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Last Updated: 11/20/2009

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Country: JM

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Saturday, September 06, 2008 

Category: Music
The System


The System by Waterhouse artist Terry Lynn is the first music video combining the efforts of The Rickards Brothers and is meant to serve as a hard introduction to the creative abilities of the team.

The System was shot on location in Porus, Jamaica utilising HD video and Rickards' still-photography techniques.

The composition, texture and use of natural light in The System is intentionally similar to a series of photographs taken by Rickards in 2007 known as 'Friday Morning Market'.

The photographs from this series documented a day in the life of a typical slaughterhouse located at the back of a community market in rural Jamaica. (see http://afflictedyard.com/porus1.htm and http://afflictedyard.com/porus1.htm)

In The System, the struggling of doomed animals, the brutality and indifference of the butchers and the slaughterhouse itself will be presented as a series of visual metaphors that relate to the lyrics in Lynn's song.

To be precise, the violence and nonchalance of the killers are direct references to the police while the pigs are a clear reference to the victims of police violence within a seemingly inescapable garrison - the slaughterhouse.

The video premeired on Pitchforkmedia

For more information on Terry Lynn visit :  http://www.kingstonlogic.com and http://www.lastgangrecords.com


Tuesday, June 10, 2008 
Wednesday, April 02, 2008 

Category: Art and Photography



First Magazine is back.

Here’s the introduction from at its new website which has just gone
live : http://www.first-magazine.net

It wasn’t an easy decision to resurrect First Magazine.

Many things have changed since 2005 when the 7 x 7 inch magazine first (and last) appeared, and for a long time it was my opinion that First was better off having done something well and left as a proud collection of work, as opposed to forcing out another issue which wouldn’t have been on par with its predecessors.

To be sure, First Magazine was a labour of love.

An odd little publication that grew into something quite other than what it was initially intended; that is, a’where-to-go-what-to-buy-guide’ which would create another place for local advertisers to spend their money and for consumers to, well, consume.

The problem with this model, however, was that the ideas of First’s creators quickly conflicted with the notion of creating yet another advertorial-type ’magazine’, and soon, the editorial staff (which consisted of three people) began to cut a new path. This had both a good and a bad effect. Indeed, while First was critically acclaimed, it initially proved difficult to sell ads in a free publication that was more concerned with the character and life of Kingston, than the latest party snapshots or what was on Elephant Man’s speed-dial.

To make matters worse, the very expensive production values of First were created on a grand monetary budget of zero. All the players who participated did so at their own expense. The writing, the photography, the illustration, layout and even the selling of ads was done by a total of four people.

By the time the editorial team had begun creating the final issue, First had become nearly impossible to maintain as a free publication, and for brief moment, the idea of increasing the number of pages and charging a sticker price was considered.

But again, First needed a bigger workforce, and four people just wasn’t going to cut it. By Summer of 2005, after printing nearly 30,000 copies, the magazine released its last issue and First was put on indefinite hold. Its participants returned to their respective areas of work and First’s website went static.

Then something interesting happened.

Months after the last copies of First disappeared from sight, an increasing number of people began to enquire about the little magazine’s whereabouts. Potential advertisers appeared in emails, and inevitably, discussions of First returning became more and more frequent.

Adding to the persuasion was the fact that by 2007, many of the world’s magazines and newspapers had begun the general move from paper to the Internet; albeit with some protest by those of us who still preferred the feeling of reading from something that you didn’t have to switch on.

Nearly four years after its last printing, First was possible again and in early 2008, a compromise was struck. First would return, primarily as a product of the Internet, but with an accompanying print version which would look much more like a collectible coffee-table book than a magazine.

Like its first four issues, the magazine would remain true to its original structure - which was - as a matter of fact, structure-less; dependent on the unique and unpredictable nature of daily life as opposed to themes or subjects aimed at target groups.

Also added to the new First would be a host of new contributors drawn from around the world but all leading back to the foundation in Kingston. Like before, the magazine would reflect upon modern life in Jamaica, and like Jamaicans themselves, it would continually look outward - observing, absorbing and reinventing the world surrounding it.

A good compromise, we thought, minus the cost of printing 10,000 copies per month and the confinement of 36 pages.

We hope you enjoy it.


Sunday, February 03, 2008 
First Magazine was started in Kingston, Jamaica in December 2004 by a group of partners from various areas of expertise who were interested in creating a new Jamaican publication that was of a high standard.

