Status: Single
City: OSHKOSH
State: Wisconsin
Country: US
Signup Date: 11/7/2006
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Thursday, August 27, 2009
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The farfisa player from Dallas Orbiter sent this video to me (I think he's stalking me). I blew the ending, but it was a really fun show in Minneapolis last weekend!
-s
http://sharing.theflip.com/session/543d2df62257e22af8f9b13d7ae73e08/video/5838928
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Wednesday, April 22, 2009
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Current mood:  excited
Category: Music
Hello, So you may have noticed not much activity these days with the Attack, Octopus. Sorry about that. I've been working on a batch of songs for The Willis, which is back together and working on a follow up to Bathtub.Lightbulb.Heartattack. I've written 10 songs in the last six weeks for that album. Some of those will make the record and others won't and I'm sure there are more in the hopper of my unconscious as well as one or two in EVT's.
I'm putting up a new demo everyday on The Willis myspace, so head over and check out what I've been doing. The other guys in the band are currently writing parts for these songs and we'll play a few of the new ones at our Peabody's show on May 30th. Hope to see you all there. It's going to be an amazing time, as our good friends and labelmates The Poles will be in town from Asheville, NC to play.
The Poles are on tour with their first full-length and feature Oshkosh legend Todd Lemiesz (H. Chinaski, Crayonblack, etc..) and Matt Gentling (Archers of Loaf, Band of Horses), so it will be a homecoming and total event.
We'll also be screening our unaired performance on Late Night with Jimmy Fallon before the show (9:30), so get there early if you want to see how many times Jimmy can say "Oshkosh, Wisconsin" in three minutes.
wrok! -s AO
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Friday, January 30, 2009
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Current mood:  pretty
Category: Music
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Thursday, May 08, 2008
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Category: Music
28 SCENE l MAY 2008 www.scenenewspaper.com
Benjamin Cloyd: How would you describe your style of music to our readers?
Stephen McCabe: That's a question musicians can't usually answer very concisely, and I guess I'm not really an exception. I think I'm kind of willing to move into a lot of different stylistic territory with Attack, Octopus. The project started out kind of electronic sounding, with drum machine and synthesizer, atonal Rhodes piano, hemiolas and compound meters.
As I progressed and developed a sense of the technical limitations and formal possibilities of a multi-instrumental looping project, I became interested in creating some sonic mass. Since it's a solo project, it seemed kind of fun to construct songs that sounded as big and full as possible and that live would contrast with the visual presence of one person building these loops, so as a result these songs have a kind of '70s prog thing to them.
The first batch of songs that I just released exclusively through Snocap (www.myspace.com/attackoctopus) mostly reflect that sensibility. My newer songs seem to consist of a more traditional pop structure, but with more of a focus on mood, melody, and narrative. I don't know where it will go in the long run, but I really like being able to go any direction from here.
BC: What parts of creating music excite you the most right now?
SM: I've always loved songs. I'm a sucker for them, for the way structure plays off lyrics, the interaction between the expected and unexpected. I think I'll never get past that stuff, but after that I'm always interested in sonics and orchestration. I really spend a lot of time looking for the right tone, the right voicing, the right note, the right rhythm in a section.
Technically, though, I'm still discovering new ways of putting together songs with the Boss RC-50, a stereo looping pedal that I run the Rhodes, Alesis Micron synthesizer, drum machine and electric guitar through, then play drums to live.
BC: What are you up to right now, music-wise?
SM: Right now, I'm mostly writing a new batch of songs. I just released my debut, which Justin Perkins did an amazing job producing, but it's only a seven song EP, so I'm working on my first full-length that I'd like to begin recording this winter. In terms of secret projects, I'm still cooking up the idea of doing a one-hour live soundscape while a local painter paints a mural-size watercolor, possibly for one of the Oshkosh Artwalks. The whole project will be videorecorded, then the audio and mural will be immediately destroyed leaving only the video as an artifact of the performance. No date set for this yet.
BC: In what ways does Oshkosh affect the music you create?
SM: I'm profoundly influenced by the musicians in this town. It's a very incestuous environment musically, where jazzers play with rockers and rockers play with blues, metal, and country musicians. It seems like there's great exchange of ideas, along with a lot of support and general conviviality between people who in most communities compete with and envy each other.
BC: What do you think about the Fox Valley music scene right now?
SM: There's always a show happening. There's always something great and new and unique to see if you're willing to get out and find it. There are great songwriters, great musicians, and a lot of people with big, exciting, ambitious ideas that result in some genuinely spectacular events.
