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Last Updated: 11/21/2009

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Age: 100
Sign: Virgo

City: SANTA MONICA
State: CALIFORNIA
Country: US
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Monday, June 23, 2008 

Current mood:  artistic
Category: Movies, TV, Celebrities
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George Carlin, 71, Irreverent Standup Comedian, Is Dead


By MEL WATKINS
Published: June 24, 2008
George Carlin, the Grammy-Award winning standup comedian and actor who was hailed for his irreverent social commentary, poignant observations of the absurdities of everyday life and language, and groundbreaking routines like "Seven Words You Can Never Say on Television," died in Santa Monica, Calif., on Sunday, according to his publicist, Jeff Abraham. He was 71.

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NBC, via Associated Press
George Carlin served as host of the "Saturday Night Live" debut in 1975.



By the mid-'70s, like his comic predecessor Lenny Bruce and the fast-rising Richard Pryor, Mr. Carlin had emerged as a cultural renegade. His routine, "Seven Words You Can Never Say on Television," caused an uproar when broadcast on the New York radio station WBAI in the early '70s. The station was censured and fined by the FCC. And in 1978, their ruling was supported by the Supreme Court, which Time magazine reported, "upheld an FCC ban on 'offensive material' during hours when children are in the audience." Mr. Carlin refused to drop the bit and was arrested several times after reciting it on stage. Left, Milwaukee Police officers arrested Mr. Carlin after he allegedly used profane language during a performance there in 1972.
Photo: Associated Press


George Carlin, 1937-2008


Interview: Refusing to Coast on 7 Infamous Words (Nov. 4, 2005)



Vincent Laforet/The New York Times

"Just seven words: brilliant, funny, witty, clever, sharp, erudite, hilarious. RIP, George, this world will miss you."
Richard, Glenmoore, Pennsylvania
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The cause of death was heart failure. Mr. Carlin, who had a history of heart problems, went into the hospital on Sunday afternoon after complaining of heart trouble. The comedian had worked last weekend at The Orleans in Las Vegas.

Recently, Mr. Carlin was named the recipient of the Mark Twain Prize for American Humor. He was to receive the award at the Kennedy Center in November. "In his lengthy career as a comedian, writer, and actor, George Carlin has not only made us laugh, but he makes us think," said Stephen A. Schwarzman, the Kennedy Center chairman. "His influence on the next generation of comics has been far-reaching."

In an interview with The Associated Press, Jack Burns, who performed with Mr. Carlin in the 1960's as one half of a comedy duo, said "He was a genius and I will miss him dearly."

Mr. Carlin began his standup comedy act in the late 1950s and made his first television solo guest appearance on "The Merv Griffin Show" in 1965. At that time, he was primarily known for his clever wordplay and reminiscences of his Irish working-class upbringing in New York.

But from the outset there were indications of an anti-establishment edge to his comedy. Initially, it surfaced in the witty patter of a host of offbeat characters like the wacky sportscaster Biff Barf and the hippy-dippy weatherman Al Sleet. "The weather was dominated by a large Canadian low, which is not to be confused with a Mexican high. Tonight's forecast . . . dark, continued mostly dark tonight turning to widely scattered light in the morning."

Mr. Carlin released his first comedy album, "Take-Offs and Put-Ons," to rave reviews in 1967. He also dabbled in acting, winning a recurring part as Marlo Thomas' theatrical agent in the sitcom "That Girl" (1966-67) and a supporting role in the movie "With Six You Get Egg-Roll," released in 1968.

By the end of the decade, he was one of America's best known comedians. He made more than 80 major television appearances during that time, including the Ed Sullivan Show and Johnny Carson's Tonight Show; he was also regularly featured at major nightclubs in New York and Las Vegas.

That early success and celebrity, however, was as dinky and hollow as a gratuitous pratfall to Mr. Carlin. "I was entertaining the fathers and the mothers of the people I sympathized with, and in some cases associated with, and whose point of view I shared," he recalled later, as quoted in the book "Going Too Far" by Tony Hendra, which was published in 1987. "I was a traitor, in so many words. I was living a lie."

In 1970, Mr. Carlin discarded his suit, tie, and clean-cut image as well as the relatively conventional material that had catapulted him to the top. Mr. Carlin reinvented himself, emerging with a beard, long hair, jeans and a routine that, according to one critic, was steeped in "drugs and bawdy language." There was an immediate backlash. The Frontier Hotel in Las Vegas terminated his three-year contract, and, months later, he was advised to leave town when an angry mob threatened him at the Lake Geneva Playboy Club. Afterward, he temporarily abandoned the nightclub circuit and began appearing at coffee houses, folk clubs and colleges where he found a younger, hipper audience that was more attuned to both his new image and his material.