Thanks to the the vision and assistance of Lithographic Printers in Kingston, First published four issues and 40,000 copies of the 7×7 inch magazine. The magazine was critically acclaimed and impossible to duplicate since it was structure-less; dependent on the unique and unpredictable nature of daily life as opposed to themes or subjects aimed at target groups.

After publishing the fourth issue in late 2005, First went on hiatus and the partners returned to their respective careers, until late 2007 when it was decided that First should make a return.

With a shift towards a new web-driven model accompanied by an annual print issue, the new First remains true to its original intent while providing a powerful new platform for new contributors drawn from around the world–but all leading back to the foundation in Kingston.

As before, the magazine will reflect upon modern life in Jamaica, and like Jamaicans themselves, it will continually look outward – observing, absorbing and reinventing the world surrounding it.

For more information on the relaunch check First's new Facebook Link


Monday, November 26, 2007 
Milieu Gallery, ( Information & Online Sales): http://www.milieu-digital.com/current/index.php

High Snobiety : http://www.highsnobiety.com/features/afflictedyard/index.htm

Photos from opening night ( Nov 10/07, Bern, Switzerland) : http://afflictedyard.com/afflictedyard_gallery1.htm



Monday, July 09, 2007 
Saturday, June 02, 2007 
Wednesday, May 09, 2007 
ROTFLMAO!!!!

THE NEW YORKER : 'Banksy was Here'

(scroll to the second paragraph)


Thursday, May 03, 2007 
Sunday, April 29, 2007 
Every now and then I get an e-mail from someone asking me how I became a photographer.

They often want to know what sort of equipment I used to get started as well as questions about technique and lights and other photography-related issues.

Well, in my opinion there's a couple of ways one could look at this business of photography : A) The hard way or B) the easy way.

For the record, I chose the easy way since I never really set out to become a photographer in the first place, and in all likelihood, will probably be doing something else in a couple of years to support myself. This is partly because I find the vast majority of the people in my field to be incredibly irritating,  and as such, I'm often ashamed to be grouped into this category ( especially after spending so much time and money in school and being a heterosexual).

Anyway on to the business at hand : How to become a photographer.

LESSON #1 - Buy yourself a camera.

+ The Easy Way : My first 'professional photograph' was taken with a camera that is nowhere as sophisticated as most modern day cellphones.

It was a Canon Powershot SD.



I got it completely by accident while I was still working at a dubstudio in Kingston where I was paid to plug in soundsystems to the Internet while getting drunk. The guy I was working for at the time actually stole the thing from someone who operated a small sound system in St. Vincent ( who had screwed up one too many times) and it had a dent in it. It had 2.1 megapixels and the delay time after pressing the button  was like 2 or 3 seconds.


It was with this camera that I sold my first photograph to a magazine called The Fader. It was a picture of Bounty Killer screaming into a microphone. I just stood there as it was happening and kept pressing the button and later took out the blurry stuff, blew it up with free scanner software and emailed it to them. It came out like this :



Years later, another shot from that same little camera  was sold to Cable & Wireless who blew it up onto a billboard :



What this proves then, is that the people who go around talking about equipment and megapixels versus film are the same people went to photography school or 'studied photography'--and those people are...well, need I say more?

+ The Hard Way : Buy yourself the most expensive camera you can afford. Preferably something that you don't know how to pronounce or switch on.

Add to that a collection of lights and and a few usless accessories like gold reflectors and a moron who is willing to carry all that shit around for you.



The first time you use your new camera, make sure you take a picture of yourself--holding your camera in a mirror or resting your hand thoughtfully on your head. This will make people think that photography is a challenge or  that you actually have to think about things before pressing a button or that you're an artist.

Bring your cumbersome bullshit lighting set even on bright sunny days when the sun feels like an X-Ray and make sure you take an hour to set them up. This will impress the client who is is also ignorant and thinks that the more equipment you have, the more you know what you're doing. Don't worry much about content at this phase as you are simply using this time to build your name and 'network.'

Don't ever use the autofocus on your camera as this would be 'the easy way.' Instead, fuck around with the controls so that each picture is different from the last and the client thinks the money they are giving you is worth it if you look like you have to manually adjust things.

That's it for lesson #1.

In lesson #2 we will look at subject matter and try to answer the age-old question : "Will this get me more chicks?"