Status: Single
City: MANCHESTER
State: New Hampshire
Country: US
Signup Date: 5/25/2005
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Monday, July 06, 2009
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**NOTE** This is not a rider. This simply notes our booking requirements. They're based on our past booking over the last 6 years. We get dozens of myspace messages a week from bands and promoters about booking. This is to help let people know what kind of shows we won't take part in. Most these guidelines are for our fans and for the promoters benefit. We do not send this to venues as our requirements, since most venues already follow these guidelines on their own accord.
Info for Bands. Here's some tips for bands that would like to play with The Asthmatics.
- Although we use myspace.com, we'd prefer you'd e-mail us for our managements record. This site is not secure and isn't reliable. You're welcome to message us and the band will reply but we'll just ask that you forward the information to our e-mail. But myspace is great if you want to talk to the band about sharing equipment, line-up changes and other things. asthmaticsnh@yahoo.com
- Touring bands should take note that we're not going to book your show for you. We get way too many requests like this. We're more than happy to provide you with venue information in our area and maybe share the bill with you once you've booked but we are too busy ourselves to be booking other person's tour. We do return favours and have set so many bands up in the past, but our schedule is so packed that helping out every single strange band mailing us would be impossible.
- Local NH bands (especially teen aged bands) looking for help or an opening slot, hang in there. We only do so many NH shows a year and don't want to over book. Best to ask 2 to 3 months ahead of time.
General Booking Requirements. These are our all around booking policies.
- The band does not sell their own tickets. We expect venues and promoters to be professional enough to understand that filling their club is their responsibility and their job not ours. If you feel we're a booking risk when it comes door sales then simply do not book us. NO EXCEPTIONS.
- Venues will take no cut of the bands merch sales unless formal contract has been made up prior. Payment guarantees should be drawn out if this arangement is to be made. Merch sales are what fund us the most and we need that money for gas.
- Small to large stage or performance area is needed, able to fit one (1) full drum kit and drummer, three (3) full stacked amps and speakers; and two (2) standing guitarists. We've been asked to play coffee houses, small bars and store fronts that were shut down due to the noise level. We're willing to play these venues, but please be sure that it's cool we're there before hand.
- PA system capable of handling at least two (2) vocal microphones should also be made available. Sound Technician needs to be provided by the venue staff or hired from outside contract for the evening of event. The band does not provide their own PA or sound tech.
- Two mic stands. If need be the band can provide their own mic stands cables, and microphones if contacted via phone one (1) full day prior to the event. This really sucks when we get there and there's no equipment.
- A safe and clean storage area for off stage equipment required even if for only the brief time between stage slots. Building up a drum kit outside and unattended during load in really sucks. and the last thing anyone wants is their equipment stolen or busted.
- A convenient area the band's merchandise to be sold to crowd attendants should also be available. If the place traditionally does not have a space for merch sales, just point us to an area that's out of the staff's way. We do alot of shows for cheap or sometimes free and still need to make some cash. Band usually provides one (1) merch sales person that needs to be admitted with out charge. If we have not brought a merch person and venue supplies us with one. That merch person is allowed 10% of merch sales that evening if another house merch payment contract has not already been made.
- Green room or back stage area not required.
- Restrooms must be made available to the band with out charge. This does happen do not laugh and it's gross and rude.
- Any venue with bar(s) and/or kitchen willing to offer discount or free drinks and/or food to the band and merch person, will be allowed 50% off any merchandise to all venue and bar staff. our little thank you for the drink tickets.
- Water must be made available to band free of charge all night. Tap water is fine and greatly appreciated.
- The band must be allowed re-entry free of charge all night, even after performance. Unless there is clear separation between matinee show and evening show.
- The band must be allowed 30 minute play time minimum. Not including set up time and break down time. band will best to be on and off stage with in 10 minutes. Exceptions to this policy may vary depending on situation. We know how things get.
- No venue may record or video performance to be sold for their profit with out written consent of the Asthmatics. photos may be used for any promotional means. Please don 't steal from us, we're poor. Please Note: Myspace is very unprofessional. The site locks up, crashes and has enough problems. It is NOT reguarded a legit booking method. If your booking agency or production company books through myspace we encourage you to also e-mail or phone the band. It's widely viewed as the way to seperate a serious agency and "some dude that made a myspace music page and said he books shows"
any questions reguarding these policies may be submitted to: asthmaticsnh@yahoo.com
thanks guys -A!
ps- It would be wicked cool if you could try to pay us at shows too since we do a lot of travelling to get to you. We don't have a record label so we have to pay for all our records ourselves and it's hard to save up for a new album when you have to cough up gas money all the time.
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Sunday, December 16, 2007
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Friday Jan. 5th @ The Worthen Attic 141 Worthen St. Lowell, MA w/ TKC, Movers and Shakers, The Airwaves & The Serious Geniuses
Saturday Jan. 20th @ The Fishtown Artspace 50 Maplewood Ave. Gloucester, MA w/ The Prozacs & The Yellow Team
Friday Jan 26th @ The Elbow Room 29 State St. Bristol, RI w/ Mustache Ride & The Frosting
Saturday Jan 27th @ The Lit Lounge. 93 2nd Ave. New York, NY w/ The Steinways, The Hate My Days Jobs & The Ghost of Lester Bangs
Saturday Feb. 3rd @ Rick's Place Phil Laks' 21st Birthday Party in Loudon, NH specail feature by The Asthmatics
Thursday Feb. 15th @ The Basement - The Baseball Tavern 1306 Boylston St. Boston, MA w/ The Leftovers, The Prozacs & TKC
Friday Mar. 2nd @ Club Drifters 17 Factory St. Nashua, NH w/ IAMJAPAN, The Advocates, Public Uproar & An Honest Reaction