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By the mid-'70s, like his comic predecessor Lenny Bruce and the fast-rising Richard Pryor, Mr. Carlin had emerged as a cultural renegade. His routine, "Seven Words You Can Never Say on Television," caused an uproar when broadcast on the New York radio station WBAI in the early '70s. The station was censured and fined by the FCC. And in 1978, their ruling was supported by the Supreme Court, which Time magazine reported, "upheld an FCC ban on 'offensive material' during hours when children are in the audience." Mr. Carlin refused to drop the bit and was arrested several times after reciting it on stage. Left, Milwaukee Police officers arrested Mr. Carlin after he allegedly used profane language during a performance there in 1972.
Photo: Associated Press

RELATED
Article: George Carlin, Irreverent Comedian, Dies at 71
By 1972, when he released his second album, "FM & AM," his star was again on the rise. The album, which won a Grammy Award as best comedy recording, combined older material on the "AM" side with bolder, more acerbic routines on the "FM" side. Among the more controversial cuts was a routine euphemistically entitled "Shoot," in which Mr. Carlin explored the etymology and common usage of the popular idiom for excrement. The bit was part of the comic's longer routine "Seven Words You Can Never Say on Television," which appeared on his third album "Class Clown," also released in 1972.

"There are some words you can say part of the time. Most of the time 'ass' is all right on television," Mr. Carlin noted in his introduction to the then controversial monologue. "You can say, well, 'You've made a perfect ass of yourself tonight.' You can use ass in a religious sense, if you happen to be the redeemer riding into town on one — perfectly all right."

The material seems innocuous by today's standards, but it caused an uproar when broadcast on the New York radio station WBAI in the early '70s. The station was censured and fined by the FCC. And in 1978, their ruling was supported by the Supreme Court, which Time magazine reported, "upheld an FCC ban on 'offensive material' during hours when children are in the audience." Mr. Carlin refused to drop the bit and was arrested several times after reciting it on stage.

By the mid-'70s, like his comic predecessor Lenny Bruce and the fast-rising Richard Pryor, Mr. Carlin had emerged as a cultural renegade. In addition to his irreverent jests about religion and politics, he openly talked about the use of drugs, including acid and peyote, and said that he kicked cocaine not for moral or legal reasons but after he found "far more pain in the deal than pleasure." But the edgier, more biting comedy he developed during this period, along with his candid admission of drug use, cemented his reputation as the "comic voice of the counterculture."


(Page 2 of 2)

Mr. Carlin released a half dozen comedy albums during the '70s, including the million-record sellers "Class Clown," "Occupation: Foole" (1973) and "An Evening With Wally Lando" (1975). He was chosen to host the first episode of the late-night comedy show "Saturday Night Live" in 1975. And two years later, he found the perfect platform for his brand of acerbic, cerebral, sometimes off-color standup humor in the fledgling, less restricted world of cable television. By 1977, when his first HBO comedy special, "George Carlin at USC" was aired, he was recognized as one of the era's most influential comedians. He also become a best-selling author of books that expanded on his comedy routines, including "When Will Jesus Bring the Pork Chops?," which was published by Hyperion in 2004.




Interview: Refusing to Coast on 7 Infamous Words (Nov. 4, 2005)


Michael J. Okoniewski for The New York Times
George Carlin at Shea's Buffalo Theater in 2005. More Photos >
Readers' Comments
"Just seven words: brilliant, funny, witty, clever, sharp, erudite, hilarious. RIP, George, this world will miss you."
Richard, Glenmoore, Pennsylvania

He was "a hugely influential force in stand-up comedy," the actor Ben Stiller told The Associated Press. "He had an amazing mind, and his humor was brave, and always challenging us to look at ourselves and question our belief systems, while being incredibly entertaining. He was one of the greats."

Pursuing a Dream

Mr. Carlin was born in New York City in 1937. "I grew up in New York wanting to be like those funny men in the movies and on the radio," he said. "My grandfather, mother and father were gifted verbally, and my mother passed that along to me. She always made sure I was conscious of language and words."

He quit high school to join the Air Force in the mid-'50s and, while stationed in Shreveport, La., worked as a radio disc jockey. Discharged in 1957, he set out to pursue his boyhood dream of becoming an actor and comic. He moved to Boston where he met and teamed up with Jack Burns, a newscaster and comedian. The team worked on radio stations in Boston, Fort Worth, and Los Angeles, and performed in clubs throughout the country during the late '50s.

After attracting the attention of the comedian Mort Sahl, who dubbed them "a duo of hip wits," they appeared as guests on "The Tonight Show" with Jack Paar. Still, the Carlin-Burns team was only moderately successful, and, in 1960, Mr. Carlin struck out on his own.

