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Thursday, November 19, 2009
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I’m happy to announce the release of my first audio story original. Sniplits.com bought the audio rights to TENTHS OF A SECOND and it’s now available for download—all for the price of an iTunes download. The story can be downloaded to computers, iPods and smart phones etc. TENTHS OF A SECOND is about a struggling young racecar driver who is given the chance to get an edge on the competition - but at what cost? As some of you know, I used to race, so there's a strong personal element to the story. It’s a bit hard to categorize TENTHS OF A SECOND as it incorporates sci-fi, fantasy, mainstream and psychological elements. At the end of the day, the story is about dreams and the lengths someone will go to attain them. If there is a moral to the piece, it is that everyone searches for that silver bullet solution, even if the gun is pointed at themselves. I’m very fond of this story. It’s personal to me and I think that comes out in the writing—or in this case, the telling. It was always a little too long to work in a magazine, but it’s a good audio book length. I hope you'll check the story out. I don’t think you'll be disappointed. If everyone can get behind this story, this will lead to other stories getting recorded. So please show some love for TENTHS OF A SECOND and give the story a listen. There's a Q&A box on my fan page at http://www.sniplits.com/wood.jsp (but you do have to be logged in to view it and comment). Download the story at http://www.sniplits.com/storiesforauthor.jsp?a=83
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Tuesday, November 17, 2009
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I've been a contributor to Writer's Digest for a number of years. I've written all many of subjects from plotting to short stories. Many of the pieces I wrote are no longer available from WD back issues, so I've now made them available for download at Smashwords. I hope you'll check them out or pass on the word.
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Monday, November 09, 2009
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Workings Stiffs will be going out of print soon now that there are only a few copies left and so I've made the book available as on ebook. As I did for my short story collection, Dragged Into Darkness, I thought I'd let you in on the story behind the stories and what inspired me to write the stories for Working Stiffs--other than a contract).
So please enjoy these tales behind the tales.
Feel free to share your thoughts on these inspirations with me.
"Old Flames Burn The Brightest"
I’ve been in the US over a decade now and during that time, I’ve gained a bunch of friends, but this has been at the expense of my friends back home. I’ll be digging through some box of junk for something and come across something else that will make me all nostalgic, and I get to wondering about all the people I’ve lost touch with. What are they doing? Have they changed? Are they married or divorced or both? In my mind’s eye, they haven’t changed. They’ll always be the same people I knew back in England, forever frozen in 1998.
But these people can’t be the same. During my brief trips back to England, even my friends I still see have changed. Their lives have moved on and I haven’t been around to witness it. I don’t think I’ve changed, but I’m sure those people see differences in me too. It's odd to think about, but true.
But with the writing, there’s a chance I may re-encounter lost friends. It’s happened already. Now and again, I’ll get an email along the lines of—aren’t you the Simon Wood I used to go to school/beat up once/stole my cat?
I still have hopes that I’ll bump into these lost friends and that was the inspiration of Old Flames Burn The Brightest. Colin Hill encounters a never-was girlfriend, Denise. He hopes to rekindle something that never existed, but Denise isn’t the same person Colin used to know and unfortunately for Denise, neither is Colin.
"My Father's Secret"
This was an easy story to write because Raymond Chandler told me what to write. I have an old BBC recording which features Ian Fleming interviewing Raymond Chandler. Fleming and Chandler discuss the differences in their work and what inspires them to write what they do. During the interview, Chandler describes how mob hits were arranged in the U.S. I thought, wow, what a great idea for a story.
I used the mechanics of a mob hit for the skeleton of the story, but I added the complication of the relationship between father and son. Don’t go reading anything into the relationship between my own father and me. Rarely does anything from my own personal experiences make it directly to the pages of my stories. Rather, certain facets of life and people tug at my sensibilities.
So thanks, Ray. I owe you a gimlet.
"A Break In The Old Routine"
I people watch and I have a nasty habit of giving the people I watch a whole history. A Break In the Old Routine began life that way. I was riding BART into San Francisco and there was this striking women sitting several rows over from me. Watching her, I came up with a character prfolie for her. Wasn’t that nice of me?
I got an attack of the guilts when I went to get off the train and she got off with me. For a frightening moment, I thought this woman was going to call me out for staring. She didn’t and she went on her way, but I thought about what if she had called me on it? What then?
I have to give credit to Working Stiffs’ editor, David LaBounty for the success of this story. He took what I thought was a decent enough story and turned into something special. He read my draft and said that he felt the story should end differently. And he was right. I hope you agree.
"The Real Deal"
The Real Deal was inspired by television. And no, I don’t spend all day in front of the TV, just most of it. I watched an episode of Night Gallery which featured an old gangster trying to preserve his legacy. It was an interesting story with a lame ending. But the crux of the story, trying to preserve one’s own mark on history, stuck with me. A couple of years later, I watched an episode of Lonely Planet and travel icon, Ian Wright, traveled to Peru and went through a bizarre witchdoctor ceremony to cure him of all his ills. These two things clashed to create a story about an ailing businessman trying to save his equally ailing business empire.
