Status: Single
City: BROOKLYN
State: New York
Country: US
Signup Date: 9/13/2006
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Monday, September 28, 2009
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Current mood:  hopeful
Category: Music
While continuing to develop music for Acoustic Burns my next album I am working on a project called An Acoustic Mind wherein I will be acoustically revisiting an album I helped write
and record in 1982, New Gold Dream. Just up on my Myspace and Youtube is a rockin' acoustic version of Promised You A Miracle, one of Simple
Minds most elegant rock/pop songs.
Early in 1982, through a contact with my ex-manager Bruce Findlay, I joined Charlie Burchill, Jim Kerr, Mick Macneil and Derek Forbes in a huge converted barn in Perthshire, Scotland where, among other things, we wrote the music for what was considered the band's watershed album. New Gold Dream 81, 82, 83, 84 from Simple Minds will forever mark a turning point in the carreer of one of rock music's all time great live and studio bands. My part in it as drummer and rhythmatist, though small, was significant. Mick, Charlie, Derek and I quickly developed a musical rapport and conversation which opened the door to a totally new feel for the band in terms of rhythm and mood. Known for their "dark" sound, my arrival to the band coincided with new musical excursions into the worlds of soul and rhythm and blues, my forte.
While losing none of the power and mystery of previous years, 1982 was when Simple Minds consolidated their gains, reached out and, played the riskiest card of their long and illustious carreer. They made the decision to become more consumable widen the fan-base and make an album that could compete and stand up with the best of the coffee-table commercial music that was doing the rounds at the time.
The result, now considered "an album to hear before you die", is a multi-faceted master-work of rhythm and melody known as New Gold Dream 81-82-83-84. Though I ran out of steam during the studio recordings of the project I worked closely with the great drummer Mel Gaynor to ensure that the drum parts and feels I had developed in the barn in Perthshire were faithfully duplicated and made it to tape for the final version. One highlight of the recordings was when Mel and I set up both our kits in the big stone-lined drum booth at the Townhouse Recording Studio in London and proceeded to record a double drum extravaganza for the albums title track New Gold Dream. That was some energy and some sound. Unfortunately what made it on the album, a beautiful mix, paled sound-wise compared to the memory I have of listening to the sound engineer playback a special drummer's only drum-mix for Mel and I which had the walls and roofs of the Townhouse literally shaking. The hairs on the back of my neck and arms stand on end just remembering it.
Watch this space for more music and videos from My Acoustic Life. Yours, An Acoustic Mind Promised You A MiracleMike Ogletree.
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Thursday, July 09, 2009
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Robert Burns and Bairns Two Worthy Causes One Worthy Group
With less than four weeks to go things are really hotting up for the
dedicated group of International Burnsians organizing the Burns Benefit
Concert at The Oran Mor Venue in Glasgow. At the end of the night on
July 28th co-beneficiaries, The Yorkhill Children's Foundation and the
Robert Burns Birthplace Museum will each receive a share of all ticket
sales which are £12 each.
Performers at the benefit, all for no personal fee, include the
official "Robert Burns" of Homecoming 2009, Impersonator Chris Tait,
musician Mike Ogletree from Simple Minds, west coast wonder-band The
Skunnered whose "Good Morning Glasgow Town" has had over 200,000
web-hits, Glasgow's very own Eilidh Grant, counter-tenor Gari Glaysher
and many more.
"We are so excited to be able to raise funds for such worthy causes in
the name of Robert Burns." said Rosemarie Rounce-Rigou, one of the
organizers. "With such a talented cast of world-class performers we
expect a high turn-out and healthy checques for Yorkhill Children's
Hospital and The Burns Birthplace Museum."
Yorkhill Children’s Foundation, whose aims are to provide the ‘extra’
services and pieces of equipment that make a child's stay in hospital
that little bit easier, has grown steadily since its inception in 2001,
raising £319,000 that year to £2.5 million in 2008-2009. "Donations
such as this one are the vital contributions that help us to continue
and develop our work," said a Yorkhill spokesperson. "anything that
improves the care given to sick children is an investment in all our
futures."
