Gender: Male
Status: In a Relationship
Age: 23
Sign: Virgo
City: Mobile
State: ALABAMA
Country: US
Signup Date: 5/26/2005
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Saturday, March 28, 2009
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But my hair blew in front of my face before I made my move. So my booger came out stuck to my hair.
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Monday, October 13, 2008
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"Back in the 60's, before either of you young folks were born there was a guy named Barry Goldwater. He was the GOP nominee that LBJ beat in '64. He was an intellectual. He was a big believer in rational government and making government smaller. He was of the belief that the American people were the best judges of what was good and not good for them but wanted and fought for them to have the right to choose for themselves. Barry Goldwater was far from perfect though. He had his faults as all men do but he was also a man who was very much about ideas and liberties and not about policies and programs. He liked the idea that America was a place that you could talk about big things and have big ideas that made big achievements. It was really something. "When Reagan won in 1980 it was almost a vindication of those beliefs. You have to understand that for many of us who voted for Regan it wasn't so much about his policies as it was about his ideas. Back then Conservatives talked about policy and ideas like they were important. They valued intelligence and education. They believed that if they presented their ideas pragmatically and logically that people would respond and we could unite the country. Regan did that. Not perfectly of course but he did it. Then something happened. Nixon played to it of course but it really came into play in the 1990's and even more this past decade. Republicans turned their backs on smart people. Just like that, being smart was less important than being 'real'. Being qualified was about being ordinary. New ideas and thoughtful discourse was something to be ridiculed and not something to be examined. A good education and vocabulary became something to disdain and not something to celebrate. The Republicans stopped being leaders and started becoming drum bangers. Oh, they'd pull out their tanks and missiles like they were penises and pretend that asking questions was akin to treason. Scary." "The Republican party is the party of the bowling alley. It's the party of the poker game. It's the party of pseudo patriotism and talking points masquerading as a platform. It's the party of shrillness and fear and I couldn't in good conscience be a part of that smoke and mirrors any longer."
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Wednesday, October 08, 2008
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Current mood:  giddy
This doesn't even really count as a real blog. I just wanted to make sure that these words never went anywhere; and that ,regardless what happens in the future, I'll always be able to look at this and smile.
The following is ripped straight from Tk101's best DJ, Candy's, blog.
"Usually I hit Gabriels (Joachim) (downtown Mobile) after Bayfest every year - this year I went to see a band that stole me heart at our Radiothon last year.They're called ManDown and they are amazing. "It was a walk. They were playing at the old Soul Kitchen - I beleive the place is called "Alabama Music Box" it's on lower Dauphin St. I've tried to make their shows before but my work schedule doesn't always lend itself to everything I want to do. "Let me back up a little - I heard ManDown on our Radiothon last year (this is where bands pay us to play them with the $$ going to the Children's Home Society. Their song is called "A Hazy Waste" and you may have heard it on Nooners from time to time. It's one of my favorite songs - top 10 easily (and I'm counting Rush and Tool btw) since I heard it last year. "So - Ray and I start walking out of Bayfest and down Dauphin. And down Dauphin. And down Dauphin. Every time we thought we saw their venue - which we were assured was somewhere on Dauphin - it would be a weird hat store or something. We see some - what Shark would call hair farmers - on the street. One of them recognizes me from - presumably - last year. Paul and his girlfriend Becca. I hear "You're in the right place, Candy" which looking back could have been said by God - not just the guitar god - but the one people fight wars over. "The band is outside - thankfully they haven't started yet - and I'm excited to meet them all. The 4 piece is very unassuming and well spoken and their girlfriends (the singer is single) are all equally sweet. "On a side note - what happened to band girlfriends? I have met so many bitchy jealous whores that date/marry band guys - and they're enough to keep you away from seeing someone you kinda like. Girlfriends/wives have taken a turn for the better over the past few years. I should write a blog on that - . My husband's band's wives have all been awesome too - before Ray though? Not so much - but again - that's another blog. "Regardless - the girlfriends are nice. Their friends (that