Friday Mar. 9th @ The Green Street Coffee House 39 Green St. Concord, NH w/ Jaded Youth & Monday Mourning
Saturday Mar. 24th @ Okie 29 Okie St. Providence, RI w/ So Humble, Dave Rocha & Pukka Argot
Sunday Apr. 1st @ The Bulfinch Yacht Club 234 Friend St. Boston, MA w/ Nowhere USA, Downhill Fast, Havesting Horror, Novemeber 5th 1955 & The Bunker Hill Pipe Band
Friday Apr. 13th @ The Abbey Lounge 3 Beacon St. Somerville, MA w/ Rock City Crimewave, Bad Lieutenants & Federale
Friday Apr. 20th @ Tommy's Tavern
1041 Manhattan Ave. Brooklyn, NY w/ Project 27, The Challenged, The Ghost of Lester Bangs & Spin
Saturday Arp. 27th @ The Varick Mill Basement 21. W. Auburn St. Manchester, NH w/ Terror In The Midnight Sun & Project 27
Saturday May 26th @ Club Drifters 17 Factory St. Nashua, NH w/ An Honest Reaction, The Baystate, The Not So Specails, Zythum Effect, All Hands On Deck, Emergency Drive, 8 Tremont Street, Inherit The Wind & A Hero Next Door
Thursday Jun 7th @ American Legion Post 79 35 W. Brook St. Manchester, NH w/ TKC, Fatter Than Albert, The Yellow Team, In The Face & The Not So Specails
Friday Jun 15th @ The Eliot Grange Hall 2 Old Rd. Eliot, ME w/ The Prozacs, The Guts, Johnie 3, TKC, Billy Raygun. Way To Go! & The ISF
Saturday Jun 23rd @ Sirens 70 Elm St. Milford, NH w/ Darkbuster, The Jonee Earthquake Band, Indignation, Death Defect, Shamhest & Kill Conrad
Saturday Jul. 14th @ The Bulfinch Yacht Club 234 Friend St. Boston, MA w/ Meat Depressed, The Jonee Earthquake Band, Musclecah & Scars Like Ours
Saturday Jul 28th @ The Brocery Store Basement Show in Allston, MA w/ The Leftovers, Female Trouble & The Side Project
Saturday Aug. 11th @ The Dover Brickhouse 2 Orchard St. Dover, NH w/ Darkbuster, Death & Taxes & Mark Lind & The Unloved
Thursday Aug. 16th @ Bastard Smash Records HQ 1020 Hanover St. Manchester, NH w/ The Yellow Team
Friday Aug. 24th @ The Bullpen 1826 Acushnet Ave. New Bedford, MA w/ Chris Evil and The Taints & Rock City Crimewave
Saturday Nov. 3rd @ The Shillelagh Tavern 47-22 30th Ave. Astoria, NY w/The Steinways, The Challenged & Project 27
Saturday Nov. 10th @ Welfare Records 58 River St. Haverhill, MA w/Piracy, Yesterday's Heroes, Autumns Last Chance & Burning Streets
Friday Nov. 23rd @ The Worthen Attic 141 Worthen St. Lowell, MA w/ Goodbye Sluggo, Project 27 & Scars Like Ours
Saturday Nov. 24th @ T.T. The Bears Place 10 Brookline St. Cambridge, MA w/The Gobshites, Project 27 & The Fake Boys
Sunday Dec. 2nd @ The Dover Brickhouse 2 Orchard St. Dover, NH w/ Far From Finished, Varsity Drag, The Fake Boys & The Have Nots
Thursday Dec. 6th @ The Abbey Lounge 3 Beacon St. Somerville, MA w/ Kill Conrad, Female Trouble & The Fake Boys
Saturday Dec. 8th @ The Brocery Store Basement Show in Allston, MA w/ The Leftovers, Female Trouble, For Science & Dirty Money
Friday Dec. 21st @ Castlebar 575 Washington St. Brighton, MA w/ The Murder, Green Room Rockers & Bottlefight
Saturay Dec. 22nd @ Gooch's Basement 2060 Elm St. Manchester, NH w/ IAMJAPAN & TKC
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Tuesday, November 13, 2007
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THE ASTHMATICS
By Jim Testa
MySpace and 3-star reviews on Pitchfork.com might work for some in this Internet age; but if you're a punk band, nothing beats getting in the van and driving to whatever shows you can find. That's the route the Asthmatics have taken, leaving their hometown of Manchester NH in the rearview mirror as often as possible. This feisty trio has not only logged a lot of miles, but graduated to headlining their frequent Boston shows in just a few years, bringing fans a slaphappy mixture of big hooks, singalong choruses, and heartfelt lyrics about the girls who got away. Boney, 22, is the pug-faced, heavily-tattooed pop-punk heartthrob on bass and vocals; Tristan, 20, lanky and loose-limbed, represents the bespectacled punk-nerd quotient; and the bandâ€--s new drummer, Jake, is only 19 but brings a veteran's presence behind the kit.
Noise: Tell me briefly how, why, and when the Asthmatics came together.
Boney: The Asthmatics came together pretty simply: our original drummer Tommy D, Tristan and I decided to start a band in late 2003. Tom and Tristan had been in bands together before and I used to do merch and hang out with them all the time. At the time, Tristan's other band The Stompin' Charlies wasn't doing too much and we started this. We had some time off and then started up again this time with my brother Corey on drums and we've been playing together solidly since then.
Noise: For a band with only one member old enough to drink (legally, anyway,) you guys have been into punk for a really long time. What was your introduction to punk music like, and when did you start getting those tattoos?
Boney: My introduction to punk music would likely be my folks playing the Ramones, Clash, Del Fuegos and Green Day. But as for getting me in to local music, that happened around 1997-98-ish when I was about 13 years old. At the time it was big in southern NH to go to basement grindcore and indie shows, and my older friends dragged me to those. Through that, I started going to see more punk bands that I liked, like The Lazardos, 5Bucks, Kicked In the Head, The Vigilantes and stuff. I had been playing bass guitar for a couple of years at this point. I was 11 years old when I started, playing mostly grunge and other 90's alternative rock stuff. I got my first tattoo when I was 17 by my best friend at the time. We walked out of study hall together to skip our next class and instead of getting food, we went to his house and gave each other tattoos.
Jake: I went out and bought a drum set in 8th Grade, but none of my friends really followed through on the idea we had to start a band. About a year later, a friend of mine who was really big into punk music brought me to a show. I thought it was pretty cool and I ended up talking to some guys who were looking for a drummer for their band, because their old drummer was in jail. So I tried out with them and ended up making a few records and doing a bunch of shows. I don't have any tattoos. I promised my parents I wouldn't get any until I was out of college.
Tristan: The first punk band I got into was a local band from Manchester called the Lazardos. From them, I got into other larger Boston area bands like Kicked In The Head, Drexel, Big D, etc. Then I bought the old Punk-O-Rama compilations when they were still like 2 or 3 dollars each and got into a whole bunch of West Coast and other punk bands. I started going to shows when I was around 11 or 12 years old and started playing guitar when I was 10. I got my first tattoo the day after I graduated high school. It hurt.
Noise: Tell me a little about Manchester . How big a city is it, what's the punk scene like there? Are there places to do shows, is there a basement show scene?
