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Monday, November 23, 2009
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With a strikingly different tone than its swoony, spooky counterpart Twilight, New Moon
actually answers the age-old question that most romantic comedy scripts
never have the opportunity to: What happens after the girl actually
lands the man—or in this case, vampire—of her dreams?
Turns out, for Bella Swan (Kristen Stewart), it's
not exactly the happily-ever-after ending that she was probably hoping
for. On the eve of turning 18, she's smack dab in the middle of a
quarter-life crisis that's unfortunately arrived seven years too early.
See, this is the first time she's going to be older than her forever
young beau, Edward Cullen (Robert Pattinson). And
considering how sparkly and beautiful he is in the sunlight, not to
mention easy on the eyes when it's dark, she isn't sure he's still
going to love her when she's old and wrinkly.
Of course, Edward hasn't provided any indication that his love would
ever waver, but Bella is still freaking out (in that sulky, moody way
that she always does, mind you). In fact, instead of actually enjoying
how everyone is doting on her, she'd prefer not celebrating her
birthday at all. And given what happens next, well, that could've been
a far better option. Read the rest of this review here.
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Monday, November 23, 2009
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Since we're approaching that time of year when critics start making
those "best-of" lists, I think it's safe to say that most of what
released in 2009 easily proves the adage that dates all the way back to
Ecclesiastes 1:9—ultimately, that there's "nothing new under the sun."
While recycling old ideas was basically status quo, surprisingly
enough, borrowing from other otherworldly space-age flicks including Stars Wars, Close Encounters of the Third Kind, E.T. and Alien actually elevates Planet 51's overall enjoyment factor.
Considering that the scriptwriters never really made the most of the
somewhat original concept they started with, namely having aliens being
deathly afraid of the humans (rather than the other way around), the
sly references to far superior sci-fi fare prevent Planet 51 from being a total dud. In fact, it's sort of fun waiting to see what they'll spoof next. Read the rest of this review here.
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Monday, November 23, 2009
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Be forewarned: Precious is not a movie for
the faint of heart or stomach. Not only is the portrayal of abuse
(sexual, physical and otherwise) both grotesque and gritty in a
decidedly in-your-face way, but never have I seen pigs' feet used to
such gruesome effect.
Believe me, there are countless visuals you'll never forget when watching the story that was inspired by Sapphire's novel, Push.
That being said, there's definitely a reason this film is backed by the high-profile likes of Oprah and Tyler Perry
and being talked about in such a praiseworthy way, and it's not solely
because of the shock factor. Not only are there several Oscar-worthy
performances here from newcomer Gabourey Sidibe as the movie's namesake and Mo'Nique, who is, hands down, one of the scariest movie villains since Heath Ledger's portrayal of The Joker in The Dark Knight, but director Lee Daniels gets the story just right by not shying away from the ugly truth of poverty, illiteracy and abuse. Read the rest of this review here.
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Wednesday, November 18, 2009
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There's a little substance tucked away in all those country clichés on the predictably constructed Play On.
As Taylor Swift and Carrie Underwood can definitely attest, it's good to be a little bit country, a little bit rock 'n' roll these days.
In
fact, 2009 has been very, very good to both country/pop singers. While
Swift's widespread fame is still relatively new and documented
blow-by-blow in all the tabloids, Underwood is now the seasoned pro
with three big-sellers under her belt, thanks to her new album, Play On's recent chart-topping status.But given the public's obvious distaste for former American Idols who switch things up too much stylistically (yep that's you, Kelly Clarkson), it's probably no surprise that Underwood and everyone lending a hand on Play On play things pretty safe. Read the rest of this review here.
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Wednesday, November 18, 2009
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Anyone expecting a cheerier, poppier Christmas album will be
disappointed, but those who appreciate Sting's more artsy side will
find plenty to like about If on a Winter's Night …
It's been said that a "picture is worth a thousand words," and that statement couldn't be more fitting for Sting's new album, If on a Winter's Night.