I met) were nice. The bar people were nice. Turns out I knew the bartender, Chris - one of my favorite vocalists. All in all - the night had several good omens so far. "Before we walked in, we heard the strains of what appeared to be a brass band kind of thing - some sort of Beast Rising or something - they sounded great also. "We order two Red Bulls (we had a drive ahead of us afterwards) and I took a place in front of the stage. That's when my soul was moved. No lie. "The band was in place - and I feel like a shit for writing these words - I was kind of hoping to hear my favorite song "Hazy Waste" and then we'd slip out - like we do with every concert. Little did I know - I'd get hooked on these 4 artists like a child on cartoons, like a scottish person on heroin, like a Republican on money - no shit - this band was THAT GOOD. "If I had to compare them to anything - I'd have to say Mars Volta meets old Incubus meets old Chili Peppers. I hate comparing bands to other bands - because most bands have their own thing going on (except maybe Theory of a Deadman who is basically Nickelback lite) however comma this band has some great influences and they dont steal (see Oasis), their love of original good music lends itself to original great music. "For their entire set, I was torn between dancing spastically to every new song I heard and staring dumbfounded in amazement. As anyone that was there could tell you - I stared dumbfounded. Every time I felt myself starting to do more than bob my head and stay cool, I'd stop myself, turn to Ray and say 'what do you think' He'd say "they're good" and we'd go back to me trying not spaz out. "If I spazzed out though - I'd like to feel I wasn't alone - there were people dancing behind me - infact the bar filled up pretty quick when the band started playing - and people continued to enter through out their set - at $8 a pop. No small feat for an unsigned act. "The music was bar none outstanding, the bar was a great place to see a show - and the band had such energy that I was tired for them by the end of their set. The singer connected to everyone in the crowd - and when his voice floated over the bassist and guitarist and their flow - it literally lifted me from where I stood. The drummer is also - of course amazing - for lack of a better term. He plays so fast - and it goes with the song. I'm not a musician so I'm not sure if what I'm trying to say is coming out right. We'll see some bands that do the best they can and their drummer will try to become Neal Peart and it doesn't always fit. ManDown's precussion section is solid. The whole band is. "When they were done, I was literally moved to tears by their set and it wasn't a set of love songs or anything like that. ManDown has the best live show I've ever seen (and again, I'm counting Rush and Tool btw). "There are some great unsigned bands that deserve to be seen that maybe you won't find on main concert stages - Analog Missionary, 60 Cycles of Sound, Deadly Fists of Kung Fu, Terrific Kid, The Grey and Before 9 are just some of my personal favorites - ManDown joined those ranks on Friday night and shot straight to the top of my list. "Their songs won't do them justice on My Space - but I suggest you hit their page, befriend them and catch a live show. http://www.myspace.com/mandownofmobile "Start with "Hazy Waste" and move on to any of their songs from there. It's funny "Waste" isn't even their best song - and I don't mean it like that. I felt like I was watching the next big thing. "I think I uttered to the bass player as we were leaving that if they were a commodity, I'd buy stock in them. If you're in a local band, I certainly meant no slight to you in this blog but I'd really like to invite you to hear this band and if you're in Pensacola - maybe invite them to play a show or two with you. You'll see me in the front row trying not to spaz out. I'd like to catch your band live too. I love music and I love people that love music. "That said - I love you. Thank you for reading - if you have a chance, take a listen to ManDown and thank me later."
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Tuesday, October 07, 2008
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Category: Music
So "Better than BayFest" ended up being one of our best shows in a while. We finally got TkCandy and her man, Ray, out to a show. I think it's safe to say we exceeded her expectations. She had us sign her eyeglasses case, not kidding. It was awesome. We'll be needing to start playing in Pensacola soon, I suppose.
Dismemberment Plan is one of the best bands ever.
We're really close to making the CD, too. Be expecting those by early next year, at the latest. If we get how much we deserve for the AMB show this past weekend we'll be able to get started as soon as the money's in our account.
Also, we have a shit-ton of new songs. One that's actually old. We wrote it around the same time as "A Hazy Waste", but it was overshadowed, and we forgot about it. One is basically a jam, and will consist entirely of palindromes. Another one is Asharp and G back and forth the whole time. Yet another one ends with the funkiest ass-riff you've ever heard.
