Status: Single
City: Groover's Paradise
State: Texas
Country: US
Signup Date: 9/6/2006
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Friday, April 10, 2009
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Check out this video: South Texas Soul: The San Antonio Sound - documentary trailerSouth Texas Soul – Augie Meyers, Doug Sahm and the history and influence of South Texas on popular music of today. Documentary filmmaker Tracy Ready examines the influence of German, Polish and Irish immigrants in South Texas on popular music styles including Country, Tejano, Blues and Rock and Roll, from a unique perspective. Musician Augie Meyers has taken the music of San Antonio to audiences the world over through performances and recordings dating back to the 1950’s. His long list of credits include Grammy award winning albums and extensive touring with Sir Douglas Quintet and Texas Tornados, solo albums dating back to the early 1970’s, motion picture soundtracks, and performance credits on landmark albums for a host of influential American musicians including Bob Dylan, Doug Sahm and John Hammond, Jr. Meyers’ life as the son of Polish immigrants, who grew up in the multi-cultural melting pot that is San Antonio and then took that sound to the world, is the central focal point of the documentary, but the story begins much earlier. The South Texas Soul will follow the story and musical influence of the earliest European immigrants to Texas, and carry it through to the modern age. The film will weave interviews and insights from working musicians of today, historians and fans with archival photos and rare performance footage. It traces the earliest entry of the accordion to the south Texas to the story of Augie Meyers, the Sir Douglas Quintet, and the Texas Tornados, and beyond to a new generation of the South Texas sound, carried on by such artists as Los Lonely Boys, Charlie and Bruce Robison, Robert Earl Keen and Shawn Sahm’s Tex-Mex Experience. Tracy Ready will write, direct and produce the documentary in High Definition (1080 24p) with archival footage and photos from the past. STATUS ANALYSIS: Initial principal interviews were conducted in San Antonio in 2008 with Augie Meyers and Jim Beal, Jr. historian and music writer for San Antonio Express News. Additional footage of Augie in session recording his current solo album at Blue Cat Studios was also acquired as a starting point for the film. Included also in the film will be never before seen interview and performance footage of Augie Meyers in an interview with Tracy Ready in 1989. Support the making of this film with tax deductible donation to Still Kickin' Foundation, a 501 C-3 non profit organization dedicated to capturing the stories of older Americans who have done great things late in life. Donate today www.stillkickin.org Thanks for watching, and for your support.
 | Currently listening: Groover's Paradise By Doug Sahm and the Tex Mex Trip Release date: 2005-06-21 |
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Monday, March 23, 2009
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Current mood:talented
Category: Music
Remembering 'Texas Tornado' Doug Sahm Sir Doug, who died 10 years ago, honored with new CD and several events at SXSW By John T. DavisSPECIAL TO THE AMERICAN-STATESMAN Monday, March 16, 2009 'You can never repay the people who make you into who you're supposed to be. That's what Doug did for me — he made me into someone I was always supposed to be. And he gave me the confidence to be that person." Bill Bentley is on the phone from Los Angeles, talking about his friend and mentor Doug Sahm. Sahm, the protean San Antonio native who wove the wonderful and diverse strands of Texas roots music into a funky, multihued tapestry, died 10 years ago come November. Though he never racked up a string of hits, the name of this motormouthed, self-anointed "Texas Tornado" deserves to be writ large, alongside other pioneering Lone Star giants such as Ornette Coleman, Buddy Holly and Bob Wills. Thanks to Bentley — former Austinite, journalist, record company executive and producer — and a lot of other folks, Sahm, his music and his legacy will have large roles in this year's South by Southwest Music Conference and Festival. He will be f?ted at the Austin Music Awards on Wednesday in a tribute starring his son Shawn, his former bandmate Augie Meyers and Alejandro Escovedo. Another show pays homage the following night at Antone's with Jimmie Vaughan, the Gourds, Dave Alvin and more. And Sahm's hippie era masterpiece, the 1969 album "Mendocino," (made when he was with the Sir Douglas Quintet) will be dissected at a SXSW panel at noon on Saturday, which Bentley will moderate. One thing is for sure — Sahm himself would have eaten it up with a spoon. "Doug wasn't a conceited guy, but he knew he was great," said Bentley, who dates his and Sahm's