In fact, the photograph selected for the front cover perfectly
encapsulates the feeling of the project as Sting walks alone in the
snow-covered woods, his only companion, a lone furry friend whose
whiskers are probably covered in ice.
Read the rest of this review here.
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Wednesday, November 18, 2009
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Thanks to Archuleta's stellar pipes, the season is merry and bright.
While a holiday album is still a rather curious choice for an
artist's sophomore project, especially when the debut performed
respectably like David Archuleta's did, traditional Christmas songs are actually a pretty great match for the American Idol alum's vocal range.
So perhaps, it really was a genius move after all.
But the proof's in the singing, of course, and Archuleta showcases
tremendous diversity whether he sticks with tradition on the
string-laden opening cut "Joy to the World" or gets a little
experimental on "Pat-A-Pan," which is basically the French equivalent
of "The Little Drummer Boy" tale. And while the thought of someone from
American Idol singing in French might seem rather cringe-worthy, Archuleta actually pulls it off convincingly.
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Wednesday, November 18, 2009
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Melancholy music is the order of the day on New Moon soundtrack.
Considering that many of the Twi-hards (a.k.a. those who can't get enough of Robert Pattinson and proudly sport the requisite "Team Edward" T-shirts) are also the people who heart the Jo Bros and Miley Cyrus, too, one might expect the highly anticipated New Moon soundtrack to take a few cues from its teeny-bopper fan base. Namely, less alt rock, more teen pop.
But since Twilight series author Stephenie Meyer has proudly proclaimed her love for under-the-radar rockers like Paramore and Muse
(who have both catapulted to mass success as a result), it's probably
best to stick with what worked the first time around. And that's
precisely what the film's musical directors have done with New Moon's official soundtrack, but with even better results.
Read the rest of this review here.
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Wednesday, November 18, 2009
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A collection of ho-hum love songs falls flat long before Carey hits a high note.
While her voice is definitely in far better shape than fellow diva Whitney Houston's is on her recent "comeback" album I Look to You, listening to Mariah Carey's latest work, Memoirs of an Imperfect Angel still yields a similar reaction: disappointment.
Basically, it's a reminder that the glory days of "Vision of Love",
"Hero" and "Emotions" have long passed and been replaced with yet
another song about her "did-she-or-didn't-she?" affair with Eminem several years ago.
Now that Carey is newly married to fellow artist Nick Cannon, you'd think she'd let the subject die already; but that, along with her other tabloid baggage ( Perez Hilton would be proud), plays front and center (albeit humorously so) in several of her songs. Read the rest of this review here.
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Wednesday, November 18, 2009
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The boys (mostly) return to the sound that made them famous in the first place, a move that works, well, about half the time.
While they weren't completely inept at busting a choreographed move on The Tonight Show with Conan O'Brien recently, it was still a bit disconcerting watching Backstreet Boys (now all well into their 30s, save for Nick Carter, who's a sprightly 29), attempting to dance just like they did back in their boy band heyday.
Really, the only thing that was missing was a throng of screaming
female fans as they belted out their new single, "Straight through My
Heart," a catchy, mid-tempo tune that would've fit in nicely with any
of the group's past efforts.
Read the rest of the review here.
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Wednesday, November 18, 2009
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Vertical Horizon's new songs are basically the old ones with fewer hooks.
With a steady stream of Seinfeld and Friends reruns still in constant rotation and new music from the likes of Third Eye Blind, Collective Soul and Sugar Ray hitting stores recently, it seems that ‘90s nostalgia is in full bloom.
Certainly no stranger to that decade musically speaking, it's fitting that Vertical Horizon
is also making its comeback after a six-year hiatus, considering that
songs like "Everything You Want," "You're a God" and "Best I've Ever
Had" had a good, long run on Top-40 radio.
Read the rest of the review here.
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