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Last Updated: 11/18/2009

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Status: Single
City: MINNEAPOLIS
State: MINNESOTA
Country: US
Signup Date: 4/12/2005

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Wednesday, November 18, 2009 
Hey Now!

Nick here and we're back from our tour minus a van and a part of my tooth - but more on that later.  Thought I'd give a recap of our trip out east, a run down of what we've got planned for 2010 and how we plan on spending the icy Minneapolis months that are soon to be upon us - so here we go....

Tour Recap!

Wednesday Oct. 21 - Minneapolis

Having gotten the van back the day before with a clean bill of health (questionable), we were all set to head out of Mpls at noon.  Danny and Nate had picked up a bunch of new t-shirts from our friend Jeremy.  I kissed my dogs goodbye and we headed out into the rain, landing just inside Ohio at day end.  I remember the last two toll takers we met look virtually identical, and we got a kick out of the idea that a family of twin sisters were working the tolls 20 miles apart.  Part of the reason to push across the Ohio border was to be able to score some brews, which played out perfectly.  We downed Corona and taped up t-shirts at a Bates-style motel and got stoked for the upcoming tour.

Thursday Oct. 22 - Endicott, NY
We got up early and hauled ass to Endicott, NY (a little south of Binghamton) for a show at a converted Music-Go-Round.  Apparently it was a functional store, but all they had in stock were out-dated Popular Science magazines upstairs and no one was buying.  We played with Nancy who apologized for their band name but were really rad.  Met some people from the Pop Punk Message Board (yah we're nerds) and tried to kick out the cobwebs after not having done a show in awhile.  While trying to determine a plan for getting Nate to Sirius the next day for an interview, a few Endicott natives were adamant we'd be able to easily park a van in Manhattan.  This would prove to be false.

Friday, Oct. 23 - New York City
Parking a van in Manhattan is fucking impossible.  We were trying to get Nate to Rockafeller Center at 1PM to do an interview on Faction along with Ray from Teenage Bottlerocket and Joey Cape of Lagwagon fame.  Every ramp said "NO VANS" and when we finally thought we had found a spot it turned out to be for deliveries only and Nate's witicisms did not count.  We dropped him off amidst the Manhattan lunch crowd and headed to Brooklyn where we would be playing later that night. 

Danny, Corey and I parked found a parking spot (hurray!) in Brooklyn near the show and wandered around looking for a bar.  We landed at our friend Josh's bar, which turned out not to be open for business but had an unlocked door.  Danny made a mad dash for the bathroom regardless and then apologized to the bartender for having the runs - "I've been eating a lot of greasy food".  We found this hilarious.  We played some video bowling at another bar and then headed to Club Europa to load in.

The show turned out to be really fun.  It was great to see Brandon from TBR again (he had set up a show for us in 2008 in Laramie) and meet the Ray, Kody, Miguel, and Cobra Skulls dudes.  We also finally met Vanessa from Fat who has been so great to work with and has done so much stuff for our band.  As far as our set, it felt ok.  The opening band played way too long and as a result were kinda rushed to keep on schedule.  My amp head sounded weird out of Ray's cabinet (we were sharing gear) and we had some monitor issues, but I think we played alright.  Got to see people from the PPMB like Chris and Carla so that was cool.  Danny and Nate headed out after the show to see Pretty Boy Thorson at the aforementioned diarihea bar while Corey and I headed to Caroline's Comedy Club in Manhattan where we saw Donnell Rawlings (Ashy Larry from Chappelle Show) as well as some hiliarious openers.  One guy had a great bit about how pissed off bees have to be to sting you because they know they'll die after it.  They have to really want that potato salad.  

We regrouped in Brooklyn and tried to make our way out of town until a curb and a fence got in our way at a rainy intersection.  The van seemed unscathed luckily and we made some progress toward Tom Hank's favorite city.

Saturday, Oct. 24 - Philadephia
We got to Philly with lots of time to spare, so we decided to check out some of the sites.  Brief recap: the liberty bell has a big crack in it; it was not renamed the Taco Bell contrary to popular belief; if you're desperate for some change you can find some on Ben Franklin's grave, but beware of his resume posted on the gate - it will make you feel like a lazy shit. 

The show was at a house called "The Terradome" and turned out to be an amazingly good time.  We had succeeded in finding some alcohol after searching for no less than one hour (weird laws in PA).  People seemed really into the show, we played decent, and got to crash at the house.  What more can you ask for?

Sunday, Oct. 25 - Cambridge, MA
This show turned out to be rad.  When we got to the venue there was a huge line outside and I was stoked.  Then I heard that Anal Cunt and Goat Whore were playing in the lower level, dis.  Fear not, lots of people showed up to see TBR and Cobra Skulls and a good time was had.  I got to talk to Kody and opened with "you remember that show the Lillingtons playing in Minneapolis in the Extreme Noise basement when the power went out?"  His reponse: "How old are you?"  Ha!  I felt dumb being near Harvard and MIT which continued to the vibe started at Ben's grave.  I finished a Suduko and felt better. 