friendship to a night in 1971 when Sahm showed up at an Austin gig where Bentley was playing drums in a campus-area beer joint. "He didn't make a big deal out of it. But when you played with Doug Sahm — and I played with him a couple of times — you always played better. Period. "I saw him do whole sets with bands he'd never met. He didn't even know their names. He just went for it. Trust your soul, man. Trust your soul." But Bentley isn't content to merely recycle good times and old memories. Together with co-producers Shawn Sahm and David Katznelson, he is the driving force behind "Keep Your Soul: A Tribute to Doug Sahm," a collection that will be released on the Vanguard label on March 24. Featuring performances of Sahm originals by the likes of Los Lobos, Delbert McClinton, the Gourds, Alejandro Escovedo, a reunited Freda and the Firedogs (the '70s country-rock band fronted by singer Marcia Ball), East L.A. Chicano star Little Willie G. and others, the album not only mirrors Sahm's restless eclecticism, it reveals the enduring influence he has had on a dizzying array of musicians. "I give Doug credit in practically every interview, particularly when I'm asked about influences," said Ball, who has evolved into a star in her own right. "He opened a lot of doors and focused a lot of attention on Austin by virtue of his own fame. The whole thing of Jerry Wexler coming to Austin, that happened because of Doug." (The famous Atlantic Records producer, who worked with the likes of Ray Charles and Aretha Franklin and invented the term "rhythm and blues," dedicated his autobiography to Sahm.) Escovedo, who covers Sahm's "Too Little Too Late" on "Keep Your Soul," echoed the sentiment. "If someone asked me to do a tribute to whomever, I might consider it, I might not. But this one was a no-brainer," he said. "Doug was a major fixture in Texas music and my upbringing. When I was growing up in Southern California, I embraced surfing, I embraced English rock 'n' roll, and rock 'n' roll in general. There weren't a lot of Chicano kids doing all that stuff. I was in a no-man's-land, in a way. Doug, on the other hand, came from an Anglo upbringing and embraced Chicano culture and Mexican music, and made it this totally different thing. He integrated a sound like no one had ever done before. "He was a complete musician in the best of the Texas sense. You know, is he a hippie, is he a rocker, is he a country dude, a blues guy? But he was all those things. He represented freedom. That's always been extremely important to me." Bentley, who produced two preceding tribute albums honoring Roky Erickson and Moby Grape's Skip Spence, knows that many, if not most of SXSW's forward-looking hipsters, might not know who Doug Sahm is. They might not know that he cut his first hit, "She's About A Mover," in 1965, might not know that his career was bookended by two wonderful bands (the '60s-era Sir Douglas Quintet and the all-star Texas Tornados), and might not know that his friends and admirers included Bob Dylan and members of the Rolling Stones. But, by God, before Bentley's through this week, they will know one thing: "Doug Sahm was fearless." That, as much as anything, was the quality that endeared Sahm to Bentley and inspired the younger man to reach beyond his grasp. "He lived for music, and no matter what style of music you play, that fearlessness is something all musicians should strive for," Bentley said. "Doug would play Lefty Frizzell country songs in front of a bunch of stoned San Francisco acid trippers. That's fearless! "That's the key to Doug Sahm. He was probably the most fearless musician I ever met, and that can't be overvalued. If you're gonna create music, you have to be unafraid." Toward the end of the conversation, Bentley grows reflective. "Honestly, I'm still not over him dying. He still talks to me. I'm not saying he was a perfect guy, because God knows, we're all human. But there's something that was inspirational about Doug at his best that's rarely equaled. He could turn people on not only to music, but life. He loved to get high and live. That was his whole thing." Doug Sahm events at SXSW- The Doug Sahm Tribute with Shawn Sahm, Augie Meyers and Alejandro
Escovedo begins at 9:55 p.m. Wednesday at Austin Music Hall, 208 Nueces St., during the Austin Music Awards. The ceremony begins at 7:55 p.m. Tickets are $15 (cash), $16 (charge) at Waterloo Records, 600 N. Lamar Blvd. - The Doug Sahm Tribute featuring Shawn Sahm, the Gourds, Dave Alvin,
Jimmie Vaughan, Sarah Borges begins at 8 p.m. Thursday at Antone's, 213 W. Fifth St. (This is an official SXSW event.) - Bill Bentley will moderate the panel "Doug Sahm's 'Mendocino'" from
noon to 1:15 p.m. Saturday in Room 16B of the Austin Convention Center. On the panel: Harvey Kagan, Augie Meyers. Margaret Moser, Jan Reid and Shawn Sahm. (Panel for SXSW badgeholders only.)
