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FAT TONY



Last Updated: 12/6/2009

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Status: Single
City: HOUSTON
State: Texas
Country: US
Signup Date: 12/25/2006

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Thursday, October 15, 2009 
NEW FAT TONY MERCH: 






"Lion" T-Shirt

$15 (includes shipping)


Designed by Jacob Calle + Eli Brumbaugh (thanks!)


http://fattony.bigcartel.com/product/lion
Wednesday, August 12, 2009 

Current mood:  knighted
Category: Dreams and the Supernatural

A conversation with Fat Tony





After seeing him battle with weak PAs and crackly speakers at the last several shows I've caught, it was outstanding to see Fat Tony onstage at the Free Press Summer Fest in technicolor widescreen with a sound system that could do justice to his bass and beats. He and sideman Smash Bro put on a powerhouse of a set that only reinforced my opinion that Fat Tony is one of the greatest musicians and most gifted performers this city has (and as a side note, maybe it’s just my nerd showing but the also-supremely-talented Smash Bro has the best name of any emcee in town).

I caught up with Fat Tony to ask him a few questions later that evening at an after party. What was intended to be a few minutes of chatter about the day’s events turned into a freewheeling conversation that touched on everything from arbitrary Houston pride to music journalism to what mind-tickling substances go best with his music to indie-rock and Insane Clown Posse to a nonexistent Fat Tony / B L A C K I E rivalry that promoters and festival organizers seem to want to cultivate.

JM: Bear with me, I’m kind of new at this.

FAT TONY: (referring to my Dictaphone) Yeah, I’ve never fucked with that shit. One time I was interviewing a band and I put a microphone up to the speaker phone, recorded it on my computer, but I always wanted to get one of these little tape recorders. They’re so convenient, you can just take down your thoughts and shit.

JM: They’re totally worth it. Sixteen bucks.

FAT TONY: For real? I didn’t know they still sell those. HEY SOPHIE!
(A number of people walk up, including several members of local reggae band Brains for Dinner. Everyone chats for awhile about Tony’s set, Super Mario Bros and the afterparty at Mango’s. Tony recommends they forgo the $10 cover charge and go drinking next door at Avant Garden. They depart, telling him “we should jam soon!” and we pick things back up.)

JM: So the sound at your set, we were talking about that earlier.

FAT TONY: Oh, the sound was phenomenal. Whoever they hired for it did it perfectly. Set up was like ten minutes, right? And I was so scared that, oh, they’re going to fuck up, they’re not going to have shit. They had everything, it was totally coordinated, total communication with each other.

JM: The bass was killer.

FAT TONY: My friends came to see me on ‘shrooms today, they said the bass was really, REALLY hitting them.

JM: Can’t get a better endorsement than that. Today they had your set slotted up against B L A C K I E’s on the other stage.

FAT TONY: Yeah, you know, people always do that shit. I think it’s dumb, I think they want to do it because -- I don’t know. Maybe it’s easy, or it’s accidental, or maybe they think it’ll stir up drama or whatever.

JM: Do you think it’s conscious?

FAT TONY: Man, for it to happen three times in a row at something like this? Then, when me and him say we want to play the same set, play a versus set, I saw a press release for this one show, they were saying it’s “tumultuous” and a “tension-filled battle”… It’s not a battle, it’s just us playing together because y’all won’t let us play after each other. If y’all would let us play separate sets at different times, that’d be great. We’ve done that before and it works.

Even though we’ve got sort of different sounds, the same kind of people, for the most part, fuck with us. I might have a little more of a hip-hop or like a pop audience and he might have more of a noise or hardcore/metal audience, but I think it’d be good to show both of us to all of that, whether they like it or not. And a good number of people in the crowd that are a fan of either of us will stay for both of us. And most importantly fans hate (the scheduling conflicts), they say “man, I only get to see some of you, then some of him." It sucks.

(A few sleepy-eyed guys have walked up, some bearded, some not. They don't seem to actually have a joint, but they definitely don't seem to not have a joint, if you know what I mean. I have no idea who they were so let’s just say it was the Wild Moccasins. Tony asks them if they came to Summer Fest but they said they were low on cash.)

FAT TONY: I feel you… Everybody’s broke as hell. When I asked (from the stage) who had money everybody was quiet, but when I said “who’s broke as hell?” everybody cheered.

