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STAAGS!



Last Updated: 7/15/2009

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Status: Single
City: MEMPHIS
State: Tennessee
Country: US
Signup Date: 10/1/2006

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Friday, November 14, 2008 

Current mood:  accomplished
Here are some links to some OOP (ha!) and "rare" STAAGS! recordings. 

"Five Songs From The STAAGS!" CD-R (65 copies?)
http://www.mediafire.com/?galild0alz4

A two track recording of a STAAGS! practice.  Possibly the last practice with Quinn Powers, our original lead guitarist.  Has two mostly unheard songs of his and two tracks from our upcoming tape as well as a cover (Shhh... Don't tell JJ!)
 http://www.mediafire.com/?jnonotfeehi
Currently listening:
My War
By Black Flag
Release date: 1990-10-25
Friday, November 07, 2008 

This Is Hardcore

By ANDREW EARLES

Don't call them an exercise in revivalism. Call them exactly what they are: Cobweb-clearing endeavors that the underground Memphis music scene desperately needs. Or just call them hardcore. Even if Staags! and No Comply manage to recall Midtown Memphis' first hardcore punk-rock heyday (late '80s through late '90s), like all good hardcore, these new local bands have little to do with nostalgia (despite a few members having been involved in the Memphis heyday).

In the case of Staags!, nostalgia would be impossible, as founding guitarist/vocalist Carl, formerly of The Weathermen (in his words, "a really shitty band") and The Barbaras, is still in his early 20s.

"Staags! were a garage-rock band for a while, and I got tired of that and started writing more hardcore songs," Carl says. "It killed our popularity. We were liked a lot more as a garage band."

The transformation also killed the band's original lineup: Two members left when the hardcore direction began taking over.

"Every musical genre seems to be fairly formulaic," Carl says. "Garage rock had gotten me back into music again, but it was getting old, and it seemed like everyone into it was 40 years old or 17. There wasn't any middle ground, so I guess I was frustrated, and the anger of hardcore punk rock appealed to me again."

Rounding out the current lineup is the other original member, Jack Stands, on bass, JJ on drums, and Luke Warm on guitar.Warm was a member of early-'90s pop-punk band American Lesion, and Stands is a rock-show fixture, documenting bands with his mobile recording unit. As Rocket Science Audio, he provides (edit: with Warm-the soft-spoken,doe-eyed genius and a third partner, a fanatically faggy worshipper of Agent Orange) for instance, the recordings that fill the GonerFest compilations. Stands has a musical background with decidedly un-hardcore moments (the onetime jamband-that-wouldn't-die Yow), but more importantly, he held down the bass slot in the powerful sludge punk/metal hybrid The Lewds (edit: Stands played bass at two shows-Dan was The Lewds permanent bass player) and the equally punchy Sonsabitches.

"It's no secret that I have tie-dyes and devil sticks in my background, but before that, I listened to the Circle Jerks and Poison Idea as a kid," Stands says. "In terms of what I listen to and what I play, I want music that kicks people in the face for a while, let's them rest, then kicks people in the face some more, and so on — music that quickly gets to the point."

The Staags!' self-released seven-inch EP, Adult Brigade, is six songs of furious hardcore in little over 10 minutes. The hilarious cover features the members massacred in an office copy room, all dressed in professional middle-management garb with JJ in the foreground aiming a stapler at the camera.  Stand's other life in the corporate world no doubt provided some inspiration for the shot.

Currently listening:
Paganicons
By Saccharine Trust
Release date: 1996-05-21
Friday, November 07, 2008 
From Terminal Boredom (http://terminal-boredom.com/blog/):

Staags! "Adult Brigade" EP

Staags are some elderly Memphis gents kicking some real shit to show the fucking kids what the fuck is up. I really liked the tape they sent in earleir in the year, but I really don't remember it being this fucking fast. You know what this fucking sounds more than a little like? When the Beastie Boys recorded that hardcore record, 'Aglio y Olio', remember that? It was a great little record. This has that same semi-sloppy and blown-out hardcore-punk vibe, with real prominent kinda fuzzy basslines, I swear they even steal part of the breakdown from "Nervous Assistant", but I'm totally okay with it. The one-two opening salvo ("Forfeited My Youth" and "Get Off My Lawn") on this thing is impossible to follow, but the "solo" on "batshit Crazy" does a really great job of trying. Retardedly good! When you listen to this with other people for the first time they look at you like "Are they really doing that?". Ballsy and hilarious. The B-Side isn't quite as good, but maintains the humorous yet deadly attack. This thing starts off so blazing though, I love it...fucking punk as hell. I play the shit out of the A-Side, it'll have garagers and hardcores both nodding their heads in unity...Scum stats: 100 on red vinyl with a button, maybe 500 total, with a bunch of neat inserts.(RK)
(Don't Hit Record Records // myspace.com/dhrrecords)

From Dale over at Smashin' Transistors (http://smashintransistors.blogspot.com/):