Boney: Manchester 's pretty big, it's the biggest city in NH. I'm pretty sure everyone in Boston is aware of their Merrimack Valley sister city to the north. The punk scene right now mostly sucks, since the club scene sucks. Most of the area is into metal or hardcore. The punk scene used to be really good, but that was in the late 90's up to like 2003-ish, before the emo, glam and hardcore music shift and everyone stopped being happy and normal and got either depressed or angry. So in order for there to be a punk show around here, it has to be in a basement or a cafe or some sort of VFW hall. But we've found when we do those low-dough DIY shows around here, they're a million times better. But we've basically become a Boston- area band because that's where there are places to play and that's where the scene is.
Noise: Who were some of the bands who influenced you growing up, and provided your role models?
Jake: When I first found out that I was moving to New Hampshire , I thought that the closest punk scene would be in Boston . I was relieved to find that there was actually a scene up here, small as it may be. There is much more diversity in the local scene up here than there was in the south. Growing up, it seemed like almost every band in Central Arkansas was playing street punk
Tristan: The biggest influences on me growing up were mainly the Bouncing Souls, Digger, Green Day and Screeching Weasel. The Lazardos were a big influence on me for a while, and they were from Manchester , so it was cool having a band I could look up to and learn things from right where I grew up.
Noise: Does the fact that there isn't much of a scene for your music in Manchester drive you to tour more?
Tristan: I don't think the fact that we are from a small scene makes us want to play other cities, it's mainly just the fact that this is what we want to do, and if you want to go anywhere in music, you have to be out there traveling and playing as much as possible. Being a local band is cool, but being that local band forever isn't what I want out of music.
Noise: What has the Asthmatics relationship with Boston been like?
Boney: The Asthmatics are basically a Boston band. We're not greatly known in Boston since we've only been playing the area for a couple of years, but it's where we play the most. We're received well and have been headlining a lot lately. It was never hard getting a show down there since there are so many places to play… I like the Abbey Lounge because it's very easy to book with them, always a good crowd, and they never jerk us around. Shred from the BYC has always been real nice to us and TT The Bears is cool too. But I think the best shows are the basement Allston shows; even if you have to put up with college hipsters, it's still cool. As for Boston bands, Darkbuster are great, and Rock City Crimewave are our favorite band to play with.
Noise: Jake, as the newest member how did you wind up in the band?
Jake: In late August, about a week before I started school at UNH, I got a message from Boney asking if I'd be interested in playing drums for The Asthmatics. I'd seen them opening for Darkbuster a few months earlier, but I'd never had any direct involvement with them. We got together and jammed a couple times and things just kind of fell into place.
Noise: There are Asthmatic demos floating around, but what are plans for recording a proper full-length? How do you feel about artists (like Ben Weasel) who put out digital-only releases?
Boney: It's on the agenda but unlike everyone else it seems, we don't have some indie label backing us up. So like I've been saying for years now, as soon as we come up with the cash and time, it'll happen.
Tristan: Personally, I don't go too crazy with Mp3's. I still buy CD's on a regular basis and have 300+. I have never had a desire to get an iPod because I would rather have a tangible example of a band or artists music than just megabytes and crappy album art. Seven-inch records are still great and I don't think they are going anywhere anytime soon. I would love to do a split 7-inch sometime. Ben Weasel can do what he wants, but I thought it was kinda nuts when I read Ben wasn't releasing his album on CD. It might work for some bands, but for one like ours, you have to press it and be out there trying to sell it. Not everyone strictly downloads as opposed to buying the CD.
Noise: Pretend I don't know who you are, and I walked into a room, and the Asthmatics are playing. What do I see, what do I hear, and how do I feel when I leave the show?
Jake: We were playing a show at Welfare Records in Haverhill last week and there was this girl standing right in front of the stage who was really getting into our set. I mean really rocking out hard and jumping all over the place. I found out later that she had just taken a lot of Ecstasy. So if you really wanna enjoy our set, take some E beforehand and I guarantee that we will absolutely blow you away.
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Thursday, March 01, 2007
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Category: Music
New Engalnd has given the punk world many of it's essentials such as Dropkick Murphy's, The Queers and The Mighty Mighty Bosstones. But has also kept one of the best underground and unsigned communities in the nation. So many great bands have emurged from these roots, of Boston dive-bars, Granite State VFW halls, small clubs and coffee shops. Who will be the next band to hold this tradition but still break through the same old-same old? In my opinion it's a snide lyrical, fist pumping garage band from New Hampshire: The Asthmatics!
I recently had the chance to meet these very oddly matched but aggressive and fun group of young males, at show last month in Manhattan at a club called Lit Lounge. Their drummer, Corey Minsky was a laid back young kid who had the look of that guy you use to buy pot from in high school. Lead vocalist and guitar player Tristan Omand had a Buddy Holly look about him as he sang and a guitar legend stance as he hammered out solos. Their second guitarist Matt Drew was sadly absent from this night but rythem was handled just fine by lead vocalist and bassist Boney Wheeler, who had a menacing yet cocky look about him as he drank beer through out the preformance. I got a chance to speak to Boney at the show, discussing old-school Boston hardcore, the New Hampshire scene and hearing stories of them bunking with crack addicted stangers, the night before outside Providence. After some online discussion with him, I had the privilage to interview Wheeler where he answered all my questions and then some.
Dave: So you're keeping tradition as the typical Irish New Englander trying to gain a better view of the world through music. What do you think sets you apart from the rest? Boney: I don't know. I've never seen myself as typical though. And I doubt I'm trying to gain a better view of the world through music. I don't really care for the world much. I'm more concerned with just making good music. I'm tired of hearing about artists trying to touch people. Firstly musicians are like any other person of the arts. Remember the people in art club in high school? Bunch of stuck up snobs who thought they were on a different level as everyone else. Same with theatre, sports and other crap. It's all a scam to feed egos. When someone says they're trying to get a message or expression to the people who listen to them, they're just flexing their nuts in my eye. Like anyone is going to turn the masses on to their way of thinking through a song, as if people have never heard of feelings before. I just try to make songs that sound good and that maybe some people can relate to. And maybe that's how I'm not typical because I could care less. Then again I guess you could say I think I'm on a higher level just like them for saying that. Whatever, best not to think about that stuff and just play.
D: We've heard some bad things about your last drummer, through the Queers and others. How do you feel about all of this? B: 6 months ago I would have told you I hope he gets eaten by wolves. But anyone would have that much tension after losing out on an investment you put alot of time, money and effort in. Today I think everyone needs to back off the guy. We recently played a show with our old friends the Leftovers. Adam filled in for the Queers on a recent tour and mentioned that he had heard some nasty things about him while on that tour. As did Matty from the Prozacs ask me about it. Sometimes in punk rock you're gonna meet people who are in this for all the wrong reasons, or just don't have what it takes to go with the flow of it all. If you've ever been around a skinhead crew or group of street punks than you'll be able to agree with that statement. I hope that with this new album and the upcoming touring we have planned we'll be able to live this down. But not a week goes by where I don't have to explain the whole deal or hear about Moultar or someone causing trouble. Originally when it was just him catching shit from myself and Tristan, I didn't care how fuckin' mean it got because I saw us as having the right to be that way toward him. But after hearing all this stuff from others I feel bad for the guy. This gossip is kinda stupid.
