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C.C.



Last Updated: 6/18/2008

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Gender: Female
Status: Single
Age: 45
Sign: Gemini

City: CHICAGO
State: ILLINOIS
Country: US
Signup Date: 10/26/2006

Blog Archive
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Friday, November 10, 2006 

Here is Stonefemme.Com's Interview with the wonderful C.C. Carter, a Femme We Love!

Stonefemme.Com: C.C. give us a little bit of background on your professional history.

C.C. Carter: I began writing poetry in the eighth grade at the advice of my teacher. He entered my work into a young people's poetry contest, that was named after Gwendolyn Brooks. I won and she (Gwendolyn Brooks) wrote me a letter which I still have at home.

I began studing poetry and literature, majored in it in college. I wrote a lot and submitted work to the Spelman journal of creative writing.

I began reading at open mics and a director of an LGBT performance ensemble saw me and asked me to perform with them. The work with A Real Read (Chicago's Premiere African American LGBT Performance Ensemble), trained me in theatre techniques and performance. It also developed my self confidence in delivery of material.

I entered a couple of national poetry slams and actually won. At The Guild Complex Gwendolyn Brooks Competition - she presented me a check of $500. It has been the highlight of my life to this day - almost full-circle.

Eventually, I went on my own, because I never stopped writing. I started at local women's venues and then ventured into the Womyn's Music Festival scene, incorporating music, performance and theatre. Now, it's my life.

Stonefemme.Com: How long have you been performing and would you consider yourself a performer/actress or a poetess/writer or something else entirely?

C.C. Carter: I consider myself a performance poet. All genres of poetry start with a good poem - that has to be first. Then I incorporate multi-media to enhance the poem. This is different then slam competitions and more traditional literary readings. I believe that it's why I have a wide varied cross-over audience. I always think of my audience when I working on the presentation of the poems. What will help my audience vibe with me on this particular poem?

Stonefemme.Com: What other performers/writers inspire you?

C.C. Carter: June Jordan's work to music and on stage was beautiful. Then there's Alix Olson, Stacey Ann Chin, and sharon bridgforth.

Stonefemme.Com: Is Body Language your latest release?

C.C. Carter: Yes it is my newest release. I have a chapbook which is entitled Letters To My Love. But Body Language is a full collection of my work.

Stonefemme.Com: What inspired you to write Body Language?

C.C. Carter: A lot of my work focuses on walking in the world in duality - femme, multicultural and full-figured. The way women view themselves in opposition to the way media wants to present us is very important thematically in my work. I don't believe that women are born with low self-esteem. It is a systematic receiving of negative images on TV, from family and in society that breaks down the worthy-self. So I write in opposition of what society has deemed beautiful.

I grew up in a household of Domincan and Carribean women who were size 18 and up and the men who loved their fullness. But when I left my home, the world viewed this as not beauty, not the norm. So I write from the point that motivates and uplifts women.

I also wanted to give voice to Femme women particularly those of color and to recognize the dynamics of Butch-Femme relationships with emphasis on the erotic.

Stonefemme.Com: When did you come out as a Lesbian?

C.C. Carter: I believe I was 21, right after college

Stonefemme.Com: When did you come out as a Femme or Lady (not sure which you prefer)?

C.C. Carter: My friends used to always tease me because I was such a priss or very lady-like growing up. My first lover was a stone butch which from that point on helped me to define what was missing in my teen years for which I knew I liked girls but knew that I was not like the images that media portrayed us to be. I was a Lady and also Femme.

Stonefemme.Com: How has being a Femme influenced your work if at all?

C.C. Carter: It is an underlined theme in my work - and how I present it to my audience. It is very important to me to represent one view of Femmeness. Women don't often get a chance to see themselves on stage especially, femme women of color. There are not that many of us willing to take that risk to put ourselves out there that way. That's why I've always loved Jewelle Gomez, one of the view who broke the mold for Femme women of color. A lot has to do with Family and Homophobia in the Black Community. So, I make it my business to incorporate in all facets of my work and to show the other side of lesbianism. It is critical to the way society sees us and the way media depicts us and then to add the full-figured erotic viewpoint to it also is my mission.

Stonefemme.Com: How has being gay influenced your work if at all?

C.C. Carter: There isn't a poem that I've written so far that doesn't infer or elude to my sexuality and orientation. That might change in the future because my writing grows from year to year. But also the issues of women are not just lesbian related. And the more that all women can see the commonality in their struggles as women, the more we can develop comradery across different races and ethnicities and ages, religions and beyond sexuality.