I tuned my acoustic down a step and half and have been playing "the red" and "3 libras" and other random bullshit. I guess the next song I write will have to be in C-sharp.
 | Currently listening: Emergency & I By The Dismemberment Plan Release date: 1999-10-26 |
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Tuesday, January 30, 2007
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Solos don't have to be fast.
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Thursday, October 26, 2006
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I've had the same fucking password for god knows how long. Now I have to change the one thing in my life that has been a constant. It stems all the way back to when I was a hard core christian (which I'm not any more, I'd be happy to converse with any of my old friends about my religious views, should they want to.) This password has been with me through painful moments in my life. It has gotten me through some tough times. Especially after I put my religious declaration on indefinite hiatus. Because I could type it in and laugh at myself whenever I was down. And now I have to change it. Because some fuckwad can't afford real advertisement, and he has to resort to trickery and bullshit, low-life tactics to get word out about why his "gayspace profile editor" is so radically different than the twenty-thousand some-odd other "gayspace fuck-my-page-up-beyond-recognition-so-no-one-can-read-anything-on-it programs". If it's that fag-tastic why the hell can't you get people to use it on their fucking own? Why do I have to eliminate a constant tap of joy from my everyday life that has existed since the early days of my password creating life? I've never had a different password from the one I use on this god-forsaken site. There has never been a time when I had to think about which password I use on this. It is the same as my MobSux, GCB, wholenote.com, facebook, hotmail, photobucket, youtube, and countless other accounts. FUCK YOU, SIR, and all that you stand for.
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Monday, September 25, 2006
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Category: Music
The best part about being in a band is chatting it up with the other bands and the bar owners.
If it wasn't for being in a band, I wouldn't get to hang out with some of the coolest people I've ever met. My meetings and conversations with the people who form the bands of Kiss the Cop, Ko-Lija, The F'n A-Holes, The Tiles, some of Subsist, Elsah, The Word Game, (someday)Baak Gwai, and many others are the product of me being in a functioning and talented band.
I love it, and I don't want it to stop. So thanks ManDown for helping me live out part of my dream. I love you guys.
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Monday, September 18, 2006
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Category: Music
Music is meant to pave new roads while paying homage to those who came before us, unique and with the spirit of the old gods.
It is unpleasant to perpetuate an unchanging, conservative/conformist genre that contains the names of bands who will never be interested in music for music's sake. Write what you feel, not what sounds like it would be popular. The day the term "radio-rock" doesn't automaticaly make you think of one universal and uninteresting song type will be a very good one.
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Sunday, May 07, 2006
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Category: Parties and Nightlife
Uhh... How do I even begin to describe the events that transpired on May 6, 2006?
Well it all started with Lok's surprise party at Kent Busby's house. Which was fantastic. Then Lok and I took Markie to her car at her house so she could go to work. On the way back to Kent's house Lok and I stopped at McDonald's to eat, and I saw Ted. He made some comments about a girl's shorts being undone and me possibly running interference on the old lady or some bullshit.
Then we got back to Kent's, and he wasn't there any more, so everyone was in the pool house. We were sittin' around, playin' guitar, and havin' a good time when Perry called Kevin and said, "Do y'all wanna play a show for some hardcore rednecks?" Kevin and I are always down for a show, no matter what. Lok wasn't too excited, and I had to talk Ben into it. It was way too far out, short notice and late at night to even think about bothering Luke with it, but we can do a show without him so we went.
First I had to go and get my stuff. Kevin got his and picked up Ben. Lok rode with Kevin, and some other friends (Myles, Russ, and Johnny) rode with or followed me.
Perry had called us three more times to make sure we wanted to come play for some hardcore rednecks. Every time I said yes. I thought to myself, "He can't possibly mean "backwoods, sheep-fucking, tooth-missing, ass-raping rednecks."
So we get the directions to "Cold Hole", which is the name of the place at which we were to be playing. Basically, you go down Gov't/Hwy 90 'til you have gone past Azalea- Demetropolis- Knollwood- Tillman's Corner- and then turn Left on to Belingrath Rd. Then you proceed to drive for another (for the sake of a good story let's say) 15 miles. You'll pass over a small bridge (which if it would have been wooden I would have called it off right then). After that bridge you take the next left.