D: Speaking of the new album. How is that coming along? You mentioned an EP not to long ago when can we expect a release? B: It's coming along great. We just finished all the music today as a matter of fact at Process Nucleus. We manged to bang out 10 tracks in about 9 hours, so it's going to be a little longer than an EP but still not quite a full length. Mp3's will be posted as soon as vocals are mixed. The pressed version may take some time. However the tracks will be appearing on some comps put together by Cheap Skate Records and Wise Crack Records. The demand for a record has gotten too overwhelming to ignore anymore. I use to just say "Listen I'm too broke and too busy to get a record out, just go to a show." But now we've got to give them what they want.
D: Has the band always been the same. Have you developed? B: Ofcoarse we haven't been the same. When we first started the band, Tommy D and I couldn't play and I had no clue how to sing punk rock. Tristan has always been good but he's gotten tighter since those days. But now I can sing the damn songs and if you've picked up the new Witches With Dicks record, Tom's gotten to be real tight. But that happens to anyone who plays constantly, I mean Corey was pretty much a terrible drummer 4-years-ago too. And because we've all gotten use to each other the style has just come out. When with Tom, we had a very angery "fuck you" attitude almost like real old Rancid. Then when Corey first joined we strived more for a rock'n'roll sound, like Dirty Water/Ducky Boys or Del Fuegos. Then in early 2006 songs sounded alot like Green Day. Then when Ryan came it to the picture there was that stupid 50's/60's sound to it and we were produced like a Pop Rock band, rather than a punk band, which may have been why many of our friends stopped coming to shows at the time, because we weren't being ourselves. But once Corey came back and Mattdrew joined all of a sudden you're begining to hear the Bouncing Souls, the Descendents, Stiff Little Fingers and all our Country, Pop, Irish and classic rock influences. Now I listen to our songs and say "Wow you can tell Tristan and I wrote that." I like to think we've become a whole lot better.
D: So you and Tristan write all the songs? How is the writing process? B: Well at first it would be either one of us would come up and say "I have a song." and then we'd work on it. Then when we all got tighter with eachother, we started jamming until we'd come up with some cool music. Then either myself or Tristan will invent some lyrics for the song then. Other times I'll have written lyrics down, show them to Tristan and he'll write the music. Off our new record songs like "Best Of Buds" "Dipshit Zombie" and "Kids Will Have Their Say" are songs I wrote entirely and pitched them to the band. Where as, "Sleeper" "27 Wasted Days" and "Unlike Me" are all Tristan. But "I Fell In Love With A Stripper", "Suicide Doors" and "Trauma Queen" are the results of jamming. With that said when the record comes out listen to the songs and you tell me what tactic sounds better.
D: What's it like being in a band with your brother? B: Which one, Tristan spends more time at our house than his own I'd say. My mum says he's become part of the household and we all fight like brothers. It's tougher with Corey because until he graduates high school I still have to be firm with him about schooling and have had to use the band as punishment sometimes. Mum counts on me to be able to set him straight, but Corey only listens to himself,but come on he's 18-years-old. Everyone's like that at 18. But there have been times where Matt and Tristan have had to pull us apart. That why Matt's such a breath of fresh air. Because where Tristan, Corey and I battle it out he's still just there for fun and is a reminder to lighten up.
D: I've heard you and Matt can often be seen drunk at your gigs, has this ever been a problem for the band? B: Not really, because Corey and Tristan are always high. I'll admit one time at Milly's I don't recall playing. And once at the Varick Mill we had to drag Matt off stage. But there's been times were Tristan's been so burnt out he's forgotten lyrics or Corey's snuck off before our set and has been M.I.A. getting stoned with strangers. But if it wasn't booze or pot it would be other things in the band that might just as possibly be a set back. Such as fighting with club owners, hard drugs or girlfriends. But we stay away from that crap. We're still a good band.
D: What advice can you give to any young kids looking to start a band? B: Firstly, don't expect to get what you put in, out of it. You've got to pay your dues for a long time before you can expect to be getting paid and better slots. Ryan thought SSL should be getting the same amount of respect based off the Asthmatics and the Stompin' Charlies fans coming to our shows. Truth is we were only a band 6 months or so, the name was different and the sound was different. And just because fans were loyal enough to check our new deal out, doesn't mean we should have been taking slots over bands like the Rimmons. You're gonna lose money too. But depending on how you play your cards determines how much you'll be losing. For instance you might spend $30+ on gasoline getting to a show and not be given a dime from the door. Don't be upset about this because your band didn't draw, but try to have demos to give out or T-shirts to sell when this happens, because you just might make some of the $30 on gas back from that and that way people can walk away with something of yours that'll remind them to come back the next time you play there. We'd be rolling in money if we had some merch right now, because we're constantly playing out to new crowds. Also don't make amateur mistakes such as playing whatever show you can get. If the only place you can book yourself is with a bunch of emo bands or something where the crowd wouldn't appreciate your music, then you're not booking yourself right. Ryan use to book us with ANYTHING and we'd maybe walk away with one or two people who sorta liked us from those shows, but had we been playing with more punk acts, we'd have more crowds. That's partly why the Asthmatics are doing so good. I only book with other punk bands and their crowds get in to us. When we'd play with Arwen or Call Her Alaska or Cowboys Are Indians in town, the post-punk, indie and emo crowd were a bunch of wall flowers and pricks. Where as when we play with TKC, the Prozacs or Mustache Ride, people are really liking it. Don't play battle of the bands unless it's at your high school. High school kids eat up any live band that plays their school and you'll be looking to sell merch here rather than win the battle. But as for a bar, college or coffee shop battle of the bands, People are only going to be there to vote for their buddies bands. Besides you want to play good shows and not gigs that are like auditions. I use to hate having to say "I told you so" to people I'd say "that's a bad idea" to ealier. Hang out with bands, do their merch on a tour and go to as many shows as you can and talk to as many people who've been doing this for years and you'll catch on, just as the 4 of us have. Only play in a band with people you love and share the same appreciation for the lifestyle and not the music. I mean some one could enjoy punk music but may not be able to handle the DIY, fuck the world, surround yourself with the same people, way of life that is playing in a punk band. If you've got an internet shut-in in the group, that can't handle being around people, or someone demanding respect, money and royal treatment from people. Or if they're so hung up on the ideals of, polotics, straight-edge, veganism or art that they lash out at you for not being them, then you're going to have problems. I could probably go on forever about how I've seen people and bands come and go and it's because they had some warped idea about themselves that they couldn't swallow their pride long enough to just play a good show.