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Monday, March 23, 2009
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Current mood:  adored
Category: Music
http://www.austin360.com/blogs/content/shared-gen/blogs/austin/music/entries/2009/03/19/memories_alive_backstage_at_th.html By John T. Davis | Thursday, March 19, 2009, 10:29 AM Austin Music Awards 9:45-10:30 p.m. Wednesday Austin Music Hall “Don’t go out there! There’s old people pogo-ing!” Those were the first words I heard backstage at the Austin Music Awards, midway through the festivities at the Austin Music Hall. The remark was a cautionary injunction in regard to the reunion of the Raul’s/Duke’s Royal Coach Inn/Club Foot punk warhorses, the Dicks. Sure enough, the graying members of the band bopped energetically onstage (“spry,” I guess was the proper word, a designation I’m sure the band members would be mortified to see applied to them) onstage. Backstage, a somber shadow temporarily eclipsed the ebullience. Bandleader Cornell Hurd spoke movingly of the loss of his friend Danny Young, the “Mayor of South Austin,” musician and owner of the Texicali Grill. Young was shortly to be inducted into the Hall of Fame. “I never met anybody like him before, and I won’t live long enough to meet someone like him again,” said Hurd. In an adjoining room, the late Doug Sahm’s old compadre and bandmate, keyboardist Augie Meyers, spoke movingly of his friend. “I loved the guy. Me and Doug were friends since we were 12, and I’m going to be 69 soon. His spirit is always floating around.” Meyers would soon take the stage with Doug’s sons Shawn and Shandon and members of the Texas Tornados and special guests for “SDQ2: A Tribute To Doug Sahm.” The clouds of loss were dispersed the moment Shawn Sahm plugged in onstage, yelped, “Are you guys ready to have some fun,” and kicked off an accordion-spiced rendition of the Sir Douglas Quintet classic, “Nuevo Laredo.” Meyers took center stage for “Hey Baby, Que Paso,” and after a full-house sing-along of “She’s About A Mover,” the ensemble yielded the stage to Alejandro Escovedo and the Fireants, who encored with Sahm’s “Too Little Too Late,” a song Escovedo reprised on a forthcoming tribute record to Sahm. “We want to take this whole year to celebrate Doug and see that he gets a little cred,” said Shawn Sahm before the set. Wednesday’s Awards Show set marked an auspicious start.
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Monday, March 23, 2009
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Current mood:  accomplished
Category: Music
SXSW: Austin Music Awards at Austin Music HallThursday, Mar. 19 2009 @ 12:37PM http://blogs.houstonpress.com/rocks/2009/03/sxsw_austin_music_awards_at_au.php
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Alejandro Escovedo (second from left), Shawn Sahm and two Fireants (background).
