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THE LONG GONES



Last Updated: 11/17/2009

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Status: Single
City: CINCINNATI
State: Ohio
Country: US
Signup Date: 9/16/2006

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Thursday, October 15, 2009 
http://randomoldrecords.blogspot.com/2009/10/cynicsthe-customsthe-long-gones.html

The Cynics/The Customs/The Long Gones @Southgate House 10/09/2009

Cincinnati's burgeoning garage rock scene keeps trucking along, as great bands keep popping up all over, filling the clubs and bars with a joyful, sloppy racket. Last Friday was a night of legends though, as the Southgate House in Newport, KY hosted Cincinnati rock n' roll icons The Long Gones and The Customs, along with The Cynics from Pittsburgh. The joint was pretty jumpin' despite one of the foulest monsoons I've seen around here and a steep $10 cover charge.

First up was The Long Gones, who reunited last year after a long hiatus. Back in the CPR (Cincinnati Punk Rock) heyday of '96-'98, they used to destroy local punks who showed up expecting the cutesy Lookout! Records-style pop stuff. I've had the pleasure of seeing these dudes a couple times this year, and every time one word sticks out: MEAN. The Long Gones are Cincinnati's meanest band. Not casting aspersions on their character, mind you, but on stage, they spit, cuss, and wail, stomping through a bevy of foul-tempered and ill-mannered tunes that make you stand back and wonder how a bunch of dudes in their 30s can RAGE like that. Picture a mix of Dead Boys swagger and Johnny Thunders guitar squall and you're close. They just exploded with renewed energy and fire, so take note, kids. Check 'em out NOW because you never know when they will go back into hibernation.

I wandered in a daze up to the Southgate House lounge and ran smack into
Los Honchos. When I left the house that night, the last thing I expected was to see a six piece band in suits, but I got sucked in right quick. I was kinda blown away, to be honest. The only way I could describe 'em would be a '60s go-go bar band straight out of a time machine. They cooked up a SWANK mix of sleazy strip-bar white boy r&b with honkin' sax and shouted frat-rock harmonies. Remember the name, since they sound like nothing else in the city. I was dreaming of girls dancing in cages as I made my way back downstairs for The Customs.

The Customs @Southgate House, 10/09/2009
Photo: George DuChaine

If you've never heard of
The Customs, I don't blame you. Led by Boston expat Peter Greenberg (famously of DMZ and The Lyres), they were the FIRST band in Cincinnati playing '60s garage with punk rock energy back in 1978 when the whole world was creaming their pants over the UK and NYC scenes. Their original singles go for absurd prices on Ebay with "KBD" tags on 'em, so thankfully The Cynics' label Get Hip has filled the void with a vinyl reissue of "Long Gone," the compilation Cincinnati institution Shake-It Records released in the mid '90s. This was a real EVENT, with Greenberg flying in from New Mexico specifically for the show. Kicking things off with a slowed-down cover of "Somebody's Gonna Get Their Head Kicked In" (The Rezillos by way of Fleetwood Mac), The Customs then rattled off damn-near an hour of ass-shaking rock n' roll, mixing equal parts jangle and raunch, splashed with tambourine and organ, joined at certain points on vocals by Bryan from the Long Gones and a rotund African American man in a natty suit whose name I didn't catch.

The Customs @Southgate House, 10/09/2009
Photo: George DuChaine

It was obvious that this was a group of old pals that were seriously JAZZED to be on stage together playing their 30+ year old songs to a hyped-up audience. Bouncing around like sweaty pinballs, The Customs were tight as a drum, especially considering they've played maybe five shows in the past 25 years. Judging by the amount of wrinkled faces around me, there was a large contingent of fans from the first go-round in attendance, and it wasn't surprising that most of them took off before The Cynics started playing around 1 AM. Hell, I'm only 29 and it was almost past my bedtime! Good thing Cynics vocalist Mike Kastelic is pushing 50 and still has more energy than you or I.