The National Trust for Scotland has taken the lead in creating the
Robert Burns Birthplace Museum with a target to complete the project in
2010. "Burns is central to Scotland's life and culture and is widely
regarded as a Scottish icon." notes a spokesperson for the National
Trust. "We are creating a new world class Robert Burns Birthplace
Museum but we still have 3.8 million to raise to meet our target of
21m. This donation will contribute to the preservation of Robert Burns
legacy for future generations to come and brings us closer to realising
the project on time."
So, not only an evening of world-class entertainment but also an
investment in the future health of our children and the continued
legacy of our national poet. The concert at Oran Mor on July 28th is an
opportunity to contribute to two worthy causes made possible by one
worthy group, that would doubtless meet with Burns's approval.
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Thursday, July 09, 2009
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Category: Music
With his latest CD, "Songs, Chiefly In The Scottish Dialect by Robert
Burns and Mike Ogletree", Simple Minds and Fiction Factory drummer Mike
Ogletree has a new fan at the US Library of Congress in Washington DC.
After reviewing Mike's unique funky/reggae versions of the Burns
classics Jennifer A. Cutting, Folklife Specialist from the Library of
Congress had this to say:
"What an inventive project. "To a Mouse" ends up working very well with
a dance groove; "A Man's a Man" works well with the Reggae treatment;
but if I have favorites, I suppose they are "Scots Wha Hae" and "The
Deil."
Congratulations on the publication of your CD.
I will make sure that one copy goes over to our Recorded Sound division
with a recommendation that it be added to the collections."
"It is truly an honor," said Ogletree now living in New York, "to have
the fruits of my musical collaboration with Burns evaluated in such a
positive way and added to such a prestigious body is like a dream come
true."
With a second Burns album in the works and set to perform live at the
Oran Mor venue in Glasgow on July 28th Mike, a devoted Burnsian is
spreading the Bard's immortal message ever further and wider.
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Tuesday, June 16, 2009
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Category: Music
A brief history on Burns' inspiration and the origin of Ae Fond Kiss reveals how appropriate it is to the typical tragic Operatic paradigm, it's a real tear-jerker:
Burns, a bachelor at the time, having been rejected by the father of his Ayrshire beloved, Jean Armour, had struck up a platonic, if intensely intimate, relationship while residing and working in Edinburgh with one Agnes Macelhose. She, the wife of a wealthy Scottish businessman with interests and domicile in Jamaica, lived in Edinburgh under the tutelage of an Edinburgh clergyman forcing Burns and her to conceal their identities and relationship by using the pseudonyms Sylvander and Clarinda in their correspondence.
Deciding to consolidate plans for a future career as a farmer and a tax collector Burns left Edinburgh, returned to his home in Ayrshire, where he finally won the hand of his sweetheart Jean Armour with paternal blessing, then moved and settled down in Dumfries, Scotland. Apart from a few letters his relationship with Macelhose was over.
Alone in Edinburgh Macelhose decided to travel to Jamaica and join her husband whereupon Burns, reacting to the news, wrote the words to Ae Fond Kiss. They never met again, though Macelhose, still unhappy with her marital relationship returned to Scotland.
This angst ridden tale is further told by reading some of the yet extant correspondence between Sylvander and Clarinda. It is the perfect story line for opera and through the wonders of crossing genres and styles it also works as a story of forlorn love in reggae.
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Saturday, March 28, 2009
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Category: Music
Here are some fun facts and figures which inspired my sing-along dance-along approach to this beautiful masterpiece of language and eloquence. Sang as I felt it - Green Grow The Rushes O.