Stonefemme.Com: In your poetry you deal alot with size issues why?

C.C. Carter: I'm a full-figured girl - size 16. I get tired of the negative stereotypes of full figured women on TV - Drew Carrey Show, where she looks like a clown, The Practice - where she has relationships with serial killers, The Parkers where she has unrequited love....etc.

We have very fulfilling relationships, loving relationships, are very erotic, beautiful and sexual beings. And the women and men that love us are not often written about nor is the eroticism of us written about us.

Stonefemme.Com: How has being a woman of color influenced your professional pursuits?

C.C. Carter: The way I can't divorce myself from being Femme, or full-figured - I can't divorce myself from being a woman of color - they are interwoven into who I am. The dialect in it's written and oral form and the experiences I encounter when I walk in the world are all influential. But to get on the stage and see the women of color sometimes see for the first time a performer who looks like them and the look of appreciation on their faces is worth it everytime. To see white women who have never seen a black performer (because often there is a feeling that the subject matter does not relate to our own experiences), begin to vibe with me despite my color and accepted for the merit of the work is very important to opening doors for those after me. And is very important to me for those who paved the road for me to be there.

Stonefemme.Com: What are you currently working on?

C.C. Carter: A CD with music and several singers and artists.
A novel and a new collection of poetry.

Stonefemme.Com: When and where will you be performing next?

C.C. Carter: I will be at Sistahfest, Ladyfest South and P-Town in October

Stonefemme.Com: Is it true that you will be performing in PTown the same weekend as the Butch-Femme.Com PTown Bash?

C.C. Carter: Absolutely, 1:00 PM shows Thurs - Sunday, October 17-20.

Stonefemme.Com: I am looking forward to seeing you perform. I know, I will definitely be there!


if you are interested in learning more about C.C. Carter visit her website.

All Photography by Anthony Dowell

C.C. Carter's Publisher is Kings Crossing Publishing out of Atlanta.

If you are interested in being featured in Femmes We Love please write webmaster@stonefemme.com.

Thursday, November 02, 2006 

THE HERSTORY OF MY HIPS         

by C.C. from Body Language          


             

What is it that you misunderstand about these hips?

 my hips?

These are my hips-

these fifty - two inch hips

attached to this thirty-six inch waist

are my hips and they tell herstory

 

perhaps you question the size of my hips-

the second largest continent in the world sired these hips

of course they would be as large-

 

the oldest civilization on earth gave birth to these hips

of course they would be as wide-

 

for these were my great grandmother's

and my grandmother's

and my mother's hips

and now I am heir to the throne-  my crown?

these hips of course-

and I would proudly pass them on to my daughter

for her dowry would you say-

 

These hips are pyramids-

no blueprints modern technology

no cranes and chains erected these hips

blood sweat and joy created these hips-

 

My West Indian  "father"

loved my Dominican "madre"

and they mixed up the spices 

to create the recipe for these hips-

 

cause my hips are hip-

they swing a jazz tune

they bop a blues beat

they talk a rap rhythm

they dance a drum solo-

 

these are hot summer day

cold winter nights

spring into action

make you fall in my lap hips-

These are my hips-

  

no aerobic

no treadmill

no run a mile-

these hips are for you to snuggle

for you to cuddle

for you to sink into and dream-

for you to get lost in all your fantasies-

wrap yourself around and let me squeeze you hips

lock you in and yell si mommy hips

draw you deeper so you can scream,

"dame ah bueno, dame ah bueno,"  hips

shake with ecstasy, "what's my name," hips

rock your world and swing from chandelier hips

make you release before you were ready to hips-

when you want to hold a woman's hips

when you want to feel the difference between you and me hips

when hard hips want to be soothed by charmine hips

these are my hips- so let the legacy live on.

 

 

 

 

Thursday, November 02, 2006 

ON BECOMING WOMAN

 

 

            I'm not sure of when it happened, but it was around the time when people stopped

calling me cute.

            I had stopped shopping in the Misses department because the cut of a size fourteen didn't become the new shape of my now fuller fourteen woman's hips.   So I ventured into the Plus Size Unlimited area and shamefully searched through racks of clothes that years previously I swore would only be for women like my mother.  "1X"  the tag said, and from the look of the garment that meant they had added extra material - an extra yard to give reason for the plus extra price.  And what's with the flowers and sequins placed around the collar.  And where are the darts, and tapered waist and, I cried as I paid the sales clerk. 