The Cynics @Southgate House, 10/09/2009
Photo: George DuChaine

The Cynics are celebrating 25 years as a band, and the term "legends" certainly applies here. I saw them straight-up LEVEL the Northside Tavern back over Fourth Of July weekend, and unfortunately their performance on this night wasn't nearly as galvanizing. Last time, they had a female Farfisa player and tambourine shaker which added an extra thickness to the sound that was sorely missing here. Kudos to them, though, for not mailing it in to the 20 or so die-hards that stayed around to watch them play. Frontman Kastelic in particular ran all over the stage and into the crowd as they bashed through classics like "Yeah!" and newer tracks like "Here We Are." There was even a bit of classic punk rock mayhem as a bottle removed from the stage led to Kastelic screaming and flipping birds to an unknown figure at the back of the bar. They were pissed about something, to be sure, but I can't speculate as to why. All I know is that it added even more fire and energy to a band that already had it in abundance. Overall, it was a kickass show and well worth 10 bucks.

Watch this space for the NEW EPISODE of Random Old Records Podcast this week! Episode #12 is crammed full of classic Jeff Barry/Ellie Greenwich-penned girl group tracks, along with some of the rarest and toughest female-fronted rock n' roll of the '60s. Thanks for readin'!

Thursday, October 15, 2009 
http://www.citybeat.com/cincinnati/article-18938-the-long-gones-(profile).html

The Long Gones
Gone not that long, local band returns to Rock & Roll action
By Shawn Abnoxious


It takes Rock & Roll double trickery to make it all happen, but it all works out in the grand scheme of things. It’s the good with the bad. It’s the great with the awful. You can’t fight it, just roll with it. It’s designed to be that way.

The Long Gones formed in 1996 amid a wave of short-birth. Garage Rock was back, with some saying it never went away. The big secret was just about to break whereas others said there was no secret at all. It was a time of danger and gangs and laughs and nods. It was the last days when punk bumper stickers had meaning.

The Long Gones were blazing through their days and nights fueled by cheap beer and records. With guitars, amplifiers drums and microphones, they documented their lives and dreams and aspirations. They lived for the day. They killed tomorrow.

It was this for that. It was a tit for tat. It’s a dog for a cat. Straight ahead with no looking back.

They did more than a handful of shows in every nook, cranny, disease-..infested, sewage-ridden basement or bar where you could do your laundry while you got drunk — yeah, a time of multi-tasking. In places that would hold pompadours, liberty-..spikes, leather jackets, boots and braces as well as homemade Germs shirts with one sleeve. From here to wherever they took their sound.

That mission seemed to be undefined and open-ended with no end in sight. In those mad times, we prepared to burn somewhere out there, back there or whatever. Everyone ended up getting burned in one way or another.

It was sometime before all the stupid kids started calling records “vinyls.” Sometime before those same fucks took turns dancing in front of each other. Sometime before the time when safe became popular. Sometime before "at" became "to." When "for" became "with." When it was all replaced with doppelganger complacency that made all the kids feel better about themselves.

Those days were days. There were casualties along the way and sacrifices were made in many ways, shapes and forms. With a blink of your eye you realize 10 years later that it all was something and it’s all gone, long gone.

Another blink and you realize that the journey isn’t over. You went back to the base to discover that those times are still these times and more times to come.

It got to be time for The Long Gones’ debut LP, Prepared to Burn, and their four-track single to be combined with oodles of band recordings and demos and released by Shake It Records as a CD. It’s only proper that a reunion show would happen, but with the times scattering the group from one end to the other and from here to beyond, Bryan Dilsizian regrouped what he could and filled in the holes where necessary to get a new version of The Long Gones running.

For some, it was unfinished business. It was forward without any promises or plans, just an urge. Dilsizian (vocals), Adam McAllister (bass) and Stace Keeny (guitar) had all returned, this time with the illustrious Andrew Jody (drums), who recalls seeing The Long Gones as one of his first Cincinnati Punk Rock (CPR) shows.

The band began to do shows (again) and make extended plans but not pouring any concrete around their shoes to sink them to the bottom. A realization took place and maybe, just maybe, a punk bumper sticker means something again. Maybe someone heard someone under 24 use the word “record” again.

That feeling you feel, it might be danger and uncertainty (or just gas). Maybe that wave of nostalgia was only the first of a Rock & Roll Tsunami that could cleanse us all of our wrongdoings.