During a career that spanned five decades, he emerged as one of the most durable, productive and versatile comedians of his era. He evolved from Jerry Seinfeld-like whimsy and a buttoned-down decorum in the '60s to counterculture icon in the '70s. By the '80s, he was known as a scathing social critic who could artfully wring laughs from a list of oxymorons that ranged from "jumbo shrimp" to "military intelligence." And in the 1990s and into the 21st century the balding but still pony-tailed comic prowled the stage — eyes ablaze and bristling with intensity — as the circuit's most splenetic curmudgeon.

During his live 1996 HBO special, "Back in Town," he raged over the shallowness of the '90s "me first" culture — mocking the infatuation with camcorders, hyphenated names, sneakers with lights on them, and lambasting white guys over 10 years old who wear their baseball hats backwards. Baby boomers, "who went from 'do your thing' to 'just say no' ...from cocaine to Rogaine," and pro life advocates ("How come when it's us it's an abortion, and when it's a chicken it's an omelet?"), were some of his prime targets. In the years following his 1977 cable debut, Mr. Carlin was nominated for a half dozen Grammy awards and received CableAces awards for best stand-up comedy special for "George Carlin: Doin' It Again (1990) and "George Carlin: Jammin' " (1992). He also won his second Grammy for the album "Jammin" in 1994.

Personal Struggles

During the course of his career, Mr. Carlin overcame numerous personal trials. His early arrests for obscenity (all of which were dismissed) and struggle to overcome his self-described "heavy drug use" were the most publicized. But in the '80s he also weathered serious tax problems, a heart attack and two open heart surgeries.

In December 2004 he entered a rehabilitation center to address his addictions to Vicodin and red wine. Mr. Carlin had a well-chronicled cocaine problem in his 30s, and though he was able to taper his cocaine use on his own, he said, he continued to abuse alcohol and also became addicted to Vicodin. He entered rehab at the end of that year, then took two months off before continuing his comedy tours.

"Standup is the centerpiece of my life, my business, my art, my survival and my way of being," Mr. Carlin once told an interviewer. "This is my art, to interpret the world." But, while it always took center stage in his career, Mr. Carlin did not restrict himself to the comedy stage. He frequently indulged his childhood fantasy of becoming a movie star. Among his later credits were supporting parts in "Car Wash" (1976), "Bill and Ted's Excellent Adventure" (1989), "The Prince of Tides" (1991), and "Dogma" (1999).

His 1997 book, "Brain Droppings," became an instant best seller. And among several continuing TV roles, he starred in the Fox sitcom "The George Carlin Show," which aired for one season. "That was an experiment on my part to see if there might be a way I could fit into the corporate entertainment structure," he said after the show was canceled in 1994. "And I don't," he added.

Despite the longevity of his career and his problematic personal life, Mr. Carlin remained one of the most original and productive comedians in show business. "It's his lifelong affection for language and passion for truth that continue to fuel his performances," a critic observed of the comedian when he was in his mid-60s. And Chris Albrecht, an HBO executive, said, "He is as prolific a comedian as I have witnessed."

Mr. Carlin is survived by his wife, Sally Wade; daughter Kelly Carlin McCall; son-in-law, Bob McCall, brother, Patrick Carlin and sister-in-law, Marlene Carlin. His first wife, Brenda Hosbrook, died in 1997.

Although some criticized parts of his later work as too contentious, Mr. Carlin defended the material, insisting that his comedy had always been driven by an intolerance for the shortcomings of humanity and society. "Scratch any cynic," he said, "and you'll find a disappointed idealist."

Still, when pushed to explain the pessimism and overt spleen that had crept into his act, he quickly reaffirmed the zeal that inspired his lists of complaints and grievances. "I don't have pet peeves," he said, correcting the interviewer. And with a mischievous glint in his eyes, he added, "I have major, psychotic hatreds."

Anahad O'Connor contributed


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reporting.



George Carlin mourned as counterculture hero
By KEITH ST. CLAIR

LOS ANGELES (AP) — Seven Words You Can Never Say on Television. Some People Are Stupid. Stuff. People I Can Do Without.