            At home I had long since given up full length mirrors that revealed soft flesh that

used to adorn Venus Williams thighs, Gabrielle's  flat stomach, and perfect Holly Berry breasts.  A scale that made me the envy of all of my friends, was now a stopper to keep the closet door from swinging shut. Videos of Buns of Steel, Abs of Metal, and Thighs of Stone with little anorexic cheerleaders who didn't need any more exercise than I needed a bowl of ice cream while watching them, had now become bookends for my new

collection of self-esteem enhancers.

            It wasn't that I didn't care what I looked like, it's just that what I looked like

wasn't becoming to me.  My idea of perfection had been me at size eight in spandex and

three inch, "come fuck me" pumps.  Compliments of  "You are such a cutie," and "Damn did you see that?"  Hot fast sex that lasted for four hour marathons and yet still left me saying, "Wait a minute, you aren't done yet are you?"

            My lover telling me that I was the cutest little thing that she ever saw - she laying on her back and me draped across her like a mink.  These days, I felt that my thighs must feel like a tank pinning her down to the Mattress.  Many nights I lost sleep because - asleep I couldn't control how heavy to lie on her.  Many times I would just rolled over on my stomach and cry inside an arm of flesh.

I was constantly reminded of a petite and trim me by pictures wall-papering my

bedroom and hallways.  And God knows that I dreaded affairs, because that

meant nothing to wear, which meant shopping in the fat women's section, again.  The final insult to injury was when my high cut brief panties now fit like thongs.  And control top and body shaper pantyhose were now a necessity even though I wasn't wearing spandex anymore.  I resulted to wearing oversized shirts and knits, covering up my not so petite body - hoping people wouldn't notice that I had become unbecoming to them.

            One day my lover asked me if I had ever stopped to listen to what people were

actually saying.  Yeah right, like I wanted to get my feelings hurt all the time.  "Girrrrl,

how do you get all that ass in them jeans," or " Do you know you got a biiig ass?"   My

response would be, "You know, I knew it was there when I went to sleep, but

sometime between last night and this morning when I got dressed in the mirror I forgot.

But thank-you for reminding me."

            But ok, one day I took my lover's advice and stopped to listen.  Suddenly, I began

to notice older mature men glancing at me with smiles,  "Sorry I was staring, but you are

very pretty."  Women stepped aside as I entered parties, and not for the reasons I thought,

(God they had to open a space so large because my hips were a sign,  "Proceed with

caution, wide load approaching" ).  Instead, I heard things like,  "Who is that?", as people

asked their friends about me.  Those women who braved my response, would approach me and strike up conversation, usually ending with compliments.

            People greeted me with,  "Hey sexy, hello gorgeous."  I would look around

wondering who they were talking to because, I still dressed in a face only mirror and

always wore oversized clothes.

 Yet my lover secretly began replacing my oversized shirts and knits with tailored classic suits and dresses from the Voluptuous Store.  </SPAN>That's a name she made up to make me feel good.  She took me shopping in the All Women's and Plus Some Departments -  buying me fourteen wonderfuls, sixteen wows, and  those one extra special sizes.  We even found a lingerie store for me that has become my secret - not Victoria's.  And now I wear meant to be thongs, bikinis, lace teddies, and bras that don't need miracles because I have developed two of my own.

            At night she spoons me from behind - wrapping her arms around my fullness and

caressing softness that she swears feels better than the once muscle that kept her head

smashed like a rock - putting her face in the folds of my back and cupping breasts

whispering, "Damn you feel so good."  She turns me over and slowly loves the woman

I've become - feeling the maturity in my hips that have spread because I'm now at peak

breeding time.  She wraps her arms around a waist that can pinch more than an inch, but

still indents to form an hourglass, telling the time that it needed to make me this woman. 

She rubs breasts that are round to pillow her head upon.  And I call my mother to thank her for not letting this apple roll too far from the tree after it fell.

            The scale has been thrown away and full length mirrors unveil a picture of the

woman in me.  New pictures drape my walls showing me as a girl who happened to be cute -  transitioning into pictures that reveal the inner beauty of the woman in me.   Lately I've had to count my blessings and I smile, because, my Womanness Definitely Becomes Me.