Monday, Oct. 26 - Howard Stern Studio Tour and Albany
Monday was exciting.  I am a super fan of Howard Stern and today we had a studio tour scheduled.  Fuck yea!  When we're on tour we listen to a lot of Howard Stern in the van - it can make a drive across nowhere Wisconsin pass by like that.  So how did this tour happen you ask?  Well my wife happens to work with Howard Stern's program director's sister - weeks before the tour I realized this was the perfect opportunity to exploit this connection and voila!  Tim Sabean came through in spades.  We got our security badges and waited in the Sirius lobby for our tour guide.  Nate noticed the wall behind us showed every song currently being played on every channel - Faction was playing the Dead Kennedy's.  Nearby was a sign that read "Welcome James Taylor!" who must have passed through the doors sometime before us.  We finally got ushered in and moments later met Sal Governale, the phony phone call master.  No joke, he dropped his knuckles and starting acting like an ape, asking our guide if he was "giving us a tour of the zoo".  Pretty fucking cool.  We also got to meet Scott the Engineer, see the studio where the action happens, and pass by all the other Sirius channels including the "Martha Stewart Channel" where Nate had done his Faction interview days before.  Pretty sweet.

We went back to Brooklyn to get the van and started out for Albany for our last show with TBR and Cobra Skulls.  I started feeling really sick and had swine flu paranoia.  Back in May when we did a week after the Windy City Sound Clash we all got wicked sick and had thought we had gotten an early strain and were therefore immune now.  Don't know if that's what I ended up getting, but the next two days sucked.  I rebounded right before we played however and it ended up being a fun show.  Brandon regailed us with tales of his swimming with sharks in Thailand and I ran into Sergei from Long Island (we had played his house in 2006) and it was good talking to him.  We stayed at a super ghetto hotel and I got my own room so I could enjoy my flu dreams in peace, and boy did I get 'em.

Tuesday, Oct. 27 - Richmond, VA
We had our GPS going and thought we were in the right place but couldn't find the venue - we just kept getting stuck in this strip mall.  Turns out the venue was in the strip mall, and was a duckpin bowling alley to boot.  I still felt like shit but had a good time nonetheless.  The opening band was Drunk Hugs and they were pretty rad.  Bomb the Music Industry! played and I ducked out to take some Advil.  I crashed at a super shitty Econolodge for more flu dreams while the rest of the guys crashed at a guy's house.  I don't know about you but when I have the flu I take baths to try to regulate my body temperature.  Only problem was this fucking hotel didn't have a plug.  After much thought I figured out I could use the ashtray as stopper if I was just careful not to kick it.  The next day I proudly told the guys I had pulled some MacGuyver moves to which Nate said "that'd be some pretty weak MacGuyver"

Wednesday, Oct. 28 - day off in Savannah, GA
We did some laundry in the Garden of Good and Evil.  Savannah seems like a rad place and I'd like to get back there sometime.

Thursday, Oct. 29 - Tampa, FLA
Pre-Fest!  We had played Transitions Skate Park in 2006 and 2007 but for some reason didn't in 2008 and that was a mistake.  This show was fucking great!  So many friends, so many good bands.  We played early too which was a bonus (when we left at 3AM there were still bands that hadn't played).  Some excitement went down when a guy tried to jump between the roofs of two vans and couldn't quite close the distance.  An ambulance arrived and from what I hear it was just a few stiches and a broken toe, but it coulda been a disaster.  We sold a shit ton of merch here which was awesome because we were out of cash at this point.  I got to see the Monikers which was super fun. 

Friday, Oct. 30 - Fest!
We were pumped for Gainesville.  The line at the Holiday Inn was insane to get passes.  While we were sitting in the lobby waiting to check in we saw the Dopamines fresh off their European Tour and it was fun to talk to them.  Through some logistical fuckups we ended up with one bed for four of us which was kinda a bummer since we had the room for three days, but some Corona/PBR quickly changed our outlook.  Some bands I saw: Cheeky (sweet), Jonesin' (awesome) and the Menzingers (fucking crazy awesome).  I had really wanted to see American Steel but the line was uber-ridiculous.

Saturday, Oct. 31 - Fest!
We were supposed to play at 2:30 at Common Grounds so I set out early in the morning to try to fix my amp (I had blown a fuse in Tampa).  Outside Radio Shack I ran into Barker of Ringers/Witches with Dicks fame and we bullshitted for a bit.  Inside as the clerk was ringing my fuse up he asked something like "do you want to donate $2 to (name a Nascar driver)'s cancer research foundation?" I replied "nahh man" and all of a sudden from across the store Barker yells "C'mon man!  It's for cancer!!"  Shamed into contributing I headed back to the hotel with a fixed amp.

The show at Common Grounds was fucking awesome.  It was packed to shit.  Midway though the second song I saw a dude flip up out of the crowd and head right towards me.  His leg connected perfectly with the mic stand forcing the mic to connect perfectly with my teeth.  A piece of my front upper left tooth went flying flustering me so much that I spaced the 2nd verse to Greenwood.  Fortunately it turned out to be only the back of my tooth that fell apart leaving my good looks intact. 

The whole slew of bands after us was amazing and I got to see bands like Dear Landlord and the Copyrights from right on the side of the stage.  Sweet.  I ran into Barker again on the patio and asked him if he also had contributed to the cancer fund - he hadn't.  That's bullshit.