George Carlin, who died of heart failure Sunday at 71, leaves behind not only a series of memorable routines, but a legal legacy: His most celebrated monologue, a frantic, informed riff on those infamous seven words, led to a Supreme Court decision on broadcasting offensive language.
The counterculture hero's jokes also targeted things such as misplaced shame, religious hypocrisy and linguistic quirks — why, he once asked, do we drive on a parkway and park on a driveway?
Carlin, who had a history of heart trouble, went into St. John's Health Center in Santa Monica on Sunday afternoon complaining of chest pain and died later that evening, said his publicist, Jeff Abraham. He had performed as recently as last weekend at the Orleans Casino and Hotel in Las Vegas.
"He was a genius and I will miss him dearly," Jack Burns, who was the other half of a comedy duo with Carlin in the early 1960s, told The Associated Press.
The actor Ben Stiller called Carlin "a hugely influential force in stand-up comedy. He had an amazing mind, and his humor was brave, and always challenging us to look at ourselves and question our belief systems, while being incredibly entertaining. He was one of the greats."
Carlin constantly breached the accepted boundaries of comedy and language, particularly with his routine on the "Seven Words" — all of which are taboo on broadcast TV to this day.
When he uttered all seven at a show in Milwaukee in 1972, he was arrested on charges of disturbing the peace, freed on $150 bail and exonerated when a Wisconsin judge dismissed the case, saying it was indecent but citing free speech and the lack of any disturbance.
When the words were later played on a New York radio station, they resulted in a 1978 Supreme Court ruling upholding the government's authority to sanction stations for broadcasting offensive language during hours when children might be listening.
"So my name is a footnote in American legal history, which I'm perversely kind of proud of," he told The Associated Press earlier this year.
Despite his reputation as unapologetically irreverent, Carlin was a television staple through the decades, serving as host of the "Saturday Night Live" debut in 1975 — noting on his Web site that he was "loaded on cocaine all week long" — and appearing some 130 times on "The Tonight Show."
He produced 23 comedy albums, 14 HBO specials, three books, a few TV shows and appeared in several movies, from his own comedy specials to "Bill and Ted's Excellent Adventure" in 1989 — a testament to his range from cerebral satire and cultural commentary to downright silliness (sometimes hitting all points in one stroke).
"Why do they lock gas station bathrooms?" he once mused. "Are they afraid someone will clean them?"
In one of his most famous routines, Carlin railed against euphemisms he said have become so widespread that no one can simply "die."
"'Older' sounds a little better than 'old,' doesn't it?," he said. "Sounds like it might even last a little longer. ... I'm getting old. And it's OK. Because thanks to our fear of death in this country I won't have to die — I'll 'pass away.' Or I'll 'expire,' like a magazine subscription. If it happens in the hospital they'll call it a 'terminal episode.' The insurance company will refer to it as 'negative patient care outcome.' And if it's the result of malpractice they'll say it was a 'therapeutic misadventure.'"
Carlin won four Grammy Awards for best spoken comedy album and was nominated for five Emmys. On Tuesday, it was announced that Carlin was being awarded the 11th annual Mark Twain Prize for American Humor, which will be presented Nov. 10 in Washington and broadcast on PBS.
"Nobody was funnier than George Carlin," said Judd Apatow, director of recent hit comedies such as "Knocked Up" and "The 40-Year-Old Virgin." "I spent half my childhood in my room listening to his records experiencing pure joy. And he was as kind as he was funny."
Carlin started his career on the traditional nightclub circuit in a coat and tie, pairing with Burns to spoof TV game shows, news and movies. Perhaps in spite of the outlaw soul, "George was fairly conservative when I met him," said Burns, describing himself as the more left-leaning of the two. It was a degree of separation that would reverse when they came upon Lenny Bruce, the original shock comic, in the early '60s.
"We were working in Chicago, and we went to see Lenny, and we were both blown away," Burns said, recalling the moment as the beginning of the end for their collaboration (though not their close friendship). "It was an epiphany for George. The comedy we were doing at the time wasn't exactly groundbreaking, and George knew then that he wanted to go in a different direction."
That direction would make Carlin as much a social commentator and philosopher as comedian, a position he would relish through the years.
"The whole problem with this idea of obscenity and indecency, and all of these things — bad language and whatever — it's all caused by one basic thing, and that is: religious superstition," Carlin told the AP in a 2004 interview. "There's an idea that the human body is somehow evil and bad and there are parts of it that are especially evil and bad, and we should be ashamed. Fear, guilt and shame are built into the attitude toward sex and the body. ... It's reflected in these prohibitions and these taboos that we have."
Carlin was born on May 12, 1937, and grew up in the Morningside Heights section of Manhattan, raised by a single mother. After dropping out of school in the ninth grade, he joined the Air Force in 1954. He received three court-martials and numerous disciplinary punishments, according to his official Web site.
While in the Air Force he started working as an off-base disc jockey at a radio station in Shreveport, La., and after receiving a general discharge in 1957, took an announcing job at WEZE in Boston.
"Fired after three months for driving mobile news van to New York to buy pot," his Web site says.
From there he went on to a job on the night shift as a deejay at a radio station in Fort Worth, Texas. Carlin also worked variety of temporary jobs, including carnival organist and marketing director for a peanut brittle.
In 1960, he left with $300 and Burns, a Texas radio buddy, for Hollywood to pursue a nightclub career as comedy team Burns & Carlin. His first break came just months later when the duo appeared on Jack Paar's "Tonight Show."
Carlin said he hoped to emulate his childhood hero, Danny Kaye, the kindly, rubber-faced comedian who ruled over the decade Carlin grew up in — the 1950s — with a clever but gentle humor reflective of the times.
It didn't work for him, and the pair broke up by 1962.
"I was doing superficial comedy entertaining people who didn't really care: Businessmen, people in nightclubs, conservative people. And I had been doing that for the better part of 10 years when it finally dawned on me that I was in the wrong place doing the wrong things for the wrong people," Carlin reflected recently as he prepared for his 14th HBO special, "It's Bad For Ya."
Eventually Carlin ditched the buttoned-up look for his trademark beard, ponytail and all-black attire.
But even with his decidedly adult-comedy bent, Carlin never lost his childlike sense of mischief, even voicing kid-friendly projects like episodes of the TV show "Thomas the Tank Engine and Friends" and the spacey Volkswagen bus Fillmore in the 2006 Pixar hit "Cars."
Carlin's first wife, Brenda, died in 1997. He is survived by wife Sally Wade; daughter Kelly Carlin McCall; son-in-law Bob McCall; brother Patrick Carlin; and sister-in-law Marlene Carlin.
Associated Press writer Christopher Weber contributed to this report.