Though he passed away in 1999, Doug Sahm was there too, via son Shawn Sahm's tribute that saw a stageful of Sir Doug's acolytes and former bandmates scare up some stinging San Antonio conjunto boogie on "Nuevo Laredo" and "Hey Baby Que Paso." Sahm's fellow Texas Tornado Augie Meyers' inimitable Vox organ had the packed house's hair standing on end while their feet moved of their own accord during "She's About a Mover." Still, the spookiest song was multiple award-winner (including Musician of the Year) Alejandro Escovedo and youthful Austin roots-rockers the Fireants - who had already backed Bob Schneider; a clattering, Tom Waits-ish song was all Rocks Off caught of that set - for "Too Little, Too Late," a song Escovedo co-wrote with Sahm featured on Vanguard Records' brand-new compilation Keep Your Soul: A Tribute to Doug Sahm. Lesser-known than the rest of the set's material, it was a deep cut that cut deep.
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Monday, March 23, 2009
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Current mood:  energetic
Category: Music
Live ShotsSXSW showcase reviewsDoug Sahm Tribute Antone's, Thursday, March 19Doug Sahm never stood in one place for too long as this two-hour tribute demonstrated. The man defined Texas music, which meant rock, Tex-Mex, blues, jazz, and country intermingled, and it still makes perfect sense. Jimmie Vaughan led off the night swinging, especially on the horn-driven "Why Why Why," the 1950s-style soul track he lends to the upcoming Sahm tribute disc, Keep Your Soul. Sir Doug's country rock side was covered by the Gourds and a lively "Nuevo Laredo," but the fire was lit when son Shawn Sahm & the Tex-Mex Experience hit the stage with a dancing take of "Adios Mexico." The younger Sahm's a spitting image of his father in many ways, one of them being a talkative stage presence that kept things lively during set changes. Dave Alvin joined in, aided by Cindy Cashdollar and her steel guitar, for "Dynamite Woman." "When I was young, I wanted to be Doug Sahm when I grew up," Alvin claimed. "Tonight I get to pretend." There were left-field appearances as well, one by local blues guitar wunderkind Jake Andrews (with Keep Your Soul producer Bill Bentley on drums), and Massachusetts country rocker Sarah Borges. Those that stuck it out were rewarded with a blowout of a finale as all the living members of the Texas Tornados – Augie Meyers, Flaco Jimenez, Ernie Durawa, and Speedy Sparks – joined for a mini set of their greatest hits, right down to the Freddy Fender nod "Wasted Days and Wasted Nights." It was the kind of raucous celebration that Doug Sham would have loved, tempered with the knowledge that he left a legacy of great music and a world full of memories that many of us still miss. http://www.austinchronicle.com/gyrobase/Issue/review?oid=oid%3A756745
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Monday, March 23, 2009
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Current mood:  artistic
Category: Music
.............. By John T. Davis | Friday, March 20, 2009, 12:12 PM (8 p.m., Thursday) I’ve been in a Doug Sahm frame of mind this week. It’s hard to avoid reflecting how much SXSW, with its relentlessly catholic blend of genres and its communal search for the ultimate chord, owes to the spirit of the musically restless San Antonio native who never met a groove he didn’t like. Thursday night’s tribute to Sahm at Antone’s, marking the decade since his untimely passing and the release of a new star-studded tribute album, was much like a conversation with the man himself: overstuffed, wide-ranging and ultimately exhiliarating. Blues guitarist Jimmie Vaughan kicked things off with a tribute to the greasy, horn-laden Houston R&B Sahm loved so much (think Bobby Blue Bland and the great Peacock/Duke Records hits to come out of the Bayou City). Backed by an ensemble that included Sir Douglas Quintet drummer George Rains and an A-team horn section composed of Mark “Kaz” Kazanoff, Greg Piccolo (ex-Roomful of Blues) and Ephriam Owens, Vaughan’s guitar fireworks junp-started a crowd already brimming with anticipation. The Gourds followed with an homage to the Tex-Mex border fusion of rock and conjunto/norteño that were the backbone of great Sir Douglas Quintet hits like “Nuevo Laredo,” “Nitty Gritty” and their own tip of the hat to the SDQ legacy, “Shake the Chandelier.” Doug’s son Shawn continues the legacy with his own band, the Tex-Mex Experience. Joined by Dave Alvin and steel guitarist Cindy Cashdollar, the younger Sahm embodied his father’s joyful, effervescent embrace of the musical moment: “Awrite, now we’re grooving!” he shouted after “Dynamite Woman,” “Now, let’s bring up some horns. If