1959:] Burns knew "the merry old tune", 'Green Grow the Rashes O', as a bawdy song that has been long current in Scotland. When Jean Armour delivered a set of twins from her first pregnancy [on September 3rd, 1786], Burns, in an excess of pride and happiness, sent a bawdy version of his own to a friend [John Richmond] to signalize the event. [...] Earlier, Burns had written the masterpiece known to all the world, one of the two songs contributed to the first volume of "The Scots Musical Museum". (Notes Ewan MacColl, 'Songs of Robert Burns')
[1965:] Here is one of Burns' best-known songs, a rousing earthy appreciation for the lasses so typical of the great poet. The song had existed in Scottish tradition for many years as a drinking song and a bawdy song until Burns penned the present version. (Reprint Sing Out 8, 108)
[1986:] Another poem that [Burns] wrote in his Commonplace Book before the collapse of his health in April 1784 was portentous. ['Green Grow the Rashes O'] is an early example of Burns' skill in emending or rewriting an old folk-song; sometimes, as in this case, making a bawdy one respectable. A year or so later he sent three verses of the indecent version to his friend John Richmond. (Grimble, Robert Burns 41) There had been surprisingly few songs in the earlier edition [of Burns' poems]. Of the seven he now added, by far the most interesting is 'Green Grow the Rashes O', not only for its intrinsic beauty but because it is an early sample of Burns' gift for reworking fragments of folk-verse and marrying them to traditional airs. Here he has improved upon earlier, bawdy versions, as bowdlerizers so often fail to do, and set them to a dance tune which had been written in an incipient form early in the 17th century. (Grimble, Robert Burns 76)
[1988:] This song has a long and varied history. The tune has been a popular one since the early part of the seventeenth century (Straloch MS, 1627). In addition to the traditional bawdy verses included in the 'Merry Muses of Caledonia' , Burns collected or wrote at least two more in this genre. In this album, Jean Redpath sings the lyrics that Burns wrote in his early twenties. During that period, he kept a notebook of his thoughts and poetry, known as 'The First Commonplace Book'. In connection with 'Green Grow The Rashes O', Burns commented: "I do not see that the turn of mind, and pursuits of such a one as the above verses describe - one who spends the hours and thoughts which the vocations of the day can spare with Ossian, Shakespeare, Thomson, Shenstone, Sterne, & c. or as the maggot takes him, a gun, a fiddle, or a Song to make, or mend: and at all times some heartsdear bony lass in view - I say I do not see that the turn of mind & pursuits of such a one are in the least more inimical to the sacred interests of Piety & Virtue, than the, even lawful, bustling, & straining after the world's riches & honors: and I do not see but he may gain Heaven as well ..." (Esther Hovey, notes Jean Redpath, 'The Songs of Robert Burns, vol. 3')
[1989:] "Founded on an old and licentious song with the same chorus." "This is one of the most characteristic of all Burns' songs, although one of his earliest. In August, 1784, he sets it down in his Common-place Book [...] with some rambling remarks on 'the various species of young men' whom he divides into two classes - 'the grave and the merry'. The last stanza is not included in the copy inserted in the poet's first Commonplace Book, therefore, the presumption is that he added it while in Edinburgh. He seems to have borrowed the conceit from an ancient source." (Notes Andy M. Stewart, 'Songs of Robert Burns')
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Wednesday, March 04, 2009
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Category: Religion and Philosophy
................ Let Life Love You
This song is an invitation to experience the living meditation that is happening right now all around and through us. If we ARE anything at all we are awakened witnesses to life and the miracle of its unfolding. Enjoy the ride.
Let Life Love You
(A living meditation inspired by the words of Florian Schlosser)
(Slowly)
Tathagata
Tathagata
Tathagata
Tathagata
(Repeat)
Stillness be still
Rest come to rest
Softening that returns
To softness
Living as love
Feel the kiss of life
It is love that loves
So let it love you
Softly be the space and let life have you
Gently resting as complete wakeful passivity
Life can then entirely enter the system
We're replaced by the full force of life and love
Tathagata
Tathagata
We belong to life
We are for love.
Freely play
it's sweet melody
through us
Let life come in
Receive and release.
