Status: In a Relationship
State: London and South East
Country: UK
Signup Date: 4/21/2005
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[26 Feb 2009 | Thursday]
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I got nominated for an award. I've never really had anything like that. It was the Chortle 'breakthrough' act. It's oddly undefined. I think I've got better over the last year or so, but don't feel like I've made any jump. I think it's just that the industry has decided I'm good now.
I didn't win it. I didn't expect to, but I'm left wondering if this means that technically I haven't broken through and am left scratching at the underside of some comedy membrane. Sarah Millican won it, quite rightly. She won the If.com newcomer award and has gone through the roof. It's like an award for winning awards. Odd. It's a shame I didn't win, because I was going to sing the Queen song 'Breakthrough' all the way through. Sarah Millican didn't even show up. Loser.
The party was good. It being a party, I dressed up. As per usual it was like coming out again. Loads of people thought it was something new, as opposed to something I've done for 10 years. People were very complimentary though. I like the open-mindedness of the comedy world. I got to tell Roy Walker my Roy Walker reference too, which was pretty sweet. Which, on reflection, means I've now told Roy Walker, Clive Anderson AND Russell Grant about the references to them I've made in my material. That's magick at work right there. Performing material about people means you get to meet them.
The Roy Walker bit is about people shouting at me for cross-dressing:
'It tends to take the form of 'say what you see'. Roy Walker should be proud of the legacy he's left us with Catchphrase.
"There's Mr. Chips there, what's he doing?"
"HE'S WEARING A DRESS!"
It was well funny. I said 'I'm a transvestite' to introduce the topic of the joke (I was wearing a skirt, make-up and heels at the time...) He said "I don't care what you are as long as you're enjoying yourself." He was a bit pissed...
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[12 Feb 2009 | Thursday]
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Here is the text of an interview I did to promote my show in Leicester. I haven't heard back from the person involved, so I guess my cynical answers annoyed them sufficiently to not use it. Still. It made me laugh.
I get the impression they don't know quite how not-famous I am...
Comedian Andrew O’Neill
How did you become a well-known comedian?
Mass hypnosis. Every time I perform I include undetectable yet potent subconscious signals for people to follow my career, talk about me on the internet and put my picture in glossy magazines. It's beginning to work, as this interview proves.
How do you deal with the success and the fame you have achieved over the years?
I spend a lot of time with people who really hate me. This is grounding. I am also constantly updating my disguises – to the degree that nobody knows what I really look like.
What is it like working with other famous comedians?
Horrible.The worst thing is the smell. No-one mentions this, but the more famous you get, the more you smell. This is why big name comics have to play in arenas – it's because of the air circulation. Eddie Izzard smells like a dead whale that's been baking in the sun. Bill Bailey smells like the inside of an old washing machine.
What has been the best highlight point in your career?
This interview. After I've finished, I will weep, as it can only go downhill.
What is the response you get from fans and what is your reaction towards it?
Usually a mixture of violence and lust. I deal with it by being armed at all times.
I absolutely love your comedian performances, how would you define your sense of style?
Comedygrind.
You’re due to appear in this years Leicester Comedy Festival on February 13th, 09, is there any sneak previews we can get from you?
Yes. The day before. Same show, same venue! Nothing sneaky about it!
In Leicester, the Leicester Comedy Festival, is one of the great highlights in Leicester, what do you think of it and what are your thoughts and opinions of people in Leicester and the place overall?
I think Leicester is shit.
Do you have a catchy phrase which you regularly use in your performances?
Yes, loads. “Don't mind me, I'm just the surgeon!” “What is this - THE FORTIES?!” and “Whoops! Madam's drunk again!” being my favourites.
You’re very well known for wearing black all the time and it really suits you, is that part of your style or is there a specific image you want to portray as a result?
I want audiences to fear me.
What is your main aim as a comedian? Is there a specific target you want to achieve?
Making people weep / lose their short term memory.
If you weren’t a comedian right now, what do you think you would have become?
