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Turtle Island to Abya Yala and Beyond...



Last Updated: 11/30/2009

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Gender: Female
Status: In a Relationship
Age: 33
Sign: Aquarius

City: INDIAN LAND
State: California
Country: US
Signup Date: 8/21/2006

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Thursday, November 26, 2009 

Category: Parties and Nightlife



Benefit Fundraiser, Turtle Island to Abya Yala - A Poetry Night featuring Native women artists with music, live art, food and arts vendors, art auction and a raffle give-away!
 

Saturday, December 12 from 7 - 10pm 
doors open @ 6:30pm
Admission: $8-10, Youth 21 and under, $5 Youth under 18, free

(raffle ticket included with admission)

 

Intertribal Friendship House523 International Blvd. Oakland, CA 94606 
(510) 836-1955
www.ifhurbanrez.org

 


MC: Gise
 
Poetry by:
Marjorie Jensen
Sonia Gutierrez
Martha Villa
Kim Shuck
Sherry Wilson
Jennifer Foerster
Jaynie Weye Hlapsi

 
Music by:
DJ Special K
Sweet Medicine
Redbird Giving
Sista Hailstorm
 
 
Proceeds from this event will go towards publishing our anthology: "Turtle Island to Abya Yala," with art and poetry by Native American and Latina women.
 
Macha Femme Press
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Friday, August 28, 2009 
Friday, July 03, 2009 

Category: Music


Going with the Flow -An Interview with Natalie “The Floacist” Stewart 

by Natalie Bell

My mid-Summer night’s dreams were fulfilled during the 4th Annual Serafemme Queer Women of Color Music Festival weekend in Los Angeles, featuring Natalie "The Floacist" Stewart of the seven time Grammy nominated group Floetry. The pre-festivities August 15-16th were hosted at the Embassy Suites, day one of the Serafemme weekend which has boasted such promotional partners and media coverage like Olivia Cruises, Tomboyz Quarterly, and Macha Femme, founded by Bay Area Queer activist Mica Valdez.  

On the first evening everyone was welcomed with the largely anticipated female Emcee rap battle with a grand prize of a 2009 eight city Pride tour including New York, San Francisco and Miami won by Lady G of Los Angeles. The second day brought the much awaited and well received workshop on the current state of the music business by independent music artist Deepa Soul who is also the current CEO/ Executive Director of Out Music, an Alliance of LGBT recording artists and performers. 

The music festival took place on August 17th at West Hollywood Park, where mostly queer and some contemplative straight girls gathered to enjoy the music, poetry, food, theater and to marvel at each others talents and beauty. QWOC were entertained by musical performances of Jade Ross, Sistas in the Pit and rapper Diamonique to name a few. The riveting hyper-sexual lesbian and Mexican American spices of poetry Adelina Anthony was a nice change of pace, including the comedic relief of lesbian comedians Sandra Valls and D’Lo a Tamil Sri Lankan-American comedian who considers her self a political thespian. Someone who is widely considered a theatrical maverick is actress/playwright/ and owner of the first lesbian Latina theater company MACHA Theater, Odalys Nanin, presented a scene from her current play The Lieutenant Nun. The headliner Natalie “The Floacist” Stewart closed the “fest” to a captivated audience.  Stewart a devoted fan of lesbian fiction and a series of mythical novels by science fiction writer Marion Bradley Zimmerman, was part of the inspiration for Natalie’s transformation, including her tattoo and over all new sexy antagonist look. I talked to The Floacist about her new look, albums and future plans. 
 