Somehow we got added to the Failsafe Warehouse bill and were scheduled to play about 5 miles from town around 2AM with lots of cool bands including Dead to Me, who we had never met but were going to be playing some shows with post-Gainesville.  This show was fucking crazy awesome.  The energy was palpable.  We played Skeleton Key for the first time live and I barely sang any of the words as the people in front took over (and I was a little gun-shy given my tooth situation).  Dead to Me killed and sounded so rad even as a three piece.  Got to meet those dudes and they were super cool and made us really stoked for the next leg of the tour.  Also met Chad from Fat and that was really cool.  We also missed out on the cop-bashing hijinks going on at a house back in the city so that was a bonus.

Sunday, Nov. 1 - Fest!
Sunday was sweet because all we had to do was check out cool bands.  I remember seeing Off With Their Heads (insanely awesome), Broadway Calls (radical), and the Thumbs (nostaligic from when I saw them in a Mpls basement circa 2000).  We got some Alligator tacos at the drummer from Against Me's restaurant, Boca Fiesta - review: bland food, shitty service.  Wish I had a better report but hey I'm just being real witcha.  Danny and I called it an early night to watch the World Series and root against the Yankees.

Monday, Nov. 2 - New Orleans (day off)
What a perfect spot for a day off!!  It was a helluva drive but we crossed the swamp around 8PM and landed in the French Quarter ready for fun.  I had visited a month before for a week so knew the lay of the land and acted as the defacto tour guide.  While we waited for Nate to check into the hotel Danny realized he could drink on the street without fear of arrest, so he hit up the stash of PBRs we had from Tampa and smiled.  We headed down Bourbon St. which was pretty dead as everyone was at the Superdome watching the undefeated Saints in Monday night football.  We got some great chargrilled oysters at Acme Oyster House, walked the waterfront and ended up at Harrah's casino where Danny and I won a couple hundred bucks at blackjack, sweet.  We bet $20 of band money on roulette and won (thank you Wesley Snipes) and headed back to a now packed Bourbon St. since the game had gotten out - fortunately the Saints had proved victorious so the mood was festive.  We got overly bombed on Corona and hurricanes and stumbled back across Canal St. around 2AM to get some Zs.

Tuesday, Nov. 3 - New Orleans and Baton Rouge
Everyone woke up feeling pretty decent given the prior night's activities.  We hopped the St. Charles streetcar to the Garden District and got breakfast and checked out an old above-ground cemetary.  After that we checked out of the hotel and drove to the Lower Ninth Ward to see some of Hurricane Katrina's devastation.  As the Copyrights would say, Shit's Fucked.  Lots of people outside painting and rebuilding, lots of empty lots, lots of buildings crumbling.  We were all struck by the fact that were this a affluent white neighborhood things would be different.  We headed out to Baton Rouge - New Orleans is a rad city, I love it.

We got to the Fat Cat Saloon early and had a few drinks.  This was essentially a aluminum sided building on the side of the interstate.  People wearing ten gallon hats and shit.  The bartended asked us what kind of music we play and punk meant nothing to her.  "Is it kinda like metal?" she asked.  Green Day drew blank stares so I dug deep - "Kinda like...uh... Nirvana?" "Never heard of them.  I listen to country and Creed."  So the show look sketchy but turned out to be great.  It was super fun meeting/hanging out with Dead to Me and we got to hear the singer from the opening band refer to "the dang ol' bugs from the dang ol' swamp" which isn't something you hear very often.  They had a guitar on the wall strung with barbed wire too which was kinda cool.  Danny and I got raw oysters before the show that we told a local about.  He said he only has those once a month "cause of the bacteria".  People were rad and my love of Louisiana (and DTM) grew.

Wednesday, Nov. 4 - San Antonio, TX
Ok this venue was ridiculously huge.  Like think of a highschool gym or something.  Chicken from DTM had the great idea of inviting the entire crowd (20+ people) up on stage for the show and it made the night.  We got to hear Nathan play "Little Brother" on acoustic guitar outside the back of the club after the show and then all went out to a fake-Denny's diner.  Someone said a joke that cracked me up so hard I almost choked, but Nathan slapped me on the back and I recovered.  Thanks man!

Thursday, Nov. 5 - Austin, TX
We got here really early and decided to splurge on a new CD played for the van.  Up to this point we had been rocking just a tape deck and a radio-transmitter for an Ipod - we had some $ from Gainesville and the new DTM CD so decided what the fuck.  Once installed it made our van dash look super modern and we rocked African Elephants and Supporting Caste all the way to Red 7.

Red 7 is a really cool venue.  We battled DTM in foosball (they won) and Danny and I impressed each other with our Ms. Pacman skillz.  Got to meet Mike from Riverboat Gamblers who was a super nice guy.  He got on stage with DTM and did Don't Lie and/or By the Throat which was cool to see.  Fun night.

Friday, Nov. 6 - Dallas
I'm happy to report we didn't get assassinated here.  We played at a place called "the Prophet Bar."  No red flags.  The bartender had a shirt on that referenced "your own god" or something to that effect.  No red flags.  Then Nate or Danny after talking to the sound guy said "you realize this is a Chrisitan Bar?"  Ding Ding Ding!  So, awkward.  After Chicken had let loose on some banter referring to Xianity as bullshit I heard a girl near the door say to her friend "...to come here, it's so disrespectful!"  The show was fun regardless and it was sad to be parting ways with DTM.  Chicken reminded us that it wasn't a breakup but merely a separation, which eased our minds.  We headed north to St. Louis.

