CD Review: Silent and Listen
Find out why you've got to hear "Secret Hiding Places Never Are"
By Matt Amato
Special to Metromix
August 24, 2009
In some ways,
angst pop has become a musical menace. Its audience is youthful and
unexposed, ambivalent to variety. Songs follow a concrete
sequence—distortion-laced power chords tethered to strict melodic
structures. Lyrically, it’s equally asinine. There are tales of hallway
inadequacy, rejection and disillusionment with structural norms.
The assessment
admittedly comes across as gloomy, and maybe too sweeping in its
negativity. Certainly, there’s always some person, some band off the
radar with more guts, innovation and talent than what’s heard on the
airwaves.
Silent and Listen
are arguably that group, that chink of light with potential to
galvanize a floundering genre. Brawn, guts and reined-in power—staples
of angst—are marked all over new album “Secret Hiding Places Never
Are.” However, its equal doses of subtlety and sensitivity, the
ethereal imprint, sees the Atlanta band rise above a comfort zone of
mediocrity befalling others.
Tracks like “Gold
Leaves Falling and “Pindrops on a Placid Lake” have confluent harmony
between Nathan Woody’s broody guitar style and melancholic message. The
former, in particular, is special. With the most delicate touches, the
song meanders into a hull of inescapable sorrow, augmented by
imaginative notes emotionally pawing away.
“Fail on Cue,” “Chunky”
and “Fail” are alternative standards that have powerful, fast-paced
hooky riffs with antagonistic messages deferring to the demands of
angst. One notable contradiction, when considering these tracks
compared to the others, is the album’s biopic nature.
The pace slows to
an almost pedestrian speed at times. Indeed, “Good Ideas” and “Glitter”
are whimsical, unfortunate "fillers," of sorts, unable to be saved by
the excellent production work throughout the album. But enough
pessimism, as the album ends on a high note.
“Secret Hiding
Places That Never Are” is a standard-setter, a genre challenger and a
nagging call to the commercial stations. Please play this album instead
of the usual dross.
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