MFP : I noticed that your tattoo has different powerful mythical female symbols.
Floacist : Yeah, so you got Medusa at the top, Kali (Kali-Ma) in the middle and the mermaid; I just feel really close to mermaids, mermaid ancestry and some sort of Aquarian, and you know all that business. 
MFP : I read that you wrote a screenplay and that you had Angelina Jolie in mind to play the lead?
Floacist: You know if it’s going to happen you got to see it first and that’s who I see for the role. I feel like Angelina Jolie is one of my spiritual sisters, I look forward to meeting her. I am a performing arts kid, I’m a poet, I’m a writer, I’m a floacist which is kind of bringing all things into one, yeah. So I’ve been writing plays and books and movie scripts, and performing them, forever. Even when I was just writing them for my family, and then I was writing them for people at school, you know so, yes. I have the next ten, fifteen years of my life, fifteen is kind of in focus right now, yeah, going to take the Will Smith walk, the divine feminine version.
MFP: Crossing over to acting maybe?
Floacist: Well, yeah very possibly so, I’m a performing arts kid so I will definitely experience it all but if you’re a performing arts kid your experiencing it all whether your doing them all so even if your doing music videos your experiencing movies, not that shooting a music video means that you can shoot a movie, I don’t mean that.
MFP: Could you tell me what you’re doing with regards to your album? I noticed that you past it around and that you're going against the grain as far as what people have been told they can do with music.
Floacist: Well I have just started my own label, Spirit Mother Music and I have a pre-Album which is called the Offering, and it’s free, ten tracks, ten songs, it’s my version of a mix tape, I just can’t have someone screaming all the way down my music you know it’s not that type of music, it’s not a (makes a scratching sound and gesture with fingers) scratch in and out type of music you know, so it’s that and then Freedom comes out at the top of the year. Freedom is the album and that comes out at the top of 2009, so it’s a movement to be shared.
MFP: Well I look forward to that. It definitely seems like you’ve gone through this whole transformation, from what your previous group albums were, to now coming out as a solo artist, you really seem like you’ve gained some enlightenment.
Floacist: Oh wow, I hope I look like that, that’s good. I mean I definitely have got some enlightenment, embellishments though you know, they're just embellishments, you know life is life, time is time, days tick by and I came to America with Floetry when I was 21, and now I’m 29. 
MFP: It just seems like a rebirth. 
Floacist: Definitely, I am re-born. Again and again and again.






Natalie Bell was born in Los Angeles and now lives in San Francisco where she is studying Creative Writing with a concentration in Poetry at San Francisco State University.  She can be reached at bellanatalie@gmail.com.

“Going with the Flow-An Interview with Natalie 'The Floacist' Stewart” 
by Natalie Bell, copyright 2008, Macha Femme Press.  

(Printed with permission for Curve Magazine, Issue January/February 2009, Volume 19 #1.  Interview only.)
Thursday, April 23, 2009 

Category: News and Politics

April 22, 2009

Peers: Thurgood Marshall students work to restore popular peacemaking program

by Crystal Carter

Conflict Mediators Gregory Claybron, Mary Pon and Anita Nicolas give a peer education workshop on drug prevention at the annual Youth Are Resources Conference at Fort Mason in San Francisco. Though the popular program was a source of pride and passion at Thurgood Marshall Academic High School in Bayview Hunters Point, that is the only school that lost the program to budget cuts.Conflict Mediators Gregory Claybron, Mary Pon and Anita Nicolas give a peer education workshop on drug prevention at the annual Youth Are Resources Conference at Fort Mason in San Francisco. Though the popular program was a source of pride and passion at Thurgood Marshall Academic High School in Bayview Hunters Point, that is the only school that lost the program to budget cuts.

The end of this school year will mark the one-year period since the 8-year-old Peer Resources program at Thurgood Marshall Academic High School was discontinued. In the past year, two students have been jailed, fewer interactions between ethnic groups were witnessed and administrators have yet to do anything about it.

Sharolyn Bautista, former student leader and organizer in the Peer Resources class, knows that the absence of this program is negative for the future students who could have benefitted from the lessons that the class provided. Not only did she use what she learned in class but also outside of school with her friends and family.

“The program was a place for us to connect regardless of race,” she said. “Communication is key and it’s better than being violent. I wish everyone would be exposed to this program because it would only make them better.”

San Francisco Peer Resources (Peers) is a program created in partnership with the San Francisco Unified School District and the San Francisco Education Fund, devoted to creating capable youth leaders who can be effective allies to their peers. It is a service that is extended to other schools in San Francisco as well.

Conflict mediators help their peers resolve disputes peacefully. Youth are also trained in conflict management and learn how to help their peers talk through and resolve conflicts before they escalate into physical violence. Peers is also geared to giving students leadership roles and preparing them for college and higher education.

After students and teachers found out that this class was to be cut they decided to come together. But a firm set of limits was placed on the concerned teachers and students when they decided to raise money to save the program.

Conflict mediators help their peers resolve disputes peacefully, to talk through and resolve conflicts before they escalate into physical violence. Peers is also geared to giving students leadership roles and preparing them for college.

Resident and poet mentor, Kirya Traber, 23, who spent a few months working with the students of TMAHS, remembers asking the students how they felt about “not being supported by their administrators.” She said that “by the end of the seventh period, not only had they drafted a letter to the principal, but they also made initial plans for a sit down meeting, a leafleting campaign and a potential protest.”