Saturday, Nov. 7 - St. Louis
Fucking long drive.  We decided to stop around 5 for some drive-thru Thai (interesting) in Springfield, MO, and our van crapped out on the off ramp.  Long story short, the transmission was shot and we couldn't go in reverse or over 25 MPH.  We put in a full $75 tank of gas in hopes that it would fix the problem (bad move) and ended up ditching the van (and our new CD player) at a closed transmission shop and renting a U-haul for the gear and a station wagon (not much is available for one-way out of Springfield) and hauling ass to St. Louis for a house show with the Humanoids.  We finally got there at 11PM and played shortly thereafter - those guys are amazing and the show was incredible.  We always have a great time in STL.  Corey and I headed out in the U-haul right after the show while Danny and Nate headed north in the wagon.  We pulled into a rest area around 5am when I couldn't keep my eyes open any longer and amazingly Nate and Danny were already parked there.  I slept in their trunk for two cramped hours and we made it back to Mpls the next day by 5pm.

Fun Tour!!

This blog went way longer than I anticipated and since the I have to work in a few hours and the Maker's Mark/Diet Coke runneth dry I'll keep this brief:

2010: We've got a European tour almost completely booked for April/May and we're stoked.  Most of us have never been over there so it's pretty exciting.  We're also going to be playing SXSW in March so that should be cool.  If Fest 9 happens I hope we'll be there, and we may** try to do Japan in the fall.

Now: Working on a new record!  Winter is soon to be upon us and that means hunkering down in the practice space and writing songs about how cold it is.  We only have one show (New Year's Eve) booked for the next 4 months so hope to get a lot of writing done.  Our first non-getting-a-set-together practice is tomorrow, cool!

Alright, that's it - can't believe I had that much to say.  If you made it all the way though you're a trooper - send me your address and I'll send you some stickers or some shit. 

Nick


Currently listening:
African Elephants
By Dead to Me
Release date: 2009-11-10
Friday, October 16, 2009 

Current mood:  drunk
Category: Goals, Plans, Hopes
Last month we announced our Six Words contest which promised all sorts of goodies and had one simple rule:

Tell us in six words, no more no less, why you should win this contest”

We had over 130 entries as people tried to use the six word limitation to their advantage and come up with something clever. And we now have a winner! Contestant Justin will get a free CD, free vinyl record, free book, and free t-shirt due to his winning entry:

“would love to hear it!”

The thing Justin understood, that all the losers did not, is that Banner Pilot is all about breakin’ the rules*

So congratulations, Justin! 

-Nate

*note: please follow the rules in all future contests
Saturday, September 19, 2009 

Current mood:  voluminous
Category: School, College, Greek
Hey-
Our 2006 eight song record Pass the Poison has only been available on CD or digitally.... until now! Our friends at Kiss of Death have put out a vinyl version of it! Many colors! Limited copies! Better act now!

And as an added bonus, it no longer contains that stupid-ass Buzzcocks cover! Everyone wins!

Head on over to here:


to check it out. Oh yeah, it's a one-sided 12"

later!

-Nate
Friday, September 04, 2009 

Current mood:  breezy
Category: Music
Hey now!
Here are some reviews of the new record.  A lot of them are from Europe so I've included the oft-hilarious translations from Babelfish, including one that begins " 'Again Fresh Meat' one would like to cry finite, if one holds the album of Banner Pilot in the hands".  I think that's positive?  Hmmm......


Strange Glue (www.strangeglue.com)

With so few elements involved, head-scratching ensues as to why it is so very hard to get melodic punk music right.

Find a few chords which progress well, slap on a thundering bassline, hit the drums as hard as you can and find a raw-throated front-man who sounds like an inadvisable breeding of industrial sander and a cockatiel.

Yet despite the number of bands who, in the name of Fugazi, pick up their guitars: precious few achieve anything liable to bother the senses. Banner Pilot have now reconfirmed that they belong in sentences populated by Hot Water Music, Latterman and Propagandhi.

While their début album - Resignation Day - may have passed most of us by: slashing us with the tail effect, there's no reason to make the same mistake twice.

Gaslight Anthem may be receiving the lion's share of the attention for their unique and retro spin  on the formula, but you only need to reinvent the wheel if you have plans to fly, travel at light speed or steer in every conceivable direction in an instant: for most of us, the wheel is just fine as long as it works properly.

Banner Pilot's main skill seems to be making crushingly depressing songs sound so entirely full of hope, seeking out joy in the unlikeliest of places. "Starting at the Ending" places the protagonist in a suburban nightmare: a fish-out-of-water who never forgets that he should be swimming. "You're what I came here for / But I've got nothing left - a couple bucks, some cigarettes /  I pick a day to say I'll quit, I'm filled with hope or full of shit.".

When you realise that hating the government - it seems - doesn't actually change one iota of your existence, you're left with a far more complex situation. In our isolated, sterile, bankrupt world, how can we every find happiness? This seems to be the quandary many punk bands attempt to diffuse in this post-Bush era (never so perfectly encapsulated as by Desaparecidos). Yet to the band unending credit, they manage such weighty - and potentially boorish - material with colourful narratives, perennially captivating and invigorating music and a wealth of heart which never lends itself to self-pitying melodrama.

