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Friday, October 30, 2009
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Mark Storen's A Drunken Cabaret....
New York International Fringe Festival....
reviewed
by Peter
Schuyler....
Aug
15, 2009....
"I
want to love you, cut you into pieces, take you to the zookeeper and turn you
into animal food. Am I being rude?" Crude, blasphemous, sophomoric, and
nowhere near politically correct, Mark Storen's A Drunken Cabaret is a hilarious hour-long musing
on the dark, violent side of love. Written, acted, and directed by Storen (a
native of Perth, Australia), the show is less an examination of the why behind
the madness, but more a celebration of it. It's a very specific type of humor,
and it wasn't for everyone in the audience. I certainly enjoyed it. The songs
(all original) are clever and pithy, and Storen infuses real fun and soul into
the evening. It's not everyday you encounter a man who can write a ballad about
bestiality and actually make it touching. It's not just the songs that
entertain, there are poetry recitations, some very aggressive dance, and, in
the quieter moments, some very disturbing poems by Robert Browning and John
Donne. Storen is a gifted ringmaster and keeps the audience engaged throughout,
encouraging sing-along and never missing a beat, even when a few patrons left
the theatre. It was their loss. They missed the ballad.....
He
makes the reconfigured Flamboyan Theatre (which has been morphed into a cozy
cabaret space) very much his own. A large paper heart serves as the backdrop
and projection screen for the show, framing the action and adding depth to the
piece. The lighting is very impressive, especially considering the FringeNYC's
quick turnover. Really the only thing missing to complete the atmosphere was
someone serving drinks. It should be noted there is a bar in the lobby.....
As
I said before, this kind of humor isn't for everyone, but it certainly was for
me. If you enjoy ribald tales of love gone horribly, horribly wrong, then you
should definitely head down to the Flamboyan, have a drink, and spend an hour with
Mark.....
Producer:
The Moxy Collective
Author: Mark Storen....
Buy
tickets for this show:....
Sat
August 15 2:00 pm
Sun August 16
5:30 pm
Mon August 17
10:00 pm
Fri August 21
6:15 pm
Sat August 22
9:00 pm
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Friday, October 30, 2009
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Fringe Festival
Mark Storen's A Drunken Cabaret
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Flamboyán
Theater at the Clemente Soto Vélez Cultural Center
107 Suffolk St (between
Delancey and Rivington Sts)
Lower East Side | Map
212-279-4488
Subway: F to Delancey St; J, M, Z to Delancey–Essex Sts
| Directions
http://www.fringenyc.org
Prices ....
Tickets:
$15
Description ....
****
[FOUR STARS] In this unusual performance, Australian writer-performer- musician
Mark Storen examines the intersection of love and violence through original
songs and anecdotes inspired by true news stories from around the world. Though
the subject matter verges on the macabre, Storen manages to put a hilarious
spin on hot-blooded murder; his bizarre expressions and spastic movements are
as oddly fascinating as the ruthless tales he tells—lust-induced patricide,
possessive fits of strangling—in front of a heart-shaped projection screen. (At
one point, he drafts the audience into a sing-along of an amusing ditty called
“Stab U”—dedicated to his wife. How sweet!) This multimedia performance is
robust enough that you forget it’s a one-man show, and Storen’s charming Aussie
accent tempers the frequent lewd bits (even if it causes a few things to get
lost in translation). The topics may be deep and dark, but this is a lovely and
lighthearted fling.— Cristina Velocci, assistant features editor
When ....
Fri
6:15pm , Sat 9pm
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Friday, April 24, 2009
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Category: Blogging
THEATRE A Drunken Cabaret Written and Performed by Mark Storen Deckchair Theatre, Port Cinema Review: Stephen Bevis
If Martyn Jacques ever pulled the pin from the Tiger Lillies, his two confreres could do a lot worse than give Mark Storen a call to replace him as the frontman of the outrageous Brechtian cabaret rock trio. A talented theatrical all-rounder, Storen has created a seductively grotesque character in The Ringmaster to guide the audience through this engagingly perverse tour of what can go wrong when obsessive love turns bad. Storen presents a carnivalesque of unlovely love and murder inspired by actual news stories from around the globe in this 60-minute drunken romp driven by self- penned songs. In between transformative swigs of booze, his knowing buffon Ringmaster summons up the spirits of William Shakespeare, Christopher Marlowe, Nick Cave and even Manfred von Richtofen, The Red baron of worl War 1, who led to one of the highlights of the show. Said to be a distant relative of the Red Baron himself, brazilian woman Suzanne von Richtofen was jailed for 40 years for killing her parents with the help of her boyfriend. Storen's cock-rock murder ballad in her honour, Killer Suzanne, was thrilling and poignant. Another tale about a lonely organ grinder and his pet monkey added complexity to the shock factor as well. Storen first performed a Drunken Cabaret at The Wild West Comedy Festival last year and has since taken it to the Melbourne and Adelaide fringe festivals. It would be best appreciated in a legitimately seedy cabaret venue, where his disarmingly confrontational style would work to best effect. He had to work extra hard to generate any atmosphere in Fremantle's Old Port Cinema but was ably supported by Shane Adamczak, who operated the lights and controls for the pre-recorded instrumental and vocal backing that at times gave the music a full ensemble effect.