http://ap.google.com/article/ALeqM5ina7M8zC1QQGSxe-e-PxBrf9kl0gD91FSLO80
Currently listening:
Goodnight Ladies and Gents: The Creole Music of Lionel Belasco
By Lionel Belasco
Release date: 1999-04-06
Friday, April 25, 2008 

Category: Dreams and the Supernatural
Sunday, April 13, 2008 

Current mood:  blessed
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POSITIVELY 116TH STREET
Bob Dylan Finally Gets His Pulitzer. His What?


By DAVE ITZKOFF
Published: April 13, 2008
How did it feel?
Dylans pulitzer photo NY Times
Related
2008 Pulitzer Prizes for Letters, Drama and Music (April 7, 2008)

Times Topics: Bob Dylan
Perhaps you were thrilled Monday when Bob Dylan earned a special award from the Pulitzer board for his "profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power."

Or perhaps you were ambivalent, or even uneasy, and fretted that the grizzled troubadour's authenticity was being co-opted by a body known for recognizing journalists, authors and playwrights — an institution that would steal a shot of hipness from its association with the mainstream's most determined outsider?

If you were apprehensive, you were in the good company of Dylan aficionados still grappling with the trickster mystique of the 66-year-old singer-songwriter who see the Pulitzer as another chapter in his complicated history with the establishment, an ongoing dance of distancings and détentes.

The novelist Jonathan Lethem said that he worried about a kind of cultural self-congratulation, meant to burnish the award-givers as much as the recipient. "There's almost like this patchwork attempt" to pay Mr. Dylan his proper respect, Mr. Lethem said. "Well, we'll give him the Pulitzer and the Oscar, and an honorary degree from Oxford, and maybe all this stuff adds up to the impulse we have." This particular honor, Mr. Lethem said, "may cast a slightly absurd light" on the award and its bestowers. "It's like giving Elvis Presley a tuxedo: It doesn't exactly fit."

The Pulitzer board would like to think otherwise. "We didn't just look up one afternoon and say, 'Why don't we give this to Dylan?' " said Sig Gissler, administrator of the Pulitzers. "There's a history there, and a lot of deliberation and effort to figure out who would be truly worthy."

Mr. Gissler said that since 2004 the Pulitzers have reached beyond the field of classical music, amending the criteria for its music prize and using its special citations to honor the likes of Thelonious Monk and John Coltrane.

The names of other pop and rock artists have come up. "A couple of my friends on the music committee say Frank Zappa; somebody else says Stevie Wonder," Mr. Gissler said. "But in terms of a really important and dramatic step, this was a good one to take."

The Pulitzer might be an appropriate prize if it is meant to acknowledge Mr. Dylan as a poet in the sense of a visionary or paradigmatic seer, said Christopher Ricks, a professor of humanities at Boston University and the author of "Dylan's Visions of Sin," but not if it is given in its traditional spirit as a recognition of writing or composition.

"It tugs back at the idea that his accomplishment can be measured purely on the page," Mr. Ricks said, "which it can't even remotely be."

The mere thought of Mr. Dylan at an awards function can chill fans who recall back to 1970, when he was given an honorary doctorate by Princeton University at a commencement ceremony. He was described there as "the disturbed and concerned conscience of young America."

Mr. Dylan was aghast at what he felt was inaccurate and overzealous praise, as he recounted in his 2004 memoir, "Chronicles: Volume One." "I couldn't believe it!" he wrote. "Tricked once more ... I was losing all kinds of credibility."

