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Michael Layne Heath



Last Updated: 11/17/2009

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Gender: Male
Status: In a Relationship
Age: 51
Sign: Libra

City: SAN FRANCISCO
State: California
Country: US
Signup Date: 5/18/2005

Blog Archive
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Thursday, November 12, 2009 

Current mood:  optimistic
...all about live theater, vintage punk rock, and Velvet coffee-table appurtenances.

Read slowly and see, right here...

http://www.tadwilliams.com/blog/blogs.aspx?uid=4

I thank you.

Currently reading:
The Velvet Underground: An Illustrated History of a Walk on the Wild Side
By Jim DeRogatis
Friday, November 06, 2009 

Current mood:  ninja
Hey there:

Just a quick one to let you all know one of my poems can now be seen at the poetry site known as DEUCE COUPE. 

Lot of happening wordsmiths also have their stuff up there, so I'm jazzed to be in such fine company.
 
See for your own bad self at
http://deucecoupe.wordpress.com

and its sibling site RUSTY TRUCK
at
rustytruck.wordpress.com

all for now...
MLH

Friday, September 11, 2009 

Current mood:  accomplished
So, as dumb luck and perseverance would have it, I have pulled myself on board the virtual raft of culture parsers and stringers over at the voluminous entertainment site known as POPMATTERS.COM.

And here's a link to my humble debut review...

http://www.popmatters.com/pm/review/111037-various-artists-wednesday-morning-dew-realistic-patterns-vol.-2/

More no doubt to follow.  Let them, and me, know what you think.

-mlh

Monday, August 17, 2009 

Current mood:  bummed
As if 2009 hasn't already been a lousy year for musicians, just in the past handful of weeks, we've lost Willy DeVille, Les Paul and now, this weekend, the awesomely brilliant Jim Dickinson.

I can count on my hand the people who made rock/pop music history that I genuinely would have loved the chance to sit down and shoot the whatever with for an afternoon. Dickinson was one of them.

As a producer, Jim Dickinson was a sonic architect and alchemist.  Jim could quite possibly spot insincere musical expression in utero.  Dig out any of the records he was behind the board for - Aretha Franklin, Willie Nelson, Alex Chilton with Big Star and solo, Green On Red, Ry Cooder (Jim was invaluable on Cooder movie scores like PARIS, TEXAS), and the Replacements' PLEASED TO MEET ME to name a few - and you'll hear what I mean.

Beyond that, Dickinson was one of the most spirited and infallibly swinging rock and roll/barrelhouse/bordello piano men on the planet.  Among choice moments would be the Stones' 'Wild Horses', of course - and only because go-to guy Ian Stewart didn't 'do' minor chords! -  but don't ignore these:

- Jim's work during NYC sessions with the Flamin Groovies. The Groovies for one brief moment were the Stones' Stateside doppleganger, at least long enough to produce 1971's classic TEENAGE HEAD. Dickinson's joanna mojo underpin was essential roughage to tracks like their blaze thru Randy Newman's 'Have You Seen My Baby'. Another cover from those sessions, the Who's 'Can't Explain', should also be sought out.

- Dickinson's instrumental and arranging efforts towards making BIG STAR THIRD/SISTER LOVERS and Chilton's FLIES ON SHERBET sound (in Alex's words) 'really trashy'.  'Kizza Me' and 'Boogie Shoes', respectively from each disc, get the job done and no mistake.

- Even swampier and more atavistic are discs by Chilton compadre Tav Falco's Panther Burns like SUGAR DITCH REVISITED and THE WORLD WE KNEW, with Dickinson right in there working his show.

And certainly Jim had some major input on the overall gestalt and groove found within Dylan's TIME OUT OF MIND, as Bob himself has acknowledged. 

Then there's Dickinson's solo albums, including the great bargain bin find from '72, DIXIE FRIED, recently reissued. And the stuff his kids Cody and Luther do as the North Mississippi All Stars...and, and.

All that said, though, the reason I would have loved to hang with Jim was that he was an astonishing and colorful raconteur, with a photographic memory of his career high and lowlights.  You can read for yourself right here.  And especially here.  

Such sad news calls to mind a Ray Charles quote about never wanting to be famous, but always wanting to be great.

That he was; so was Jim Dickinson. Goodbye baby and amen.
Wednesday, July 29, 2009 

Current mood:  forgotten
Fans of diligent excavators of musical gems are directed to check out my new Groovers' Grotto column, over here...

http://www.tadwilliams.com/blog/blogs.aspx?uid=4

xo - MLH
Currently listening:
MESSTHETICS GREATEST HITS: The sounds of U.K. 'D.I.Y.' 1977-1980
Thursday, June 25, 2009 

Current mood:  okay
Got a new Groovers' Grotto column up, exploring the 'bubbleglam' sounds of 1970's Holland, recently unearthed on a fantastic new CD collection. 

As ever you can peruse it hyar:
http://www.tadwilliams.com/blog/blogs.aspx?uid=4


Also have to give it up in fond affection and memory of 60's punk-psych supremo Sky Saxon of the Seeds, as word has just come down today of his passing...