In the next month or so, The Long Gones will re-enter the studio and take the first step in a process to further their resurgence. Sitting in Dilsizian’s infamous Northside flat scattered with recently purchased 45 rpms and makeshift shrines to Rock & Roll, he and Jody talk about hooking up with the infamous Peter Greenburg (Customs/DMZ) for a recording session but are tight-lipped about how many songs will be recorded and where they'll end up.

What is certain is a show on Friday with The Customs (whose notorious hit “Long Gone” gave the band its name) and The Cynics for a “record” release party to celebrate Get Hip Records’ vinyl reissue of the band’s anthological CD from Shake It Records (with two bonus cuts). It’s a don’t-miss opportunity to see what made Cincinnati great and what continues that greatness. What’s next after that is known only to them.

Once again, a secret is a secret.

THE LONG GONES (myspace...com/..theLongGones) play with The Customs and The Cynics Friday at the Southgate House. Buy tickets, check out performance times and get venue details here.
Friday, August 07, 2009 
Enjoy some recent live covers. And one from the crypt.
Saturday, July 25, 2009 

Current mood:  angry
Category: Music
Just uploaded 10 unmixed songs straight from the reels of the Prepare To Burn recording from 1998, including an alternate take of the title track. Check out how it sounded live on the 3rd floor of Long Gone Manor on Vestry.
Sunday, December 28, 2008 
Thursday, September 04, 2008 

Category: Music
Saturday, March 29, 2008 

Category: Music
SEMEN LICE INTERVIEW & LP REVIEW

SL: Semen Lice
B: Bryan
D: Drew
T: Tom
A: Adam
S: Stace

SL: How come you decided to name yourself after a Customs song?
Brian: We couldn’t think of a name and Jeff Hansel from the Problematics who’s named many a band suggested that because we were covering that song at the time.

SL: Why didn’t you name the band after an Ass Ponys song or an Afghan Whigs song or something?
B: I’m not familiar with their songs.
Tom: None of their songs stick out.  I’ve never really heard anything by them.
B: The Afghan Whigs had a song called "Retard" and we seriously thought about that one.

SL: How about the "Long Dongs"?  We like that better.
B: You’ll find out later.

SL: OK, here’s the controversial question. How come you kicked Tom out of the band and then invited him back in?
T: Actually, I quit.
     (Laughter)
B: It was pretty mutual really.
T: Yeah. I ran out. I was...

SL: Were you crying?
T: Yeah.

SL: Was it like "Growing Pains" where you yell "fine!" and jump up and run down the stairs yelling "I’m 22 years old!" ?
T: Yeah. Then I went and huffed glue with Boner and it was alright after that.
B: Then he came back because we were sick of messing with idiots and Tom got his shit together.

SL: So Tom’s not an idiot anymore?
T: No.

SL: But you were an idiot for a time?
T: To them, yeah. (Laughs)

SL: OK, so how does this new guy fit in?
Stacy: Uh...

SL: How did you get involved in this mess?
S: They drug me in after they kicked Tom out. They said...

SL: They drugged you?
S: Yeah. They dosed me.
Drew: We found him on the street in San Francisco tripping and with long hair and brought him back here and convinced him that he was a rock n’ roller.

SL: And waited 20 years until he lost some of his hair...
S: Actually it only took a couple weeks.

SL: How come you decided to have two guitar players?
D: It’s louder.
B: We wanted to for a long time, we just couldn’t find anyone else to play that we liked and played the shit that we like.

SL: Is it just going to sound like noise now?
B: Yeah. It’s art.

SL: OK, so what do you guys write songs about?
D: The basics- cars, girls...

SL: You write about cars and girls?  So you basically just take gangsta rap lyrics and put them to rock music?
B: Yeah.

SL: Well we brought some lyrics with us.  We have Easy-E- "Cruisin down the street in my ’64, jockin’ the bitches, slappin’ the hos."  Then we have the Long Gones- "Ditch that Bitch and let’s go racing tonight".
B: You’re going to get us sued.

SL: Do you see the connection here?
D: I think you need to stop talking right now.