It's the kind of poetic symmetry likely to raise a smile, the realisation that the very music you listen to as a means of escape from the pressures of the world is the very music a band wrote to deal with the crushing pressures and disappointment of their world. Rating:  9 / 10  


Sweet Jane Music (www.sweetjanemusic.com)

There was times a time, in which one had the feeling, it would give in the spectrum Punkrock quite still volume, those with contents of filled stories to tell would have and evenly such, from which one could learn some more. The not straight unauthorized question whether it is because of the age that one cannot to fight off this year the impression, drastically working formations such as Jawbreaker, Face ton of Face, Dillinger Four and the Lawrence of arm would be simply and moving become extinct and/or of becoming extinct threatened, remained here unanswered. After long time I with banner pilot was allowed to learn such importantly working volume to know however again, which has one with category sizes evenly specified in common: Banners pilot form the musical intersection from evenly these four of volume, whereby one has the feeling in so some place already, for Jawbreaker for the US-American Vierer would have been particularly important. And one dare I at the end of of August to already maintain: With “Collapser” probably most drastic and most important Punkrock release of this yearly might be published. So completely personally anyhow. Song like opening “cent ral standard” rabiat, comparatively the “Starting hymnisch held RK The ending”, the überrümpelnde “Skeleton key” and that the magnificent “Hold ME UP” reminding of Dillinger Four with a Dillinger Four' spin was finally provided and to possess enough Schmiss, in order to release Minneapolis completely from the dirt of its roads. That has simply each quantity style, an oversize failing shot straight-lineness and beyond that a breath of nostalgia.
“Collapser” is so rather the best, which can happen to the world in this summer. Closely followed of the message naturally that Face are tons of Face of these days about to write song for a new album. Understands itself.




Life Sounds Real (http://lifesoundsreal.blogspot.com)

“Again fresh meat” one would like to cry finite, if one holds the album of banner pilot in the hands. Because admittedly me the four gentlemen from Minneapolis were to date no term (even if they probably already published two full length albums in the states). Probably however Fat Mike - and its one may trust little hands for class Punkrock confidently blindly.
Thus it does not surprise also that the twelve TRACKs of “Collapser” are above all one: A-usual, strength-loaded Punkrock. Sometimes is enough to convince in order. And momentarily many cannot do that in the current category all the same. Therefore banner pilot pleases particularly by their solid Songwriting and the high number of cycles to melodischen, energy-loaded Punkrock song, which are knitted after similar sample perhaps all - hit however evenly for it. Kurzweilig and dragging along is “Collapser” in addition, by the characteristic-rough Vocals of singer nods Johnson, which comes along in addition with markigen Lyrics and a remarkable density at melodies. Straighter, honest Punkrock - which one wants more. Somebody else can look for drawers
Achja, their music designate the four even by the way fit-prove as follows: “… if Jawbreaker, The Lawrence of arm, and Alkaline trio got in A knife fight and Jawbreaker won… but just barely.” Better and more simply one can hardly summarize that. Therefore I leave it this time also thereby - however not without again a special recommendation to spend: All banners pilot with “Collapser” deliver what constituted large Punkrock volume before well ten years, in at least the same as quality. Good music, or Punkrock, does not have to be inevitably equivalent always to innovation or advancement. 


Musik Industry (www.musik-industry.com)
(ed: our band name translated as "Banner Pile")

I acknowledge to have discovered Banner Pilot on late but that did not prevent me from listening to their Split with Monikers and excel it “Day Resignation” lasting all the summer almost. Bah yes that want, the sun, the women and the holidays that gives me desires of sweetened music, a surplus of melodies essential to my annual balance which against briskly the many winter hours of listening to music carried out by savages who preach only the end of the world anything else. And failing to fix me the last Set Your Goals in the esgourdes under penalty of indigestion, these discs there made the deal perfectly. It is thus with excitation that I fixed this “Collasper” in eats disc of my case and… how to say? It is beautiful! Tube you in here want some, a palpable “freshness” of the first to the last piece which would undermine the moral one with commercial from Thiriet and especially an extremely controlled happy medium. I want to say, the border between pop punk and punk rock'n'roll is quite fine here. Banner Pilot would quickly have made fall from with dimensions the marsh mallow of the force like much front them but not. A voice sufficiently éraillée to move away the fans from Fall Out Boy, pretty choruses and melodies finely adjusted for the 'sensitive tits punks crôôô and an installation imparable, not of doubt these guys know how a true song is made. Good, they are not all the same far from misusing on the level of the number of refrains on “Starting At year Ending” which types a little bit too much in Sum 41 with my taste but I forgive them.

Nothing of nine thus if it is not their sound, which gains much in power compared with the preceding efforts. It is what I call a beautiful entry on a label which definitely rises years by years in reference. The only defect of this disc is that its exit has just two months of delay.



True Punk (www.truepunk.com)

For the average punk rock fan, Banner Pilot is a brand new name, but these four guys have been releasing kick ass tunes since 2005 in the Midwest punk rock music scene, and with two records under their belt, an EP entitled “Pass The Poison” and their debut LP “Resignation Day”, they release today their Fat Wreck Chords major debut album: “Collapser“.

As on previous albums, but with a far better prodution and better sound quality, the four Minneapolis kids release twelve tracks of heavy influenced power pop punk, with smart lyrics that deal about personal issues, lost love and a lot of drinking, conquering streets and youth mistakes.