An evil genius.
What are your hobbies and interests?
Fighting, medical sabotage, light industrial parks, Bromley.
If I was really sad right now, what would you say to make me laugh?
“Oh fucking cheer up, you miserable sod!”
Any advice you can give to wannabe comedians out there?
Do something else.
What can eager fans expect from you in the future?
Mild disappointment.
Is there anything you want to share with your fans? (or add to this interview?)
I've just made a pot of tea. If you want to come round, bring a cup.
Thank you very much for your time in answering these questions, it is greatly appreciated!!
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[25 Jan 2009 | Sunday]
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At the start of the fifth week, Roberts was growing weary. His face was drawn with tiredness and dirt lined the thick creases in his skin. The tunnel was vast now, and the sound of the pumps keeping it dry echoed in the huge space. We were all tired, but I was getting worried about him.
How different we had felt two months before when we'd first got funding. The caretaker government didn't have much money but it was clear that the cost of driving around Vanessa Feltz was crippling the already fragile post-war economy. A tunnel seemed somehow both obvious and audacious.
No-one had tunnelled through flesh before. A rag-tag assortment of engineers, surgeons and body piercers put together a plan surprisingly quickly.
There were some that doubted she was dead. Maybe the radiation that had made her grow could keep her alive. We were all just guessing. The war had taken its toll on everyone's spirit, but in recent weeks a new optimism had been gathering strength. Maybe this was an opportunity. The Old World had burned, and more and more people were seeing that that was a good thing. We could start again - draw a line under our mistakes. The weapons America had used had balanced the climate, a real grassroots socialism had flourished in the rubble and people were keen to co-operate.
At times it felt like we were playing. It almost felt like fun. That was until the screaming started.
It happened as soon as we broke through the first dermal layer. It didn't come from her mouth, but somehow from inside our own heads. A haunting, pitiful sound. Familiar, yet alien. The death rattle of someone already dead. The despair of the forgotten. After three days it stopped, and the tunnelling stepped up, boring through fat, muscle and bone. It was a shame that her vagina lay just too far out of the way of the road - it could have just been propped open and would have saved us weeks.
The rest of the body was coated in a thick plasticised glue. The radiation had preserved her outer layer, but we could tell from the smell that the inside was beginning to decay. It had been decided that this was to be a monument. A monument to the past - the Old World's ignorance personified, and a monument to the future - an elegant solution to an immense problem.
In a funny way, Vanessa Feltz helped forge the New World.
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[07 Jan 2009 | Wednesday]
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Bruce Forsyth enters the room. Heads turn, conversations pause, never to be restarted. A woman, hair thick with Product, eyes dead, hangs on his arm.
He glides in on a three-inch phosphorous cloud, a low hum resonating through the floor. An Albanian waiter mouths a curse in his mother tongue. The perspective seems all wrong. He looks both larger and smaller than he should. He shrinks out of time with his movement, making a group of office managers nauseous.
Minds sync up. The room thinks as one consciousness. But. Why. Is. He. Naked?
Not only naked. Gloriously naked. Sallow skin, discoloured nipples, tufts of wiry grey hairs sprouting like popped bedsprings. And a hypnotic, pulsing, veined erection. Pointing to 11 o'clock, pre-cum glistening on the helmet. Massive. Smooth, thick and long. Any attempt to look away proves futile as - quietly at first - the Forsyth cock begins to sing.
"It's... only..."
A glass shatters and nobody hears it. The musical tool grows more confident.
"...a... game... so..."
Forsyth is still gliding. Circling the room, shepherding the crowd like a collie, a rictus grin convincing no-one. The glossy woman barely emotes but points blankly at the cock with an acrylic nail. The singing grows louder.
"...put up a real good fight!"
Exactly on the beat, 800 identical naked, hovering, out-of-scale Bruce Forsyths are in the room, their erect cocks singing along in a sickeningly complex harmony.
"I'M GONNA BE SNOOKERING YOU TONIGHT!"