B: Yeah, we’re going to have a lawyer representing Death Row knocking on our door.
T: Ice Cube’s gonna produce our album actually.  We’re gonna be called Ice Cube’s Long Gones now.

SL: You need to start singing songs about 40s.
T: Yeah.

SL: So how many of you actually have drivers licenses?
B: (sighs) I drive but I don’t have a license.  I have an Indiana license, but that’s the only state I can drive in.

SL: Tom?
T: If I came up with a thousand bucks, I could get my license back.

SL: Adam?
A: Somehow I’m still legal.

SL: Drew?
D: Still going.

SL: Stacy?
S: Yep. Kentucky license.

SL: Does that count?
S: I think so.
T: I’ve considered trying to get one but...

SL: OK, this one is about Adam for the rest of the band.  How come Adam looks like a gay cop stripper on the cover of the 7"?
     (Laughter)
A: You’ll find out later.
B: He’s been moonlighting as one.

SL: Is that part of the appeal?  Are you trying to get into that scene to get different people to buy the records?
T: Yeah, we’re going for that Village People scene.

SL: That’s why we like The Long Dongs better.
T: It’ s kind of silly....and it’s mean!

SL: Why? The people want to know this stuff.  And how come Tom is the only one who smiles?
A: Tom’s the only one who ever smiles.
B: Tom was the only one with a buzz.
T: Pretty much, yeah. I can’t help it. It’s my natural inner beauty shining through.

SL: I can see that.  I see Adam’s beauty too. The cop thing wasn’t a knock, just an observation. Brian, I’m having a little trouble here finding your beauty.
B: Shit. We’ll work on that for the next record.

SL: So Drew, I saw your new shoes yesterday that have flames on them. Do those help you play faster?
D: I don’t play in those shoes, but they help me walk a hell of a lot faster.

SL: I was gonna say, because maybe these guys could get wrist bands with flames on them so they can play faster too. And maybe Brian could get some braces with flames on them so he can sing faster.
B: I’m working on that.
T: He needs flame tattoos around his mouth.

SL: Yeah, or maybe get a flame tattoo on your tongue.
B: I tried, but my insurance wouldn’t pay for it.

SL: So what’s going on with this new record thing? The 7" sold out right?
B: Yeah, 500 of them sold out in about 6 weeks. I’m not sure how with no advertisement and no shows. Darren Blase is a marketing genious really.

SL: Is he the manager or just the...
B: He just runs the record label.

SL: He’s the official Long Gone genious.
B: Yeah, the guy had dinner with James Brown.

SL: Is he the spiritual advisor?
B: Pretty much.

SL: The MC5 had a spiritual advisor.
B: Darren Blase, that would be the guy. Actually, James Brown is our spiritual advisor but he talks to us through Darren.
D: We get Darren to talk to him and then he interperets to us.

SL: So he’s putting out a 12", is that the deal?
T: Yeah, and a CD.

SL: Is that the Long Gones complete anthology CD?
B: 5 CD box set.

SL: When’s the double live album come out?
S: We want to record it in Tokyo.

SL: There you go, "Live In Japan". You would be in the same league as GBH and The Exploited.
B: Yeah, that’s the sound we’re going for.
B: We did get fan mail from Hawaii. If we could do Hawaii via satellitte...

SL: On Pay-Per-View?  You could have a triple cast, no matter what Pay-Per-View channel you turned on it wouldn’t matter baecause you’d be playing on all of them. It could be .. Wrestlemania. "Long Gones: Live From Hawaii".
B: That sounds good. People could go to arenas and watch it on big screens.

SL: How does this sound: "The Hawaiian Freedom Concert Featuring The Long Gones". I’ve noticed the political overtones in your guy’s lyrics. "Time on my Hands"...to smash the government.
B: Yeah, we’re fucking the system that fucks us.

SL: Is that what "Ditch That Bitch" is about? You’re sick of fucking the system so you’re going to ditch that bitch and move on to fucking the state?
B: It’s about Margaret Thatcher. Wattie didn’t like her.

SL: Yeah, and the song "Heads Or Tails".  It’s like "heads, we overthrow Congress, "tails" we overthrow the President.
B: It’s fuck money, fuck coins and money.

