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A.J. HOLMES & THE HACKNEY EMPIRE



Last Updated: 11/26/2009

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Status: Single
City: London
Country: UK
Signup Date: 3/25/2007

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Monday, June 01, 2009 
Monday, November 24, 2008 
SECOUSSE IN 'METRO' (LONDON NEWSPAPER) OCT 09


SECOUSSE IN 'THE LONDON PAPER' MARCH 09




SECOUSSE TIMEOUT FEB 09



10 PAGE FEATURE IN SONIC MAG (SWEDEN) FEB 09






















SWEDISH PRESS 08










DE:BUG TROPICAL FEATURE 2008



DIE ZEIT MUZIK INTERVEIW 07 here.

De:Bug interveiw 2007


ARTIiCLE AND ENGLISH TRANSLATION: multipara

In Alex J. Holmes' music, Africa and Europe meet
- again. But with an original freshness, conveyed
in such a natural way, that only a musician who
not only has found himself but is also able to
get himself across, will be able to come up with.
In his songs, he often speaks directly to his
audience - a practice that is fed by twenty years
of stage experience and which he brings to an
absolutely literally aesthetic climax in his
contribution to the "Pingipung blows the brass"
compilation. Similarly straightforward is the
title of his new album: "The King Of The New
Electric Hi-Life". Firstly though, about the name
under which he releases it.

Debug: Your first album for Pingipung was still
released under the name "Vanishing Breed", your
new one bears your real name. The High-Life
style, however, you already introduced on the
first one.

AJH: Yes. Of course the label wasn't happy about
the change of name! But "Vanishing Breed" sounded
too depressing for the new album. When I came to
Berlin five years ago, this atmosphere of broken
dreams hung over the city, everyone seemed
unhappy about the fact that the nineties were
over.

Debug: Considering how happy the new album
sounds, this seems to be different now...

AJH: You just find your little corner! When I
came to Berlin - well, if you come from the
mountains, when you're far from home, you look
for the mountains, and so I was looking for the
ghetto... and there you soon find lots of
musicians in Berlin. I grew up in East London's
worker's ghetto, went through various jobs during
the depressive latter eighties and then decided
to go to university after all, which was rather
unusual for the kind of background, "Commercial
Music", a very practically-oriented course of
study. In Hackney, where I was living, High Life
was playing every day, a West African music
style, which i simply soaked up - for me, that's
a style from London. As a guitarist, what I
actually play is Palm Wine, a particular style
from Freetown in Sierra Leone, which ultimately
must be taken as the source of Rock'n'Roll, too.
You pick with thumb and forefinger. What's
crucial though is the special kind of timing,
precise, but also loose, very hard to describe.

Debug: What is "new electric" about your style then?

AJH: The home production! And of course the
"king" is ironic - in "black" styles, everyone's
the king in their own music. I'm sitting there in
my studio flat wearing slippers...

Debug: There are lots of names in the liner notes though. How do you work?

AJH: I write and play all the songs, and I invite
musicians specifically to play particular parts.
Anne Laplantine however contributed two
instrumental basic tracks, and Sculpture, my
former band colleague in "They came from the
stars (I saw them)", polished the production. And
of course my teacher Folo Graff turns up often.

Debug: And what are your plans now? How about a trip to Africa?

AJH: Who knows. In fact, I've never been there.
Maybe I'll also have to go back to London. But
coming up next is touring Germany and Austria,
from October. And at the moment I'm having a lot
of fun playing in a kind of Big Band, "Les Beaux
Gosses de Berlin". And then we'll just see.

NOW IN RAW DEUTSCH!
In der Musik von Alex J. Holmes treffen sich -
wieder einmal - Afrika und Europa. Allerdings mit
einer originellen Frische und gleichzeitigen
Selbstverständlichkeit, für die sich ein Musiker
nicht nur finden, sondern auch vermitteln können
muss. Seine Zuhörer spricht er in seinen Stücken
oft direkt an - eine Praxis, die sich aus zwanzig
Jahren Bühnenerfahrung speist und die er auf
seinem Beitrag für die Compilation "Pingipung
blows the brass" zu einem ganz buchstäblich
ästhetischen Höhepunkt bringt. Dementsprechend
geradeheraus ist auch der Titel seines neuen
Albums: "The King Of The New Electric Hi-Life".
Zunächst aber zunächst zum Namen, unter dem er es
veröffentlicht.

