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Party Garbage



Last Updated: 9/24/2009

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Status: Single
City: AUSTIN
State: Texas
Country: US
Signup Date: 3/6/2007

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Thursday, March 20, 2008 

From Beercan Records:


Sass Dragons / Party Garbage - Snacking is for Sissies Split 7" - (Let’s Pretend Records) - This slab reminds me of a 7" that I searched hither and yon for years ago.  That 7" was also a split but featured the Motards and the Cryin’ Out Louds.  Now, in this metaphorical comparison, the Sass Dragons are the Motards in that I already know of them and have pretty much never been let down by anything they’ve churned out.  On the other hand (or side, if you will) I’d never heard of the Cryin’ Out Louds and I’ve never heard of Party Garbage, but you know what?  Both bands very much hold their own on each respective record.  And then, I learn that Party Garbage is from Texas just as the Cryin’ Out Louds were which is all the more amazing considering that Let’s Pretend has historically dealt with only Midwestern bands!  Craaaaaaaazy man. Crazy.  The comparisons don’t end there though.  Party Garbage slings a similar type of lo-fi, pleasantly sloppy punk mess that comes best served from warm, humid climates like TX.  So, fuck yeah Party Garbage...nice to meet you.

As for the Sass Dragons side, it’s more of the same melodic, smart-assed awesomeness that an afficionado like you has come to expect.  "The Fifth" is undoubtedly the greatest song in the great and illustrious history of songs about the number 5.  "Count to Three" doesn’t seem to be about the number 3 but rather about insulting some fucker with barbs such as, "[You’re] dumb and retarded and your hair is parted".  That’s genius.

I like "Acid" too, but I really hope it’s not about dosing somebody.  The only time that that practice would have even been remotely acceptable, and even this is a big "maybe" was when Grace Slick tried to dose Richard Nixon.

Friday, November 16, 2007 
From hyper-enough-records.com, "translated" into English:

SASS DRAGONS & PARTY GARBAGE/SPLIT

(LET'S PRETEND RECORDS)7 "680 Yen
Genre: MELODIC PUNK
Illinois 5 human group ???????????? SASS DRAGONDS and the SPLIT board by 4 human group ??????????????????? PARTY of the Texas Austen of BEN SNAKEPIT being on the register GARBAGE! ! ! SASS DRAGONS gives the ???????????? element to HICKEY and BANANAS, it seems that is made upper goes goes drives recklessly with ?????????? ???????????…??! ! ! On also the vocal & the chorus which slip being upper from beginning to end, it rises! ! ! As for them 3 tune offers. PARTY GARBAGE, DWARVES like the curtain is lifted with ???????????????, but after the that RECESS ?????? pop flat tire + ???????????? of FYP and TOYS THAT KILL etc. it throws with mood ???????…??, the parenthesis is good is! ! ! This 3 tune recording. Both both the tension which blends about ??????? good high party catch - with flat tire sound being finished in good SPLIT, it increases! ! !MYSPACE MYSPACE(2007 November 7th arrival)
Friday, October 05, 2007 
from http://z-gun.org/:

Party Garbage s/t EP (Super Secret)
Some Austin 90s punkers who channel one part Clash, one part Stiff Little Fingers and one part inspirational 90s basement punk. I'll take the two parts of nostalgia over the one part utopianism, which adds up to Side A, and while Side A makes for pleasant listening it doesn't inspire me to think of this as something other than a record I would have culled back in the 90s. That said, if you are still excited about what Maximumrocknroll has to offer, you will dig this. (And I don't mean that snidely…really.) –SS
Wednesday, August 29, 2007 
From Now Wave:

In the months and weeks since they were first reviewed in the pages of Now Wave, Austin's Party Garbage has entertained numerous label suitors in between near-riotous gigs at hockey arenas, music theaters, pizza parlors, meth dens, gun stores, whorehouses, head shops, biker bars, farmers markets, beer fests, dogfights, wedding receptions, Branch Davidian picnics, and Expansionist Party fundraisers. First to stamp its imprint on the Party Garbage product line was Super Secret Records, who sealed the deal with a highly lucrative offer I'm forbidden to detail under threat of imminent bodily harm. Richard's men are not to be messed with, so I'll just leave it at that and let you use your imagination.