An estate agent bellows above the noise to his colleagues, "IT'S THE MUSIC FROM BIG BREAK!", but they know that all too well already.
The discordance proves too much and people begin to black out. A middle-aged man vomits onto his own lap. A nineteen year-old in high heels and wedding hair tries to articulate the phrase "but that was Jim Davidson" but is crying too hard. A cock identifies the thought and drags its Bruce Forsyth over to her so it can sing in her ear. The pressure proves to much and her eardrums burst. She screams.
The air pressure in the room seems to rise. More eardrums burst and black blood begins flowing out of noses and eyes. The singing gets louder still, shrill and harsh. The 801 Brucies glide faster in their circle, a look of alien hatred developing on each of their faces.
The lights go out.
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[02 Jan 2009 | Friday]
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Early morning, New Year's Day. A takeaway food emporium just outside Leicester's beating heart. They do proper chips and they are loved for it.
A weary queue shuffles along the warm glass. Light-hearted boozy words float about in the air. People are happy.
A trio of slight, middle-class young twenty-somethings join the endeavour. Two are smiling faintly while one bellows with drunken arrogance. They've put up with him doing this before - you can tell by the look in their eyes.
I look at his annoying shouting face with undisguised disapproval (apparently).
"What the fuck are you looking at?" The time-worn phrase, nearly stripped of its meaning through overuse flops angrily out of his mouth.
"A shouty man," I reply. A measured response. Intentionally playful. Option b, as ever, was "A cunt," but experience of early morning chip-shop queue arguments has warned me off that one.
"Yeah you fucking want some?"
"Not really. I just want to get some chips and go home."
I was entirely unconvinced of his ability to deliver "some" or indeed "any", but I didn't really want to push it towards that possibility.
He carried on projecting his voice at the world, saying various unfriendly things about me and the other people who were looking at him with the contempt he deserved. His friends' expressions suggested their friendship would shortly be withdrawn pending an enquiry.
I shook my head and performed various other physical gestures that meant "honestly, eh?" to the other people in the queue.
The woman behind me clearly caused offense next because he enquired of her, "What the fuck are you looking at you fat bitch?"
She wasn't fat. If she was a bitch, she showed no sign of it.
"Do you honestly think she's fat?" I asked.
"Oh here we go. He thinks he's Rambo."
I don't think I think I'm Rambo. It came out of left field. I laughed.
"Are you from the eighties?"
He came back hard and fast.
"Are you from the gay-ties?"
Really. He really asked me if I was from the gay-ties. (I don't really know how to spell 'the gay-ties'.)
"Haha! The gay-ties. That's rubbish!"
"Yeah, look at you with your... long hair."
"Again, you've got nothing. You're a twat."
And then I bought my chips and left. I didn't fight him. It would have been a rubbish fight. Although I reckon I could have had him.
THIS HAS BEEN A PUBLIC SERVICE ANNOUNCEMENT FROM THE NORTH LONDON TEMPERANCE SOCIETY.
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[26 Oct 2008 | Sunday]
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There is no such thing as Alternative culture anymore.
I'll let that sink in.
We have been co-opted, out-manouvered, stolen from and marketed to. We have been deceived, subjected to a magician's misdirection, taken for a ride.
Capitalism has stolen our subcultures, repacked them, tweaked them and sold them back to us.
Camden. Once a rag-tag collection of markets where the out-of-step could cobble together a look that suited their mentality. A haven for metallers, punks, goths and hippies. It used to be ugly. Now it is a sleek, glossy, corporate one-stop-shop for your subcultural look.
Metallers used to buy DMs or army surplus boots - appropriating an existing clothing item and subtly changing its meaning. Now New Rocks are ubiquitous. They're practically a rite of passage. And fucking expensive. Nuance is lost.
There is a shop in Camden where you can buy a rucksack with a selection of band patches pre-sewn onto it. No longer do we have to suffer the hardship of customising our own shit, after all, it might not look right. And then we wouldn't fit our chosen subculture.