Debug: Dein erstes Album auf Pingipung kam noch
unter dem Namen "Vanishing Breed" heraus, dein
neues trägt deinen richtigen. Den High Life-Stil
stellst du aber schon auf dem ersten vor.

AJH: Ja. Über diesen Namenswechsel war das Label
natürlich nicht glücklich! Aber "Aussterbende
Art" klang für das neue Album zu depressiv. Als
ich vor fünf Jahren nach Berlin kam, lag diese
Stimmung von geplatzten Träumen über der Stadt,
alle schienen unglücklich, dass die Neunziger
vorbei waren.

Debug: So fröhlich, wie das neue Album klingt,
scheint das jetzt anders zu sein...

AJH: Man findet halt seine Nische! Als ich nach
Berlin kam - naja, wer aus den Bergen kommt,
sucht in der Fremde die Berge, und so hab ich das
Ghetto gesucht... und da findet man in Berlin mit
der Zeit reichlich Anschluss an Musiker. Ich bin
ja im Ostlondoner Arbeiterghetto aufgewachsen,
hab mich Ende der depressiven Achtziger einige
Jahre durch Jobs gehangelt und dann doch noch,
ganz unstandesgemäß, studiert, "Commercial
Music", sehr praxisorientiert. In Hackney, wo ich
wohnte, war den ganzen Tag High Life zu hören,
ein Musikstil aus Westafrika, den ich einfach
aufgesogen hab, ich bin quasi damit aufgewachsen,
für mich ist das ein Stil aus London. Als
Gitarrist spiele ich genaugenommen Palm Wine,
einen speziellen Stil, der aus Freetown in Sierra
Leone stammt, auf den man auch Rock'n'Roll
zurückführen muss. Man zupft mit Daumen und
Zeigefinger. Entscheidend ist aber vor allem das
spezielle Timing, präzise, aber auch locker, ganz
schwer zu beschreiben.

Debug: Was ist an deiner Musik nun "New Electric"?

AJH: Die Heimproduktion! Und der "King" ist
natürlich ironisch - in "schwarzen" Stilen ist ja
jeder der King seiner Musik - und ich sitze da
mit meinen Pantoffeln in der Wohnung!

Debug: In den Credits liest man allerdings viele Namen. Wie arbeitest du?

AJH: Ich schreibe und spiele durchaus alle
Stücke, und lade mir dann gezielt Musiker ein,
bestimmte Einzelparts zu spielen. Von Anne
Laplantine kommen allerdings zwei instrumentale
Basic Tracks, und Sculpture, mein ehemaliger
Bandkollege bei "They came from the stars (I saw
them)", hat die Produktion poliert. Und mein
Lehrer Folo Graff taucht natürlich immer wieder
auf.

Debug: Und wie geht's weiter? Mal nach Afrika?

AJH: Wer weiß! Ich war ja noch nie dort.
Vielleicht muss ich auch wieder nach London
zurück. Aber zunächst toure ich durch Deutschland
und Österreich, ab Oktober. Und zur Zeit hab ich
vor allem Spaß am Spiel in einer Art Big Band,
"Les Beaux Gosses de Berlin". Und dann einfach
mal sehen.