"Officer Down"
This was one of those story ideas that once it came to me, I couldn't dislodge it. This image popped into my head of a police officer getting shot in the line of duty, but surviving because of his kevlar vest. The key thing that stuck with me was that tiny moment before being shot where you believe you're going to die, only to survive.
I was fascinated by how someone would cope with that juxtoposition of living when you believed you were going to die. Could a person continue under those circumstances? For the character in Officer Down, I decided he couldn't.
To pile on the pain, the police officer is shot with his own gun after he loses it in a tussle with a thief. The cop can't move on with his life until he gets his gun back and in doing so, he breaks the rules he was sworn to uphold.
"The Fall Guy"
This story started life as the short story, Fender Bender, that I wrote for a crime anthology called Small Crimes. The theme of the anthology was that small crimes lead to big things. I love these sorts of scenarios. My story was the tale of Todd Collins, a down-on-his-luck guy, who backs into a drug dealer's car and to pay off his debt, he has to steal a car for a drug kingpin which triggers a whole series of events.
Blue Cublicle wanted to do the book, and they wanted Fender Bender in it—but bigger. This gave me a great canvas to work with. I took the concept of escalation and I took it another stage further. I load the problems on Todd's shoulders and he has spend the rest of the story trying to resolve them. The problem is that every action has an unequal reaction. Todd is forced to go outside of himself to cope with the tumbling dominoes he started by reversing into someone's car.
That's the thing that tickles me most about The Fall Guy. All Todd did was back into a car and drive away, but he ends up traveling half way around the country, becoming embroiled in a number of people's lives, their grudges and desperate situations in order to solve his own. When the story reaches its dizzying climax, it seems unreal that it all originated from a single and minor infraction. Now that's escalation baby! J
Todd does a lot of things throughout the story, but there is something that he doesn't do. I didn't realize it until the end of the story. I even went back to double-check and it was true. See if you notice what it is. If you think you know what Todd doesn't do, email me and If you're right, I'll send you a prize.
I sincerely hope you enjoy The Fall Guy and all the stories in Working Stiffs, because it was a lot of fun to write.
Check out ebook version of Working Stiffs at: http://www.smashwords.com/..books/view/5543 http://www.amazon.com/dp/B..002VWKG2C
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Sunday, November 01, 2009
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Here's the cover to an upcoming anthology called THE DEATH PANEL which features one of my short stories. It'll be out at the end of the month. Learn more from the publisher. Looks pretty sweet to me. :-)
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Monday, October 26, 2009
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You can read an excerpt of my latest release, ROAD RASH, here. Enjoy!
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Tuesday, October 13, 2009
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I'm very happy to announce that my second novella, ROAD RASH, is out under my pen name, Simon Janus. It's featured in the 4-story anthology BUTCHER SHOP QUARTET 2.
In ROAD RASH, Straley might think he's life is cursed, but it doesn't compare to what lie ahead of him on life's highway. He's on the run with the proceeds of a botched bank robbery. It's all he has. His crew is dead and his getaway car has also died on him. He's on foot with the cash when he comes across a two-car pileup. There's no saving the drivers, but he can save himself and steals one of the wrecked cars. But he's has boosted the wrong car. Within an hour of driving off, he develops a rash that soon consumes his flesh. No doctor can help him--only the car's original owner. If Straley what's his skin back, he must journey on the road to redemption that will end in the depths of Central America.
Interior Illustration for ROAD RASH I hate to sound biased, but I love how ROAD RASH turned out. It started off as a simple short story, but it developed into something special. I'm really proud of Straley. He isn't the same man at the end of the story that he was at the beginning. Just like THE SCRUBS, it's another story that blends hardboiled crime and the supernatural. The story roams from the US and to Central America. There's a personal aspect to the story involving Santeria based on an incident when I was in Guatemala a couple of years ago.
I hope you'll check out the book.
The book is filtering into bookstores, but it's currently available from Amazon.com. http://amazon.com/Butcher-..Shop-Quartet-Simon-Janus/d..p/0977826244However, the publisher is offering $3 off for Simon Wood/Simon Janus fans. Send an e-mail to info@cuttingblock.net with "Simon Janus Discount" in the subject line. Operators are standing by take care of you. :-)
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Wednesday, September 30, 2009
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Take a look at this New York Times article below. It's basically doing what I wrote about in Accidents Waiting to Happen a few year back. I hope I didn't give anyone any ideas.
Wall Street Pursues Profit in Bundles of Life Insurance
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Saturday, September 26, 2009
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This is the German cover to Accidents Waiting to Happen which I believe has been renamed, Scorched. I think. Anyone a good German speaker. It comes out in Germany on Jan 1, 2010.
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Tuesday, September 22, 2009
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All change please!! My next book Disgruntled has been renamed Terminated and will now be published next June instead of April. You'll have be in suspense a little longer, but that's what I'm all about.
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Thursday, September 17, 2009
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For those people who asked, my mini-mystery is in the current issue of Woman's World. It's the September 28th issue with the lady who won "Biggest Loser" on the cover. Also, I have a "How to" piece in the Writer's Digest Guide to Creativity special issue. I'm just packing out the news stands this week. :-)
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