Band merchandising has reached a level where you can buy branded goods that once where the domain of kids' toy lines. Metallica clocks? Really? Misfits shoes? Do you want a fucking duvet set too? With matching curtains and lampshade? Can you get lunchboxes?
You can get ACTION FIGURES.
Jesus, people. This is MUSIC. Not fucking He-Man. No wonder your mates' bands are struggling when more money is spent on music branded stuff than it is on the records of independent bands.
We used to eschew labels. Now we have Atticus and Lowlife and all that shit. You might as well wear Nike and Reebok or have a Loius Vuitton bag. It's exactly the same fucking thing.
I've been susceptable to all this, of course. I've bought a band t-shirt when I still don't have all their records. (I'm not suggesting you have to have all their records before you can wear their t-shirt, just that the records are the important bit, and it's a bit odd that we buy t-shirts instead, sometimes.) I have a James Hetfield figure. And it's precisely because I've been taken in by it that I'm annoyed.
Subculture is now just a market. Not an activity or value system. Whereas once we were much more resistant to consumerism, because what we wanted out of life couldn't be bought, we are now MORE susceptable exactly because we feel we're different. If we see 'our thing' packaged and sold it feels like we're participating in our subculture by buying it. Subculture feels personal.
The 'emo' thing is the ultimate extension of all this. A subculture based entirely on the look. There is no solid musical base tying it together, no political outlook, no moral, no values, not even a drug. It's all about the hair and the jeans and lip ring. Buy the clothes and you're in.
And now: UNLEASH THE RANT!
Bizarre magazine. IT'S JUST FHM WITH ITS NOSE PIERCED. Written and published by the same people. Ever bought a copy and felt empty afterwards because the article on S&M was less perverted than what you did last week? Yeah. Me too.
Burlesque. Hahahahaha. Fucking burlesque. The victory of patriarchy over the post-feminist ideal. IT'S JUST STRIPPING WITH FRILLY PANTS! It's not empowering just because the people who do it are from a richer socio-economic group. Why are alternative women doing this instead of starting their own bands? And yes, some of it is good, and asexual and artistic, but most people doing it are simply kidding themselves.
Suicide Girls. Initially I was drawn. I find women with bright coloured hair and tattoos and piercings extremely attractive. But the I saw through the deception. It's just shit soft-core porn with tattoos and piercings. Nothing alternative about it at all. The women are all skinny and often a bit scared looking. Now, if skinny and scared looking is your bag, that's fine, but surely you can find that elsewhere, and done better? Suicide Girls perpetuates the patriarchal gender roles in the alternative scene. The men make the music. The women make themselves look nice and set themselves to be looked at. Value in physical attractiveness. There is actually a lot of real alternative porn about, and the people involved don't have brightly coloured hair or tattoos.
Guitar Hero. JUST LEARN THE FUCKING GUITAR! And then start a band.
We need to return to first principles. In the words of Mick Jagger and David Bowie: it doesn't matter what you wear, as long as you are there.
Alternative culture has always been a bit obsessed with how it looks, but whereas that used to be more about not-being-like-them it's now about attaining a perfect pre-set look.
Alternative culture needs to address the massive sexism it perpetuates. More women in bands, less women taking their clothes off.
More music and art and politics and zines and MAKING AND DOING STUFF and less buying and selling and marketing and packaging.
Imagine what alternative culture could achieve if everyone in it was actually contributing.
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[26 Aug 2008 | Tuesday]
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The festival is over. Stages and light rigs are being packed into vans with a weary slowness. Comedians are hauling heavy bags onto luggage racks on Southbound trains and the people of Edinburgh can stretch their legs once more as the city returns to them.
Today is the first day I have had time alone in a month. I'm sitting in my pants, drinking tea, reading 'The Difference Engine' (steampunk novel), playing the guitar too loudly and enjoying my own headspace. I'm still in Edinburgh and although yesterday I was almost physically homesick I'm rather enjoying myself today.