Mr. Dylan also satirized the scene in his song "Day of the Locusts." "Sure was glad to get out of there alive," the lyrics go.

Measured by bitterly conflicted songs like this, and the occasional awkward appearance in what Mr. Lethem called "the non-Dylanological world," Mr. Dylan could come across as a prickly personality uninterested in mainstream plaudits. Whether appearing at the Grammys or on the "We Are the World" benefit album, Mr. Dylan "almost always kills it with some really sour, clanking or grudging performance," Mr. Lethem said.

More recently, Mr. Dylan attended a 1997 ceremony where he was honored by the John F. Kennedy Center for the Performing Arts, and appeared at the 2001 Academy Awards — via satellite, from Australia — to perform his song "Things Have Changed" and express his gratitude when it won the Oscar for best original song.

These honors do not necessarily diminish the rebel status of Mr. Dylan, who has sung that "to live outside the law, you must be honest."

"Walt Whitman famously thought it a good idea to contradict himself, because he contained multitudes," Mr. Ricks said. "Dylan sings to multitudes, but he also contains them. He will think and feel differently today from yesterday, but who doesn't and why shouldn't they?"

"There's something unsettling" about Mr. Dylan being awarded a Pulitzer Prize, Mr. Ricks said, "but why do we want to be settled?"

As of this writing, Mr. Dylan has yet to make a public statement on the Pulitzer citation. His representatives declined to comment.

So we don't know if Mr. Dylan will attend the Pulitzer luncheon in New York on May 29. His schedule says he will perform in Denmark on May 28, and in Norway on May 30.

But that doesn't mean the Pulitzer board isn't contemplating what to do if he does show up. "The Columbia diving coach's advice to me was, 'Don't say he's a spokesman for his generation,' " Mr. Gissler said. "I said, 'O.K.' I didn't expect to get Dylan advice going to the swimming pool."
Wednesday, January 30, 2008 

Category: Music
Saturday, January 05, 2008 

Category: Life
A Note on the Wall
in the room of Mother Teresa
(This handwritten sign was reportedly found on the wall of Mother Teresa's room:)

People are unreasonable, illogical, and self-centered;
forgive them anyway.

If you are kind, people may accuse you of selfish, ulterior motives;
be kind anyway.

If you are successful, you will win some false friends, and some true enemies;
be successful anyway.

What you spent years building, someone could destroy overnight;
build anyway.

If you find serenity and happiness, others may be jealous;
be happy anyway.

The good you do today, people will often forget tomorrow;
do good anyway.

Give the world the best you have, and it may never be enough;
give the world your best anyway.

In the final analysis, it is between you and God. It was never between you and them anyway.

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Thursday, November 15, 2007 

Category: Music
Paolo Nutini Starts off his set with Alloway Grove then New Shoes Live At Glastonbury Festival 2007. Yet another blinding performance from Mr Nutini and The Band.....with the wellies!

Thursday, November 08, 2007 

Category: Music
Here is a look at some of the great material on the new Bob Dylan DVD - The Other Side of the Mirror, Live at the Newport Folk Festival. Available everywhere October 30.

Friday, September 21, 2007 

Current mood:  creative
Category: Movies, TV, Celebrities
ETERNAL GAZE Synopsis
a film by Sam Chen
(16:00 USA 35mm Computer Animation)

Synopsis
On 11 January 1966, the Modern Art world lost what many considered one
of the greatest artists of the twentieth century – ALBERTO GIACOMETTI.
Inspired by the life and torment of this legendary man, ETERNAL GAZE is
a story about an Artist, his Art, and Reciprocated Love.

Alberto
The film maker says the film is a "computer-animated film about a real person in a real location, produced in a medium with unlimited possibilities. The screenplay was inspired by a combination of ideas and facts based on Giacometti's real life stories – with a sensitive touch of fantasy added in".

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Here's some art quotes by the Italian/Swiss master..

The object of art is not to reproduce reality, but to create a reality of the same intensity.
Alberto Giacometti
Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it.
Alberto Giacometti
If the glass there in front of me astounds me more than all the glasses I've seen in painting, and if I even think that the greatest architectural wonder of the world couldn't affect me more than this glass, it's really not worth while going to the Indies to see some temple or other when I have as much and more right in front of me.
Alberto Giacometti
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All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
Alberto Giacometti
Basically, I no longer work for anything but the sensation I have while working.
Alberto Giacometti Quotes


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Part 1


Part 2


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Thursday, September 20, 2007 

Category: Music
Tuesday, May 22, 2007 

Category: Writing and Poetry
I wrote this book report 20 years ago for a Pol Sci class and it's So GOOD I think want to share it. 35 years have passed and it's andmoreagain.....it's pretty shaky looking, was certainly no typist, if you get through it and enjoy please comment. Cheers!