(laughter)

FAT TONY: Man, you guys missed it. At one point I said “if you’ve got someone who’s fucking with you, and they’re here, turn to them and say ‘fuck you!’” All these kids were yelling at each other. I think I saw this one kid yell at his dad.

JM: I guess I should wrap up. Any parting words to “the kids?”

FAT TONY: To “the kids?”

JM: Or to the grownups. Yeah, what would you say to someone who’s fifty years old and lived in Houston their whole life… This is the first time Houston’s ever had something like this, if folks came down just to check it out and they see this massive human wave there in the park.

FAT TONY: Well, I think people definitely shouldn’t feel obligated to go to shit just out of “Houston Pride” or all that other bullshit. People should go because there are actually good bands playing that they want to see and they want to have a good time. If you’re going out to support, that’s cool but that’s not really what up, you know? What’s really going to make shit tight is having shit people want to see, rather than stuff they’re forced to see because it’s the only game in town.

JM: Do you think it was worth it today?

FAT TONY: Man… I feel like it was worth it on my end, I played and it was fun, I got to chill, I didn’t get too much of a hassle, I got to smoke, I didn’t get fucked with. But I heard people having two hour waits in the line and all that shit. And all it needs is more people hired – there was a staff there, just put more people by the lines.

JM: Who do you want to see next time?

FAT TONY: I’d like to see Jay Reatard play, I’d like to see Love Field play, I’d like to see Supreeme play. I don’t know, I don’t like too many bands, but those are the bands I’d like to see live.
(we digress for awhile and talk about Sean Kingston, who I would LOVE to see at an outdoor festival, and Insane Clown Posse, who I would at least be extremely curious to see live)

FAT TONY: God, I would love to open up for ICP. They have so many fucking fans. It’s goofy and shit but I’ve been hearing about them since I was like twelve, people take that shit super seriously and they do that shit for real. Since I was a kid, they just (snaps fingers a few times) always put out albums, always put out albums, and the underground magazines like Murder Dog will cover them. Shit. You know who I would really love to see play next year? Deerhunter.

JM: Man, I really love Deerhunter.

Saturday, July 25, 2009 

Category: Friends



FAT TONY just got it in over seas and appears on Japan's #1 Hip Hop artist DJ SLY's latest album entitled "Beyond It".


The song is "Killin' Time" featuring KAORU. The album features classic beats re imagined and the shit is all FAT TONY approved.


Cop the Japanese only album release at his upcoming shows!

Limited copies in stock.

Download FAT TONY's contribution @
http://www.fattonyrap.com




DJ SLY:
http://www.myspace.com/djslyhiphop
FAT TONY: http://www.twitter.com/fattonyrap
Currently listening:
Sold My Soul: The Remix & Rarity Collection
By The Pharcyde
Release date: 2005-11-08
Monday, July 20, 2009 
Download link for
THE CREATION OF FAT TONY (2007-2009):

includes 2 new songs off debut album RABDARGAB
+ an updated mix of the unreleased song "In Your Room":

http://www.divshare.com/do..wnload/7948405-0b0


take this shit & run with it!!! pass it on to your friend's ipod.
get 'em familiar.
enjoy.


- fat tony
Currently listening:
The Ecstatic
By Mos Def
Release date: 2009-06-09
Saturday, July 04, 2009 

Category: Life


another year, another ballot. many rad new bands emerged this year and hopefully you paid attention to some of them. pick out your favorites and lend 'em a few minutes of your life.

i won last year's best underground hip hop award (ask Bun B) thanks to the support of pretty girls, black people, stoners, teenagers, and people with taste in general. im totally honored to be nominated again.

please vote for me, FAT TONY aka FAT TONY OBIDIYAH GEOFFEREY (MOTHERFUCKING) JONES aka FAT TONY TONI TONE aka MR. LIVE AT THE KAPPA as the aggravatingly hot, consistently rich city of HOUSTON's best "underground" Hip Hop artist. you will be greatly appreciated for such actions. as always, i love you all. do the right thing. thank you thank you thank you.

the awards showcase will be held in downtown houston on sunday, july 26. i play ROCBAR (in the complex of verizon wireless, hard rock cafe, etc.) at 8:00pm [which is the same time as BLACKIE & The Tontons sets - ain't that some weak ass shit?]. holla back.


CLICK HERE TO VOTE!