When we pulled in, Perry and his two cousins were sitting at the road waiting for us. I pull in and let the four other cars pull in behind me. I see a small mobile home that couldn't have been any longer than 20 feet. The mobile home is to the side of about a 50 ft. diameter of flat grassless land enclosed by tall pine trees. To the front of me is a gate, and several signs are on the fence posts. One says "liable", which makes me think it can't be too bad in there.
Perry asks, "Are you ready to see some hardcore rednecks?"
Still only half believing him I respond with a prompt, "Yes."
We proceed into the wooded area through the gate. The next sign we see says "Styx." I don't know why it says that, but it does. There are people there. They are hardcore rednecks. I didn't think it was possible. One was missing three teeth. Most dressed in true redneck regalia. Dirty "daisy duke's" and wife beaters on the women. The men clad in very random t-shirts, and jeans with or without shoes. One of the guys had on a football jersey that was missing the bottom half.
I was scared.
Then we played. They liked us. They gave us alcohol. They told us to come back.
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Thursday, April 20, 2006
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The first problem I had with this album before it even came out was this: the title is 10,000 Days. Now I know that this has been in the works for a while and it probably seemed like a good idea while they were writing, yet I cant help but think that this shouldnt be a Tool name. On top of that small detail, does Ten Thousand Fists ring a bell? That was Disturbeds latest release. I re-iterate, I know that this has been in the works for a while, and it is most likely that Maynard, Adam, and the other Tool members are completely oblivious to this similarity, but what the fuck? Had I personally caught wind of the disgustingly obvious homogeny, I would have rewritten the song and changed the title. Because of people like me who would wax discontent with a SEEMINGLY unoriginal name.
The Tracks. Im not completely unsatisfied with several of the tracks of the new release. In fact, I love, or have come to love several songs. The common problem with the album as a whole is the striking similarity with Lateralus. Some people are content with consistency, but I expected to be blown away with everything about this project. Maybe thats why I was destined to claim that my opinion was that 10,000 Days mostly sucked.
1. Vicarious
This is a decent song upon the first listen. As I managed to re-listen, however, I loved the time signature. A pre-dominantly 5/4 song was a far cry from most songs of today. The intro riff was disappointing. In my opinion, to restate an earlier discrepancy, it was too reminiscent of Lateralus. After that, its fantastic. The vocalists concept for the lyrics was pleasantly intriguing. "Vicariously I live while the whole world dies." How does that make sense? "'Cause I need to watch things die." Uhhh, well that doesnt clear it up too much.
Vicarious: Felt or undergone as if one were taking part in the experience or feelings of another.
It seems an oxymoron to say, "I live vicariously as you die." "I'm feeling life while you die." That makes little sense, but its good enough for me. Thats just enough profundity for my grasp.
I like it.
2. Jambi
There are two possibilities as to what Jambi is supposed to make you think before you listen.
Jambi is a province in Indonesia. I didnt know that prior to the conception of this review. I had to look it up.
There is, however, a much more likely meaning.
"I would wish this all away."
The blue faced genie of Pee-Wees Playhouse.
HAHAHAHAHAHAHAHAHA
Thats a great concept for a title of a song. Unfortunately I dont care about lyrics to any extent and I didnt care to transcribe them any further.
Again there is a seamless use of oddly timed measures, which, in this case, didnt make me think Lateralus at all. I thoroughly enjoyed this song.
3. Wings for Marie (Part 1)
This is an O.K. song. Yet its presence clearly disavows any claim that, "This will be [Tools] heaviest album to date."
I think they rest too much on riff repetition in this song. Not that theyre bad, but I think I counted three or four different sections in a six minutes and eleven seconds song.
4. 10,000 Days (Wings Part 2)
Again, I dont care too much for lyrics or meaning in a song. Maybe Im a horrible artist, but I really only care about the sonic aspect.
Not that has anything to do with the statement Im about to make, but it may help you understand my perception of the song.