FEAR AND LOATHING ON THE CAMPAIGN TRAIL 72
Hunter S Thompson
1973 Warner Books New York. N.Y.
Political Science
Dr. John Warner
May 1986

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Currently listening:
Revolver [UK]
By The Beatles
Release date: 25 October, 1990
Monday, May 21, 2007 

Category: Art and Photography
Joel-Peter Witkin
2006
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"The Raft of George Bush" is a contemporary "Ship of Fools" which has as its pictorial basis, the "Medusa" of Gericault. Bush sits lost in his grand ideas, shown as small electric lights. His left hand rests on the large, perfect breast of "Condi" Rice. This, the most powerful woman on earth, is merely a mouth-piece, a token blackie who dresses in haute coutre. Above Bush is his mother, Barbara, basking in the light, the myth of Republicanism. At her feet is Defense Secretary Rumsfeld crushed by the defeat of Iraq. Colin Powell wears the wreath of militarism and the dollar sign vision he now lives for, after lying to the world at the United Nations. Powell taps Bush on the shoulder to make him aware of their rescue. Vice President Cheney and his wife express joyful rapture in their deliverance. Dick Cheney, a "whatever it takes to succeed" type, is dressed in a gown and bra, reminiscent of the cowardly men on the sinking Titanic who dressed as women in order to save themselves. Below the mast is a religious figure representing Theocracy and Priest-pederasts. Has the young man below him received spiritual comfort or oral sex. The angry angel, wearing a bra of tea cups, holds a large bone signifying cannibalistic capitalism, that charnel house of our dismal social progress. All the other models in this tableaux are posed as characters in the Gercault painting with the exception of the black African named Cyril, who waves to the ship. All the other men are M.T.V. and Big Mac prodigals with the soft bodies and minds of corporate culture.
Friday, May 11, 2007 

Category: Life
Amazonian Tribe Suddenly Leaves Jungle Home
11 MAY 2006 - JUAN FORERO


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SAN JOSÉ DEL GUAVIARE, Colombia — Since time immemorial the Nukak-Makú have lived a Stone Age life, roaming across hundreds of miles of isolated and pristine Amazon jungle, killing monkeys with blowguns and scouring the forest floor for berries.

A Nukak man hunting for monkeys outside San José, using a blowgun and darts tipped with curare.
But recently, and rather mysteriously, a group of nearly 80 wandered out of the wilderness, half-naked, a gaggle of children and pet monkeys in tow, and declared themselves ready to join the modern world.

"We do not want to go back," explained one man, who uses the sole name Ma-be, and who arrived with the others at this outpost in southern Colombia in March. "We want to stay near town. We can plant our own food. In the meantime the town can help us."

While it is not known for sure why they left the jungle, what is abundantly clear is that the Nukak's experience as nomads and hunter-gatherers has left them wholly unprepared for the world they have just entered.

The Nukak have no concept of money, of property, of the role of government, or even of the existence of a country called Colombia. They ask whether the planes that fly overhead are moving on some sort of invisible road.

They have no government identification cards, making them nonentities to Colombia's bureaucracy.

"The Nukak don't know what they've gotten themselves into," said Dr. Javier Maldonado, 27, a physician who has been working with them.

When asked if the Nukak were concerned about the future, Belisario, the only one in the group who had been to the outside world before and spoke Spanish, seemed perplexed, less by the word than by the concept. "The future," he said, "what's that?" He serves as a interpreter for the others. One of perhaps a few dozen indigenous communities living in relative seclusion in the Amazon basin, the Nukak have, in dribs and drabs, gone beyond the borders of their jungle world only since 1988, just as the world has intermittently found them.

In 2003 dozens of Nukak left the wilderness and arrived at San José del Guaviare, saying Colombia's relentless civil war had encroached on their reserve and forced them to seek safety. Perhaps as many as 250 now live in settlements around the town, about as many as anthropologists suspect are still alive in the wilderness.

In recent years Nukak clans in the jungle have also had some contact with missionaries and with farmers and sedentary indigenous groups, who trade their crops for meat hunted by the Nukak, who picked up at least the notion of agriculture.

Though it is unclear how big the Nukak population once was, anthropologists believe that what little contact the Nukak have had with outsiders has most likely left them reduced by Western diseases, including influenza and the common cold, to which they have no natural defenses.

Janet Chernela, an anthropologist who has worked with the Nukak, said a study she had conducted showed that Nukak who abandon their nomadic lives and settle down, even temporarily, become susceptible to illnesses, including soil-transmitted diseases.

What little is known about this latest group is that it abandoned the Nukak National Park, which is nearly half the size of New Jersey, in the state of Guaviare. Belisario — who knows several of the towns outside the reserve, having been reared for part of his childhood by settlers who encroached on the jungle — led the way.