*VOTE FAT TONY 4 BEST UNDERGROUND HIP HOP....*
*IT'S REALLY THE COOL THING TO DO.....*
*ASK JESUS - HE WILL CO-SIGN FOR YA BOY*
Currently listening:
Rocket to Russia
By The Ramones
Release date: 2001-06-19
Friday, May 01, 2009 

Current mood:  hopeful



http://polls.houstonpress.com/polls/hou/musicawards09/

Nominate FAT TONY for Best Underground Hip Hop and Fat Tony's "INVASION" for Best Local Song!! Pretty please? Ya boy tryna get his credentials up.

T H A N K Y O U ! !

love,
anthony.

***********************************************************


My recommendations...


Best LP/CD: B L A C K I E - Wilderness of North America
(2nd pick: Fat Tony - Tipping Point & Fly 68 Presents Fat Tony)


Best EP: Caddywhompus - EPs
(2nd Pick: Ben Wesley - Geschichte)


Local Song: Fat Tony - "Invasion"
(2nd pick: Caddywhompus - "Fun Times at Whisky Bay")
(3rd Pick: B L A C K I E - "That's Right")
(4th Pick: UGK - "Da Game Been Good to Me")


New Act: Balls Deep (aka BALLS D33P)


Songwriter: B L A C K I E
(2nd Pick: Fat Tony)


Local Musician: Fat Tony
(2nd Pick: B L A C K I E)


Guitarist: Jason Willis (Buxton)
(2nd Pick: Adam Martinez (The Tontons)


Bassist: Nick Cody (Wild Moccasins)
(2nd Pick: Tom Nguyen (The Tontons)


Keyboardist: Zahira Gutierrez (Wild Moccasins)


Misc. Instrument: B L A C K I E - P.A. EQUIPMENT
(2nd Pick: Balls Deep - Auto-Tune Manipulation)


Drummer: Ricky Tijerena (Earnie Banks)
(2nd Pick: Justin Martinez (The Tontons)


Male Vocals: Fat Tony


Female Vocals: Kam
(2nd Pick: Asli Omar (The Tontons)


Rock: The Tontons
(2nd Pick: Muhammad Ali)


DJ: Dayta
(2nd Pick: Squincy Jones)
(3rd Pick: iPod Ammo)


DJ Night: Speakerboxx (Dayta & Squincy Jones)


Punk: B L A C K I E
(2nd Pick: Fat Tony)
(3rd Pick: Something Fierce)
(4th Pick: Muhammad Ali)


Hardcore/Noise: B L A C K I E


Indie Rock: Young Mammals


Cover/Tribute Band: Young Mammals as (the) PIXIES


Best Underground Hip Hop: Fat Tony


Best Mainstream Hip Hop: UGK
(2nd Pick: Devin the Dude)

Currently listening:
Worstward, Ho!
By Shinobu
Release date: 2006-09-12
Tuesday, April 07, 2009 



Fat Tony & Smash Bro on-air speaking on the truth and no fables. If you have trillness in your heart, tune the fuck in. This is for y'all.

THE VINYL FRONTIER on Houston's KTRU 91.7 FM
tonight from ten p.m. 'til midnight.


Tune in online @ http:..//bang.rice.edu


love,
fat tony.

Currently listening:
1999
By Prince
Release date: 1990-10-25
Sunday, March 29, 2009 


“Man, I'm so high, who am I? / Oh yeah... Devin”





Devin is much more than an artist just tryin' ta live, he's
a legend hailing from our lovely lone star state. The New York Times
refers to him as “a brilliant oddball with a spaced-out flow”; but we
know him best as The Dude. No matter what records are selling, no
matter what is trendy, and definitely no matter what the critics are
salivating over this week, Devin has a strong fan base worldwide that's
dedicated to jammin' his latest and and proclaiming he's the greatest.


He's
a man known for sticking to his guns, keeping his traditional
Swisher-friendly persona wrapped up in wine, weed, and women raps. Plus
a wide range of quite positive and (often) hilarious songs that keep
his albums highly praised. He's also pretty well known for his hooks.
"Fuck Faces" is my favorite but Devin also has recorded classics such
as "Ain't that a Bitch," "Baby Phat," and much more. He has blessed
artists from De La Soul to Dr. Dre to UGK with his signature vocal
stylings, and has kept even the most fair weather rap fan singing along
to "I just wanna fuuuccckk YOU.”


