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Danny Walker



Last Updated: 11/25/2009

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Status: Single
City: Los Angeles
State: California
Country: US
Signup Date: 3/13/2007

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Thursday, November 19, 2009 
SDM: Did you prepare ahead of time for the drum solo you did in Japan with Exhumed? or was it spontaneous? What are the benefits in either scenario?
 
Danny: It was for the most part spontaneous. I did this same drum solo for 45 shows, so it definitely evolved overtime and I started to repeat certain fills and ideas that stuck or just sounded cool. I've never done that. I was always opposed to doing a drum solo, thinking it was a pretentious act!
 
 
 
SDM: How important was the instruction you received from both Rich Crawford, and Al Velasquez?
 
Danny: As a kid I had good meter and was told I had a great ear. I could pick things up easily, but lessons were the key to evolving and expanding my drum vocabulary. Rich and I worked on reading music, rock and funk. He really stressed on counting out loud! With Al it was a whole new ball game. I continued to read music with Al, but we worked on crucial rudiments for the snare drum that I apply in a lot of my fills today, odd meters and polyrhythms. Styles ranging from rock, funk to latin and jazz. I never was a good reader and picked up most of it by ear. We would record the sessions on a little tape recorder, so I fooled him on the reading I think. hehe
 
 
 
SDM: How important do you think it is to truly know your instrument and everything it encompasses, compared to reading and writing of musical notation?
 
Danny: I think both are very important! People need the time to experiment for themselves and get a natural feeling for their instrument. Lessons and reading definitely give direction, but style stems from you and experimentation. I definitely rely on feeling. Sometimes Dave or Joe from Intronaut will be able to interpret  a technical rhythm that I can't count out or explain. I just feel it and know it's right! 
 
 
 
SDM: Considering some of your influences are Sean Reinert, Gene Hoglan and Thomas Haake, is it safe to say you are highly influenced by progressive drumming, which infuses a lot of funk and jazz elements together?
 
Danny: Yes I am! I'm just a big fan of colorful playing and odd meters. It keeps things interesting. I think a drummers responsibility is more than just keeping together the band with a solid meter playing their heart out. Listen to the riffs and melodies. How can I accentuate this? make it stand out?  Character is hard to come by.
 
 
 
SDM: With “Intronaut” will you be recording a new album anytime soon?
 
Danny: We are currently writing for a new album and are about 3 songs deep. We also have a million ideas floating around. Riffs and beats! We usually record ideas and send them to each other and just build from there. We are looking at possibly recording in May of next year. Maybe April if we don't go to Europe in January. That's kind of up in the air.
 
 
 
SDM: What are you currently working on with Phobia?
 
Danny: Well I just recently quit Phobia. 
I figured after helping Phobia for 5 years, it was time to move on. They currently have old drummer Bryan Fjardo again who is amazing by the way! During my 5 years with Phobia I played on the records "Cruel" & "22 Random Acts Of Violence" and 3 splits that STILL have not been released!  I had a great time with those guys! 
 
 
 
SDM: Can you tell us what you are doing with Murder Construct, which features members of Impaled, Exhumed and Cattle Decapitation? What is your intent with this band? Which style will this group be performing?
 
Danny: I wanted to use time away from Intronaut to have some fun with new death metal/grind band Murder Constrcut. Members are Leon Del Muerte - guitar/vocals(Exhumed, Impaled, Phobia & Intronaut) Travis Ryan - vocals(Cattle Decapitation) Caleb Schnider - bass/vocals(Bad Acid Trip) Kevin Fetus - guitar/samples(Watch Me Burn & Fetus Eaters) and me on drums (Intronaut, Uphill Battle, Exhumed, Phobia, Jesu, Bastard Noise) It's kinda a super group with good friends! 

We recently recorded a 7 song demo cd and it was on it's way to being done until Travis Ryan expressed interest in doing vocals for us. He did an online vocal audition by laying down some random tracks over our songs. It was amazing!!!  We are waiting for him to finish up tour obligations with Cattle Decapitation so he can finish these vocal tracks. In the meantime we are writing material for a full length and talking to a few great labels. I'm excited! 
 
 
SDM: What is the Danny and Damian experiment project featured on your myspace page? Sounds like it has a very technical death metal approach!
 
Danny: Well this was completely random! An old friend Damian (Bad Acid Trip, Bred On Deception, Progeria) invited Intronaut to stay at his house up north. We were on the mastodon tour at this time. He has a studio in his basement along with a drumset all miced up and ready to go. He asked me to just play a series of beats. He just recorded me jamming basically and later wrote songs to it. He laid down bass and guitars. Suddenly I get this email with songs. It was pretty rad! 
 
 
 
SDM: Tell us more about the Great Indian Rock Festival and what role Intronaut has in it?
 