you guys want to play, come groove with us, that’s what it’s all about!” After two numbers by Sarah Borges, Shawn Sahm returned to the stage to conduct the evening’s final segment, a stomping, shaking recreation of his dad’s last great ensemble, the Texas Tornados. Joined by Tornados stalwarts drummer Ernie Durawa and guitarist Louie Ortega, and featuring accordion king Flaco Jimenez, trumpeter Al Gomez, bassist Speedy Sparks and Doug’s right hand man, keyboardist Augie Meyers, the ten musicians punched thorough “Who Were You Thinking Of,” “Hey Baby, Que Paso” (the national anthem of San Antonio), “Wasted Days and Wasted Nights,” “She’s About A Mover” and “Mendocino” — five perfect songs, a 20-minute seminar in the solid gold musical legacy of Sir Doug Sahm. http://www.austin360.com/blogs/content/shared-gen/blogs/austin/music/entries/2009/03/20/sxsw_review_doug_sahm_tribute.html
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Monday, March 23, 2009
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Current mood:  adored
Category: Music
Doug Sahm Remembered At SXSW.. .. ..
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Alejandro Escovedo paid tribute to Doug Sahm at SXSW. |  | ..
March 20, 2009 09:32 AM ET
Gary Graff, Austin, TX
With a tribute album coming Tuesday (March 24), the late Doug Sahm was the subject of two live homage's this week at South By Southwest. A Texas Tornados set highlighted a two-hour show on Thursday night at Antone's, which featured several of the artists who contributed tracks to Vanguard's "Keep Your Soul: a Tribute to Doug Sahm," which commemorates the Texas music legend who came to fame leading the Sir Douglas Quintet. Led by Sahm's son Shawn, the Tornados' portion of the concert reunited surviving band members Augie Meyers and Flaco Jiminez for a six-song romp. They played lively versions of "Who Were You Thinking Of?," "San Antone," Meyers' "(Hey Baby) Que Paso," a nod to the late Freddy Fender with a hot rendition of "Wasted Days and Wasted Nights" (sung by Nunie Rubio) and Sahm's best-known hits, "She's About a Mover" and "Mendocino." In addition to a documentary that's being made about his father, Shaw Sahm also told the crowd that he, Meyers and Jimenez have recorded a new Tornados album – the group's first studio set since 1996's "4 Aces," which will included some tracks with Freddy Fender recorded before his death in 2006. The Thursday night tribute also featured performances by Jimmie Vaughan, the Gourds, Dave Alvin and Sarah Borges & the Broken Singles, while Jake Andrews fronted a version of "Glad For Your Sake" that featured "Keep Your Soul" co-producer Bill Bentley on drums. Doug Sahm, who was saluted as "the father of Americana music," was also honored at the Austin Music Awards on Wednesday night with another performance that featured "She's About a Mover" and Alejandro Escovedo recreating his version of "Too Little Too Late" from the "Keep Your Soul" album. .. .. .. .. Other artists who took part in the tribute project include Los Lobos, Delbert McClinton, Charlie Sexton, Little Willie G, Terry Allen and a collaboration between Joe "King" Carrasco and the Texas Tornados. | .. http://www.billboard.com/bbcom/news/doug-sahm-remembered-at-sxsw-1003953668.story
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Sunday, March 01, 2009
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Current mood:  adored
Category: Music
SXSW 09 Will Be a Groover's ParadiseTuesday, Feb. 24 2009 @ 2:14PM
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A few weeks ago, Rocks Off could barely contain his enthusaism when he opened the mail - a momentous enough occasion in itself - and found an advance of Vanguard Records' Keep Your Soul: A Tribute to Doug Sahm. He put it on as soon as he got home (his piddly office CD player is just not groovy enough to handle such a disc), and was hardly disappointed. Whether it's ex-Afghan Whig and current Gutter Twin Greg Dulli growling "You Was for Real," Dave Alvin's kinetic honky-tonker "Dynamite Woman," Ry Cooder and Wille G (of '60s Latino rockers Thee Midnighters) chicken-scratching "She's About a Mover" or Shawn Sahm's spot-on rendition of "Mendocino" - with both his and his dad's bandmate Augie Meyers on that immortal Vox organ - this one's for real all right. As you can see from the poster, SXSW is hardly going to let the release of Keep Your Soul go unheralded. Every day, in fact, brings some sort of Sahm-related event. Rocks Off plans to go to as many as possible, of course. In fact, this has aroused feelings in him he thought were long gone - namely, he's actually looking forward to going to SXSW again. Thanks a lot, Sir Doug! Keep Your Soul will be released March 24.