Although he's in travel
mode presently, Devin found time to answer a few questions of mine.
He'll be performing Saturday, March 28 at Free Press Houston's
Westheimer Block Party. Catch Devin during the night show at La Strada
performing with Pictureplane, Houston's own Fat Tony, and more.


Even
as some things stay the same, we're all aware the only constant is
change. In your eyes, how has your persona developed and changed over
your career ever since the Odd Squad days?


It hasn't
changed much at all, but just getting a chance to grow is part of the
game. In growing with it you develop other styles because of certain
situations. When I started having kids, man, I toned down the specifics
of some songs once I knew they were listening too. But more than
anything [myself and the Coughee Brothaz] try to have the most fun as
possible in the studio. I keep the fun being part of my persona.

Where may this persona be heading next? Got any ideas for how you'd want to switch it up?

I
work with whatever is there at the time, man. It depends on what
direction the music takes me. It could be the melody, the atmosphere,
it's a number of things that construct my writing in the studio.

Outside
of this lone star state, where do you feel best received by audiences?
What are some cities worldwide you've constantly got little kids saying
"who is that man, mama? On stage with a brew in his hand, mama?"


Haha!
Man, it's hard to say. But the first cities that come to mind are
Seattle, D.C., Denver, certain cities even surprise me, man. I had no
idea people in these places were up on my music. California is always
pretty cool. Even Boston gave the Coughee Brothaz a really, really good
response on tour. It's been a blessing to meet people that really enjoy
what you do.

It's definitely a
blessing to have a career that's been working for so long. I'd suspect
the internet of getting you out to places where they would have never
heard you.


Yeah, fa sho, man. It's a lovely thing. All this technology is crazy!

Rappers
are getting their sing-song on left and right these days. Kanye West
released '808's & Heartbreak', Lil' Wayne's rock album, Lupe Fiasco
getting his faux British accent down pat with his new band 'Japanese
Cartoon', and T-Pain has been a 'Rappa Ternt Sanga'. You sing very
well, Mr. Dude. Would you ever release an all singing album?


You
know what... I was thinking of something like that but it might not be
your normal record. I want to call it “The Perfect Genitalman” but I'm
not sure if that one's gonna work [laughter ensues from The Dude and
myself]. I don't know, man... I don't want to take it too far, it'd
have to be for fun. I kinda like what I'm doing. If I can incorporate
new styles into what I'm doing, I'd like to do that rather than release
an album only for singing. Hell, Zeldar might come out with an album!
But for now, I'm chillin'.

You've
got quite the discography, Mr. Dude. What records of yours are your
favorites? Which songs would you want people to remember alongside your
legacy?


My songs are like my kids, man! Haha, gotta love
'em all the same. But some do have more meaning to me than others. One
of those is a song called “Right Now” off the To Tha X-Treme [2004]
album. Tried to get it on the Just Tryin' Ta Live [2002] album but
couldn't get the sample cleared, so we had to re-play every piece of
the music over again for its release. With the help of Mike Dean and
Bryan Conner, plus a lot of patience we were able to make it work.

As
a big fan, "Doobie Ashtray" first comes to mind. Two Texans [DJ Premier
& Devin] coming together to make a cry out for lost weed so
touching that I'd consider it being played at my first son's
christening (even if it is, uh, a little out of place).


That's my second favorite right there! Appreciate cha, man. Hahaha.

What brand of cigarillos are the top choice for you?

The
regular cigarillo Swisher Sweet. Non-flavored, ya know, less toxins.
There's a new blunt called Cyclone that you should watch out for. It
comes with a tip already and no tobacco in it. Just open it, stuff it,
and fire it up! Got a wood tip for some of them and a paper tip for
others.

What has been your most consistent and biggest inspiration over the years?

My
family. My mom especially, man, because since I first started she's
been interested in what's going on with my music. Growing up I hardly
ever cussed around her, so when she first started hearing my music as I
was getting out of high school I got a little worried haha. Like, “oh,
ma, what she gonna think about this!” When I first started coming out
with records and tapes she would listen, and even though I was kinda
raw back then too she accepted it. Always hoped and prayed for the best
for me. That really inspired me to keep doing my thing.

Thank
you so much for the interview, Dude. Just got one more question...
how's the lacville '79 holding up? Last I heard it was in the shop.