Our ears bleed red, but we yell at every note” screams Nick Johnson on “Greenwood“: well, that is what this album is all about: being at a punk rock show, knowing every word by heart and screaming it out loud. Friendship, but also grief come to mind. The songs are deep, personal, and deliver quite obsucre lyrics at some time (”We’ll keep on running through the warning signs. It beats sitting here all the time. And at the crosstown disappear behind the northern skyline” sings the last verse of “Northern Skyline“, probably the best track on the whole LP), while sometimes the lyris are direct as fuck as on “Farewell To Iron Bastards“: “Took a storm and a drink, washing out pretense.Puddled up on the floor soaking up defense.”

But as good punks they keep on singing about drunk nights (”walking to the liquor store, you’re what I came here for” sings “Starting at an Ending”) and it’s easy to see how Banner Pilot is such a strong band with personality: “But I’ve got nothing left - a couple bucks, some cigarettes. I pick a day to say I’ll quit, I’m filled with hope or full of shit.

Musically, they are a cross between Dillinger Four (minus the dirty and drunken vocals of Paddy) and the strongest Brendan Kelly sung Lawrence Arms songs, but with a lot of personality thrown in there, that makes them playing fast guitar lyrics even when the chord progression is made up of only one single chords, in pure Ramones style.

There is not a single bad, or boring track on this LP, and when the last lines of “Write It Down” approach, all you want to to is start playing it from the beginning. Seriously, I can hardly find a record that has got so many spinning on my player lately, but Banner Pilot succeeded in it.

Collapser” is quite possibly the best debut punk rock album released this year, and if you believe in good anthems, catchy pop punk music and infranted dreams, you should put your hands on this small piece of art.


City Chanel (http://www.citychannel1.com)

Ingenious sound from America the new album of the banners promises pilot. With Collapser those reaches volume a Punk skirt sound on highest level. Fetzige of texts and unrestrained guitar Beats decorate the 12 TRACKs. Naturally this album comes from the Punk skirt label at all: Fat Wreck Chords. Best Punk song originate from this house. 

Banner pilot is a recent Punk skirt quartet from Minneapolis, which was created in the year 2005. There is a theory, which got around itself, to explain those tried, why so many good of volume come from Minneapolis. The theory means: „It in Minneapolis there is very cold, is compelling the young people to become creative in the cellars. “The theory could be correct: Because banners pilot set completely new yardsticks in things Punk skirt!

Street Voice (http://blogs.myspace.com/streetvoiceuk)

Banner Pilot might not have the best band name in the world but don't let put you off as this twelve track album is an excellent release. From start to finish this Minneapolis outfit treat you to some awesome tracks which are filled with catchy riffs and plenyt of energy too! There's just let up from this outfit and that's what makes this such a damn good release. There's no fillers either! What you get for your money is an album written by a very motivated and positive band and with tracks such as 'Central Standard', 'Skeleton Key', 'Drains To The Mississipi' and 'Losing Daylight' I dare anyone to disagree? This is a band that has punk rock in it's blood and 'Collapser' is an album which shows that punk is alive and kicking. Not only do you get a great album musically and lyrically I'm also well impressed with the production too! If you love punk rock with plenty of balls in it's sound then Banner Pilot are the band for you! 9/10

Addictif (www.addictif-zine.com)

“Collapser”
(Conceited person Wreck Chords)
“Like if Jawbreaker, The Lawrence Arms and Alkaline Trio fought and that Jawbreaker left gaining combat… but accuracy”. One can say that the American label has the direction of the formula to arouse the customer towards his new foal.

Author, the year spent, of a Resignation Day hooker and resolutely attaching, the quartet of Mineapolis promptly piles up again with this new album which will profit, of not to doubt, of a more consequent interest, the seal “Conceited Wreck Chords” being taken! And it will be entirely deserved so much Collapser posts a punk rock'n'roll of high flight which slips perfectly into the musical spirit of the moment (Teenage Bottlerocket, Off With Their Heads - which one finds the bass player here -, North Lincoln, Dear Landlord), a punk fully melody rock'n'roll, but in the line of the punk pop groups of the Nineties (Screeching Weasel, Crimpshirne, Pinhead Gunpowder) rather than of that of the formations which one gathered under the generic term of “skate-punk”. The disc is of a distracting simplicity, so that its effectiveness and its impact is immediate. Pieces like “Starting At Year Ending”, “Northern Skyline”, “Standard Exchange” and “Losing Daylight” make eye as of their first agreements, and attraction is instantaneous. Addictive! The receipt of Banner Pilot is perhaps not original (it is about the same one as that of the groups from No Idea), but it precisely makes fly thanks to this sobriety in the play and the construction industries. As for quoting Jawbreaker to attract the barge, mmmmouais… there are indeed some similarities, but parallel is rather foireux for it. One can dare it in the case of the majority of the current groups which play of the punk mélodieux rock'n'roll with a point of despair in their attitude. In truth, in Collapser, one finds much the spirit which animates Dillinger Four, a group of… Mineapolis like Banner Pile. For this reason, it would have perhaps better been to affirm than Banner Pilot was the worthy heir to the punk scene of Mineapolis. It is far from being dishonouring to be associated with Hüsker Of, The Replacement and Dillinger Four, and moreover, it is true.