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Wednesday, April 22, 2009
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Category: Blogging
A Drunken Cabaret
Adventures of the Ringmaster.
Looking for the pot of gold at the end of the Rainbow proves
to be one massive pain in the cock!
It’s good to look after each other when the big wet comes
down. If I had better shoes on I’d kick the establishment in the nuts! Swaggering through the depths of
mediocrity, the Ringmaster uncovers the bland taste of compromise and swills
it’s sickly hue around in his mouth. In one long convulsing hiccup of contempt,
he oops a daisies it up on his companion, the wry yet desirable Killer Suzanne.
She languidly smokes her cuban cigar and nonchalantly stubs it out on a small
monkey child lapping at her heels. His name is Bullwinkle and he thinks he’s a
moose. He doesn’t realize he's only a monkey with a heroin addiction.
Suzanne doesn’t have time for therapy so she kicks him in the nuts for half an
hour until he’s incapable of standing. Distracted by this violent, yet socially acceptable act, The
Ringmaster pens a tune about a hemorrhoid that can talk and recite it’s 12
times tables. He figures he can make a buck or two as long as he accompanies
himself on an out of tune guitar. Remembering what a questionable, fat sage
like man told him once, as he was rogered from behind, “Cabaret should be able
to be performed in a car park.”
The End until next time
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Saturday, December 31, 2005
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Mark Storen's A Drunken Cabaret **** Article from: http://www.news.com.au/adelaidenow/ FRANCES STEWART
February 26, 2008 12:00am
MARK Storen delivers a philosophical and funny look at the taboo space where love turns homicidal.
Storen takes on each of the personas in this one man show with a fantastic physicality that seemed to fascinate the audience and draw them into his world.
The smutty and politically incorrect songs, which are original and catchy, show him at his best.
A Drunken Cabaret delivers a polished and memorable performance from a clever comic, excellent singer and avid observer of the human condition.
Despite an ending that is a little lack lustre, you can't help but hum the sing-along on the way home.
In short: Impressively incorrect.
Rooftop 17 - 19 Synagogue Place
To buy tickets for this show, dial 1300 FRINGE or log into http://www.adelaidefringe.com.au/ticketing/buy-tickets.aspx
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Saturday, December 31, 2005
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Mark Storen's A Drunken Cabaret The Tuxedo Cat Until Sat 1 March
I'm fairly sure that Mark Storen started a marketing degree but then ditched it for a sharehouse in Newtown and a career in musical theatre. He would have been the insanely gifted performer in high school whom all the kindly old art teachers fussed over as their 'favourite', bless his cotton socks. If only they could see him in full tour de force performance mode for his one-man show, 'A Drunken Cabaret'. This is the kind of Fringe show you ought to see if you crave a bit of old school DIY music/movement/comedy/tragedy with no budget and a heap of passion on the side. Storen takes his audience on a schizophrenic journey through the more macabre side of love that most acts touch upon, but rarely present with such clever thoughtfulness. The general theme of 'love gone wrong' permeates his impressive array of original musical arrangements that deal with everything from the Red Barrn's crazed Brazilian lover to couples killing their parents. A simple set of heart-shaped fairy lights adds to the intimate and artsy atmosphere that the Fringe is renowned for, setting the perfect minimalist backdrop for Storen to transform into his many personalities and wax lyrical about love, life and monkeys. Although the audience consisted of a few wet blankets who didn't seem to approve of Storen's brand of philosophical bawd (you heard it), Storen was the consummate professional and gave the (mediocre) crowd of 50-something moralists his utmost. Give him your 10 bucks and watch him flower.
Steph Mountzouris
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Saturday, December 31, 2005
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A DRUNKEN CABARET Tuxedo Cat Until 01 Mar 2008
Review by Maggie Moore
This is what the Fringe is all about – hidden gems. You climb the stairs to a rooftop in an alley off Rundle Street and you're greeted by a most charming venue. Cosmopolitan, simple and simply charming. A rooftop bar studded with fairy lights entices you to a pre show drink – and boy, what a show.
Mark Storen bursts onto the stage larger than life and for the next hour leads you through the aspects of love we don't usually talk about – you know, the possessive, lustful, homicidal and, dare it be said, platonic kinds of love.
He sings wonderfully, one minute the voice is beating you with its punch and volume and the next he's tearing at your heartstrings as the backing film plays poignant scenes of an organ grinder at work with his beloved monkey.
His characters range from across the world and the sexual spectrum, each vulnerable in their own way – even the Cronulla rioter.
Where has Mark Storen been hiding? This talented performer deserves to go to the very top. Weird, yes. Addictive, yes. More Mark Storen? Yes please.
Rating: 4.5 stars (out of 5)
http://www.theatreguide.com.au/current_site/copyright.phpmailto:webadmin@theatreguide.com.au
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