D: Well Mr. Wheeler we're out of time. It's been great talking to you and good luck to you and the Asthmatics. B: Thanks for calling me. And thanks for the support. I hope your zine becomes the next big read and I can brag that I was hip to it before the rest fo the idiots. We'll see yah later.
For more information on the Asthmatics, please visit: www.myspace.com/asthmatics -David Rochester, Smoke and Glitter Publication. March 2007.
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Wednesday, January 31, 2007
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Sunday, January 28, 2007 Pop Punk Till You Drop
Last night the Steinways headlined a show at the Lit Lounge, which is kind of like playing Dracula's basement. Despite the cramped space and weird logistics (you have to pay a waitress standing next to the bar to get a drink from the bartender, say what???) it was a fun night. The Ghost of Lester Bangs, a NYC post-punk quartet, opened the show. They've got two singers, one with a rougher more hc voice and the other with a smoother, more pop voice, and a variety of songs that go from keyboard-inflected pop to angry mathy rockers. Two guitars, keybs, and drums, no bass but you don't miss it. Right now I'd say this band was still finding its sound but there's a lot of potential there plus excellent stage presence so I have high hopes. The Asthmatics are a young pop/punk trio from Manchester NH who were making their first NYC visit. I don't think it will be their last. They play lots of catchy singalong pop/punk tunes in the style of NH bands like the Queers or the Guts (although Boney, the bassist, tells me that their scene in Manchester is completely cut off from those other NH bands from Portsmouth.) Check 'em out on MySpace and they have a tour booked in July, but hopefully we'll get 'em back here for a show before then. The Steinways headlined, showing off a bunch of new songs which were a little longer and more fully fleshed out than some of the short, jokey songs on their debut CD, which is definitely a good thing. The band can do no wrong in my book but as much as I love Grath Madden's nasally pop/punk vocals, it was good to hear Ace and Michelle singing more. The crowd was so into them that I couldn't nudge my way close enough to the stage to get photos, which is definitely a good thing. Props to the Pop Punk Message Board for turning out in force for this show, although it was also nice to see a lot of unfamiliar faces there too. Lots of college-aged faces there for GoLB and of course Lit Lounge turns into a dance club after the bands so there were some early-arriving hipsters filling the place up too, but shows are always more fun if they're full, so we'll take 'em anyway we can get 'em. www.jerseybeat.com
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Thursday, January 04, 2007
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The Asthmatics deliver punk power surge By JILLIAN LOCKE, Sun Correspondent --> -->--> -->--> -->Article Last Updated: 01/04/2007 11:31:31 AM EST
I first saw the four-piece punk rock band The Asthmatics at a warehouse/practice space show in Manchester, N.H., a few months back. It was dingy, it was cold, and it was packed with about 200-300 kids.
The Asthmatics played in a tiny room and within seconds of guitarist/vocalist Tristan Omand striking the first chord, the room blew up, I got an elbow to the throat, and my friend a fist to the eye. True story.
Tomorrow night, they'll play the Worthen in Lowell, and will be joined by TKC, The Serious Geniuses, and The Airwaves, and although there's much less chance of getting annihilated again, the show will provide just as much of the high-energy, fist-pumping power punk that The Asthmatics are capable of delivering.
"We're realistic. We're not about a punk image. We're middle-class white kids from New Hampshire. We're a bunch of dorks, nerds, and skateboarders, and, instead of doing drugs, we started a punk band," says bassist/vocalist Boney Wheeler.
Along with his brother, drummer Corey Minsky, and guitarist/backing vocalist Matt Drew, The Asthmatics have been playing out since 2004 and have built a solid fan base in their hometown of Manchester. But sometimes one project just isn't enough. Omand and Drew are part of The Stompin' Charlies, another Manchester punk outfit, and Wheeler and Omand did a brief five-month stint in the State Street Liars. "The funnest times we've had as a band is the four of us being best friends and having wild times," recalls Wheeler.
Although all of The Asthmatics are in their very early 20s, their range of musical influences dates much farther back, from Tom Petty and the Heartbreakers to Bruce Springsteen to The Pogues to Tom Waits.
"We really like a lot of soulful rock stuff," says Wheeler. "We grew up listening to punk bands, like Green Day, The Stiff Little Fingers, The Descendants, and some Boston dive rock bands like the Nervous Eaters and The Del Fuegos, but the one band that is a constant influence on all of us is the Bouncing Souls.
"Also, Tristan is a huge fan of Buddy Holly, Hank Williams, and Johnny Cash. We even sometimes do a cover of Johnny Cash's 'I Still Miss Someone.'"
These influences rear their heads in the tight grip of rhythmic and melodic mastery heard throughout many of The Asthmatics' songs, and they plan to take the month of February off and record material for their first full-length album, which they expect to release in late spring/early summer.
So, what sets The Asthmatics apart from the myriad of punk bands in the area? "The only thing we take seriously that separates us from other punk bands is that we try to keep it very direct and to the point -- five-minute set-up, five-minute break-down. We don't talk too long or take long pauses in between songs, but instead play like five or six songs back to back. It's a tactic we ripped off from The Ramones. Johnny Ramone had the formula down -- 52-minute straight sets, no breaks. We want to do that," Wheeler explains.
To further accentuate their dedication and commitment to the music they play, not to mention the intensity of the show, Wheeler shared a very surprising and enlightening fact about the aforementioned Manchester warehouse show.
"During that set, none of our equipment was grounded. Something got unplugged and then re-plugged in between sets, and nothing was grounded. There was an electrical surge running through the equipment, and the entire time we were playing, we were getting electrocuted. Corey had no clue it was even happening, because he's the drummer and wasn't hooked into anything. We didn't stop playing though, we just kept going through the whole thing."
The Asthmatics, The Worthen House, 141 Worthen St., Lowell, Friday, Jan. 5, 9 p.m., 21-plus, $5, www.my-space.com/asthmatics.
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Sunday, December 03, 2006
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SS: Hey thanks for doing this, it's really awesome. So you're from Manchester, New Hampshire and so is the rest of the band. Do you feel The Asthmatics rep " Manch Vegas" and it's punk scene well? BW: Yeah I think so. I mean there's not much to rep right now. A few years back there was a pretty alright punk scene here, but we keep seeing more and more kids at our shows all the time so we've gotta be getting through to the Manch crowd atleast a little right?