Ex Berliner highlight 2007


Spex top 50 albums of 2007






Spex interview 2007



A.J. HOLMES The King Of The New Electric Hi-Life (Pingipung 12): Alexander John Holmes is a real whizz-kid, as co-founder of They came from the stars I saw them, with the rumba band Les Beaux Gosses de Berlin, as Vanishing Breed or DJ Eskimo Tears and as a songwriter in Berlin-Kreuzberg with pop star appeal, short-circuiting his adopted home town Berlin with the sound of Accra and Lagos, with the jingling guitars typical for Hi-Life of S.E. Rogie, E.T. Mensah and Emile Ogoo. Intro: The Story of the New Electric Hi-Life' weaves a net from the Westcoast of Africa to the Eastend of London , from Cuba over Paris and Johannesburg, connecting English and German cities, even Würzburg with its International Afro Roots Festival. Holmes got to know Hi-Life through Folo Graff, an emigrant to London from Freetown, the capitol of civil-war-maltreated Sierra Leone.. For translating the euphoriant sound he could rely again on Dan Hayhurst aka Sculpture, plus Anne Laplantine and another half a dozen friends as singers, woodwind, zither and conga players. The sound mainly created, not to say faked, with computer, programming and mixing is all the way transparent to carry primarily Holmes' sophistication and his storytelling as a songwriter, that under its electro-poppy, often euphorigenic surface juggles with paradoxes. ‚Home', ‚For Export Only' and ‚Still nothing to declare...' sing about emigration, homelessness, exploitation. Most of Afro Pop is ambiguous like this, we only don't or won't understand the lyrics. This way one misses, while gazing at the Maloya Folk of maverick Griot Grrrl Nathalie Natiembé 2007 on the 19. edition of Würzburg's Africa Festival, about what she sings in her La Réunion-creole. This way one underestimates the radicalism of the electric griot of Conakry's Ba Cissoko, taking their amplified coras howling like rock guitars for inducing headbanging only. The London-zimbabwian Chimurenga Lady Netsayi on the other hand presents herself very demonstrative as a sister of Nina Simone, Meshell Ndegeocello, Mariza, who seriously and comprehensibly makes civil war, migration, dirty laundry, love & money subjects of discussion, and not even feels responsible for a danceable groove when she sings in Shona. Holmes vice versa takes care not to fall into the exploitation trap. His Afro Pop, that sounds like „a Europeans idea of African music, something like Van Dyke Parks 'Discover America' but with Highlife instead Calypso", comes in inverted commas you can dance with quite well. But the world-musical paradise somewhere over the rainbow he evokes does not try to conceal that it is a poster or a fantasy by Rousseau.
Desire is paradisal, conditions are not. [ba 55 rbd]..:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />....
....
....
....Intro review 2007



tip Berlin review 2007





Debug review 2007




zitty tagestip 2007



Taz highlight 2007




tip Berlin tagestip



Die Zeit 2005





spex interview and review 2005



taz interview 2005





Monday, October 27, 2008 

Category: Art and Photography
Well the New African & Tropical scene is moving forward fast in London. Here's two club that are regular to check out.

Every Friday there is Manifesto, hosted by Todd Hart (the man behind the Dalton Oxfam blog):

http://manifestoparty.blogspot.com



You can hear some of the music played at the party here.



And 1st Friday of every month there is Secousse , hosted by Secousse Suond System: Radioclit, A.J. Holmes, DJ Mo Laudi, Todd Hart, Jose Hendrix

AJ xxxxxxxx
Monday, October 27, 2008 

Category: Life



Wednesday, August 13, 2008 
Download live set at Goldmund Festival 2008 here.
Saturday, June 21, 2008 
Here is an article on the Tropical London scene which was in the German news papper Taz recently. It includes A.J. Holmes, Radioclit, Esau Mwamwaya, M.I.A., Soul Jazz, Honest Jons...etc!

And below is a very dodgy English translation from google!!!!

love A.J. xxx


Hybrid never go: "Tropical" is currently avancierteste genre, from the British capital from the Pop world just thrilled.

Article by UH-YOUNG KIM


Indischstämmig and reggae Jamaican virus infected neighbourhood in Britain: Swami. Promo
On the banks of the Thames is the shape of a black youth with a weapon in the attack. Anyone who is currently on the Millennium Bridge to the Tate Gallery of Modern Art walk, it has targeted. The huge photography, the Paris Street Art JR artists in the 35-metre-high brick facade of the London Museum plakatiert. But ..r examination turns out to the weapon as a video camera. The first impression is looming as an inversion of the racist regime's monitoring viewer back. From the Tate to the tube through cultural interfaces the British metropolis and extend further into the vibrant district of London multicultural into it.