After the first meeting that included the principal of TMAHS, Guillermo Morales, in agreement with the executive director of the San Francisco Education Fund, Hugh Vasquez, a list of rules and guidelines were put into play.

“I apologize for and accept responsibility for any miscommunication that left other possibilities open and contributed to any confusion,” stated Brian Stanley, director of the Peer Resources program for all of the San Francisco Unified School District.

And since the statewide student, parent and teacher strikes that took place in opposition to the cuts at the beginning of the spring semester of 2008, there are still demands that have yet to be addressed. Amidst the $4.8 billion budget cut to education in the state of California last year, TMAHS is the only school that had its Peers program cut.

“The principal said if we could provide the funds for the coordinator position we could have the program,” said Mica Valdez, 33, former coordinator of the Peer Resource Center at TMAHS. “But then (Brian Stanley) changed his mind at the last minute. I was really let down and so were my students.”

A total of $79,542, roughly a teacher’s salary, had to be raised in order for TMAHS’ Peer Resource program to continue into the fall 2008 semester. How this figure was accounted for is questionable because, according to Peers, the school pays for half of the teacher’s salary and the San Francisco Education Fund pays for the other.

“There’s always a plan,” she said when referring to the policy of the school officials. “It’s not that we do not have the money. It’s just that we are not spending it right.”

One of the guidelines that was placed on the fundraiser stated, “All funds raised for Peer Resources must be (a) submitted to the San Francisco Education Fund and (b) must identify the San Francisco Education Fund as the fiscal agent.” In other words, it was not guaranteed that the money would go towards the preservation of their class.

“I am donating because I had a conflict mediation this year,” said Dominique Crutchfield, 18, TMAHS graduating senior, before the effort to raise money was stopped. “I was about to get in a fight with this Asian kid, but then Peer Resources helped me. So I know it’s a good program.”

On Sept. 15, 2007, during physical education class, a rubber ball hit a young girl and the teacher immediately blamed a student who was known as a troublemaker. He was sent to the office. Distraught at being wrongfully accused, the student did not want to speak to the dean or the principal.

“It is standard protocol to use resources such as Peer Resources and other mediation before bringing in the police,” said Valdez.

When the principal confronted the child in the hallway, the student said, “Back away! I do not want you to come near me because I am afraid of what I might do.” Disregarding the child’s wishes, the principal approached the child to grab him and the child pushed back and ran off the campus. Instead of notifying the parents, the principal called the police and the child was charged with assault.

Marcus Hicks, 17, who is a student conflict mediator and works to racially integrate students, says that some adults make the youth feel “jumpy.” Students think if they go to an adult, they’ll get in trouble. But when it’s peer-to-peer, students feel at ease and more willing to talk about whatever their problem is, he said.

TMAHS is in the Bayview District and mostly caters to African-American, Latino and Polynesian youth. Due to the socio-economic disadvantages of living in this area, this school relies on additional resources to support students with special needs.

“Many schools are going to suffer next year and there will likely be higher dropout rates and incarceration of youth of color,” said Valdez. “Equity and a child’s right to a good education is what is at stake here.”

The U.S. prison and jail population has reached a record high exceeding 2.3 million people, according to a new report by the Bureau of Justice Statistics.

Rodney Robinson, 32, has been a mentor to incarcerated youth at the Youth Guidance Center in San Francisco since 2000. He believes that the only way to make a positive effect is to connect with the community.

“Teachers need to get involved in the students’ life not just at school but doing home visits as well,” he said. “You’d be amazed by how much the child appreciates that.”

Robinson went on to state that from his experience with the youth, he has realized their need to vent their frustrations to a trusting ear is imperative.

Mica Valdez, who is now pursuing graduate work, gave students statistics about the rate of young people of color who are currently being incarcerated. She made it a point for students at TMAHS to connect what they were learning in class and to understand it by connecting it back into the neighborhood in hopes that their ideas will make a difference.

“How are disenfranchised youth to compete in a global market if they are not given access to the educational tools that will allow them opportunities to be successful?” she asked.

Peer Resources Director Brian Stanley stated that the school anticipates rebuilding the program in either 2009 or 2010. While there are still Peer Resource programs at Martin Luther King Middle School and Willie Brown Academy in the Bayview, there has been no notice as of now when the program will be re-implemented at TMAHS.