BC: Name a band or musician, past or present, who you flat-out LOVE and think more people should be listening to.
SM: My favorite musicians are my friends. I listen to all kinds of music from everywhere, but the music I know most intimately is the music my friends have written. Jeff Mitchell is one of my favorite songwriters, anything Andrew Johnson does is brilliant, Eric Van Thiel from dropdeadgiants, The Poles (Doubleplusgood Records), Dallas Orbiter (Minneapolis), Patchwork (Madison). If you take the time to track these musicians and bands down you won't be disappointed.
BC: What's the saddest song you've ever heard?
SM: I get a little lump in the throat every time I even think of "I am Trying to Break your Heart," by Wilco. Amazing mood, stunning melody, lyric, arrangement, production, mixing. Also, if the vocal round at the end of "God Only Knows" by the Beach Boys doesn't make you cry, you probably have a soul of polyurethane.
BC: When was the last time you wrote a song? What can you tell us about it?
SM: I wrote music for a song this week and put a demo version of it to tape. It's not arranged at this point and I don't write lyrics (although I have a core melody) until I begin to get a sense of how the arrangement might end up. The song is very quiet, though, almost minimalist, and I'm pretty happy with it right now. Although, that can often change after I sit on it awhile and listen to it in a variety of moods.
BC: Where did you come up with "Attack, Octopus."?
SM: I stole the name from some friends and former bandmates from The Willis who used it for one show before they finally decided upon The Southside Stranglers. I added the comma and period to the name, as I liked the sort of fanciful idea of some evil Dr. No megalomaniac-type ordering his octopus to take the offensive on some handsome, quick-tongued, philandering protagonist.
BC: When can we come see you play and where?
SM: My next show is at Peabody's on Friday, May 9, in Oshkosh with the amazing selfevident from Minneapolis, dropdeadgiants from Oshkosh, and This Bright Apocalypse from Madison. I can't wait for that show!
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Monday, March 24, 2008
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Current mood:  cantankerous
Category: Music
The Attack Octopus debut release is now available exclusively through Snocap! Justin Perkins did a wonderful job recording and mixing the album and Eric Van Thiel appears courtesy of Goatfalcon Records. Visit the AO myspace page to purchase a high quality mp3 version of the record.
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Tuesday, November 27, 2007
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Shu-Ling Zhou/ of The NorthwesternPosted October 17, 2007
McCabe draws on background for one-man band By Jeff Bollier of The Northwestern No one should have to follow Stephen McCabe. As Attack Octopus, McCabe can put most garage or independent rock bands to shame when he takes the stage, loops guitars and keyboards, wails on the drums and creates a driving sound that belies a simple fact: he does it all himself. It's not that McCabe, 35, is a show-off; quite the contrary. The Idaho native has spent the better part of 15 years in some of Oshkosh's most seminal rock bands – The Willis, Happy, Babel Fish and Cookie Bug to name a few – but decided in November 2006 he would rather begin a long-term project he could shape over time. "I was a little soured on the band thing. I had never made more than two or three records with any one band," McCabe said. "I wanted something consistent, something that could evolve over 10 or 20 years. I wanted to do something that builds on itself." Attack Octopus, the early results of that endeavor, will strike out in full force Friday night when McCabe joins Patchwork and Dallas Orbiter, a longtime Oshkosh low-fi rock outfit now based in Minneapolis, at Peabody's Ale House, 544 N. Main St. The show will be one of the few shows McCabe has done as Attack Octopus since he unveiled the concept to live audiences in January. "It's been a lot of fun so far," McCabe said. "It's really frightening and really exciting. I have to think constantly (on stage)." McCabe said he "completely deserted jazz" when he started playing rock 'n' roll around age 20, but the complex layering and composition that really defines jazz remains present in the seven Attack Octopus songs McCabe has packaged on a CD now. He added that jazz has helped him prepare for what he calls "happy accidents," those coincidences and random occurrences that change the direction of the music. "There are expansive things I can do, but things break down, too, so I have to be aware in a similar way to jazz musicians who have to constantly listen for what is being laid down around them," he said. While jazz has laid the foundation for McCabe's compositions, the sound remains hard, driving rock 'n' roll, influenced by bands he's performed in, such as The Willis, as well as those he listens to, such as Spoon, Wilco and Dallas Orbiter. But more than anything, they're pure Stephen McCabe. "The seven songs I have do well both live and recorded," he said. "There's more of a narrative through-line than previous recordings. I'm trying to connect more things together now." Jeff Bollier:            (920) 426-6688 or jbollier@thenorthwestern.com
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Saturday, September 29, 2007
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a couple early mixes are up (SOTHISISSPACE) and (RODDENBERRY).