SS: How old were you when you first got into punk music? How old were you when you started or joined the band and how old are you now? BW: I had to have been between 12 and 13-years-old, I was dragged to alot of weird shows back then by my older friends and kinda got hooked to the local music scene from that. We started the band when I was 18 and Tommy (our original drummer) and Tristan were 16 going on 17. I'm 21-years-old now so it's been a while. But it's all gone by so fast, it's like our first show was yesterday.
SS: When you write a song what gets to to the point where you know it's something you'll want to preform? What are your songs about mostly and where do they come from? BW: I write songs all the time and so does Tristan and Corey. Our best songs seem to be results of just jamming together and we decide we want to preform it when we know it's tight enough to play on stage. Our songs are about alot of things. I write alot about the constant back and forth in my relationships, and the headaches I get from them. I also write about stuff I think alot of teenagers and young people can relate to. They come from real life. Unlike alot of emo and metal bands I've never felt some of these deep, cryptic or poetic things their lyrics are about. But I have gotten drunk and robbed in Quincy. I have been beaten up by my girlfriend. I have dropped acid at the mall just to trip with a girl. And I have trashed a hotel room by myself in drunken depression. That's real life. I don't like to play on my words and use weird imagary in my lyrics when reality's fucked up enough.
SS: You and your Guitarist were in another band for a while. What happened with that and where's your drummer now? BW: Well long story short, The drummer in that band was in music for all the wrong reasons. He couldn't handle being around people and he was prick to everyone that mattered like fans, friends and other bands. But kissed up to club owners, record companies and clothing companies that wanted to sponcer us. The band was all about hype and money. It wasn't for us and the 2 of us decided we hated him and his methods. He was in way over head, and didn't value the same things that we did. I'm glad we quit and to be honest everyone incluidng our fans are glad we got rid of him. He went back to his anti-social life in CT. And we went back to partying with our friends. The End.
SS: How do you feel about drugs? BW: Drugs are alright. Junkies are annoying. Kids that can't wait to get high long enough that they can't get anything done or even have fun at a show need to get the fuck away from me. Drugs to me are like chewing gum. Not everyone likes gum. But if you offer someone gum and they say no, you don't get on their case about it. There's no such thing as a drug problem in the United States. Drugs are over hyped as taboo much like cursing and sex. I don't think about drugs at all, I'll take them sometimes, I get high and I drink like a fish. But other than that I don't think about them. I think about sex all day instead. Someone who has drugs on their mind all day is a junkie or Reagan wannabe, either way that makes you weak minded and lame.
SS: How do you feel about Emo music? BW: Don't get me started. Can't we talk about soemthing that doesn't suck?
SS: Where do you see The Asthmatics in 5 years? BW: Likely the same place we are today except with maybe a few new t-shirt designs out there.
SS: How about 10 years? BW: I see us selling out to make us each some money and calling it quits after we've cashed in. At that age I'm pretty sure there will be no scene and everyone will go to eShows linked off their iPods and never have to leave their bubbles and feeding tube links. I hope I'm dead before then.
SS: You guys aren't like the typical NH band where everyone sounds like a Ramones rip off band covering GG Allin and The Queers. What do you think about that? BW: I've seen The Jabbers, The Murder Junkies, The Queers and others so much living here, that I knew that in order for me to make the kinda life I wanted for myself out of punk rock I better give them something that wasn't typical. I respect those bands (except GG) and love them for what they did for NH. Without guys like Jonee Earthquake there wouldn't be as much of an on-going scene here. But you're right we don't sound like them. We don't sound like anyone really. I mean you can tell we like certain bands but other than that we're not playing Blitz Kreig Bop all the time.
SS: What's your advice to anyone looking to start a band or anyone getting into punk music today? BW: Firstly, God has NO business in punk rock. Punk rock may be about expressing opinions, but not pushing beliefs on to anyone. Fuck the bible belt and fuck prayer groups at Warped Tour. Go to as many shows as you humanly can. Humanly can doesn't mean as go to as many as mommy and daddy allow you. If you can't fib to your parents or snag a ride 20 miles down the high way with a buddy on a friday night, then go home to your livejournal's and iTunes and leave the real world to the living. Start a band with people who've done this shit with you for years so you share the same respect for it. Punk rock is kind of alot of work. Getting to shows, scraping up money for tickets and cover charges. Finding rides. The fans work almost as much, if not more than a band, and they do it for FREE. Just do it for fun and nothing else.
SS: Well Thanks alot Boney. I want to leave with just one last question. Where did you guys come up with your A! logo? It's so simple but different. BW: I watch alot of cartoons. I'm not too big on anime, but there is one I'm a huge fan of called FLCL. One of the main characters has a P! logo on most her cloths and on her scooter. It's typical random English found in Anime that doesn't make any sense or mean anything. I simply ripped off that logo, replaced P for The Pillows with A for The Asthmatics and put it everywhere! Thanks for having me for your zine dude.
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Friday, November 24, 2006
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So first off, The Asthmatics are....? T: Tristan, Boney, Corey, Matt B: The Asthmatics are that feeling you get when you know something really cool is gonna happen but it keeps building up and building up.
What made you guys start the band in the first place? T: Boney and our original drummer Tom got together and started jamming, then I came into the picture having been friends with them for years and been in bands with Tom. I came up with the name, and "the rest is history" B: At the time it was me just me and tommy d who wanted to play in a sister band to TSC. Cartridge Music was around then and we wanted to be a more dirty aggressive pop punk band to change things up from TSC and The Rimmons who were the only bands still around at the time. Plus Tom wanted me to come out of my very drunken depression I was in from my friend dying, my girlfriend leaving me and me best friends getting in fights and going to jail.
How did you three get together? T: 3 dudes wanted to play music together... B: Well after our first break up with Tom in the summer of '04. Tristan and Corey got to playing together like 7 months after that. They begged me to play in the band again. At the time I wanted to start doing some more punk rock/techno/ world and folk muisc stuff for interent downloads with my friend Paul. I was doing alot of piano and blues stuff with irish influences. I didn't think Tristan would take it seriously and being in band with Corey was very iffy in my book. but after we first jammed playing the Asthmatics songs again I was hooked.
Did you grow up listening to punk rock or was it something you got into during your highschool years? T: I personally got into punk rock about 7 or 8 years ago when I was in Jr. High. B: I grew up listening to alot of rock n roll. Green Day has been my favourite band since '94 but I always liked The Clash, Tom Petty, Bad Religion, and The Del Fuegos. When I was finally old enough to go to shows my friends brought me to basement grindcore and 90's indie rock shows that were big at the time. Everyone was either a ska kid or a raver then so punk rock was kinda like a fuck you to that whole trend. but i've been going to punk shows since I was 13.