Some say that, in this age of any bunch of douches being able to set up a myspace page and make their own CD-R, a vinyl record is needed to "legitimize" a band. And so Party Garbage now goes legit in conjunction with Super Secret. All five of the songs on this record were culled from the band's CD-R. But they're cooler now because they're, uh, on vinyl. And being the king-pimp high roller mogul that he is, Richard secured for this release the two best Party Garbage songs: "Ain't It Black?" and "Cut the Kite String". Hearing them again, I can definitely say that I like all these songs just as much as I did way back in the faraway month of May. The other day I started playing the record and was like, "Hey! Finally a review I got right!" PG's brand of melodic punk rock is gritty and crude, yet tuneful, thoughtfully constructed, and full of heart. Very reminiscent of Flip Your Whig/New Day Rising era Husker Du, but not in a lame-o copyist sort of way, the music of Party Garbage is remarkably distinct for such a new band. Its roughness is no drawback but rather its greatest charm. The lyrics, written by singer Lew Houston and guitarist Drew Schlitz, are quite good. Read on paper, the band's songs are profound & challenging ruminations on the illusion of life and the individual's quest for spiritual fulfillment. Yet Lew spits out these words like they're rotten fruit covered in phlegm, nullifying any potential for an emo-ish appeal. So it's perfectly safe to introduce Party Garbage to the poetry-phobic people in your life. Just tell 'em the songs are about fornicating with diner waitresses and sniffing nail polish remover.

All in all, this is a great-looking package, with funny cover art and a cool little booklet containing lyrics, photos, and an enlightening tale of the band's origins. This isn't your standard crappy insert, kids. It's practically a zine! 100 copies of the record come on yellow wax, so be sure to ask for the colored vinyl if you order. It's purty.

Lord Rutledge
August 27, 2007

Wednesday, May 30, 2007 
from Now Wave web-zine:

Party Garbage
self-titled CD

(REVIEW BY LORD RUTLEDGE)

Now's the time to get in on the Party Garbage action. Don't wait until the band's first "official" record comes out - by then it will be too late. By then, the pundits and pontificators and self-proclaimed arbiters of musical worth will already be looking back to the "good old days" before Party Garbage sold out/jumped the shark/gave in to the temptation to sink more than $7.99 into the recording process, and they'll all be craving copies of this original vintage demo (Or is it a demo at all? These days there's such a fine line between a self-released CD-R and a proper demo, but why fret over terminology that will cease to be relevant by next decade, when there will be no more "albums" or "EPs" but rather just MP3s, all of them instantly downloadable into the microchip in your ear as mandated by President Giuliani's Immigration and Obedience Act), an item which will fetch eBay prices as exorbitant as five American dollars. A mere year from now, Party Garbage's product line will already consist of numerous singles, splits, picture discs, live videos, action figures, tell-all books, incriminating documentaries, midget porn soundtracks, sex tapes, and personal explosives. And while this will make them only 73 percent as prolific as the Modern Machines, it will most certainly create a feverish clamor for their earliest recordings. Save yourself the indignities of having to eventually steal one from your friend's cum-stained bedstand or barter away your cherished copy of The Ergs' Digital Endpoints. Come on: three dollars postage paid! What else are you gonna get for that measly scratch these days? And this isn't some typical piece of shit packaging job. They got the great punk artist Janelle Hessig to draw the cover, and it freaking rules! I want that artwork on my wall!

If you've had any association with the punk scene within the last ten years, you probably know Lew Houston. He's probably slept on your couch. He may have eaten some of your food. Now he's screaming through your stereo speakers, barking lyrics with a garbled abandon that makes Joe Strummer sound like Perry Como. On paper (and yes, the lyrics are printed for your edification and enjoyment), these lyrics are profound and often amusing reflections on life and stuff. Lewie Lewie's partners in crime are Drew Schlitz, Ben Snakepit, and Ryan Foster - which makes Party Garbage either an Austin punk supergroup or an anti-drug commercial just waiting to happen. Musically, this nine-song, 15-minute onslaught is more than a little redolent of those early MoMacs tapes (and by extension not completely unlike a lost prequel to New Day Rising). It's melodic hardcore with all the rough edges in tact, the playing on the loose side but the songwriting showing great potential. The material, while mostly ripped out at a breakneck pace, shows a deceptive complexity and a knack for winning hooks. Standout tracks like "Cut the Kite String" and "No Vocation" will certainly be reappearing eventually in "improved" form, but all you snobs will be like, "Dude, the demo version was so much better!" You'll all swear that Party Garbage was truly at its best before the corrupting influences of bigger label money and younger, prettier groupies. Suit yourself - if there really is still such a thing as a demo "tape", this is an exemplary specimen of the form. It's raw, it's cheap, and it foretells a greatness soon to be achieved.