“The faculty has not shown that they care about getting the program back,” said Hicks. “Some students took the program for granted and the teachers failed to realize that this program meant a lot to us.”

If you are interested in contributing to getting Peers back in Thurgood Marshall Academic High School, please contact Peers directly at (415) 920-5211.

Crystal N. Carter, a 2008 graduate of San Francisco State University, is a member of the Bay Area Black Journalists Association (BABJA). She writes for ColorLines Magazine and can be reached at ccarter6@gmail.com.

SF Bayview National Black Newspaper         http://www.sfbayview.com

Thursday, April 23, 2009 
Congratulations to the following Native American women poets who have been selected for the forthcoming Native American and Latina Women's Anthology of Art and Poetry:


Alethea Chamberlain
Amy Wagner
Annie Ross

Cassandra Rendon
Happy Frejo
Jaynie Weye Hlapsi
Jennifer Foerster
Kim Shuck
Lela Wakely
Maylei Blackwell
Marjorie Jenson
Reva Mariah Gover
Natasha Beeds
Nanette Bradley Deetz
Nazbah Tom
Robin Carneen
Sara Marie Ortiz
Sistahailstorm 
Theresa Turmel


Tuesday, April 21, 2009 
Mills Literary Soul is holding the THIRD AND FINAL SOULFUL YEAR AT 5:30PM, APRIL 28TH IN THE BENDER ROOM (Carnegie Hall).

Hosted by the multi-talented writer, MC, DJ, closet mathlete, and man about campus ED NTIRI, Soulful will be an evening of great readings by energetic authors whose work will literally jump off the page and high five you in the brain. It's just that awesome.

Tired of other readings shutting you out? Feel like no one values the lowly first year? Need something to do on Tuesday night now that House killed off its best character?

Soulful is dedicated to bringing the whole Mills literary community together to share work with gusto, with pizzaz, even with a little chutzpah. The theme of this reading is The New Freshness, and we're proud to present several fresh faces in the Mills community who are reading their work for the very first time.

We're the first graduate reading series to feature an undergraduate writer. We support all writers, and now we're asking you to return the favor. Show up and show some love for DYANNA LOEB! Represent first-time first-year readers MICHAEL KELLEY, NAAMEN TILAHUN, VANESSA LEWIS, and MICA VALDEZ! Support your classmates! Bring back Kal Penn!

Soulful knows you've worked hard, and understands that the end of the year is busy. Soulful knows you've got a lot on your plate, but Soulful checked the calendar, and planned this event after thesis deadline and way before finals, so Soulful doesn't want to hear your excuses. Soulful wants to see you there.

This is the last literary event of the school year, and for some of you, the last (*tear*) major event of your Mills careers. This will also be the first campus reading for new faculty member PATRICIA POWELL, whose book The Fullness of Everything is in stores soon.

Come see the Soulful readers spit hot fire, melt microphones, and break it down so far that even its own mother wouldn't recognize it.

Do it for the community, do it for the love of the craft, and if you're of age, do it for the free eats and booze.

Soulful 3: The New Freshness hits the Bender Room April 28th at 5:30pm, and it's going to be MASSIVE. Why else would I spend so much time working on the flyer in MS Paint? That's right, I said MS Paint

And I'm out,
Amol

http://www.mills.edu
Wednesday, March 04, 2009 

Category: Life
Appropriate Methods For Teaching About Native American Peoples
From the Ableza Institute
http://www.ableza.org/

Understand the term "Native American" includes all peoples indigenous to the Western Hemisphere.

Present Native American people as appropriate role models to children.

Native American students should not be singled out and asked to describe their families’ traditions or their culture.

Avoid the assumption there are no Native American students in your class.

Use books and materials which are written and illustrated by Native American people: speeches, songs, poems, and writings, which show the linguistic skill of a people who have come from an oral tradition.

When teaching ABC’s, avoid "I is for Indian" and "E is for Eskimo."

Avoid rhymes or songs that use Native Americans as counting devices, i.e. "One little, two little, three ..."

Research the traditions and histories, oral and written, of Native Americans before attempting to teach these.

Avoid referring to or using materials which depict Native Americans as savages, primitives, "The Noble Savage," "Red Man," "simple," or "extinct."

Present Native American Peoples as having unique, separate, and distinct cultures, languages, beliefs, traditions, and customs.

Avoid materials that use non-Native Americans or other characters dressed as "Indians."

