he handled Jay and Silent Bob - two characters that by now could have easily stolen the movie, but have been reigned back to the same capacity they served in the first movie. It's interesting how Jason Mewes real life demons are touched on through his character Jay in this flick - and even though Jay has found god, it doesn't stop him from being perverted, a dope dealer, or being hilarious. And the Buffalo Bill homage from Silence Of The Lambs? I should have known better. The new character in Elias was great too, though I was preoccupied watching how similar in facial expressions he was to any number of Selma Blair characters. Watch any of her movies, you'll see. Especially Cruel Intentions. Anyway, after the movie was over, it got a pretty loud round of applause, which petered out after a minute or so. Well deserved.

15 minutes after the movie was over, Kevin Smith was introduced back out to another round of loud applause and cat calls. Once again on display was his quick wit, and also his reliance on the running joke "ass to mouth" which was only just starting to get old around the midnight mark 4 hours later. Yup, being the trooper he was, he did Q and A with us for 4 hours, until it was 12:30 am. You really have to appreciate a guy who appreciates his fans as much as he does. It's great to know there's somebody normal out there who appreciates friends, family, and his extended family of fans so much, that's not caught up in the hollywood machine. Second best personality of the night besides Smith was the actual Astor crowd itself, which was unrelentless in making it's opinion known about some of the question askers. Yup, Melbourne certainly must have given Kevin Smith a weird impression if it were to be judged by the first 2 questioneers. Humourously (and maybe a bit sadly) those a bit too strange for normal social conventions were heckled off of the mics. One definitely deservedly so. Some topics touched on the night through the Q and A revolved around Jason Mewes and his rehab process, future film ventures such as the rumour of Smith taking on a horror film next, his own wife who starred in the film and how she reacts to her roles therein, the casting process of Clerks 2 and who had to be fought for and who was in immediately, and if Eliza Dushku really is a goddess (she is! *sigh*).

All in all, a great night. I wish I had something to take back from it besides my memories, but oh well. I'm definitely seeing the movie again, but this was a good $37 bucks well spent.
jeudi, août 03, 2006 

Humeur actuelle :  léthargique

Kelly - "shoes"

This is so hilariously screwed up, I can't stop watching it. I wouldn't be surprised if in the coming weeks the 'net will be littered with "I'm gonna betchslap ya, shetbag!".

Anyway, watch it here:
http://www.youtube.com/watch?v=SMF2Eb0Wa_I

Or on "Kelly"s myspace: http://www.myspace.com/kellylikesshoes 

lundi, juin 05, 2006 

It's 5 minutes until it hits the 6th of the 6th, 06.
If I see the apocalypse coming, I'll give you guys on the other side of the world a heads up, ok? Or will that happen at 6:06 am on the 6th second?

I hope we don't die. There's so many things left unsaid. My life didn't have enough threesomes, car chases, or talking animal sidekicks.

Actuellement j'écoute:
Nothing And Nowhere
Par The Birthday Massacre
Date de publication : 15 January, 2005
lundi, mai 08, 2006 

Humeur actuelle :  pétillant

Well, the Insert Name Here show finished up last night, with a smaller and quieter crowd compared to the other nights. It was a "best of" from the shorts shown from the other 3 nights, though I don't think the lineup was structured too well. It was lacking some of the comedic elements that the other line-ups had. Even the normally crow pleasing Kung Fu Kitties seemed to have lost it's punch this night. Not sure if it was the weather, or that it was the final night of the Comedy Festival, or that maybe it was all in my head and just that I was tired.

"Zack Adams" turned up to the show at least, which was nice of him. I saw his show the night before, the final one, which was hilarious and a great effort by what's basically a one man team. It wasn't a stand up act, but more of a comedic theatre performance with stand up elements weaved in, but it also had heart to it too.

So, it's all over now for this festival. What's next? Who knows... we're onto something here it seems, maybe. Just depends on where to take it.
I'm kinda dissapointed that some people I know that I invited to come see it never did. I mean, it's kinda a big thing really, and the fact that they couldn't come and be supportive makes me wonder.

Anyway, after the show, went out with Jaymie (the main INH conceptualist) and some other friend for drinks and eats. Got some pizza, played some pool, did shots and drank beer - I think J did a shot of everything behind the counter, hilarious. Then we played drunken Daytona (which I won). Friend left, so J and I went back into the city. Tried to get into the Hi-Fi bar, cause the official MICF closing party was on at 11pm, but we were about half an hour too early. So we were hanging out the front of the Melbourne Town Hall where I spotted Marcus Jones, Hoodwinked host (which J was a part of and which I saw down at the Adelaide Fringe Festival), so went and said hi to him. We then all went to the bar in the town hall... forgot what it's called, but we ran into and saw alot of other comedians there, including some bigger names like Dave Callahan, one of the Umbilical Brothers, Gatesy from Tripod. I ended up being camera bitch alot, taking pics for Marcus and J, though I got 1 or 2 for myself. Being so tired, and knowing J and his friends would be out til 4-5 in the morning, I departed from there with the intent of getting much needed sleep.

Next year I shouldn't have so much on my plate at the same time as all of this, and hopefully can unwind and soak it all up a bit more. But it's been fun! I was a part of the Melbourne International Comedy Festival 2006.

jeudi, mai 04, 2006 

Humeur actuelle :  occupé

Well, the final Insert Name Here show (of which I've been a part of) for the Melbourne International Comedy Festival is on this Sunday, the 7th. So if you're in Melbourne, have $10 to blow and want to get hugged alot for actually showing up, check out the details at http://www.insertnamehere.com.au/ .

Speaking of, another positive review! Needless to say, we're all pretty astounded, har har.

http://www.thegroggysquirrel.com/issues/26/article/Insert+Name+Here

But seriously, some of the stuff that's been shown throughout the shows have been pretty hilarious. After it's over, we're going to maybe put some stuff up on an official site so that those of you not blessed to be Australian can check it all out.