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David Thorpe

David Thorpe


Last Updated: 11/16/2009

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Gender: Male
Status: Single
Age: 55
Sign: Sagittarius

State: Wales
Country: UK
Signup Date: 10/5/2006

Blog Archive
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Sunday, November 29, 2009 

Category: Writing and Poetry
David Thorpe on MTVWatch a clip from my MTV interview when I was ambushed by interviewer Caza as I turned up to rap to students at the ESPM University Sao Paulo on November 18th.

A 3.5MB Powerpoint of the talk on sustainable business opportunities is here.
Tuesday, November 17, 2009 

Category: Writing and Poetry
Is this the oldest book fair in the world? It's certainly one of the biggest. It goes on to about six weeks, as long as the Hay on Wye festival, but unlike the latter, and unlike any other book fair I have ever seen, it is entirely free -- no doubt the factor that ensures its vitality and survival. Porto Alegre bookfair The fact that it's supported by the authorities in this way means that everybody can attend any event, including the poorest. Many of the events are for children and schools though by no means the majority of them. Most authors represented here South American and especially Brazilian. I was the only author from the UK, but as this that is the year of the French there were several from that country, and I found myself leaving the hotel showing the taxi with a French professor specialising in the study of urban areas. For there is a strong academic element at the book fair. Much of the fair is also outside, despite the humidity. About half of it takes place in a couple of urban squares ringed with thronging bookstalls from distributors, publishers and other retailers. The juvenile area is on the old dock front, and venues include the old warehouses, and the opulent interiors of former Portuguese offices and halls that line the downtown avenues. Porto Alegre bookfair Some of these restored mansions, reminding you of the old glory when the city was founded, provided a striking contrast to dilapidated more recent 20th-century buildings adjacent to them. The town is in decline but struggling to reassert its new identity as a cultural magnet. From the dock you can take a boat tour up the river Guaiba, actually almost a lake, a delta, and the journey takes you around islands that are protected as conservation areas - very unusual in Brazil so near to an industrial area. The Brazilian name for the body of water means 'lake of ducks', and there is much birdlife in evidence, though not much else. Some areas are less protected than others, and there houses come down to the waterfront. Porto Alegre bookfair The river flows swiftly but it still has 200 km left to get to the Atlantic Ocean. Porto Alegre was constructed by the Portuguese on the west side of a long isthmus, so that he could defend the river from the Spanish, so it was never an Atlantic port. The bookfair doesn't start till around lunchtime and then in the afternoon the place is absolutely packed. Everywhere are authors signing books and street performers entertaining children. Porto Alegre bookfair Porto Alegre bookfair I am introduced to the director of the book fair, and have lunch with the chief press officer, Ricardo, a wonderful, indefatigable man, who has suffered from polio since the age of nine months, and who also like me has two sons, about the same age. Unlike me he has married again and now has a nine-month-old! I am also introduced to many other authors and illustrators, including the talented André, and Barroso and Marta Lagarta. My session, held in a small room next to the children's library, goes well, and I use a couple of PowerPoint slideshows to illustrate my talk that I have been using at the British schools where I was two weeks before. They precipitate a discussion on the nature of science fiction, how Star Trek and Star Wars represent the imperialist dreams of America but how dystopian fiction has sadly proved more prescient as a way of predicting or describing the reality of a least parts of the world. And how it is the duty of writers now to provide hope to the children who will be tomorrow's adults, because it is we, the older generations, who have fucked things up so badly for them. Porto Alegre bookfair Afterwards, Ricardo writes it up, and this is the result: http://www.feiradolivro-poa.com.br/noticias_det.php?noticia=722 Pretty poor but just about understandable Google translation: http://translate.google.com/translate?js=y&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Fwww.feiradolivro-poa.com.br%2Fnoticias_det.php%3Fnoticia%3D722&sl=auto&tl=en I am currently in Curitiba exploring its environmental credentials, staying in the eco-hostel which is very nice, an oasis in an urban desert, and will write about this shortly. I am feeling that I have been here over two weeks and not seen the real Brazil -- I have been in one city after another and many of them are strikingly similar to European cities. Somehow in the remaining time I would like to see some of the countryside, wildlife or forest, but I don't quite know yet how to do this. I go back to São Paulo on Thursday morning when I have to visit DCL's offices in the afternoon and to give a talk in the evening at the University, but from Friday morning until Monday morning I am free and may go to Rio. I leave to go back to the UK on the Wednesday, and am saving Monday and Tuesday for possible more meetings with Otacilia.
Tuesday, November 17, 2009 