It was no easy journey, the Nukak told Dr. Maldonado, spanning nearly 200 miles from the eastern end of their reserve to this town, known locally as San José. They arrived in the central plaza malnourished and exhausted, as astonished by this world of low-slung jungle buildings, jeeps and paved roads as the townspeople here were astonished by them.

"When I've had some time to talk to them and asked where they came from, they just say 'the bush,' " said Xismena Martínez, who oversees aid to the Nukak for San José. "But that could mean anywhere."

The newly arrived Nukak do not provide much detail about why they left. They just say that "the Green Nukak," a possible reference to Marxist guerrillas, who wear camouflage, told them to leave.

"The Green Nukak said we could not keep walking in the jungle, or else there would be problems," explained Va-di, another Nukak man, whose words were translated from Nukak by Belisario. "The Green Nukak told us to go where it is safe."

Colombian officials wonder if farmers growing coca, the crop used to make cocaine, may also have displaced the Nukak, who are peaceloving and unlikely to fight. Another theory is that another Nukak clan pushed this one out.

But because it is assumed that they fled the civil war, the Nukak are classified as displaced people, requiring the state to provide aid and help them return home, as long as it is safe. The government, though, cannot guarantee their safety.

Nor can officials force them to go back. So the town and the government are providing them food and clothing in a forest clearing called Aguabonita outside San José.

"We can't say, 'You're a Nukak, go back to the bush,' " said Ramón Rodríguez, who is overseeing assistance efforts from the central government's emergency aid organization, Social Action.

But even as the aid arrives, the donors are well aware that the largess could well doom the Nukak to a life of dependency, ensuring not only that they never return home but also that they never learn how to live in their new world.

"People want to protect them," Ms. Martínez said. "To help them, we give them food and clothes. That doesn't help them at all in the long term."

What everyone agrees on is that the Nukak of Aguabonita must avoid the fate of the Nukak who came here in 2003 and now live in a clearing called Barrancón.

Now in their fourth year in the area, the Nukak in Barrancón lead listless lives, lolling in their hammocks awaiting food from the state. They do not work, nor have they learned Spanish. They also have no plans to return to the forest. "I think we will be here always," said Martín, a young man who is considered a leader.

In Aguabonita, the scene on a recent day was full of commotion and laughter. Naked children tugged at the shirts of two foreign journalists, offering big smiles and hugs. The men quickly welcomed the visitors into a makeshift shelter, where they laughed at some of the questions and, it seemed, wholly innocently at their own odd predicament.

Are they sad? "No!" cried a Nukak named Pia-pe, to howls of laughter. In fact, the Nukak said they could not be happier. Used to long marches in search of food, they are amazed that strangers would bring them sustenance — free.

What do they like most? "Pots, pants, shoes, caps," said Mau-ro, a young man who went to a shelter to speak to two visitors.

Ma-be added, "Rice, sugar, oil, flour." Others said they loved skillets. Also high on the list were eggs and onions, matches and soap and certain other of life's necessities.

"I like the women very much," Pia-pe said, to raucous laughs.

One young Nukak mother, Bachanede, breast-feeding her infant as she talked, said she was happy just to stay still. "When you walk in the jungle," she said, "your feet hurt a lot."

The men still go into the jungle, searching for monkeys, a delicacy the Nukak cannot seem to live without. Monkeys are grilled, dismembered and boiled, then eaten piece by piece. The women still spend their time carefully weaving intricate wristbands and hammocks, using threads from palm leaves.

All live in shelters now, enjoy constant medical attention and, on weekends, stroll into town to take in the sights. "Nukak life is hard in the jungle," Dr. Maldonado said. "You wake up thinking about food and you go hunt, you go search for nuts. So when they see us they think their food problems are over."

That is not to say the Nukak do not have plans.

Ma-be explained that the idea is to grow plantains and yucca and take the crops to town. "We can exchange it for money," he said, "and exchange the money for other things."

But first they need to learn how to cultivate crops. The Nukak say they would like their children to go to school. They also say they do not want to lose traditions, like hunting or speaking their language. "We do want to join the white family," Pia-pe said, speaking of Colombian society, "but we do not want to forget words of the Nukak."

After a recent meeting with government officials, the Nukak were clear about what else they wanted: vehicles, drivers and doctors so a group of 15 Nukak could set off on a tour of the countryside, searching for a spot to settle down.

They do not ask for much — land to plant, preferably close to a town but also on the edge of a forest. They do not want armed men around, nor coca, they say.

"They will look to see if there are nuts, monkeys, water," said Ms. Rodríguez, the town official handling the latest request. "If they find it, then, yes, that's the spot."
Thursday, May 10, 2007 
Added January 05, 2007
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Thursday, May 10, 2007 
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