Remember him this way:
http://www.youtube.com/watch?v=cmHTyLBIZ1g

xxoo - MLH
Currently listening:
The Seeds
By The Seeds
Release date: 1990-10-25
Thursday, June 18, 2009 

Current mood:  bummed
Category: Music
Was skootching round the news page at the Fall's fansite, and was distressed to read that veteran genius New Zealand musical artist CHRIS KNOX (being part of orig. NZ punkers Toy Love, half of the Tall Dwarfs, fine solo work and latest band C.K. & The Nothing) recently suffered a stroke. 

He is as they say, 'resting comfortably', but his family has set up a blogsite to track his recovery progress, and for fans to write in with wellwishes.

You can have a look (as well you should) at:
http://chrisknox.blogtown.co.nz
Currently listening:
Hello Cruel World
By Tall Dwarfs
Release date: 2005-07-19
Friday, May 29, 2009 

Current mood:  blissful
Category: Music
Was recently hipped to a brand new blogsite and was compelled to share it with all my MS kindreds.

Anyone with even a cursory knowledge of prototypical Punk/Wave histoire should be hip to the goings on out of Ohio in the early to mid 70's.  Therein, a small, mostly ignored but defiant bunch of bohemian teens and immediate post-teens would come to affect, effect and infect the body rockpolitik.

Call their names out with pride: Frankenstein/Dead Boys, Rocket From The Tombs, Pere Ubu, Peter Laughner's numerous projects, Electric Eels, Mirrors, StyrenesDEVO, Tin Huey, Pagans...and a newly gradjiated collegiate flagwaver for the Real Rock named Miriam Linna.

Hers is an adventure for the ages: prez of both the early Ubu and Flamin Groovies fan clubs, Linna moves to the Big Bad Apple. There, she throws her lot in with two rockabilly fans from Cali named Lux and Ivy, who encourage Linna to be their band's drummer. This despite having no previous experience on that or any instrument; her sole drum lesson was given by Tommy Ramone, and lasted about the length of a Dee Dee count-off.

After many years, and perhaps inspired by the sad departure of bandmate Lux Interior, Linna has created an online repository of her archives from those heady days. 

Any rock fan even remotely familiar with Linna and her sizable CV - her tenure with the early Cramps and folkrocking future Mike Chapman victims Nervus Rex; rockabilly partymovers the Zantees and A-Bones; KICKS Magazine; her longtime rule with Billy Miller of the awestrikingly invaluable Norton Records empire - will be absotively bowled over by even the few installments of artyfacts she's managed to present so far.

Photos! Correspondence! Flyers! And above all, Linna's own pulpy, immensely readable recollections.

With her promise of more to come, Linna's site is shaping up to one pretty damned supersnazz virt museum: one devoted to a period of Amurrican Music that was feverish, intensely expressed, keenly felt and still - STILL! - remains vital. 

"Attendance Required"!

Digaroonie the goodies at
kicksville66.blogspot.com
Currently listening:
Terminal Tower: An Archival Collection
By Pere Ubu
Release date: 1998-06-02
Sunday, May 24, 2009 

Current mood:  exanimate

The following is an outtake from my latest poetry chapbook GREY RAGE (DYED), available through the good folk at Kendra Steiner Editions in San Antone and Volcanic Tongue in Glasgow.

Also more locally, San Fran-style, at the Beat Museum and City Lights in North Beach, the Bound Together Anarchist Collective in the Haight, and Dog Eared Books on Valencia Street in the Mission.

-MLH (on a lazy Sunday afternoon-ah)


INTELLIGENCE


My intelligence is jewels and barbed wire
Dub vapor and tube amp rasp
Smiles over the telephone
and mail from the coast

My intelligence is cellular unconscious
Middle of night spoons in bed
The dripping crown of morning lust
The sober exact measure of expression

An intelligence too precious to relinquish to wasted wine
Relinquish to the played out carbon cycles
of long ago social scenes

And yet
Though a clearly resilient thing
Why do past mistakes not register
Set me back onto another detour in
the ratrace maze

At the end of which is a lover’s
stonefaced monotone disapproval
on this hungover cloudless morning

11.29.08

copyright 2008, Feudal Gesture Press


Saturday, May 02, 2009 
So we have a new installment of the GROOVERS' GROTTO column up as of now, scoping out such films as A TECHNICOLOR DREAM, THE STORY OF THE YARDBIRDS and THE LAST POGO as well as the usual blatherskite to entertain and inform.

Have a looksee here.
Or if that doesn't work, cut and paste this here:
http://www.tadwilliams.com/blog/blogs.aspx?uid=4

Also, those out there interested in picking up a copy of my 80's record shop mini-memoir, MY LIFE IN THE BARGAIN BIN, can do so by sending four bucks to:

MLH/Feudal Gesture Press
2275 Sutter Street - apt. 7
San Francisco CA 94115-5220

all for now,
M.

Currently listening:
Wavvves
By Wavves
Release date: 2009-03-17