Category: Art and Photography
Of course I was only there for the weekend, flying in at 1030 in the morning, taxi to the hotel, leaving again the same way the Sunday evening. But of all the towns in all the world that I have visited it reminds me of none more than Newcastle-on-Tyne - Geordie-land. Porto Alegre art biennale Both are struggling to recover from a period of decline and scarred by areas of neglect. Several buildings had been gutted by fire and left like that apparently for some time. Many others were empty and covered in graffiti. Both towns are trying to use culture in order to attract outside interest to the downtown areas. Newcastle has its brilliant Baltic art gallery, while Porto Alegre has its Biennale, a large art exhibition that takes place in several venues every two years, reminiscent of the one in Venice. In fact the best venue for the exhibition is line of disused dock warehouses on the waterfront, that is strikingly similar to the Armoury area in Venice. The exhibition showcases Brazilian and South American artists, unlike the Biennales in Río and São Paulo, which also provide much space for European and North American artists. It is very interesting to see how these artists are interpreting and mixing Western traditions with their own. I saw a portable beach holiday (complete with campervan full of sand with a palm tree growing out of the roof), a football match made entirely out of wood (football is of course a matter of life and death here), not to mention a campervan also made entirely a wood. The latter reminded me of Heather and Ivan Morisson's post-apocalyptic garden shed on wheels that is a mobile library of dystopian literature - including a copy of Hybrids! Campervans are ubiquitous here, and are used by people wanting to start businesses in another town but not yet able to rent their own space. They symbolise the magnetism the city, the promise of affluence, the energy of growth. Another fascinating piece - I'm sorry I didn't have the chance to note the names of the artists - was an almost life-size reconstruction of the Parthenon made of scaffolding from which were hung thousands and thousands of books each wrapped in polythene bags. The public was then invited to help themselves, and videos and magazine and newspaper articles document people gladly ripping down the books and throwing them to the crowds below, who ran off hungrily with them. Because of my interest in Dadaism it was astonishing to discover a Brazilian version, inaugurated 45 years after the original, but aesthetically and insensibility strikingly similar, called Nadaism -- or nothing-ism! I love it. Another piece celebrates popular graffiti on concrete Modernist architecture, of which there is too much in abundance in the cities. There is a spirit of enquiry and invention in the art here, a celebration of what it means to be Brazilian. 25 years after the end of the dictatorship, and 20 years after the CIA mostly lost interest in South America with the fall of the Berlin Wall, Brazil is becoming more and more confident, and debating positively its new identity.
Tuesday, November 17, 2009 

Category: Travel and Places
I was given a fascinating book on the history of Brazil by the first editor of the Brazilian edition of Hybrids, Camile Mendrot. I met her in São Paulo one evening when we went to an excellent jazz club/bar where a trio of drums, electric bass and electric guitar were crammed into a small corner with us crammed at a table next to them.

She works for a publisher called Callis now, and made me a present of several books, most of them for young children and excellently produced, in English, but this one is by Eduardo Bueno entitled 'Brazil: a Brief History'. Amongst the many fascinating facts I've picked up so far is a connection between the name of the country and Celtic mythology - especially of interest to me since I live in Wales.

Apparently in Celtic the word "bresail" means "blessed land". It refers to a mythical island called Hy Brazil which is the setting for the Celtic legend of Brandon, an Irish saint, who in the year 562 took to the seas to evangelise, arriving at the island some years later, and where he died, allegedly 181 years old. The book says that "from 1351 until at least 1721, the name Hy Brazil could be seen on maps and globes and up until 1624 -" (Brazil was discovered in 1500) "- there was still extinct expeditions looking for it" - rather like Atlantis!

According to "Brazil in Legend and Ancient Cartography", by Gustavo Barroso published in 1941, "the literate men of the 16th century had no doubt that the name Brazil came from the legendary island", rather than the name of the tree, Brazilwood, which the Portuguese and other Europeans systematically exploited and almost eradicated for its reddish dye, and which the simple sailors assumed gave the country's name.

There are others who might prefer the name the original inhabitants of the land had for it - Pindorama.
Monday, November 16, 2009 