Blogger Schizo (http://bloggerschizo.wordpress.com

"Hold Me Up" in every part except that I prefer to go in the same tempo and remarkable differences between components are not going to have a music that sits Pilot'ın Banner is necessary to specify. Their 2005 output of the four Minneapolis'li surprise anyone, just music for now prefer a more raw and can stand on one foot. As of today about themselves than to write something long uzunduya not possible, because it will tell the story of a community more self-conscious but not talking about. Fortunately, roads intersect with Fat Wreck Chords is a good thing to have and they have done. While there on September 1 Onca punk community would remove the new album could announce early on about the environment. If the team that previously "Resignation Day" album and "Pass The Poison" If they are aware EP'lerinden at the point where none of the bad can not think. Alkaline Trio, American Steel, Broadways, Crimpshrine, Dillinger Four, Green Day, Hot Water Music, Jawbreaker, Lawrence Arms, and Screeching Weasel were doing a mix of music put forward by the Banner Pilot'ın this album is a typical example of pop punk show seems difficult to say. What hills, what an album in places. The average also can not, because it can not play well, but are recognized by communities that are coming to mind. Then the best, "Collapser" for maintaining a work team can say. Hardworking team developing the music, give the number of stage performances, particularly by increasing stolen outside of the area they themselves believe they can better be expressed. The album's "Greenwood" and "Skeleton Key" and named the outstanding track like listening to those who see this work would not hesitate to live! 

Heartbeat Media (www.heartbeatmedia.de)


Yes, one would like to hardly believe it, in addition, Fatwreck signen still volume. And that the label remained faithful for its good taste, it is out of question. The banner pilots from the Midwest Punkszene of the USA stand now also with the label made of San Francisco in the stable and go with a new album into running.

Banners pilot do not geizen with Refrains and wonderful sing A long parts, which are times in front betrayed. Its place of residence Minneapolis is well-known and notorious as breeding place for some volume, which to the columns hard core and Punkrock are to be assigned. If interests you, which has to exactly offer the scene in Minneapolis, then should concern you you times with the Wikipedia entry to this topic. Banners pilot sound anyhow in approximately so, as if Jawbreaker and Screeching Weasel besoffen a Orgie celebrate and Dillinger Four hear. That cannot present you to her? Then hears nevertheless simply purely. These 12 Punksongs go convincing absolutely outstanding in the ear and with a really brillianten Songwriting and a depth, how one finds you not all days. Since me no Lyrics is unfortunately present, I cannot express myself in addition. It stands firmly however that banners pilot will conquer the world with its new work “Collapser” the modern Punkszene of the middle west of the USA all in the best way to fit in and in the storm. That here is absolutely no 0815-Punkrock, at which only schnöde chords are gereiht together. Quite the reverse, here ' s gives correctly mad melodies, which are played to sound absolutely durchdacht and on the point.
RESULT: “Collapser” is a really very successful album, which completes Grät between juvenile energy and unforgettable melodies in combination with catchy Hooklines perfectly and which so far majority of the competition leaves behind itself. The Vocals sounds, as if the singer would through-carouse each night and three boxes dumps on the day would smoke. But exactly this rough Vocals is it, which lets work the whole fit absolutely perfectly the Punkrock TRACKs and authentically. At this album all genuine Punkrocker will have its bright joy! Brightly yeah…. 1-2-3….let's go!
Sound like A far-wave tons of Iron of hybrid! (ed. this is "Farewell to Iron Bastards" translated) 

 
City Pages (mpls) (www.citypages.com
Collapser is Banner Pilot's third release in four years, and the first for punk stalwart Fat Wreck Chords. The band owes much of their sound to late-'90s pop punk, but they add a lyrical maturity that is lacking in the genre overall. The band compiles 12 songs, all between two and three minutes long and with catchy, layered melodies and bouncy, three-chord guitars instead of relying on shock value, snottiness, or manic speed. There's no rock 'n' roll reinvention, but Banner Pilot blend their influences subtly and they don't sound like a Ramones retread.
Their first release for the bigger label, Collapser, brings a noticeably poppier approach than its predecessor, Resignation Day, but the band's sound remains easily identifiable and relatively unchanged. Up-front vocals and defining harmonies carry many of the songs, and there's a notable similarity to Dillinger Four's Civil War that may alienate those who found that release too poppy.
The general tone is one of post-collegiate disgust at being tied down by the full-time work week, dramatized by singer Nick Johnson's tales of late nights at Uptown bars, stumbling home and losing his way. Collapser isn't a record to play before you go out; it's a record to play when you get home from the bar, frustrated that you've just wasted your time and money but still have to get up early and punch the clock.

Wednesday, August 19, 2009 

Current mood:  luminous
So, we’ve got a new album coming out on September 1st and we decided to do a record release show for it. But then we thought “You know, it’s kind of lame for bands to do their release show in just one city.... all the kids in other cities miss out.”

Luckily, we came up with a great solution: Regional Release Shows! Now that there’s multiple options you can drive to the town nearest you and enjoy a sweet release show. Here’s the details:

The Western third of the country should attend the Minneapolis show on September 4th at the 7th Street Entry. The Framed, Amen and the Hell Yeahs and The Dirty Hits will also be playing

The Eastern third of the country can check out the Chicago show on September 5th at Ronny’s. Brickfight, Arms Aloft and Everything is Ruined will be there too

And for those of you in the middle of the country, we’ve got you covered on September 6th in Elgin, IL at the Gasthaus. More bands TBA

Convenient for everyone. See ya at the show!
Tuesday, August 18, 2009 

Current mood:  indescribable
Heyo,

Fat just posted a new track from Collapser called "Skeleton Key" that you can download - also the preorder for the record is up at their site!  If you want color vinyl move quickly.  The record is coming out in two weeks, stoked for people to hear it!