Danny: Well a promoter contacted us out of the blue and and asked us to headline the Great Indian Rock Festival 2009. He informed us that we had a big fan-base out there and that he had covered us before in his magazine. The deal was pretty sweet and we played two shows. One in Kolkata and the other in New Delhi. It was one of the greatest experiences in my life. 3000 people the first night and 9000 the second. We got to play our last record "Prehistoricisms" in it's entirety and finally perform the 17 minute long song "Reptilian Brain" which features tabla and has a slithering Indian groove intro.  The trip was very short though. I think we were in the air longer then on the ground! 
 
 
 
SDM: How do you feel about Intronaut’s latest release “Prehistoricisms” finally being released overseas? What was the deal?
 
Danny: Oh I'm delighted! It was a real big bummer that it did not come out sooner. We ran into some problems with the release time with other labels and finally Eyes Of Sound agreed to release it. We still have not been to Europe even after the US release date "September of 2008" Last time we were in Europe was in 2007. Be are behind in Europe! 
 
 
 
SDM: The new “Bastard Noise” track “Movement Two” is to be featured on the upcoming split with The Endless Blockage. What can you tell us about that?
 
Danny: Eric Wood (Bastard Noise / Man Is The Bastard) contacted me to see if I would be willing to learn his current material for a record release and a tour of Japan. I was a huge fan of the progressive hardcore band "Man Is The Bastard" back in the day and some time, so I said yes. We worked on 4 solid musical tracks and additional electronic noise stuff. These tracks are to be featured on the upcoming split with The Endless Blockage. This was purely just session work, but I may dip in and out with BN projects depending on flexibility and time. I like to keep busy! 
 
 
 
SDM: On Phobia’s latest cut “22 random acts of violence” was it influenced by Napalm Death? Would you agree that the track “Bring the War” sounds very similar to Napalm’s “Utopia Banished”?
 
Danny: Wow! I totally agree with that! This was definitely not intentional! haha Napalm is definitely an influence on Phobia, but I think we were thinking more of a bulldozing Bolt Thrower intro for that song. Shane and Steve are a lot older than me and this band has been around since 1990. One of Southern California's most consistent and true grindcore bands around! Terrorizer got all the credit for being around at the right time and writing one of the best grindcore records 'World Downfall", but Phobia deserves more credit than they get. They are legendary in the crust punk scene.
 
 
 
SDM: What has it been like working with Jesu?
 
Danny: Playing with Jesu and Justin K Broadrick was a dream come true.  I've been following that guy's projects since I was a kid. It's not the technicality in the music at all! It's the emotion and  power behind it. The music is so beautiful while being so fucked up and dark!
  I love it. Playing drums for this group was so simple that it was more challenging in a new way. I had to play to a click live to match the back tracking and more or less emulate a drum machine. Hit hard and solid and play with simplicity. No tinkering or showing off. I only did one tour with these guys in 2007 and had the opportunity to do a couple of other tours after that, but due to prior obligations I had to turn them down. I kick myself for my decisions and as a result probably lost the chance to work with them again in the future. hahah 
 
 
SDM: What else do you have going onfor next year?
 
Danny: Goals for next year are European tour with Intronaut,  hit the studio with Intronaut in May, a release date for the new Bad Acid Trip record I drummed on last weekend. After that Intronaut record comes out it's time to hit the road! Maybe I'll make some money! ....wait I'm a musician what am I talking about? 

Thanks IAN!!!!!!!
 
Monday, November 02, 2009 
Monday, October 05, 2009 
Heavy Duty

Heavy metal has never been music to Delhi ears. We are synonymous with bhangra and Bollywood
nites. However, the winds of change have been blowing furiously over the Capital, transforming its music scene and hoisting it alongside Mumbai and Bangalore as a hotspot for metal acts. Local bands are playing it up, international acts are stopping by, and young listeners no longer associate metal with violent music for angst-ridden individuals.

At the 13th edition of the Great Indian Rock Festival — to be held at Pragati Maidan on October 24 and 25 — guests can burn their souls to the sounds of two international metal bands, Benea Reach and Intronaut. “Metal as a genre has increased in popularity over the past few years, but the definition of metal changes with every generation. Deep Purple was considered metal in the 1970 but today it’s called classic rock. Metal is a slightly harder music but it is getting its share of audience now,” says Amit Saigal, founder of the festival, which has showcased some of the best in Indian rock and metal as well as introduced international metal stalwarts such as Enslaved, Satyricon and Freak Kitchen to India. Benea Reach is a progressive metal band from Oslo, Norway, and Intronaut is a post-metal band from Los Angeles, California.