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Tuesday, September 25, 2007
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Category: Quiz/Survey
Artist and the Audience: Attack, OctopusNick Tovarek, of the Advance Titan Welcome to the newest feature in the Arts & Entertainment section, "Artist and the Audience" in which we sit down and ask our favorite local musicians what their favorites and firsts are. This week we had the chance to catch up with Stephen McCabe, the man behind the loop-based, one-man indie rock orchestra, Attack, Octopus. Last Album you bought or downloaded? I picked up Wilco's "Sky Blue Sky" a month ago and I am just beginning to really like it. I'm kind of slow. Before that it was Arcade Fire's "Neon Bible." Favorite place to play? Tough to say… Reptile Palace for the danger and Peabody's for the love. What was the first concert you went to? Spyro Gyra at Summerfest in 1988. I was a jazz band geek and had yet to discover Coltrane. What was the first album you bought? Van Halen "1984" in 1984. "Whoa-oh/ hey you/ who said that/ baby how you been." What's the best concert you've ever seen? Probably The Flaming Lips last summer in some field outside Janesville at some festival that probably didn't make half their money back. Amazing. What's your favorite piece of musical equipment? The distortion pedal is all you'll ever really need. Everything else is decoration. What's your favorite album? Chavez's"Gone Glimmering" on Matador. Once you hear it, your life will evermore be rich and fulfilled. What album would you bring to aliens to tell them about Earth? "Measure of a Man" by Clay Aiken
Funniest thing that has happened to you at a concert? A flawless performance (hypothetical) Best album to fall asleep to? John Cage's track, "4'33"" on repeat performed by the Amadinda Percussion Group, (Dec. 8, 1993). You can see Attack, Octopus at Peabody's Ale House at 10 p.m. on October 19th
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Wednesday, August 22, 2007
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Just finished tracking 7 songs for a debut record with Justin Perkins. He has golden ear and it was great fun hanging out with him for a few days. We'll be mixing those songs in the next weeks and I'll be adding 3 more songs done on 4 track to the album along with sound fragments and some noise experiments. Really looking forward to finishing the album, titled _...d the..._.
Also had a great time playing at Peabody's the other night with song heros Jeff Mitchell and Jeremiah Nelson (Patchwork) and Jazzscape masters Nate Frank and the Wisconsin Magic. Sorry I spaced your name during the show, but it really makes no sense, guys. You should really try to have a band name that makes some sense. For instance, Jeff Mitchell calls himself Jeff Mitchell. Now that makes sense because his name is Jeff Mitchell. His parents chose the name and that's like one of the big perks of being a parent. But really, guys, it's the right thing to do, so think about the band name making sense. Maybe just have a rehearsal where you work on coming up with a band name that makes more sense, you know? Maybe, get some beers and sit around and talk about it, or make a list of potential names. To recap, use the model of Jeff Mitchell in your meeting as an example of someone with a band name that makes sense and then try to copy that model. Don't actually go too far in using the model, though. Don't, for instance, name yourselves Jeff Mitchell, because that wouldn't make sense, plus you'd probably get into a drawn out legal battle with Jeff or his parents, or both. Instead, think about a name that's right for you and that also makes a certain amount of sense. Also, thanks to everyone at Peab's and everybody who tolerated my decibels.
rokk, s
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Friday, June 15, 2007
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Current mood:  good
Category: Music
Hello,
Changed band names recently, not trying to copy Dean, Eric, and Jesse. I was a fan of their temporary name Attack Octopus from the beginning and when I found out they'd dropped it, I thought I'd take it. Other than a select few, nobody got the Quebecois Wheelchair Assassins DFW reference, and I started to feel like it might be misunderstood. When Atom from Friendly No One asked me the other day if I'd grown any extra arms, I thought immediately of the name Attack Octopus and made arrangements with Mr. Blumreich, Esq. to acquire the rights and fees associated with AO.
I've put up a rehearsal video just to give people who haven't seen the project a sense of what I'm trying. Comparisons have been made to Dosh and This Is My Condition and The Robot Ate Me. These comparisons are unfair to those other amazing entities.
I'll be recording the Attack Octopus debut album, entitled _...d the...._ on July 11th and 12th with Justin Perkins and I can't be more thrilled. Looks like amazing filmmaker (_Better Off Undead_), songwriter (The Grand Arnaque), and photographer Colin Crowley is also up for making a DVD of the recording, so I'm thrilled to be working with such amazing and thoughtful people this summer. Should be good damn fun.
rock, s
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