Here are the lyrics to Skeleton Key:


Half asleep with the sun coming up out east. We’re driving down Garfield Ave when you said a strange and significant thing: I can remember the words “this was, a beautiful night, it won’t ever happen this way again.” No my dear, nothing much grows around here. We carry our roots with us, a couple of weeds, pulled up. Misguided girl you’ll be the heroine of my book. The plot is the course we took, the setting can’t be no where else in the world. And the story opens up with you, your broken dreams and cheap perfume.  You’re on a city bus, the rain it falls.  Your makeup bleeds, the wind it howls.  I stumble on from Uptown bars – I guess that’s all I’ve got so far, but at the end, I don’t know how, you save me and you save yourself. It ends so soon, the night and the fading moon. I put my hand inside yours. The city looks strange and significant. Know these streets, the place where I’ll live and die. Resigned to that fact but I’m hoping it happens this way again. Fall asleep to the radio. Try to keep what I got from you. Hard to do in these dreary days.

Tour dates to the fest soon - if you're in Mpls come out to the record release show at the Entry 9/4 or in Chicago 9/5!

Nick
Tuesday, August 11, 2009 

Current mood:  sneezy
Category: School, College, Greek
Since our new album Collapser comes out on September 1st, we thought it would be cool to run a contest in which one lucky winner will win a free copy and some other stuff. Our accountant told us this was a terrible idea, but we said “Fuck you, man”

So here’s the contest: you tell us in exactly six words -- no more, no less -- why you should win the contest. If we pick your entry, you win! There’s no real criteria beyond the word length; we might pick one because it’s funny, or well-written, or because it makes the most compelling case.

To participate, just add a comment to this blog with your entry. If you win, we’ll shoot you a message to get your address and stuff. If you’re a a total dork and don’t have a Myspace account, you can instead email us at bannerpilot@gmail.com with “Contest” as the subject line. 

If you win, you get the following goodies:

Collapser - CD or colored vinyl, your choice
Resignation Day - CD or colored vinyl, your choice
You Idiot (my book)
A t-shirt of your choice. You can look on the myspace page and pick your design and size, but this is the one item where we might have to make you pick an alternate if we’re out of a particular combo.

Now, don’t be a dick and say something like “So I can forget my leprosy” unless you actually have leprosy.

Alright! Tell us in six words, no more no less, why you should win this contest. Contest ends Sunday August 30th.

-Nate

Sunday, August 02, 2009 

Current mood:  froggy
Category: School, College, Greek
Our new record comes out September 1st, but due to advances in modern technology you can send money for it now! I've helpfully complied a few options for you:

Thursday, July 30, 2009 

Current mood:  stoked
Category: Music
Phil from Latterman/Iron Chic said he could not understand what the fuck I was saying in this tune and wanted to know if it was postive or negative, so here are the lyrics and you can be the judge - it was inspired by a night we played an insanely fun show in a vacant house in Greenwood SC circa 2006 with Latterman, OWTH and Lemuria:

The boards, they bounce up and down in an abandoned house. Amps exploding, and our ears bleed red - but we yell out every note. In the kitchen you tell me ‘bout the evils of the world. Swallow hard on every truth that’s been fermenting in your throat. Know that’s it’s my luck I’m leaving, I met you once when I was dreaming. I’m waiting for a spark to reignite. Lie to me, I love believing. Take the mundane, look for meaning in everything, you’re everything tonight. On the lawn outside Gabe shoots bottle rockets through the night, lighting up the summer sky. Catch fire, I’m burning up with you. Something in the air makes me wonder why the hell I’d care about tomorrow when it’s all right here - the wine the hope and you. So I hit the road; wheeled the van off of the grass and drove. Miles slipped in between of you and me, it’s what I always do. And in the morning all that fills me is regret.  I know I’ve traded winning hands for losing bets. The moment’s gone.

In other news we're working on tour plans around the Fest and then something cross-continental in early 2010.  Also I think another tune off Collapser will be posted in a couple weeks.  Cool!

L8R,
Nick
Currently watching:
True Blood: The Complete Second Season (HBO Series)
Monday, July 27, 2009 

Current mood:  fermented
Category: Dreams and the Supernatural
Hey-
We just posted a song from our new album! Since you're already on the Myspace page page I assume you've already seen and/or heard it, but if not: it's called Greenwood, and it's off of Collapser, which comes out September 1st. Check it out and let us know what you think!

Also, we'll be playing three record release shows the weekend of Sept 4th. So far we have one booked in Minneapolis with our friends The Framed (also their release show), The Dirty Hits, and Amen and the Hell Yeahs. We're currently at work setting up shows in two or three other cities that same weekend. We'll keep you posted.

Anyway, check out the song! And if you'd like to be part of our Street Team, go outside and start yelling at people on your street-- "Hey mister, Banner Pilot just posted a new song!"; that sort of thing.

-Nate