Usually when some band claims to be hardcore and/or thrash these days I'm usually a little apprehensive when it comes to giving them a listen. The reason is because it's usually just drop D tuned mook rock without any guitar solos.
"See, it has no guitar solos!"  It's then explained to me that that's what makes it hardcore and not metal. Pfft. It's the moments like that where I swear that actual old guys are right and the kids today don't know shit. 
I know there's at least one guy in the Staags! that grew up in hardcore's golden era of the mid 80's and even though he looks like he belongs in a band that opens for Ekoostik Hookah it seems that his pent up rage he harbors in the straight world is a lot of the inspiration and one of the driving forces of this 6 songs done almost in as many minutes slab.
The cover sleeve features a massacre in the workplace motif and there's an insert explaining what a project manager does. I had a CD-R copy of this record for a few months before it was officially released and used to crank it loud when I sitting in my little workplace cubicle on the weekends (and I had to work every weekend because a) I was the low man on the totem pole and b) I was the only one not related to the boss) and no one would bother me. They wouldn't even poke their nose in because I think they were afraid I might snap and didn't want to be on the receiving end of it. Whether it was totally identifying with "Forfeited My Youth" and "Dissatisfied", knowing exactly what they are getting at with the sentiments of "Get Off My Lawn" or snickering at "Bat Shit Crazy" (cuz I know the person who was the inspiration behind it...and she asked me "Is it a nice song?") I would waste my mindless day babysitting telephones and fax machines while mapping out the ultimate skatepark, looking forward to the beer I had chilling in my fridge that was waiting for me when I could clock out and go home and thinking "Man, this is the kinda stuff Pig Champion would rock out when he still weighed under 300 lbs." You know, real hardcore....with fucked up guitar solos and everything!!!

From Steve at the ever delectable 7 Inch Slam (http://7inchslam.blogspot.com/):

As for the Staags, this record threw me for a loop. You might know their bassplayer by his internet psuedonym Jack Stands and his stellar live recordings for all your Memphis and Gonerfest darlings. I checked out a few songs live when Rot Shit played with these gents down in Memphis at Murphy's in January and was duly impressed, but this record separates them from the pack with its pure hardcore sentiment. Sometimes live hardcore can have an off-night, but a 7" record is ALWAYS its truest test. Regardless of whatever hip jams may get you laid these days, raging hardcore punk was never on that Top Ten list, but I couldn't care less. The Staags attack, charging headlong into pounding 80's template rhythms which will always work as long as young, white men are mad about something, however ridiculous. This record carries my highest personal recommendation if you want to turn your brain off, drink ten beers, fight your friends, and pretend you're Matt Coppens for about seven minutes, and that's just long enough for me.

Cool cover art and simple basic hardcore pounding make this a winner, and the songs on their Myspace also show off some great catchy rock n' roll chops, so they are firing on all cylinders... check out "Noise Ordinance Rock"! Hopefully we get another EP in the pipeline, and I'd say the Staags could call it a day and be remembered fondly on Killed By Death: The Termbo Years (which Aaron Lefkove needs to get on comping RIGHT NOW, got it pretty boy?). That being said, I'd roadie for these guys.

First negative review c/o Dusted:
(http://dustedmagazine.com/)

Hey, another punk record with screaming vocals. Six songs of everybody else's. Gets by purely on aggression, which is always notable, but when this guy's voice cuts out, there's not a lot to celebrate here.
Currently listening:
Everything Falls Apart and More
By Hüsker Dü
Release date: 1995-08-22
Sunday, February 17, 2008 

From Dale's Port Huron, MI blog: Smashin' Transistors

Wednesday, October 17, 2007

STAAGS! Robot Cassingle

A cassette single?! Over in the FAQ section we sorta dare people that want to send demo's on that format over a CD-R if for no other reason then that we can record over it...didn't expect anybody ever really would though but this band of drunk rockers did.
Featuring Final Solutions Quinn on guitar & hootin'-n-shoutin' and Memphis' funniest long haired and bearded prog rock fan Robin aka Jack Stands on bass the STAAGS! bring a case of beer each to the party then drink it all too! Yeah, lots of dudes can do that but the band brings the ROCK! too. Hard rock, punk rock, rock-n-roll-what have you. "Robot" is a short and bitter stomper sounding something like the Dead Boys with some serious Halo of Flies brain damage sitting up in the bleachers not rooting for either side but heckling both as hard as the can. "Get Off My Lawn" is like the grumpiest of grumpy old men in any given town, backed by a totally hammered hardcore band. He's not gonna call the cops or blast some buckshot at ya his you keep riding your bikes on his lawn. He's gonna bust out a flamethrower out on your ass instead!

 

From Razorcake:

STAAGS!:
Robot: Cassette
Leave it to a pretentious Memphis garage rock band to put out a sloppy cassette single recorded on a 4-track in 2007. It's comforting to find a band this intentionally un-tight allowing others to hear their home recordings. Lower than lo-fi, this tape has a retro appeal factor due to the old school demo format. This cassette is limited to just one hundred copies and the label's other two releases are already long gone. Garage collectors will surely want to subject themselves to these shenanigans. –Art Ettinger (Don't Hit Record!, http://www.myspace.com/dhrrecords)

Sunday, September 02, 2007 

Current mood:  thirsty

Review of our self-titled CD-R which featured Rory on stand-up drums. 

STAAGS!!!, THE: Five Songs From The Staags!!!: CD-R

The Staags!!! are a psychotic good-time band with a professed love of getting wasted ("Let's Get Wasted") and pounding out the primitive rhythms of rock'n'roll. "Limbo" sounds like it could have come out of the post-punk scene of the late '70s, while "Noise Ordinance Rock" could have been a '60s frat pounder. The stand up drums are the safety pins that hold this outfit together because, like all good rock music, it feels like it could fall apart at any moment. Singer Quinn Powers screams, hollers and sings his way through these songs in a warped warble and the guitars sound like they've been bashed out of tune. Fun and slightly fucked up. –Josh Benke (Self-released: www.myspace.com/staags!!!)