Category: Writing and Poetry
Friday, November 13, 2009 

Category: Travel and Places

Going home time from St Paul's School, Sao Paulo


You can tell the nannies because they wear a uniform of white slacks and tops and contain a high proportion of indigenous Indian or African slave-descendant genes. The mothers breeze by in designer jewellery and the overall atmosphere is tense. One of them, clad in a flowing leopardskin print robe slit high up to the thigh and of fairly mature years, totters by on her high heels having presumably already partaken of several caipirinhas this afternoon. This is the national drink, consisting of fermented cane sugar juice mixed with mashed lemon and more sugar and crushed ice - rocket fuel, broadly indistinguishable from the fermented cane sugar bio ethanol they put into their cars. In my bag is a kit for making it, a leaving present from the school. You would expect mothers collecting children from school to be overall a pleasant experience. Half the people here have their ears glued to mobile phones. Most of them seem stressed. They are watched by men in black suits and shades standing arms crossed on the sidelines. All of them have memories of kidnappings. A kiosk run by another man with darker skin sells popcorn, pop drinks and ice lollies on the sidewalk while the nannies or mothers tow kids towards a never-ending parade of chauffeur-driven 4x4's or land cruisers, all obeying Henry Ford's mantra: any shade as long as it's grey, silver or black, and the windows are smoked.
The queue of vehicles is maybe half a mile along and conducted through a parody of suburbia in the shadow of walls topped with razor wire and electrified fences, bristling with security cameras, the sidewalks dotted every 200 metres with kiosks populated by security guards, paid by a collective of all residents and operating a secret code of whistles; which they displayed last night when I walked through the estate back from the town centre, inadvertently straying into this area. The whistles transmit down the line the nature of this unusual pedestrian, a rare species of invader, this time quite harmless.
It's warm and muggy and to this northerner it seems an incongruous time to be seeing Santa Claus, fairy lights and snowmen materialising on the streets as Christmas approaches. This is my final day in São Paulo, at least until later next week and I have finished work. Later, I sip a beer outside a bar on Rua Joao Cachoeira. On the other side of the road the same migrant family in the same disused shop front that was there a week ago when I watched some official taking their details. More darker skinned people, mostly children, ignored by the thronging crowds on the streets. One of the boys changes his shirt from a wheelie suitcase. Their clothes at least seem quite new. Smokers are few, and so are the smiles. I'm glad I'm leaving tomorrow.
Thursday, November 12, 2009 

Category: Writing and Poetry
I will be giving a talk at Porto Alegre bookfair: Place: Ducha das Letras - Armazém A do Cais do Porto - Av. Mauá, 1050, Porto Alegre, 90010-110, Brazil; (0xx)51 3211-5022 Time: Saturday 14th November, 18.00 hrs. Topic: The Limitations of 'Literature' and the value of 'science fiction'. A plea for other genres to be taken seriously as 'literature' as a way of confronting the world's problems. Hopefully there will be a discussion afterwards. I am staying at Hotel Grande Hotel Master, R. Riachuelo, 1070 - Centro Porto Alegre - RS, 90010-270. Tel. (0xx)51 3287-4411 from Saturday for the weekend.
Thursday, November 12, 2009 

Current mood:  busy
Category: News and Politics
Tonight I met one of my Brazilian fans, Diego Remus, at the place where he works, The Hub, which coincidentally is right near the restaurant where we were the previous night during the power cut.
 
When we met he first took me to a bookshop on Avenida Paulista and surprised me by finding on the shelves a copy of my book Hybrids in English as well as Portuguese and made me stand there while he took a photograph.
 
I'm getting kind of used to this while I'm here. in
 
Diego is a specialist in social networking and electronic media, a consultant to start-ups and interested in applying sustainability theory as well as communication theory to new models of business enterprise. He set up Portuguese language fan club for Hybrids. He works also for Startupi, which is a pun, because the Tupi is an old indigenous culture.
  
We especially talked about industrial symbiosis, resource efficiency and the potential of the sustainable economy new business model to benefit Brazilian businesses. He's going to arrange for me to give a talk at The Hub on the subject at the end of next week when I'm back in town from Porto Alegri and Curitiba.
Thursday, November 12, 2009 

Current mood:  adventurous
Category: News and Politics
I don't know whether it's because the Low Carbon Kid is in town, but yesterday was the biggest power cut in the history of Brazil, so big it made the front page of the Guardian newspaper.

I was in a Brazilian restaurant near the Avenida Paulista with Katey Moran, the author I am sharing the trip with, and two of her friends who teach at the St Paul's School where we are working this week. We were waiting for the main course when suddenly all the lights went out except for the emergency exit lights. These went out soon after.

Used to this kind of thing back home in Wales, I expected them to come on quite soon. I am well aware that there are frequent small power cuts in local areas here in Brazil. Then somebody got a call on their mobile from a relative in Rio de Janeiro who said the power was out there too, and in Brasilia, and we realised that it was big.

The waiter didn't bring candles until I asked for them! But then he bought a rather elegant oil-fed light also.

dining by candlelight in the Sao Paulo blackout. This is not us, but very much like us and in the same area!

We looked out the window - some places had lights on, most of them were dark and people were thronging the pavements talking in the light of the headlamps of passing cars. We speculated as to the cause and agreed that it was probable that it was the Itaipu hydroelectric plant as in fact it turned out to be.

Perhaps we'll never find out exactly what the cause was, but one thing is the sure: it's what happens if you put all your energy eggs into one supply basket.

Luckily the rest of the kitchen was cooking on gas and we got our main course. Luckily we didn't see any looting. 