When the Eastwind Festival gets underway in January, the line-up will have its own metal feel. “Though metal existed even a few years ago, its growing popularity cannot be ignored,” says Adhiraj Mustafi, founder of Eastwind Festival, which enters its second year. Apart from foreign metal bands, the festival will include “bands from across genre and metal as a sound will have its own space.” Over the past two years, international heavyweights like Iron Maiden, Sepultura, Megadeth, Machine Head, Megadeth, Satyricon, Enslaved and Opeth have performed in Delhi , and in the coming months, we may see gigs by Guns and Roses and Textures among others.

Reuben Bhattacharya, bassist of city-based metal band Undying Inc, is on a high: “Five years ago when our band was formed, we would get five shows a year, today we get five shows a month.” The music circuit is abuzz about Rock Connect, a platform where Indian bands will play their originals to music industry professionals from Europe. “Rock Connect is intended to showcase Indian talent to the European music industry. Our aim is to get them to book Indian bands to play at European festivals,” says Saigal. Delhi’s growing metal consciousness is evident by the fact that the international delegation will comprise one of the largest booking agents for metal bands besides agents for the Bukta Festival in Tromso, Norway, and Jan Martin Jensen, the agent for the Inferno Festival. Rock Connect will be held at The Mezz and Turquoise Cottage on October 22, 23 and 25.

Delhi’s “metallic colours” can be attributed to easy downloads and YouTube where young listeners catch up on the latest in heavy metal worldwide, even as blues and jazz still languish in anonymity. Music festivals and shows such as Channel V Launchpad and MTV’s Rock On, too, can take a bow for keeping metal alive in the city. Shashwat Gupta, founder of the Grey and Saurian, a label that manages metal acts from India such as Bhayanak Maut and a Singapore-based metal band called Rudra, is upbeat about the rising metal graph. “The audience for metal has expanded. While the lower age bracket has gone down to 13 years, the upper limit is 35 years.” He points out that when Rudra performed in Dhanbad in Jharkhand in February this year, more than 2,000 people showed up. While Bangalore and Mumbai still attract global metal heavyweights such as Iron Maiden and Megadeth, Delhi has joined the party.
Tuesday, August 25, 2009 
Check out the featured track on my home page or visit the MC Myspace page
http://www.myspace.com/murderconstruct

MURDER CONSTRUCT is

Travis Ryan - vocals (CATTLE DECAPITATION)
Leon Del Muerte - Guitars/Vocals (IMPALED, EXHUMED, PHOBIA, INTRONAUT)
Caleb Schneider - Bass/Vocals (BAD ACID TRIP)
Danny Walker - Drums/Samples (INTRONAUT, PHOBIA, BASTARD NOISE, UPHILL BATTLE, EXHUMED, JESU)

Here is a rough "crap" cut of a demo we're working on. We recently just recruited Travis Ryan from Cattle Decapitation to take up vocal duties, so the cd will have an additional delay to get the vocals done for the whole recording.
Here is the track "Control" This was Travis's online audition.
The bands objective is to continue writing for a full length record and seek out labels because this fucking thing is going to peel paint!!!!!!!

Cheers .......spread the word

-DANNY
Wednesday, August 19, 2009 
Hey everyone-

I'd like to thank you all for signing up on the Intronaut mailing list.  Couple things to announce here:

Our last album, Prehistoricisms, is finally seeing a proper release overseas and is now available for preorder through Eyesofsound (an awesome UK label who have put out a lot of stuff you probably already know about) right http://www.eyesofsound.com/label/store.php?mode=item&cat=EOSCD026">here. So if you live over in that neck of the, err, planet and don't already own it, get on it!

We have also just begun the writing for our next album. We're even planning on having a lyrical theme this time around (at least a more specific one than the past recordings) that's shaping up to be pretty interesting. So far I have something like 15-20 minutes of my own demo material to present to the band, and fuck, I feel like I could just release it as is. I'm that into it. We're also jamming on stuff as a whole band, and I can already tell that this album is going to blow Prehistoricisms out of the water. All that combined with a plan to not rush anything this time around, I'm excited. I'm also trying to figure out a way to document the whole process through video, starting now, so people (and we as a band) can look back at how this album was made from the very beginning. Should be interesting.

Also, I have resurrected the Blogronaut, as more of my own personal blog. I'll still post any and all Intronaut news as well, so if you "blog", subscribe/follow me at the link below.

I'll have some exciting news to announce pretty soon, so stay tuned.

-Sacha

--
http://www.blogronaut.blogspot.com
Tuesday, July 21, 2009 
NEW TRACK "MOVEMENT TWO" POSTED!
NEW BASTARD NOISE TRACK "MOVEMENT TWO" POSTED! THIS FIERCE TRACK WILL ALSO BE FEATURED ON THE UP AND COMING SPLIT RELEASE WITH THE ENDLESS BLOCKADE. CD VERSION ON 20 BUCK SPIN & VINYL VERSION ON DEEP SIX.

ENJOY!

