MySpace
myspace music


Shep and Me



Last Updated: 11/18/2009

Send Message
Instant Message
Email to a Friend
Subscribe

Status: Single
City: Lake City
State: Minnesota
Country: US
Signup Date: 1/20/2007

Blog Archive
[Older      Newer]
 /  / 
Wednesday, May 27, 2009 

Category: Music

Shep and Me "Cloudy Chowder"

Trd W/D



The cover art on this one is a gorgeously silk-screened block of day-glow green paisley which was printed on the insides of two half record sleeves (one a Brian Wilson album and the other is a total mystery to me). These ramshackle lo-fi Appalachian musings seems to capture the home-made fragile junkiness of this packaging quite well. The liner notes, which come in the form of a 14 page zine, include various photos and collages that further heighten the sense that you are listening to the next generation of east-coast weirdoes “gone native”; the original wave being the likes of the Holy Modal Rounders.

This music really seems to be a very well executed amalgamation of such groups as Caroliner, the more “folky” Cerberus Shoal releases, or Russian Tsarlag with a dash of Beefheart and the Holy Modal Roudners as previously mentioned, but there is a fair amount of four track psychedelia present as well. Not sure how limited this thing is, but I would suggest snatching up a copy before they are gone and this thing reaches pricey cult status on e-bay.
9/10 -- Kevin Richards (27 May, 2009)

Wednesday, March 18, 2009 

Category: Music

SHEP & ME/CAETHUA: s/t split




I don’t actually know who put this out, how long it is, or anything like
that. Dan Beckman handed it to me and there’s no indentifying marks
except for who is on it and on which side, that’s it. Nonetheless, I’m
going to try and write about it as cohesively as possible. Both of
these artists currently hail from Belfast, Maine and although they both
can be described as “experimental folk” (for the sake of putting names
on things), there’s definitely enough of a contrast between the two,
with Shep’s caterwaul opposite Caethua’s ambience, to make for an
interesting listen.

Shep and Me is the identity of Matthew Himes and friends,
howling balladry over low-volume, fuzzed-out guitars, dogs
barking, and electronics rattling. Himes’ voice is gruff yet
high-pitched, warm and inviting, like a campfire, you want to be near
it, but certainly not in it. This is full-on campfire music, sitting on
picnic tables underneath the canopy on a scout trip.

Caethua is Clare Hubbard, who can also be seen in the improv noise band D.B.H. and her own totally fucked rap act, Sports.
Although she shows her incredible singer/songwriter chops on both piano
and acoustic guitar in this format, she doesn’t leave the noise behind,
connecting all of her songs into one long track with garbled organics
of birds singing and water boiling (at least that’s what it sounds
like).

Comes with a one-color silkscreen insert. I don’t know
where you can find it, but I think this might actually be a preview of
songs to be put on an LP or something in the future. That’s totally
unfounded, but keep your ear to the ground because it’s worth hunting
for.



Saturday, December 13, 2008 

Category: Music

Shep and Me : Cloudy Chowder -LP- (US,2008)**°

Shep and Me did a tape before with Caethua (Shep's track was accidentally destroyed a bit in my tape recorder, which I haven't used in years), and now have their own LP, with a silkscreen cover on a reused inside out old LP cover (and a stenciled booklet with photographs and lyrics). It's poor man's music with its own charm, while also revealing a talent for using noise from electric and distorted guitar picking sounds as soundscaping material too, even when this is only sparsely done (it is highly effective with it). I love the high pitched voice singing of Matt, (American accent) (sometimes as a telephone voice) with his guitar and an occasional slide whistle, Yamaha keyboard or Hammond organ. Additionally we have Ben Grubb on mandolin and (second voice) vocals and wine glass and Dan Beckman on guitar and electronics, Boom Chick on second vocals, A.M.O.S. on lap steel and wineglass, Brian Tongue on steel string guitar, Jason Flack on trombone and electronics, Drew Ryan on percussion, Mr.Marcus on styrofoam. The album definitely has its own charm, and distinguish itself from most lo-fi album with just that little bit of more of talent, despite they seem to keep it simple, there is a lot happening to make also each produced and found sound, foot stamp and string touch attractive. There are some favorite tracks that will make it to airplay (5,10,12).
Tuesday, August 05, 2008 

Current mood:free at last

Experimental folkies Shep & Me release Cloudy Chowder


BY MANNY THEINER

 


Shep & Me
Cloudy Chowder
TRD W/D

 

I'm so glad Pittsburgh is developing a bit of an "experimental folk" community, so we no longer have to just read about the music from Finland or New England in magazines like Signal to Noise and Ptolemaic Terrascope. Artists like Mike Tamburo and Tusk Lord led the charge, and now comes Matt Himes and friends, who moved here two years ago and go under the name Shep & Me. (Himes also plays in the excellent Sonic Youthy noise-rock band Grackles.)

Released on a Maine label and lovingly packaged in a silkscreened recycled cover with a hand-stitched booklet containing lyrics and stark black-and-white collaged photos, Shep & Me's Cloudy Chowder vinyl LP is one of the most beautiful yet unpretentious-sounding releases I've heard this year from the local underground. It was recorded not only in unique locales in Pittsburgh (such as the Waldorf School chapel), but also in Kentucky, Lousiana and Illinois, showing Himes to be quite a ramblin' man.

Every track is a little different, which only adds to the appeal of slapping it on the turntable. Himes leads off with a gentle guitar-picking number featuring backward tape noise (recorded in an oil-refinery tank in Philly), then is joined by Ben Grubb on mandolin and Dan Beckman on guitar/electronics for the lo-fi folk of "Doppleganger." Himes goes back to reverby solo electric and dark keyboard for the droney "Hyphenate," sounding like the quiet parts of an Akron/Family jam. Other highlights include Jason Flack's trombone blurts on the title track and "Spot Treatment"; Himes' plaintive backwoods singsong on "Oh My Dear"; and the subtle abrasions on styrofoam and wine glasses on "Where I Am?"

I'm mightily impressed by the simple yet effective (and effects-laden) production and concept of this LP (and the newly released split cassette with Bloomington, Ind., psych-folkstress Caethua, which will soon be pressed to vinyl). I strongly recommend it to anyone who treasures the New Weird America, from Sunburned Hand of the Man to Jack Rose and Jandek. "After sittin' around all day, I thought I could hear myself breaking," sings Himes. We can hear you too, Matt, and it sounds fine.