I grew very bored, very quickly with it. Ill say that it is intense in the last minutes, but again riff repetition became a problem. Its only slightly acceptable because its part two of the song it borrows from, yet it disappointed me.
5. The Pot
The intro is ridiculously mind numbing, but at 40 seconds and on this is a great song. The second verse features a much better mannerism of the intro. The setup for the chorus (I suppose you could call it) was very good, in my opinion. If Im not mistaken the time signatures for it was 4/4-4/4-4/4-5/4. The rest of the song from the point of venturing from the repetition of the first two sections was equally appealing. I like this song.
6. Lipan Conjuring
Im not even going to dignify this with a further description, other than it was unnecessary to devote an entire one and one-sixths minutes, not to mention a title and a separate track, to its existence.
7. Lost Keys
Maybe Im not enlightened to the point where I can understand the devotion of three minutes to an arpeggiated section, and a spoken recording of something Im not familiar with.
8. Rosetta Stoned
Im never going to appreciate an eleven minute song for as long as I live, but to its credit, Rosetta Stoned features some of the most impressive sounds of the album. However once Maynard is allowed to grace us with his voice, his exaggeratedly off beat (even more so than normal, to the point where it seems as if hes a cheap MJK wanna-be) vocals compel me to change tracks, but for the sake of a well rounded representation of my opinion I recant my impulses. He gets better as it goes along, and the music portion continues to impress. I could like this song if I was subjected to habitual LSD abuse.
9. Intension
My problem with this song goes back to this claim,
"This will be [Tools] heaviest album to date."
Its a good song, but the similarities in the sections leave me bored.
10. Right in Two
I love this song. Im just disappointed that the band felt the need to devote time out of the song to ethnic drums, and an exaggeratedly long intro (with the same riff repetition Ive been bitching about the entire time.)
11. Viginti Tres
Again, an unnecessary addition to an unimpressive album.
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Tuesday, April 18, 2006
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poison ivey726 (10:59:39 PM): hah paulofmandown136 (10:59:54 PM): we got pulled over inside the military paulofmandown136 (10:59:55 PM): parj paulofmandown136 (10:59:56 PM): k paulofmandown136 (10:59:58 PM): ew paulofmandown136 (10:59:59 PM): and paulofmandown136 (11:00:03 PM): it was because paulofmandown136 (11:00:09 PM): i didnt use my blinker poison ivey726 (11:00:15 PM): are you joking? paulofmandown136 (11:00:20 PM): not at all paulofmandown136 (11:00:24 PM): i asked the ranger that paulofmandown136 (11:00:31 PM): then he asked me to get paulofmandown136 (11:00:31 PM): out paulofmandown136 (11:00:39 PM): and he asked me if i was high paulofmandown136 (11:00:44 PM): clearly i wasn't paulofmandown136 (11:00:53 PM): i stopped that nonsense poison ivey726 (11:01:00 PM): lol paulofmandown136 (11:01:03 PM): i was uber tired paulofmandown136 (11:01:13 PM): i had gotten like 3 hours of sleep paulofmandown136 (11:01:26 PM): then i woke up and drove for 5 and a half hours paulofmandown136 (11:01:37 PM): to get pulled over by a park ranger paulofmandown136 (11:01:40 PM): ... paulofmandown136 (11:01:48 PM): boo paulofmandown136 (11:01:58 PM): he ended up lettin me go paulofmandown136 (11:02:01 PM): oh paulofmandown136 (11:02:14 PM): and he got on to me for not wearing shoes while I was driving paulofmandown136 (11:02:15 PM): ... paulofmandown136 (11:02:27 PM): but the funniest part paulofmandown136 (11:02:36 PM): was that five minutes earlier paulofmandown136 (11:02:56 PM): he stopped by me and becca sitting in front of a tree paulofmandown136 (11:03:04 PM): and started asking us about ourselves paulofmandown136 (11:03:10 PM): kinda gettin' to know us poison ivey726 (11:03:17 PM): ahahahhahaha paulofmandown136 (11:03:19 PM): he asked if we were in school paulofmandown136 (11:03:24 PM): and if we were dating paulofmandown136 (11:03:27 PM): and bs like paulofmandown136 (11:03:28 PM): that paulofmandown136 (11:03:36 PM): OH MY GOD WHAT AN ASS poison ivey726 (11:03:46 PM): thats so funny paulofmandown136 (11:04:55 PM): yeah paulofmandown136 (11:04:57 PM): it is paulofmandown136 (11:05:02 PM): but it sucked
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Wednesday, April 05, 2006
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Last Sunday, Ben decided that he wanted to record the one song that (as of that point) had not been recorded. So we did, and it was fun.