Kiss and touch
every place in us
it wants to
touch
Softly be the space and let life have you
Gently resting as complete wakeful passivity
Life can then entirely enter the system
We're replaced by the full force of life and love
Tathagata
Tathagata
Tathagata
Tathagata
(Repeat)
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Tuesday, February 24, 2009
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Current mood:  inspired
Category: Religion and Philosophy
The recognition of who we truly are - TRUTH - is the fruit that is gained by a gentle shift of attention away from the ever-changing content of experience to that which is aware of all experience in every moment. - Florian Tathagata
I have been waiting this whole lifetime to experience a personal spiritual awakening that would yield a practical social philosophy I could render in song format and disseminate to masses of people which by its very content would bring healing change to the planet. A kind of "save earth with music" dream I have always had. Well it is happening and I am about to post a couple of music and video "meditations" I am very excited about. I hope you will get involved with this little project I am about to embark on and have some fun with me.
Take care, Mike
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Thursday, January 22, 2009
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Current mood:  inspired
Category: Religion and Philosophy
When we discover we are on the same page together what do we do? We share a silent goal, an unspoken destiny; forever hidden and forever manifesting itself right before our eyes.We share this vision. We share this light. The spiritual harmony with which we start gives us the strength and inspiration to venture outward to explore the physical and silent realms together.To what end?To become love.That is the goal of life and why love is such an important part of it.When the great Tantric teachings of the 1960's emerged in the form of 60's pop culture the huge earth-shaking message was "All you need is Love". A truly unifying and healing process was introduced to the planet. The killings of John F Kennedy, Martin Luther King Junior, Robert Kennedy and Malcolm X and the Vietnam War were efforts to distract us and deaden the spiritual awakening that occurred. In effect they strengthened the case and need to cease the idealistic rhetoric and actively pursue Love as a solution in this system. And current conditions only amplify that need increase that case.Who knew how?We all know.Instinctively.The simplicity with which we can love each other gets shrouded in complexity by charlatans and thieves. Avarice and greed corrupt and aberrate man's pursuit of happiness and send a subliminal message throughout society that the sensations of longing and reaching for love, for spiritual riches are wrong. Spiritual terrorism.Love is part of our being, our birth-right.As much as the ability to walk, talk and breathe,or the gifts of sight sensation and sound and more. Are all part of this package we call life, so too is the gift of love and the ability to love.But why? That this system may undergo the transformation it faces and we all may return to our native state,a home universe, informed, enrichened and ready for our next mission.This is called, knowing your true nature.
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Tuesday, January 06, 2009
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About Bonie LesleyExcerpted from "The Book of Robert Burns By Charles Rogers, James Craig Higgins.................. BRIEF NOTICES OF OTHER FRIENDS OF THE POET, AND OF PERSONS REFERRED TO IN HIS WRITINGS..... Lesley Baillie. – Daughter of Robert Baillie, Esq., of Mayfield, Ayrshire, this young gentlewoman, who was eminently beautiful, is by the poet celebrated in his song beginning , "Oh saw ye bonie Lesley…." In dining with Mr. Baillie in July 1788, the Poet was much attracted by the charms of Miss Lesley and her sister. In course of a journey to England, Mr. Baillie and his two daughters visited the Poet at Dumfries in august 1792, and the Bard, who much appreciated this attention, afterwards accompanied them on horseback for fourteen or fifteen miles. Writing to Mrs. Dunlop on the 22nd of August he refers to the visit, and strongly expresses his admiration of Miss Lesley. .... Excerpted from "Burns. A Study of The Poems And Songs." By Crawford ...Love songs of the kind usually termed "personal" seem to be the result of a method of composition that nineteenth-century critics have found it difficult to square with their conceptions of sincerity. Burns himself described the process in these terms: Whenever I want to be more than ordinary in song; to be in some degree equal to your diviner airs; do you imagine I fast and pray for the celestial emanation? – Tout au contraire! I have a glorious recipe, the very one that for his own use was invented by the Divinity of Healing and Poesy when erst he piped to the flocks of Admetus. – I put myself on a regimen of admiring a fine woman; and in proportion to the adorability of her charms in proportion you are delighted by my verses. To this class belong that highly-wrought song of artificial compliment "Saw ye bonie Lesley," written for miss Lesley Baillie of Mayfield, Ayrshire…. The tune is the soil from which has grown a lyric whose words are superior to the melody to which it is attached; today it survives as poetry alone. The first two stanzas provide an excellent example of Burns's use of assonance, instead of strictly formal rhyme. The second two show an elegant modulation from pure Scots-English to Scots-English with "a sprinkling of our native tongue": In this song, written to a casual acquaintance, a woman of higher social status, Burns created an impression of great comeliness and charm of character…. As so often when he is writing really well, "The Deil" (Devil) appears – and is negated by Lesley's beauty. ..............