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Sunday, February 22, 2009
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Current mood:  adored
Category: Music
HOME: FEBRUARY 20, 2009: MUSIC Off the Record Music news
Dispossessed Men and Mothers of Texas  An outtake from Sahm’s second cover shoot for Rolling Stone (July 8, 1971), courtesy of famed rock photographer Baron Wolman: “I loved Doug and miss him; we all do.” Photo courtesy of Baron Wolman Even by his own incomparable standards, Doug Sahm's Mendocinois the ultimate crossover album, a borderless rendering of Tex-Mex, San Francisco psychedelia, and British Invasion rock by his Sir Douglas Quintet. South by Southwest commemorates the 40th anniversary of the LP with a panel featuring the quintet's Augie Meyers, Frank Morin, and Harvey Kagan, along with Shawn Sahm. "Doug was pure magic, even more so in the studio," muses moderator Bill Bentley. "It's a mystery to me how he really put his music together, and this might be one of the few chances we'll have to solve it." The celebration continues with a Texas Tornados showcase at Antone's on Thursday, March 19, featuring Jimmie Vaughan, Dave Alvin, and the Gourds, all of whom are spotlighted on Keep Your Soul: A Tribute to Doug Sahm, due the following week on Vanguard Records. The previously mentioned compilation (see " Off the Record," Nov. 21, 2008) now features Little Willie G. with Ry Cooder ("She's About a Mover"), Flaco Jimenez alongside the West Side Horns ("Ta Bueno Compadre"), and Charlie Sexton ("You're Doin' It Too Hard"). As if that weren't enough, Alejandro Escovedo has been added to the special SDQ2 showcase at the 2008-09 Austin Music Awards on Wednesday, March 18. Tickets for the event are $15 in advance, $20 day of show, and go on sale Monday, Feb. 23.
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Sunday, February 22, 2009
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Current mood:  ecstatic
Category: Music
Jim Beal 2009 will be the 10th anniversary of the death of Texas Tornado/chief Texas Groover Doug Sahm. Several projects are in the works to commemorate not only Sahm's passing, but his considerable body of music. Vanguard Recordstoday announced the impending release of a tribute CD, "Keep Your Soul: A Tribute to Doug Sahm." Scheduled release date is March 24, '09. Stay tuned because also in the offing are a biography and a memorial at "Doug Sahm Hill" in Austin. Here are the details according to the Vanguard press release: "To celebrate his unique career and influential legacy, Vanguard Records will release Keep Your Soul: A Tribute to Doug Sahm on March 24, 2009. This stunning collection includes exciting new renditions of Doug's most indelible songs, performed by an incredible line-up of artists. Keep Your Soul will mark the tenth anniversary of Sahm's death in 1999. "The songs on Keep Your Soul range over Sahm's entire history, including his time with the Sir Douglas Quintet, Texas Tornados and many solo recordings. It features artists such as Levon Helm, Delbert McClinton, Los Lobos, Dave Alvin, Shawn Sahm with Augie Meyers, Jimmie Vaughan, Alejandro Escovedo and others." (To read the rest of the press release, click on MORE) Here's a list of confirmed artists at press time (with more to be announced): Delbert McClinton, "Texas Me" Levon Helm, "She's About a Mover" Los Lobos , "And It Didn't Even Bring Me Down" Jimmie Vaughan, "Why, Why, Why" Alejandro Escovedo, "Too Little Too Late" Greg Dulli , "You Was For Real" Dave Alvin, "Dynamite Woman" The Gourds, "Nuevo Laredo" Terry Allen (with Joe Ely), "I'm Not That Kat Anymore" Freda & the Firedogs, "Be