[Begins
singing his dialogue like an Elvis movie] Oooh-yeeeeaaahhh! Man, well
you know what, the mechanic told me [the lacville '79 would be ready]
two weeks from now. And every time he tells me two weeks, it's like
another two months! But right now, I believe it'll be out in a month
from now. You'll be seeing Pearly Mae again.

http://www.myspace.com/devinthedude

Published by Free Press Houston

Currently listening:
Darklands
By The Jesus and Mary Chain
Release date: 2008-03-25
Tuesday, March 03, 2009 

http://weworemasks.com/2009/02/25/interview-fat-tony-february-25-2009/

*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*..*****



fat tony, born anthony lawson obi, is a local rapper from my hometown of houston, tx. he’s well-known around here for his live shows and has been deemed one of URB magazines ‘next 1000 artists.” not to mention, he was the winner of the 2008 houston press winner for the hottest underground hip-hop act in houston.

he’s currently writing and recording for his upcoming album, RABDARGAB. most of you outside of houston probably don’t know what the fuck this is, but there used to be a kid’s commercial to promote reading lists in schools and shit that basically stated:

RAB = READ A BOOK
DAR = DO A REPORT
GAB = GET A BUCK

wild as hell. i got the chance to ask him a few questions to introduce you guys to some southern knowledge. hit the jump for the interview and a download of tony’s 2008 mixtape.

Roshan Bhatt, weworemasks: First off, what’s the significance behind your moniker, Fat Tony? For the record, you don’t look very fat.

Fat Tony: I was birthed Fat Tony Obidiyah Geofferey Jones. From the vagina to the recliner, I was blessed with the name from day one. Never let go of the it even though I rapped under other aliases from time to time such as “A.O.” and “Hamster Cunt.” If I had a $1 for every time I heard someone say “Nigga you ain’t fat,” I’d be reasonably wealthy, and most likely ballin’ the fuck out.

WWM: What was it like starting a hip-hop career in Houston?

FT: It was like waking up out of a surreal, lucid happy dream and being dropped into a juvenile detention center. Saw and felt much immaturity & inexperience, some egos, a few inspirational helpful fellows and a lot of wishful thinking. Definitely helped get my feet wet as a much younger Fat Tony and was well-received (plus motivated) by some memorable friends. It took being involved in a few different groups and styles to grow into what I do these as Fat Tony. The only constant is change.

WWM: Are you a fan of Houston hip-hop, as far as what got popular back in 2005? What about the stuff that stayed underground (i.e. Z-Ro)?

FT: I love Houston rap. 2005 pop Houston rap was cool and all (every major artist had at least one single I was pretty into), but it never hit me as hard as southside Houston music did during the late 90’s and early 2000’s. The local favorites like Z-Ro and Slim Thug have been tight to me, but I’ve always been into pretty much the same group of Houston affiliated folks. UGK, Screw, Devin would be my top favorites far as albums go, but it’s a bunch of singles I fucked with very tough. Yungstar’s “Knockin Pictures Off The Wall,” Fat Pat’s “Tops Drop,” Hawk’s “You Already Know,” Scarface’s “Fuck Faces”… All the hits.

WWM: Do you feel the need to distance yourself from this type of hip-hop? Judging by the sound of your music, you’re going for a more intelligent and positive approach — is that true?

FT: I’m going for a more tight ass music approach more than anything. I’m not distancing from anything, just making what I want to express. It’s “positive,” but making a big deal out of such a thing is a bore. I’m here to entertain and wreck.

WWM: What do you feel that you have to bring to the table of the hip-hop community?

FT: A different voice and good artistry in my character, a will to fuck things up and make beauty out of boredom…but more than anything I feel I’ve got to bring good records. Actual songs that people can enjoy whether they relate to, just get entertained by it, learn something new from it, or (if I’m lucky) all 3 of those things.

Also, The fight for tight ass music. The fight for more originality and individuality. The fight for less preaching on rap records. Pretty much an all-out war for music that doesn’t blow.

WWM: Who or what are your biggest influences in hip-hop? This could be emcees, producers or even non-musical.

FT: UGK, Q-Tip, Nas, Jay-Z, Houston rap singles and E-40. Rappers that are just straight characters like Lil Wayne and Ghostface. Even Busta when he was in his heyday.