How have things changed since you guys went to shows during highschool? T: They've changed a lot. During my Freshman and Sophmore years, punk rock was still real big locally and there were a lot of great shows still going on with bands like Kicked In The Head, the Lazardos, 5 Bucks, Cool Hands Luke, Digger, etc. But over the last couple years or so, emo has become the big thing and seems like it's more of a trend than the way punk rock was for people years ago... B: They've changed alot. Everyone likes punk rock. But back then everyone would allow themselves to admit it. Local shows sometimes had 300 kids or so at them. Every weekend people would stuff themselves into a car and drive all over to see the bands. You'd get grounded alot for riding to mass or new york in the trunk of a car. but EVERYONE went to shows, especaily Lazardos and 5Bucks shows for the Manch crowd. There's just less a community here now.
Do you think the current scene has affected The Asthmatics' shows in anyway? If so how? T: I think a lot of people that come to our shows are trying to escape what's really popular now- emo and hardcore. I'd like to think that the kids think they belong at our shows, it's a place to be where you can have fun. B: well it's gotten booked with some pretty bad bands that sound no where near anything our crowd might like. I'm kinda tired of seeing kids in make up and girls cloths at our gigs. like it's weird when emo kids like us, but they'll also listen to fall out boy or some fake shit. but shows are the same. you book wherever and play when you can.
What do you think about some of the more popular bands that are around now? T: As far as the emo/hardcore bands that are real big now and selling a ton of records, I could really care less. Nothing about them really appeals to me even in the least bit. There are still a lot of great punk bands that are considered big, at least to us, and they are still doing things on their own terms and don't sell nearly as many records. And the funny thing is, that all those emo bands look up to them and cite them as influences when they're on MTV or something...like the Descendents or the Bouncing Souls. Those are the guys that deserve the real credit. B: They can go fuck themselves.
How are they different from the bands you enjoyed? T: They play a different style, or spin-off of punk rock that I just can't get into; and I don't see what all the hype is about. Put on some girl pants and a tight shirt you got from the lost and found, grow your hair below your eyebrows, wear your guitar up high and think up some real long, poetic type band name and you have yourself a record deal and a shitload of fans. It's all manufactured, carbon copied shit as far as I'm concerned. B: being popular doesn't mean anything. if a band can stand the test of time that means they're good and popular. but you can always spot a trend. I enjoy good bands that I can relate to.
Was there any bands that influenced you, or made you want to start a band? T: The band that made me want to start a band would probably be Green Day. They've always been a great, well respected band, and also a big influence on all of us. B: The Lazardos. they were the best. The Vigilantes however made me want to be in a band so bad in like 2002 when they were coming to an end. They just LOVED the kids and playing the songs. Bouncing Souls too.
What band is the most fun to play with, and why? T: Probably our friends TKC, because they know how to have a good time and they put on a hell of a show. And we can always use eachothers equipment if need be. We help eachother out. B: TKC because we always have a great time. And everytime we play with them it's like wow they're better than us and they come up and say the same thing. they're awesome guys.
Is there a band that you guys really want to play with in the future? T: I've personally always wanted to open for the Bouncing Souls. They've always been a huge influence on me and just one of those bands that I would totally cream my pants over if we got a chance to play with them. Haha. B: If we could ever open for the Bouncing Souls that would be awesome. I'd love to play with the Epoxies again and Darkbuster. But locally I'd say The Hi-Fivin' White Guys again because they're wicked good.
I've been to a couple of your shows, and none of them have ever went the same, even after seeing all the same people at the shows. Do you think the regulars at shows play a big part on how the rest of the crowd reacts? T: Yeah, I think they do. If they're going nuts, then the rest of the kids will go nuts too because they see how much fun those kids are having. Our core base of fans that have been with us a couple years are real important to us, and we can't thank them enough for all the support they've given us. B: Yes and No. Sometimes the usuals show up and don't move around or inspire anyone to do anything. Our last drifters show was like that. everyone was tired. But we played Concord like 2 weeks before and no one knew us and they went ape shit. The crowd just has to be up for it I guess.
Would you rather see a bunch of new kids and no regulars, or all the regulars and no new kids at a show? T: That all depends...It's always great to see new faces at a show. It tells you, as a band, that you're doing something right. But if we were to play a real packed, hot, sweaty, dirty basement show or something like that, in Manchester, and it was just all our friends, I wouldn't care one bit. It'd be awesome. Those are the kinds of shows that we love. But we also love it when new people come out, it feels great to see them enjoying what we do as well. B: I'd rather see just an energetic crowd every show. If they're new then it's cool that they're giving us the chance and enjoying it. And it's always good seeing people come back we just hope they become a part of the whole community of local punk rock rather than only showing up for a free local show or when we play one place only.
The Asthmatics have gotten really popular over the past year, why do you think that is? T: I wouldn't say "really popular"...maybe "more well known" I think it's because we've just been playing a lot more regularly than we used to, and putting a lot more into our live performances. That's what we're known for, putting on a good show. And when people hear about a punk band like us that puts on a great live act, then they want to check it out. Thankfully, we've been able to make a bunch more new fans, and that's great. Also, MySpace has helped out a lot, in my opinion. It's a great way for a band to promote themselves and make new fans, which is the endless struggle of being an unsigned, independent band in the punk scene. Or the music scene in general. B: I'd like to think it's because we've been doing this 4 years and we've earned it but it's likely just a phase.
What do you think of Manchesters current punk scene? T: I think it was awesome 5 or 6 years ago, then it kind of went into a slump. But it's really coming back again. A lot of kids are coming out to shows, and keep coming back. There's a lot of cool people and there isn't really any violence, so it's great. B: It's getting alot better, but losing The Rimmons is gonna suck. As of right now the only group of kids that "get it" seem to be out of Central. West and Memmorial seem to be more emo or gothic and that's just lame.
A lot of punk bands don't welcome kids who live the conservative kind of life, what do you think about that? T: It's not for me, but if a kid that lives the "conservative kind of life" comes out to our show and likes what we do, then that's cool with me...because we will eventually corrupt him/her into a beer drinking, circle pitting, fun loving lifestyle. Hahahaha. B: Bands like that are no better than the people they bitch about. fuckin' nazis. we'd rather not have a bunch freaks come to our shows. we'd rather see normal down to earth kids who don't buy into the bullshit, enjoy our music. as middle class white kids from manchester we don't claim to be street or scum, even though we are a dirty lazy bunch of slackers.