Tomorrow I will get the coach home and enjoy my usual coach rituals of newspaper, vegan sausage roll and catching up on more reading.
I have enjoyed this festival more than I thought was possible. A lot of people have remarked that they felt slightly detached from it this year and I definitely felt that. Possibly because it's the first year I've not shared accomodation with other comics, or maybe because I was doing two shows and thus a bit more wrapped up in what I was doing than normal. But it's been great nonetheless.
Reviews have been mostly lovely. Audience reaction has been amazing. I may even have got away without losing money. Thank you to everyone who came to see either show, said nice things, wrote nice things and most of all to those people who get what I'm trying to do with my comedy. It makes me so fucking happy to actually connect to people in that way. I think I've learned a lot.
I have big plans. Firstly a tour of my Industry show with music from my new steampunk band that doesn't yet have a name (suggestions welcome). We do have songs though. Let me know if you want to put us on near you.
I'm probably not going to do the Troy Club after the one we have booked in October. I'm a bit bored with promoting stand-up and I want to do something else with the energy and time it takes to put on a gig. Probably something involving a loose collective of comedians and a different show every month. Maybe radically different every month.
And I've already started writing for next year. Andrew O'Neill's Slightly Odd Stand-Up Comedy Show is the working title of what will be my main show. And there will be two others - a free fringe character thing and an occult experiment thing. Fingers crossed I can make it as good a festival as this one has been.
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[29 Apr 2008 | Tuesday]
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If I find out that anyone within striking distance has voted for Boris Johnson in the mayoral elections I promise I will punch them in the face without warning or apology.
There are several reasons why he shouldn't be worthy of your vote.
The biggest one is his background. His full name is Alexander Boris de Pfeffel Johnson, in case you didn't know. He is very, very rich. He is a fully paid-up member of the elite ruling classes. He will run London for the rich, not for the people who actually need the help of the government. This is why the London newspapers are backing him - they are run by the very rich and owned by massive corporations.
Look at the way he has acted in the past: he voted FOR the war in Iraq, he opposed the Kyoto treaty, he supports privatisation of the tube, he opposed the National Minimum Wage.
He is a massive racist. His speeches, writings and outbursts are spattered with the language of colonialism: "picaninnies" and "watermelon smiles" just two of the charmer's repertoire.
He is a homophobe. "if gay marriage was OK - and I was uncertain on the issue - then I saw no reason in principle why a union should not be consecrated between three men, as well as two men, or indeed three men and a dog. "
Mainly he is an idiot. A buffoon. A blundering offence-machine. He is not fit to run the greatest city in the world. (That's London, for anyone in doubt.)
If you vote for anyone, don't vote for this asshole.
This has been a non-partisan political broadcast by the Andrew O'Neill anti-bastard consortium.
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[11 Dec 2007 | Tuesday]
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Current mood:  quixotic
Suddenly I feel a lot less proud to like Led Zeppelin. The news has been full of gushing, gurning Americans vomiting platitudes about 'the best band in the world'. I don't want to be associated with them. I want to be associated with bands from the southern States who make abscure references to Zeppelin songs in their album titles. I want to be associated with extremely un-photogenic record collectors with no social skills. I don't want to be associated with a band whose gigs attract the likes of Kate fucking Moss. People who read Heat magazine are going to buy their greatest hits now. People who know who all the people in Big Brother are called are going to wear their t-shirts.
I know it's childish. But I don't care. They were OUR thing, now THEY have them again.
............................................................................
Language barriers.
When I was at university I hung around with loads of foreign people. Mainly Greeks. They were almost all cool. Switched-on, funny, intelligent, interesting. They were politically motivated and had amazing takes on nearly everything because of their different perspective. It really informed my notion of what 'foreign' people were like, in the broadest sense. My trips abroad have been similar. The people I've met in France, Greece, Nepal and Sweden have often been extremely cool in similar ways.