Production wise — Pimp C, Q-Tip, Three 6 Mafia, The Neptunes, Kanye, Timbaland and J Dilla on the Slum Village “Fantastic” albums. My tastes have changed throughout my life but these folks have always been consistent favorites.

WWM: Your last mixtape was a joint venture with The Tipping Point (note: a local Houston sneaker boutique) and Fly 68. How was it working with them?

FT: Titillating. All night sessions. A few friends came through bearing gifts. Really helped get our spirits in order to make a rad CD. Everyone involved in it had a good ol’ time making it pop off. Especially with the skits!

WWM: Considering your music is more positive lyrically, (see: Love Life EP) who would you like to collaborate with most that’s making music currently?

FT: The throwed musicians. The real artists that actually write songs and want a wide audience to get with it. Those that understand completeness and song writing, but haven’t forgotten what a good pop song is. Rappers that can actually wreck and be interesting, not drivel. I’ve heard enough redundancy for one lifetime. The-Dream, Kanye, Lil’ Wayne, Sa-Ra Creative Partners, Big Boi, E-40, Bun B, Ghostface, The Neptunes.

WWM: You’ve been known for your energetic live shows. What do you enjoy more, recording or performing, and why?

FT: I love recording for the art and technique of it, but nothing hits me like performing. Connecting with folks face to face while I’m wildin’ to my shit being loud as hell. There’s nothing like it. I kinda miss that shit when I’ve been too long without touching a stage.

WWM: If you could start over and do anything differently, would you?

FT: Travel more early on strictly for music reasons. Whether it was for performances or seeking opportunities. Moving around definitely boosts my drive every now and then. Too much of the same can make things stagnant for the creative process. Total bummer but, you know, things get better when my focus is right.

WWM: Any last words for the readers of weworemasks?

FT: Love your life. Don’t settle for bullshit music. Or settle for any weak work, period. Quality, always. Buy “RABDARGAB,” the debut full-length when it’s all over your internets and my merch table.


Monday, February 09, 2009 

Current mood:  awake

Help!

AUSTIN TEXAS - MARCH 18th thru 22nd



Remember back in the good ol' days (approximately 1979 to 2002/2003
(r.i.p. diy?)) when you'd really dig a band and write them letters
while anxiously awaiting for them to write back & send free shit?
You might have even showed their bad handwriting off to your pals.
Totally pre-Myspace.



Remember when you liked a band sooooo much you'd help them book shows
in your area? Perhaps guide them to your local college radio station?
Maybe even feed them or give them a space to sleep on for the night?
Sometimes you'd even give them drugs or alcohol (if they weren't
straight edge or recovering rehab vets). Sometimes you nice music
loving women of the world would snuggle with said musicians in the
comfort of your home.



well... I NEVER FORGOT THAT SHIT!!!!! & i really hope you haven't either.... cuz i sure do need you.





this year of 2009, austin texas will be flooded with FAT TONY,
SUPREEME, B L A C K I E, NO FACE, THE HOTELS, and THE INSTANT
MESSENGERS. We're coming through with our own P.A. equipments and a
live ass entertaining show thats damn near all we got in this world.



PLEASE PLEASE PLEASE (let me get what i want this time, morrissey) hit
me up if you would like to book FAT TONY or any of my tight ass friends
for gigs this March. We're all down to play damn near anywhere with
electrical outlets and living bodies that wanna rock out (preferably
with their cocks tucked inside... please, shit..).



hit me up at: yeahobi@gmail.com AND/OR yeahobi@tmail.com if you can offer any assitance!!



i love you all. THANKS IN ADVANCE.



adios,

fat tony.



p.s.

im looking for southern U.S. and west coast shows in APRIL & MAY +
east coast shows in JULY & AUGUST. holla at me in advance about
those if you're interested!!!! thank you.





FAT TONY - http://www.facebook.com/pa..ges/Fat-Tony/9656164815



SUPREEME - http://www.supreeme.com



B L A C K I E - http://www.myspace.com/bla..ckieblackieblackie



THE HOTELS - http://grapetreeatlanta.co..m/hotels/



THE INSTANT MESSENGERS - http://www.myspace.com/ins..tantmessengers



NO FACE - http://www.myspace.com/nof..aceatlanta


Currently listening:
Bad Brains
By Bad Brains
Release date: 1996-03-19