Unluckily we still had to pay our restaurant bill even though the cash till wasn't working!

We came back through darkened streets in the taxi. The hotel had a generator and some of the lifts were working though there were no lights in the rooms.

There's nothing like the power going out to make you appreciate electricity when it is there. Perhaps it's a signal to President Lula, but if so he's getting the wrong message. Today he pledged to use the revenue from the potential future exploitation of the Pre-Salt oil fields to strengthen the grid infrastructure.

As I said in my previous blog, this absolutely must be left under the sea where it is now, for the sake of the planet. Brazil is blessed with a variety of potential sources of energy, and solar power is one of them. A feed-in tariff like the one coming in in the UK and already in force in many European countries would be a brilliant incentive to diversify and localise the energy supply while creating wealth amongst the population. There's no shortage of other potential sources of sustainable energy.

Brazil needs to continue with its own development of renewable energy, not go backwards into the fossil age.
Sunday, November 08, 2009 

Current mood:  chipper
Category: Travel and Places
It rained last night and today is much cooler and overcast. A relief from the last week. People here in São Paulo work very hard and long hours and I have found that an arrangement to meet is liable to be cancelled at the last minute for one reason or another.

Mind you, it's not as hard as trying to get a cup of tea which is in fact impossible. And of course I'm dying for a cup of tea. At a restaurant yesterday with my DCL editor Oticilia in the Museum of Modern Art I asked for tea. I was brought a cabinet containing perhaps 30 different kinds - but I searched through them in vain - they were all fruit teas. No cafe or restaurant will serve tea! Arghh! Today in a supermarket I finally found a packet of English breakfast tea. Heaven! However the price - five pounds for a small packet - made me think well, perhaps the Brazilians are right to drink so much coffee after all. And they do drink a lot of it -- many small cups of super-concentrated espresso. Another thing you can't get is an up-to-date English language newspaper - or the American and English ones when they finally arrived two or three days out of date. Why do they bother in the age of the Internet? Otacilia had cancelled two possible appointments before we met yesterday. But we had a beautiful day going to the Botanical Gardens Parque Ibirapuera and drinking coconut milk from the green fruit through a straw. I encountered for the first time a lates tree, its huge dripping roots like Rasta dreadlocks. The gallery had an excellent exhibition of non-Brazilian artists influenced by Brazilian art, including a Welsh artist, Wyn Evans. I particularly liked Mateo Lopez' lace-like map cut-outs, Simon Evans, Marjetica Potrc and Franz Ackermann. In the early evening yesterday I found myself at an opening party for a new venue for a school for comics artists, Impacto Quadrinhos (Quadrinhos is Portuguese for comics). Luke Ross, a local (he anglicised his name for the sake of his career) who is successful illustrating many marvel comics, was giving a workshop. He is an old friend of the artist I am working with, Felipe Cunha, who introduced me to him. He seemed very happy with the way Marvel were treating him. Me, I'm still waiting for a copy of the compilation of Captain Britain stories, containing my work, which was published in the summer. This is the second compilation - I never got the first either. Nor have I been paid a penny. The owner of Impacto Quadrinhos, Klebs Junior, used to work for Marvel himself and still does occasionally. He told me he lamented the fact that Brazil still doesn't have a market that can accept home-grown comics with a Brazilian theme and all of the artists that he represents as an agent have to sell their work in North America or possibly Japan. It was somebody's birthday so we went to a bar off Avenida Paulista, the commercial centre of São Paulo. We stayed there for several hours drinking iced beer and eating polenta chips. Felipe had told me the other night that it might be possible to sell a 12 page story to Heavy Metal magazine. I had sent him on Friday a story set in the story world of Hybrids, but with Major Winter of the Jean Police as the central character. All of the characters from Hybrids appear in this story which could be the first of a series and is aimed at a more adult audience. At the bar we discussed this and Felipe really likes it. Now I have to add some dialogue. It's great that I finally have time to write fiction and have started work on my next novel The Drowning, by starting to write out the scene cards. Quite frankly I'd rather sit in the hotel and do this then go out and exploring São Paulo, traffic filled street after street after street after street of charmless buildings. It feels more like a cosmopolitan European city rather than a developing country. My laundry has got lost. Eleanor, from St Paul's School where I am teaching from tomorrow, said she would do my laundry for me as it would cost a fortune to let the hotel do it. I had to take it to the school yesterday but she wasn't there and Rita, the woman who met us at the airport, stashed it in an office. Eleanor came over today to the hotel to see Katy and I. Katy Moran is the other author from Britain who is teaching in the School's. She didn't know anything about the laundry being left there. I only hope I can get it back, clean, before tomorrow!
Currently reading:
Watching the Fire-eater
By Robert Minhinnick