Real" Shawn Sahm (with Augie Meyers), "Mendocino" Joe 'King' Carrasco & Texas Tornados, "Adios Mexico" Charlie Sexton, "Magic Illusion" Vanguard press release, continued: "Doug Sahm created a vast musical impact over a 50-year career. Starting in Texas and traveling far beyond, he is considered by many to be one of the most significant figures in blues, rock, R&B, country and other genres, as well as an originator of Tex-Mex rock & roll. "My dad is a vital link in the Texas musical food chain," says son Shawn Sahm, "and this album will show that he belongs right next to all his peers when it comes to being a founding father of the state's rich legacy." "Born in San Antonio, Texas, on November 6, 1941, Doug Sahm was a child prodigy in country music, starting his professional career singing and playing guitar, mandolin, pedal steel and fiddle as "Little Doug" when he was only nine years old. He went on to form the 1960s influential group the Sir Douglas Quintet, scoring a Top 10 single with "She's About a Mover." Later, with Augie Meyers, Freddy Fender and Flaco Jimenez, Sahm founded the Grammy Award-winning Texas Tornados. He continued recording as a solo artist and won another Grammy Award for The Last Real Texas Blues Band, and recorded with a new formation of the Sir Douglas Quintet on SDQ '98. His last studio album, The Return of Wayne Douglas, was released posthumously after being made at a studio near his hometown of San Antonio, returning Sahm to his country roots and the area where he first began. "Keep Your Soul: A Tribute to Doug Sahm, produced by Bill Bentley, Stephen Brower, David Katznelson and Shawn Sahm, celebrates the life of a true American music visionary. Sahm was a master of every style he played, and is viewed as someone who helped shape the sound of modern music. He was also a sought-after session musician, appearing on other releases with Willie Nelson, the Grateful Dead, Uncle Tupelo and many more. His 1973 Atlantic Records release, Doug Sahm & Band, included special guests Bob Dylan, Dr. John, Flaco Jimenez, David Bromberg, Andy Statman, David "Fathead" Newman and Wayne Jackson. "The late Atlantic Records executive and album producer Jerry Wexler inscribed his autobiography Rhythm and the Blues to Sahm in 1993: "To Doug, of all the musicians I've worked with, I have always felt closest to you. And of all of them, you are the most gifted, the most versatile, with a musical ability that never quits." Keep Your Soul co-producer Bill Bentley adds, "These new recordings of Sahm's songs by the musicians who loved him would no doubt have Doug proclaiming, 'far out,' and then grabbing his guitar to go find a place to play. He really was a Texas tornado, and there sure won't be another Sir Doug." I met Doug with my brothers Manuel and Ricky Davila and Gilbert Villarreal in 1959 at Kuka Radio The Teens Choice Show. We became friends and fans of his music and had many great times together through out his career. The Doug Sahm hill in Austin the Tribute Album all so well deserved. Thank You Shawn and everyone involved.......Roy Doug grew up w/probably most of the true "Ol Timers" of San Anto. He touched everyone,never forgetting his TexMex/Chicano/Southside/Westside Roots. We love you,Sir Douglas! Sing on! I think of Doug often and have a cd of his music always in my car. Every November he would come visit in LA cause of our birthdays...He would put his hand over his mouth and say "It's a Scorpio thing Man" I Love and miss him dearly. Looking forward to this tribute cd...Te Watcho,,,Roy the Tacobrutha.... He was simply the greatest ! RIP Doug !
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