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Saturday, December 13, 2008
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Current mood:  artistic
Category: Art and Photography
Hello and welcome
This is an invitation to visit the Robert Burns and Mike Ogletree Group page on Facebook at http://www.facebook.com/topic.php?topic=6054&uid=39952812117/group.php?gid=39952812117 which has been created to provide a platform and an opportunity for creative artistic input from all, with the focus on Burns work and how his words are as relevant today as they were when he first spoke them.
As an example from my latest CD "The Kilmarnock Edition", Burns's poem Man Was Made To Mourn contains many simple truths that often get overlooked due to man's fascination with speed and the quick thrill. Yet the poem has as much bearing on current events as it did in the late 18th century when it was originally written. The phrase "Man's inhumanity to man..." while powerful and evocative in itself, takes on a whole new meaning when read in context with the rest of the words in that line - "Mans inhumanity to man makes countless thousands mourn". I use this line as the refrain in my version of the song, and think of it as the clarion call of the entire poem, an invocation for man to realize that we need honest human healing which will only occur through humane means and that violence only begets violence and more suffering.
I want to take this whole side of Burns, Burns the dreamer of dreams for a culture, Burns the visionary and invite artistic contribution inspired by his work which shows how his legacy endures and lives on in the hearts and minds of men. There are already hundreds of us doing just that so we are not lacking for input. It could be music, painting, photography, sculpture, dancing, video, acting, movies, theater, writing, blogging, poetry, recital, any "Art" but let's make it contemporary and a bit cutting edge. Let's bring Burns into the 21st century with style.
I'd love this group to be a sort of umbrella activity that covers all artistic and creative endeavor. A place for Burns enthusiasts to meet and share, communicate, co-create and learn and grow together. Continue his legacy. Any person, inspired by Burns and his work can create and contribute. Look at the many facets of the man and his life for inspiration, Burns the Poet, Burns the Romantic, Burns the Rebel, Burns - Voice of the oppressed, Burns the Prophet, Burns the Ploughman, Burns the traveller, Burns the Entertainer and on and on. We can organize contests and events in different categories to attract people's interest and get involved. And with the involvement of a sponsor who shares the enthusiasm for all things Burns we can tie the whole thing into the celebrations in Scotland next year with the goal of attending the festivities in Summer 2009.
Next year, 2009, marks the 250th anniversary of Burns's birth and in Scotland there will be a year of activities to honor and celebrate the man and his legacy under the banner of Homecoming Scotland. Contributions to this group and active involvement will allow each of us to participate online in one of the biggest global events of 2009, Homecoming Scotland.
So, let's just do it. It'll be fun, exciting and educational. I eagerly await your response and input. The best type of publicity by the way is "word of mouth" people talking to each other about something they like and encouraging others to participate. We can create a grass roots movement here which builds an enormous community of artists, dedicated to the Scottish Bard, Robert Burns, forwarding his message through our art in ways which honor and celebrate his legacy.
Join in, participate and educate.
Love, Mike
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