Avoid craft activities that trivialize Native American dress, dance, and beliefs, i.e. toilet-paper roll kachinas, paper bag and construction paper costumes and headdresses. Research authentic methods and have the proper materials.

Realize that many songs, dances, legends, and ceremonies of Native American Peoples are considered sacred and should not be portrayed as an activity.

If your educational institution employs images or references to Native American peoples as mascots, i.e. Redskins. Urge your administration to abandon these offensive names.

Correct and guide children when they "war whoop" or employ any other stereotypical mannerisms.

Depict Native American peoples, past and present, as heroes who are defending their people, rights, and lands.

Avoid phrases and wording such as massacre, victory, and conquest which distort facts and history.

Teach Native American history as a regular part of American History. Avoid materials which illustrate Native American heroes as only those who helped Euro-Americans, i.e. Thanksgiving.

Use materials and texts which outline the continuity of Native American societies from past to present.

Use materials that show respect and understanding of the sophistication and complexities of Native American societies. Understand and impart that the spiritual beliefs of Native American peoples are not "superstitions" or "heathen."

Invite a Native American guest speaker/presenter to your class or for a school assembly. Contact a local Native American organization or your library for a list of these resources. Offer an honorarium or gift to those who visit your school.

Avoid the assumption that a Native American person knows everything about all Native Americans.

Use materials that show the value Native American Peoples place on our elders, children, and women. Avoid offensive terms such as papoose and squaw. Use respectful language.

Understand that not all Native American Peoples have "Indian" surnames, but familiar European and Hispanic names as well.

Help children understand Native American Peoples have a wide variety of physical features, attributes and value as do people of all cultures and races.

Most of all, teach children about Native Americans in a manner that you would like used to depict your culture and racial/ethnic origin.
Tuesday, February 17, 2009 

Category: News and Politics
http://cityonahillpress.com/article.php?id=1180


Black/Brown Roundtable Meeting Discussion Racial Collaborations
Diego Loera
Diversity Reporter
Black and Latino scholars and activists gathered at UC Santa Cruz to discuss instances of collaborations and to dismiss the idea of racial collaborations not existing.

On April 19, El Centro: Chicano/Latino Resource Center and the Chicano/Latino Research Center sponsored the “Black/Brown Roundtable: Collaborations across Differences,” an event that brought speakers from all backgrounds to a debating table to discuss collaborations between races, and the media’s lack of attention to such cases.

Collaboration consists of active interaction and cooperation between members of different races. The activists, through the roundtable discussion, seek to develop bonds of friendship that will create positive change and racial solidarity.

Students had the opportunity to listen to others’ unique experiences with racial collaboration, as well as their opinions on some of the factors and obstacles that hinder interracial relations.

Emeded Ambriz, a fourth-year anthropology major, attended the event and was impressed by Carlos Muñoz, professor emeritus of Chicano studies at UC Berkeley, and his passion for racial relations.

“He really caught my attention and made me think about the problems within society,” Ambriz said.

John Brown Childs, a professor of sociology at UCSC, caught students’ attention by describing his course that deals with “transcommunal cooperation in multicultural settings,” as well as his analysis of mainstream media’s emphasis on the violence and negativity surrounding urban blacks and Latinos.

“I have worked with groups like Barrios Unidos [an urban peace organization] that help both African-American and Latino groups,” Childs said. “When media emphasizes too much on the negative side of African-American/Latino relationships, then people become cynical.”

According to Childs, mass media’s negative outlook affects people and their consideration for collaboration and racial solidarity.

Nane Alejandrez, the executive director of Barrios Unidos, has helped prison inmates from the Deuel Vocational Institution in San Joaquin County through events held within the prison that involve music and dance. His success has brought Hollywood stars like Danny Glover to work with him, and they have created solidarity among inmates of different races.

“I hope that [the message of collaboration] reaches out to all conscious people,” Alejandrez said. “I hope it encourages people to become and stay involved for change.”

The event concluded with an open discussion between the audience and the speakers.

Through this event, Childs hopes students leave knowing that interracial collaborations do exist in communities all around the United States, and hopes they are not influenced by a media that begs to differ.

“Whoever is in the room at least has in their mind that collaboration does exist,” Childs said. “I hope they think about this, and not get swayed by sensationalism.”