I had a kind of inverse racism, I suppose. A romanticised idea that somehow people in other countries are more switched on to world affairs and more able to see through the consumerist bullshit and shallow celebrity culture in which our country is mired. I'm now seeing the other side.
I have a line in my stand-up which 'disproves racism'. In line with my misanthropy I say that 'nearly all people are cunts. Foreign people are just cunts in unfamiliar ways.' The problem is, the people I'm now living with are cunts in all-too familiar ways.
Take Trish. Aside from the fact that she's a psychotic control-freak, she has an ignorance that I find completely staggering. She's Portugese, about 35 years old. Until I proved her wrong using several internet sources, she was convinced that Portugal used to be a Communist country. Now, you may or may not know, but it was a fascist dictatorship from 1933 to 1974. That's like not knowing what side we fought on in WW2. She once said "I don't give a shit about recycling" which to my ears is essentially "I am a bad person".
Trish's brother, Ricardo made our jaws drop with the statement "I don't like books. I've only read three books. I got one about nature, which I liked, and then I started another one but I didn't like it."
There are two Polish women living here too. They're alright, but they do fuck all except watch TV and smoke. I find the language barrier really difficult to overcome. They do speak English, but not very well. In the spirit of Internationalism I have tried making conversation but it's incredibly frustrating because we're mismatched culturally anyway. And I'm not for a minute suggesting that's because they're Polish. They're exactly like 75% of English people: dull! As soon as the conversation gets interesting, they lose interest.
I thought I was doing pretty well today. Chatting to one of them about children's TV. See if you can spot the point at which I lost heart:
Me: "It's quite odd, there always used to be kids' programmes on at this time, now there's always programmes about murder. The exact opposite of kids' programmes!" (Alright, not scintillating, but I'm trying to find a level.)
Her: "Yes?"
Me: "Yeah. There's a cultural divide in the country among my generation - whether you watched Children's BBC or Children's ITV. Me and Stephanie were both staunchly BBC."
Her: "How old you?"
Me: "I'm 28, Stephanie's 24."
Her: "Me 33."
Ah. She's not got a word of what I've been saying. I think I'll go and write a blog.
I started to worry what I was was doing wrong. I'm fucking good at talking to people. You have to be if you hitch-hike. Give me long enough and I'll get the most laconic electrical fitter jabbering away about something that he's passionate about. But I just could't find a level with the people I'm living with. Then I overheard something that totally explained it all.
Trish's meathead boyfriend, who's British, holding court in the kitchen one day:
"There's a video on the internet of this dog riding on a skateboard. Oh man it's well funny.
(And then my favourite bit)
He's riding the skateboard."
They all laugh and agree, and a part of me dies.
We're gonna move soon.
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[26 Nov 2007 | Monday]
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I've come up with an amazing idea for a prime-time TV show that I'm going to pitch to all the major production companies.
Andrew O'Neill presents: "What, d'you want a fuckin' medal?"
Essentially it's like Esther Rantzen's 'Hearts Of Gold' but more aggressive.
Every week Andrew welcomes onto the set three tales of heroism, preferably involving great long-term hardship and self sacrifice. The woman who looked after her retarded sister all her life and never married as a result, the boy who saved his mother from drowning eight times AND he was terrified of water, The twins who gave up a kidney each for a dying girl.
Andrew listens with huge mock sympathy and admiration to the stories, only occasionally interrupting to say things like 'that's amazing' and 'that was a very difficult time for you, wasn't it?'
When they've got to the end of their story there's a long, uncomfortable silence. Then Andrew bellows "What, d'you want a fakkin' medal?!"
If they say 'no, of course not' we go "WELL, WE'RE GOING TO GIVE YOU ONE ANYWAY!" And lavish loads of money and gives and prizes on them. And medals.
If they say 'well, to be honest, yes', Andrew gets out a Super Soaker and drives them out the studio in complete silence.
What do you think? I reckon I'm onto a winner. It's like Surprise Surprise for the post-9/11 generation.
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