SL: Heads or tails, either way you don’t like it. Is that it?
T: Yeah.

SL: OK, how many of you were in Snotboy 77?
T: Not me, I was, I don’t...no.  Well, okay, maybe I was for a little while.  But I wasn’t in it as long as Adam was.
A: We were both in the Twerps too.
T: Yeah, that’s true.

SL: Well the Twerps are non-functioning I guess. But if they decide to function again are you still in the Twerps?
A: If I get a trip to California out of it I am.

SL: OK, here’s the big question.  Since you guys are Greasers do you hate the Socials?
D: Huh?

SL: Are you gonna rumble with the Socials? I’m making an Outsiders refference here. Drew doesn’t seem to get it.
T: Oh, we get it now.  We thought you were talking about the local band.

SL: Well we are. So what’s your answer?  You guys are the greaser crew, and they’re the Socials.
B: Well they are pretty preppy.

SL: Yeah, and you guys are supposed to rumble.
B: Shawn’s a jock.
A: They make gorilla cookies out of their faces.

SL: You could probably take them.  There’s only three of them.
T: And two of them are girls.

SL: Yeah, but so are you.
T: OK, I guess.
A: Are we gonna tell them the name of the album?

SL: What’s the name of the album?
A: "Prepare to Burn".

SL: You’re recording this yourself right?
B: We’re gonna try. I hope it works.

SL: So what are some new songs we haven’t heard yet?
B: We pretty much dropped most of our old songs. We get sick of our songs really quick.

SL: You guys like to do that don’t you?
B: Yeah, uh, there’s a song called "Rather Be Alone", "Prepare to Burn"...

SL: Is that your metal song?
T: "Nowhere to Go But Down"

SL: There’a another one. All of your songs are about Hell aren’t they? "Prepare To Burn", "Nowhere to Go But Down"...
A: She’s got nowhere to go but down.

SL: She’s got nowhere to go but down because she dumped me and now she’s gonna burn?
T: Yeah.

SL: That should be the album name. "She’s Got Nowhere to Go But Down Because She Dumped Me and Now She’s Gonna Burn".
T: Have like a weird  picture of Satan going like (Tom makes scary arm gestures).

SL: How come you’re not recording this album with Andy Slob again?
B:We want to try to do it ourselves. We borrowed some analog equiptment and we’re gonna see how it turns out.

SL: You guys are scared of Andy, aren’t you?
B: I’m intimidated by him.

SL: I told him that and he wanted to know why.
T: I’m not.

SL: What about you Adam? Are you intimidated by Andy?
A: Yes, whatever you say. I’m not listening to you.

SL: You were in Andy’s most hated band for a while.
A: Who’s that?

SL: The Twerps. Were you there for any of the recordings?
A: Oh yeah.

SL: Is it as bad as...
A: Oh yeah! They were a nightmare.
D: I took the Twerps in my van to the East Coast for ten days. I was different after that.  Bob wouldn’t leave the van and we ended up sleeping, all of us , outside the fucking Mason Temple in DC, and then Mark split...
B: I gave them $60 out of my pocket just so they could make it home.
D: The whole tour was Mark walking, talking, fifteen in front of me and Bill kinda just hanging out, with Bob fifteen feet behind us muttering to himself.

SL: Is that the one where you went in someplace and came back out and found some guy in the van or something?
D: Oh yeah, some guy was like "I’m just gonna sleep here!", and we poked our heads in the van and he saw like blue and green hair and all this weird shit and he freaked out. He was like "Ah, I gotta go!" and jumped up and ran out of the van. He just got scared of us and took off running. He thought we were gonna beat him up or something.

SL: Twerps stories.  Tom was in the Twerps. Did you get kicked out or did you quit.
T: Uh, we just stopped talking to each other.

SL: Is that how you leave bands Tom?
T: Yeah, pretty much. I kept trying to learn their songs and like it was never right for Mark...
B: They never play them straight forward like a normal human being would.
T: Practice always wound up Mark getting drunk and yelling at Don anyway.