There is so many bands coming in, and at the same time leaving the Manchester Punk scene, what makes you guys stick to it? T: It's our hometown. It's where most of us were born and raised. It's a great city, and I think I speak for all of us when I say that no other place on earth feels more at home. But uhh...hopefully the recent escalated crime situation is taken care of soon. I'm not used to picking up the paper every day and hearing about a stabbing, a murder trial or some Mom & Pop grocery store getting robbed... B: I my mind. I see people who change over the years are fake. I've been the same guy forever. I've liked the same things and have always believed in this life. It kinda makes you think people were just punk for all the wrong reasons. As for new bands coming in, I hope they're coming in for the right reasons too.
Do you give a shit what parents or teachers think of you? T: No, not really. If I did, then I would still be in college and not working and focusing on music like I've always wanted to do. You gotta listen to your parents, and you have to learn what you can from your teachers, but when it comes down to it- you're on your own path. You gotta live your life and make your own choices, while listening to other peoples advice. All that shit about following your heart is really true. If you go to college, work a crappy job for 30 or 40 years and retire, when you really just wanted to own a record store, or be an artist, or play in a band, then you're gonna look at your life and say "Wow, I lose...I shouldn't have listened to what everybody said. I should've just followed my heart and did what I truly thought was my calling." Then you end up sitting in the garage with the car running and the garage door closed or something because you've got a mortgage, bills, you're balding, and you're too old to start doing what you really wanted to do when you were a kid. Well, that's a really negative way of looking at it but it could happen! B: Not really I'm 21 these people aren't really my problem. in high school though I didn't care what anyone thought aslong as I was getting drunk, going to shows and making out with hott girls I was fine.
Is there a new album due soon? T: Yep, we're working on it right now. We want to do a 7" record before it comes out of like 2 songs off the CD and one unreleased track to kind of give people a taste of what's to come. Then we'll be releasing the full length in a couple months. We're doing it all except the duplication ourselves. B: Yes. It'll be out as soon as we get out act together money wise. But it is being recorded right now.
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Monday, November 06, 2006
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" Perhaps you made it to see the Asthmatics last Wednesday, Jan. 11th, when they hosted the open-mic night at Bridge Cafe on Elm Street. I didn't make it, but it would have been a treat to see these guys in that type of setting. High-energy punk rock is what the Asthmatics are all about. When a mall customer listened to a demo, he told the guys "The bass is being plucked too hard and fast, the guitarist is re-living the late '70's, the vocals sound like a couple of 14-year-old kids cursing in the back of the bus and the drummer is clearly drunk." Personally, I think they're pretty good. Make up your own mind."
- Richie Victorino
The Hippo Press. Jan 13th 2006.
" If Weezer and Green Day secretly mated, and had an illegitimate love child, that offspring would sound like The Asthmatics, a Manchesterbased punk band. Their songs capture the high-energy sound of Green Day, with the snarky, self-deprecating lyrics and attitude of Weezer."
-Michelle Saturley
The Manchester Mirror. Feb. 9th 2006
" In April, the SEA (Students for Enviromental Action), held the event "Five Bands for Five Bucks." The event was a fundraiser for SEA. There was an incident with one of the bands.
Principal Rist explains, "One band got out of control when asked to cut short their program."
Sheri Bruno, the advisor for SEA, said that the band used foul and inappropriate language. She says that when asked to clean up their language, they refused to stop. When asked to leave the stage, they refused again..."
- Mike Johnson
Manchester Central High Little Green. May. 2006
RUNNER UP FOR BEST ORIGINAL LIVE BAND IN MANCHESTER, NH 2006! - The Hippo Press "Best Of 2006" Poll. Thanks to everyone who voted.
"The Asthmatics have had a history of getting banned and kicked from venues, like Milly's Tavern and The Spyder Room, for their over-the-top energy and appetite for true punk rock destruction. Unfortunately the list of local venues where you might catch their shows has been cut like a fat kid from a soccer team. But to seek them out is worth it..."
-Dan Brian
The Oxx. Nov. 1st 2006
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Sunday, September 24, 2006
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Category: Music
We care. Don't let anyone tell you otherwise. It may not fit the punk rock profile of "not caring", but I can tell you there isn't a single thing we care for more. The songs, the kids, the shows; all of it. And if that isn't punk rock, I must have missed something years ago.
We've been compared to everyone. Which is cool because it's not like we're compared to the same people over and over. We're unique enough that the general crowd can't agree on who to put us next to. And we're not different so much that it's annoying or turns people away, like so many "Indie" groups today. We're sorta like the new, same old-same old. Timeless enough that people who aren't apart of this, can feel like they are and can still say it's theirs. We're not a good band, we're a favourite band. John Gentile recently told me "The Asthmatics need to make a big noise in one place." Well the kids are making the noise for us.
We've never shoveled out a dime to make our merch until recently and yet with the support of the kids we've had 3 series of t-shirts, patches, pins and now stickers. Several bands have formed in Manch by kids who saw how much fun our crowd brings and they wanted a part of it themselves.
We play ALL AGES because we could care less about selling drinks. Manchester's clubs only book to draw customers. Well the Black brimmer, Milly's Tavern, The Derryfield and Jillians can all get bent in our book. Everyone at those places, looks the same, talks the same and everyone sits on the same dick. That may be why there's a Manchester pride amounst our crowd, because they're not just another one of them. You know, one of these cockfucks just looking for their next low-carb Zima enema from the Stage Door. Or one of these violant jigga-boo dropouts looking for an outlet at the Envy or Omega between acts of date rape and substance abuse. They're just regular kids.
There's no cause. Everyone else has a cause and our crowd and friends are sick of being preached to. There's no rebellion. We're mostly middle class white kids, what could we possibly rise up against that wouldn't sound like a bunch of brats having hissy fits? We're just bored. There's no struggle, other that the kind that comes from our relationships and sex lives. There's no deep meaning behind it all. We're not searching for a meaning to life or spiritual significates like these bitchy emo bands today are. We're all content with just being ourselves and alive And questioning that basic idea seems pointless. This emo, screamo christan rock garbage plaguing our skate parks and malls today is really getting old. Hope and faith are not excuses to rock. We play because it's something to do and with no other message than that.
Sure it's pop. Doesn't make it any less undergorund. We're still only welcome to play basements and lofts. Playing a local dive bar is over rated and rare for us. Everything we are isn't because of hype or trend. We're pretty much not welcome because we don't follow that trend. So if someone tells you we're just a bunch of punkers who just don't care. They mean that we don't care about and/or invest our time into the stupid crap other bands these days do. Fuck that bullshit.
But we did and still do care about the scene of it all. The hard work of getting everyone together just for fun. We like to think we inspired a whole new age group to atleast that. Does that make us better than these hipsters struggling to get record deals, tour the world and make money from playing big clubs and having every brainless 15-year-old wearing their t-shirts? Fuck yes it does and they can go fuck themselves. Eat my guts emo fags! -A!
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