-DannyNEW BASTARD NOISE TRACK "MOVEMENT TWO" POSTED! THIS FIERCE TRACK WILL ALSO BE FEATURED ON THE UP AND COMING SPLIT RELEASE WITH THE ENDLESS BLOCKADE. CD VERSION ON 20 BUCK SPIN & VINYL VERSION ON DEEP SIX.

ENJOY!

-Danny
Saturday, May 30, 2009 
DEBUT BASTARD NOISE WITH BASS,DRUMS,ELECTRONICS AND VOCALS TO MIXED FOR RELEASE !!! 

BASTARD NOISE(NELSON/WALKER/WOOD)WILL BE MIXING THEIR DEBUT RELEASE(A FULL LENGTH SPLIT L.P./C.D. ON DEEP SIX RECORDS/20 BUCK SPIN)THIS COMING WEEKEND INTO EARLY NEXT WEEK(5/30 - 6/2)THESE SESSIONS ARE TO DEFINE THE NEW "ABOMINATING" DIRECTION OF THE UNIT. THIS RELEASE WILL FEATURE THE NEW LINE-UP OF W.T. NELSON(CUSTOM ELECTRONICS),DANNY WALKER(DRUMS/PERCUSSION)AND ERIC WOOD(FOUR STEEL GIRDERS/VOCALS) IT IS GETTING CLOSE TO THE RE-BIRTH OF BRUTALITY ! DANNY WALKER HAS WITHOUT FAIL, WORKED/COMPOSED BRILLIANTLY WITH WOOD'S BASS PLAYING/VOCALS TO CREATE A BASTARD NOISE NEVER HEARD BEFORE. WTH W.T. NELSON'S SOUND ARTISTRY FILLING IN THE COMPOSITIONS WITH UNCONVENTIONAL TEXTURE AND COLOR, THIS IS TO BE A VERY UNIQUE EFFORT. WE ARE GRATEFUL FOR THE SKULL SERVANTS OF THE WORLD FOR THEIR SUPPORT AND PATIENCE !! TEH BRUTALITY IS JUST STARTING TO CONTINUE...
Saturday, March 07, 2009 



Did someone tell the dudes in MASTODON that they couldn't pull in a crowd unless they brought a few similarly sick bands along with them? Whatever the case, stoner delight KYLESA, experimetalists.. (sic) INTRONAUT and the mighty MASTODON all risk getting blown out of the water by each other on their just-announced US tour, which indicates that 2009 just might live up to its first two months of awesome shows after all.

In case you missed it, Mastodon are streaming a song from their upcoming album, teasing us with studio footage and will probably destroy us all by the end of the following dates:

4/10 Birmingham, AL @ Workplay Theater
4/11 New Orleans, LA @ House of Blues
4/13 Lawrence, KS @ Granada Theater
4/14 Boulder, CO @ Fox Theatre
4/16 Phoenix, AZ @ Martini Ranch
4/1 Indio, CA @ Coachella
4/19 San Francisco, CA @ Great American Music Hall
4/21 Portland, OR @ Hawthorne Theatre
4/22 Seattle, WA @ Neumo's
4/23 Vancouver, BC @ Commodore Ballroom
4/24 Calgary, AB @ MacEwen Ballroo
4/25 Edmonton, AB @ Starlite Ballroo
4/26 Saskatoon, SK @ The Odeon
4/28 Winnipeg, MB @ The Garrick
4/29 Minneapolis, MN @ Fine Line Music Hall
4/30 Chicago, IL @ Metro
5/1 Pontiac, MI @ Crofoot Ballroom
5/2 Cleveland, OH @ Beachland Ballroom
5/4 Montreal, QC @ Le National
5/5 Toronto, ON @ Opera House
5/7 Boston, MA @ House of Blues
5/8 Philadelphia, PA @ TLA
5/9 New York, NY @ Fillmore - Irving Plaza
5/10 Brooklyn, NY @ Music Hall of Williamsburg
5/12 Washington DC @ 9:30 Club
5/13 Carbarro, NC @ Cat's Cradle
5/14 Ashville, NC @ Orange Peel
5/15 Atlanta, GA @ Center Stag
Monday, February 09, 2009 
BASTARD NOISE @ GILMAN ST. BERKELEY, CA 2009




Monday, January 05, 2009 
MURDE​R CONST​RUCT hits the studi​o in Febru​ary
Body:
The Worst​ Valen​tine'​​s Day Ever.​​

That'​​s right​,​​ Murde​r Const​ruct is heade​d to the studi​o on Valen​tine'​​s Day, 2009.​​

Much destr​uctio​n shall​ be wroug​ht on this day of love!​​ The entir​e demo will be poste​d to our MySpa​ce page,​​ MP3s avail​able from the site and CDs at shows​.​​ All free!​​

Thank​s to all who have had faith​!​​ We'​​ll be deliv​ering​ the goods​ soon.​​

-​DANNY​