The way we have done all of our recording is that everyone gets to go one at a time into my 8-track recorder.
Ben goes first, always. This time he said he wanted to do something a little different. He wanted to record two separate drum tracks, which isn't a big problem. On the first track, which was all of the verses and choruses, we did it normal. Normal = one mic on his bass drum, one mic used as an overhead (we'd mic more spots overhead if we had a means of doing so.)
On the second track, We took the overhead mic and moved it into the farthest corner of his computer/dining room (that's where we were doing all of the recording.) He wanted a "far-away", ambient feel to it. So we did it, and it came out ok.
After him I usually go next. Since I got my new half-stack, I've gone from a direct-out on my head and left my cabinet in the car. This song is really easy (not like something like spunk'd where I have to do a lot pedal switching). The only difference in my tone from verse to chorus is this: In the verse I use the middle pick up of my strat ( a Dimarzio middle position hot-rails P/U), and on the chorus I turn on my Tube Screamer with super low gain (so it gets a little "crunch"). Also, at the end of the second verse, I add Phaser to the sound and do a picked out part instead of a strum.
Luke recorded his part in two takes, which was better than what I did. It took me four to get mine right. He took his signal straight from his multi-effect pedal.
Then I had Kevin come in with his part. Needless to say Kevin's a badass and I just let him do his thing. I wrote most of his part, but he added changes to it that fit really good. I recorded him from a direct-out on Markie's amp.
Then my favorite part, Lok.
Lok did REALLY good with this song. There's one or two things that bugged me at first about this song, but I got over it and decided that the note in the bridge that made me cringe at first was good.
After he got through his part, I looked at my effect chain thinking of how I could give him a little reverb. Delay, of course. My recorder has an effects chain send/return loop on it. The thing that bugged me about it was, for send, it had female 1/4 in. connection. For return, it had two. I was like,"Ok, I'll send two out from my delay. It has two outputs, anyways." If you have a Boss DD-6, you may know that the result of applying both outputs is that the signal will "bounce back and forth" between your two cables. This worked out orgasmically (sp?). Also, you may know that fucking around with you delay time in the middle of it processing a signal will lengthen and shorten the wave-length of said signal, which results in a sound that sounds eerily like a DJ scratch. Call me a homo, but I did it, and at 2:45, if you listen closely, you can hear the resulting "Scratch."
After that I went home and put the .wav file on my computer, converted it to .mp3, and uploaded it to myspace. Then Ben put a decibel boost on the choruses and added a pan on lok's voice between the left and right channels.
The result is what you hear on our myspace RIGHT NOW.
Now go listen to that shit.
-Paul
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Wednesday, April 05, 2006
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Every night for the past few weeks I've been going out to my back porch, lightin' up a cig., and enjoying the view from my back porch. It's liberating.
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Wednesday, March 15, 2006
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local youth affirms, "Yes, it does."
on a lighter note... DreamNeonBlack37 (8:55:34 PM): whats a badass? paulofmandown136 (8:55:49 PM): you? DreamNeonBlack37 (8:56:01 PM): you who? paulofmandown136 (8:56:07 PM): im over here DreamNeonBlack37 (8:56:12 PM): hahaa DreamNeonBlack37 (8:56:18 PM): im no badass
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Friday, February 17, 2006
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I just finished watching a video of a band on tour. They keep bitchin' about how tired they are. I wish that was my problem.
More importantly, I want to play huge shows for thousands of people who know my songs. With several of those people being so into the band that they know what pictures of me are floating around the internet, and could call me on the lie if I told them I hated sunkist.
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