2008-04-23
Wednesday, January 07, 2009 

Category: Music
December 23, 2008

FOR IMMEDIATE RELEASE

Media Contacts:
Micaela Valdez
Macha Femme Productions
email: machanoticias-owner@yahoogroups.com

c/o Galeria de la Raza
2857 24th Street
San Francisco, CA 94110


Macha Femme Productions and Galería de la Raza present
"Black and Brown Visions: A World Without Borders" f/ Mystic
Benefit Show for Sistas Take Back The Mic!
Saturday, January 10, 2009

San Francisco, CA—Start off your year with a lot of hope and optimism. Black and Brown Visions, a community-building event and benefit show for all that will address issues concerning our Black and Brown communities. This 2nd Annual multimedia group show will include visual art, artist vendors, poetry and hip-hop performances by conscious women of color emcees. Curated by mexica queen. The show will be from 7:30-10pm at Galería de la Raza, 2857 24th Street (at Bryant Street) 94110. Tel. (415)826-8009. Doors open at 7pm.

Admission: $15
$5 for high school students w/ student ID

Proceeds will benefit the program Sistas Take Back The Mic!, a summer workshop series and rap competition for young women of color aspiring emcees (ages 16-25).

"Mystic is an "Urban Angel"; a dreamer and a global voice of hope for repressed communities. She is one of the most talented hip-hop artists of her time, possessing an exquisite skill for weaving rap, poetry, and song." —mexica queen, Curator and Re(Gen) artist www.myspace.com/thatgirlmystic

(Re)Generation is an interdisciplinary program at Galería de la Raza targeting 18 to 35 year-old emerging, Latino/a artists. The mastermind behind the program is the curator's very own mentor and artist Dr. Amalia Mesa-Bains.

Galería de la Raza, a 38 year-old gallery and community art space located in the heart of the Mission District came to fruition during the rise of the Chicano movement of the civil rights era. www.galeriadelaraza.org

Macha Femme promotes women of color artists with a special focus on hip hop and the intent for spiritual upliftment, transcommunality, youth empowerment, and social justice. Macha Femme Productions has been supporting women of color artists since 1999, with a special focus on female emcees. www.myspace.com/machafemme

Many interdisciplinary artists will be performing and are available for interviews. Artists include: visual artists EYA and Kristina Lovato-Hermann, artist vendors Sydney Cain (youth) and Maya Ponce, DJ Explicit, DJ Chief Boima, with performances by Pheenawm, mexica queen, Maryam Afaq, Gisella Ramirez, Kym Glanville, Tomas Riley, Nicole Griffin, Nathan Jones, singer Jack Ramzy, UNKNOWN, and MCs Anita Fixx, Klassiq, Vision, Miki Vale, and Mystic.

To set up interviews, or request artist bios, photos, or flyer please email machanoticias-owner@yahoogroups.com.



http://www.myspace.com/machafemme http://groups.yahoo.com/group/machanoticias
"The practice of love is the most powerful antidote to the politics of domination."
-bell hooks
Thursday, December 18, 2008 

Category: Writing and Poetry
THANK YOU for making the Xochiquetzalli Poetry Night & Benefit a wonderful success!

I'd like to thank and acknowledge two sistas, Kristina Lovato-Hermann and Nazbah Tom, for meeting with me individually and helping to organize this event.

Volunteers I owe a big shout out and hugs:

Melanie Cervantes for hooking us up with the tightest flyer and for publicity. (This was our first flyer for MFP!)

Suzanne del Mazo for reserving the video camera and being our official event photographer!

Janet Ishigame and Amy Wagner for holding down our vending for SNAG Magazine and donations for Xochiquetzalli.

Kristina Lovato-Hermann for hooking up the visual art and with Melanie Chan, the altar for Tonantzin.

Gisella Ramirez for videotaping with laughs and grant seeking finesse.

Natalie Bell and Karina Gonzalez for the yummy appetizers.

Rosa M. Hernandez, Celeste Guzman Mendoza, and everyone else for your donations to the anthology last Friday.


Thank you also to our Vendors for bringing enthusiasm and positive vibes:

MASA (Mujeres de Ambiente Sociales y Activas) queer women of color for social justice, Mitlalpilli Azteca Clothing and Jewlery, SNAG (Seventh Native American Generation) Magazine, and Semilla de Corazon (Seed from the Heart) Zapatista women's organization.

DJ Mixtek for providing us with the old skool vinyl and bringin' back the 80's. I appreciate, for real!

Genny Lim, Naomi Quinonez, and Nanette Bradley Deetz for paving this path for us to follow.


blessings,

Micaela Valdez,
Macha Femme Press
www.myspace.com/machafemme