Friday, October 27, 2006 

Body Language
By: C.C. Carter

From: Kings Crossing Publishing
Pages: 92
Softcover
UPC: 0971448914

Price: $14.95

http://www.kingscrossingpublishing.com/books.html

 

 

 

the book cover of Spirited

Spirited: Affirming the Soul and Black Gay/Lesbian Identity

edited by
G. Winston James
&
Lisa C. Moore

In Spirited: Affirming the Soul and Black Gay/Lesbian Identity, more than 40 writers address the question of how we, as same-gender-loving black people, affirm ourselves as sexual and spiritual people. These sacred narratives are a canon for our survival—holy texts proclaiming the divinity of our lives, the righteousness of our love, and the sanctity of our being. Spirited is a must-read for those on a journey toward spiritual and self-acceptance.

ISBN:               0-9656659-3-3
Specs:              Softcover, 391 pp.
Price:               $16.95
Pub. Date:      April 2006
Cover art copyright © 2004 by Janet Nicholson

 

Best Black Women's Erotica 2

BEST BLACK WOMEN'S EROTICA by Samiya Bashir

Collects twenty stories sharing the erotic relationships of people in a variety of circumstances by writers including Shawn E. Rhea, Opal Palmer Adisa, Tara Betts, C.C. Carter, and Jamyla Bennu.

 

CARTER, C. C.

Friday, October 27, 2006 
C. C. Carter
Inducted 2002
Since her 1996 Chicago arrival, she has been a writer, poet, and performer and has helped to develop audiences for poetry, music by women of color, writing by women in prison, African American literature and art, and women's health awareness. As a fund-raiser and board member she has also helped to sustain numerous groups.
A writer, poet, performance artist, and teacher, C.C.Carter has been busy since her 1996 arrival in Chicago—as a columnist for 'Blacklines', 'Outlines', 'En La Vida', and 'Windy City Times'; as a member of Chicago Black Lesbians and Gays and the program coordinator for its first and second Unity conferences; as organizer of Chicago's first People of Color poetry slam; as program coordinator for an annual Martin Luther King, Jr., breakfast; and in other roles.
As vice president of the Literary Exchange from 1996 to 2001, Carter organized its first annual women-of-color music festival, coordinated its writer's series for women in prison, and programmed all Exchange-sponsored events.
She directed the women's component of A Real Read and has produced the Black History Month show at Mountain Moving Coffeehouse each February. She has also performed there and at Bailiwick Repertory Theatre, including the annual All Girl Revue. She regularly donates performances to community organizations, such as the Lesbian Community Cancer Project's Coming Out Against Cancer annual dance; a breast cancer awareness poetry slam; Affinity Community Services' Healthy Woman Series, High Risk Gallery; and Women & Children First bookstore. Most recently, in September, she was an organizer of Fire & Ink, a Lambda Literary Foundation conference in Chicago on African diasporic gay, lesbian, bisexual, and transgender, culture and artistic expression.
Carter has performed at the Michigan Womyn's Festival and National Women's Music Festival, was keynote speaker at the national NOLOSE 2000 conference for lesbians of size, and has been on stage at Campfest, the National Lesbian Conference, Detroit's Hotter Than July! Pride events, a Lesbian Writers Fund Gala sponsored by Astraea National Lesbian Action Foundation, a Behind Our Masks conference sponsored by Lambda Literary Foundation, and Ladyfest Midwest.
She became an Astraea Foundation board member in 2000 and has been instrumental in securing funds for the Lesbian Community Cancer Project, Affinity, Bailiwick's Lesbian Theatre Initiative, and the Literary Exchange. She served on the board of Horizon's Community Services in 1998 and 1999. She had the lead supporting role in 'Kevin's Room', produced by Lora Branch. She taught creative writing workshops for About Face Theatre, which resulted in works used in this year's Pride celebration. Carter has a bachelor of arts degree in English literature from Spelman College and a master of arts degree in creative writing from Queens College. She is author of 'Body Language'. She now teaches performance poetry workshops as an adjunct professor at Chicago's Columbia College.
Thursday, October 26, 2006 

Current mood:  anxious
Well,  I thought I'd better keep up with everyone else.  Too many people asking me, not about my website, but about my my space page and if I even had one.  The thought of even attempting to do one was horrifying to me.  But insomnia woke me up at 3:30 this morning and with nothing better to do, I attempted to design this site.  I hope you enjoy it.  I'll be putting up thoughts and words as I travel along this expressway - life.  Maybe take some scenic routes through other coffeehouses and literary venues.  Probably what I'll do is give you hints of trends to come and the new who's who in the literary and theatrical world.  Probably let you know about people and places you should be rebelling against.  Not sure yet.  Just proud to be a part of the new phenomenon.  My resistance to it only made the yang of me pursue it more.  Welcome to My Space.  C.C.