SL: So when does this album come out?
B: We’re supposed to send off the DAT within three weeks. But I’m not gonna say because our 7", after it was recorded with the whole UPS bullshit took three months to get done.

SL: Is Darren wanting to do it really soon?
B: Yeah because he’s going to China on his honeymoon for three weeks. Put that in there, Darren’s getting married, so all the other girls won’t have a little playboy anymore.

SL: Oh, is he a stud?
B: No.
T: He should be.
B: Yeah, he’s a classy motherfucker. But anyway, he’s leaving in three weeks to go to China and he wants to have it sent off by then so it’ll be here when he gets back.

SL: What’s he doing in China?
B: Plotting with the Communists.
T: It’s a marketing scam. He’s trying to get us big in China.

SL: Oh yeah, there’s that killer punk scene in China. He just wants you to go over there and play and get shot and get run over by tanks.
B: Yeah, we’ll play some college square...

SL: Yeah and you guys will play your protest songs and say "We don’t care if you run us over, we’re not gonna stop playing."  The sheer energy of you music will hold back the tanks.
D: That’s what we’re looking for, music that will hold back tanks.

SL: That should be the name of your next album, "Music That Will Hold Back Tanks". That’s good.
D: Hopefully this one won’t get lost by UPS.
B: Yeah, our 7" was on that truck that crashed.

SL: "Music That Will Crash Trucks", that should have been what the 7" was called.
B: I think it was part of our curse. That’s the whole reason that truck crashed, because our record was on it.
T: It was probably a Satanic curse by the Hookers.

SL: They realized you guys were going in the wrong direction. So how did you get hooked up with Darren (Shake It Recs.)
B: He just heard of us and wanted to hear us.

SL: Did he like it because you named you band after the Customs song?
B: That’s why he wanted to hear us in the first place but that’s not why he put out the record.

SL: Is it because you guys look good?
T: He was hoping Adam would strip for him.
A: Probably.
B: That’s why we get an LP.

SL: Did the rest of the band have to strip for that?
B: No, you wouldn’t want to see us naked.

SL: So what’s with the CD? Is that for real?
B: He’s gonna put out a thousand of the LPs first and then when those start to sell real well he’ll put out some CDs and another pressing of the album.

SL: Will the CD have the same songs?
B: Well the first 7" will be on the CD because it sold out so fast and we didn’t want to repress it. There’s 500 more wrecked in some truck somewhere. I wish they’d find them.

SL: They probably found them and threw them out just so you wouldn’t get them.
B: Darren’s pretty sure that they were on that truck that crashed. They were shipped out the same day that truck left Nashville for Atlanta and that’s where our records were going and they never got to Atlanta and we know they left Nashville, so...

SL: So are you guys going to be on Killed By Death 812?
B: Yeah, 813 they say.

SL: Or Bloodstains across the Midwest 18? "Raw Rare Punk From 1993-1994"
B: It’s funny, but I could actually see that shit happening.
D: Ten years from now.

SL: I don’t have any more questions. Do you have anything you want to say?
D: Go away.

THE LONG GONES- Prepare To Burn LP- Something mysterious has happened to the Long Gones.  Tom the guitarist, the smiley guy on the cover of their 7", is now making scary faces, and a short balding man in a cowboy hat has suddenly appeared.  Who is this mysterious fifth Long Gone?  While the interview in this issue sheds some light on the mystery, I, as well as many others who make up the legions of Long Gones fans, am perturbed.  Oh well, on to the music.  What we have here is fast hard garage punk with a slight Motorhead feel to it, especially the guitar.  Compared to their 7", the songs are much better and more diverse, making it a pleasurable listen.  The only problem is that it doesn’t sound as good as the 7".  The 7" was raw in a loud noisy way, where this is raw in a kind of muddy way.  No matter how loud I turn up my stereo, I still can’t feel it trembling my insides, a sensation I sorely desire.  Otherwise, they break free of the curse of playing the same song 17 times with slightly different words that most garage bands fall into and have enough originality to make this a good record.  They also restrained themselves and only put two pictures of cars on the whole album (three is my automatic suckiness limit).(M)     (Shake It Records, 4136 Florida Avenue, Cincinnati, Oh 45223)