Just outside, in the east of London, on the street market of Hackney push hundreds of people through the dusty paths. A Ghanaian traders sold cereal and tuber crops, also offers a Vietnamese couple a hotchpotch of electronics goods, and the Turkish butchers praises the freshly slaughtered lamb. In the Babylonian language tangle almost forget that in London, just a few bus from the hectic bustle of the shopping miles away. Everything here is a passage from difference, in the air is a sharp smell, the drizzle could equally well be a verirrter Minimonsun.

Display
"Tropical" Alexander Holmes called the atmosphere and enjoy the small coexistence on the Ridley Market. A few months ago, the British musician and is to leave Berlin after five years in Wedding back in his home district returned. Hackney has just announced, the rents are still relatively cheap. Labour at the end, the new conservative mayor Boris Johnson, Russian billionaires or 2012 Olympics? You get here with some of the major projects and the Machtgebaren in the center. The district has its own rhythm - and its own problems. Contrary to the headlines however Holmes finds that the area has become a little safer, gentrification is to thank. And the zugezogenen artists, musicians and students know the scope to appreciate. As so often fall to the reactionary tendencies in the policy with a heyday in the subcultural edges. And currently brodelt it in the laboratory London.

"Tropical" Holmes, the new "London Sumtin", which is not yet quite described London music scene, to which he belongs. At least, the most obvious Tropical genre label, MySpace offers to the urban mix of World Music, sound system culture and club tracks to nominate - and MySpace shapes the perception of music now, after all, more than any other medium. Since the success of the Indo-British singer MIA go from this scene loose impetus for an exciting pop culture, which in recent years incestuous post-Something of refinements and stiff white guys. From now down to pre-empt the many-permeable and dynamics of the global Pop music - more than Bruce Lee Peter Gabriel. The American Tropicalists have applied for the New York DJ Rupture and a diplo and gathered with their first spawned female star Santogold. From Berlin from attacking the Sick Girls and DJ Daniel Haakmann the Dance Music from the favelas of Brazil and other ghettos below the equator. And the first pieces of technology with traditional African Griots dive from Paris.

But from London this movement is the most momentum, and now the club scene. The producer and DJ team Radioclit, consisting of the Frenchman Etienne Tron and the Swede Johan Karlberg, is the flagship of the tropical London. Your party series "Secousse" in the Notting Hill Arts Club brings Hipster with parts of the African communities. The room is decorated in deep green, jungle sounds open the fresh mix of Angolan Kuduro, Brazilian Baile Funk, Coupe Décalé from the Ivory Coast and savage house-game species. It accompanies the singer Esau Mwamwaya from Malawi at the DJ console, as if he is on the summit of Kilimanjaro would be. For him Radioclit have just produced a whole album. Some say he is as Youssou NDour and can to the African Phil Collins.

It is the modest Alexander Holmes, although he has a noble title, with: "The King of the New Electric Hi-Life". This marked AJ Holmes for possession of even invented hybrid of electronic Lo-fi pop and westafrikanischem High-Life. Grew up as a white Briton in the African-influenced part Ostlondons. Here he learned the guitar in the country style of Sierra Leone to play. Hence, High-Life Music is nothing very exotic for him. If anything Holmes is even a little exotic in the Ghanaian restaurant on the outskirts of the market.

The reverse colonization by Caribbean immigrants and their music has just the Soul Jazz label on the compilation "An England Story" documented. The album will be opened by YT, say, Whitey, a white reggae singer. The latest chapter in the history of England post, also from a re-reversal in the skin colors blur. Quite obviously are also Holmes and Radioclit African music cultures, because it is their life. Similarly, ease of use Dubstep producer Shackleton traces arabesker folk music in its apocalyptic Subbass percussive tracks. Among his role models he counts the Turkish Sazspieler Erkan Ogur and the Pakistani world star Nusrat Fateh Ali Khan. And the Afro-British Dubstepper Benga does not have Indian ancestors, so his tabla Excuse convincing.

Goods draft transcultural music in the nineties, community-shaped thoughts, it is now no more ethnic authenticity. Multi-ethnicity has long been a normal and essential part of British society. Freed of national encoded liabilities, the new sounds of London also miefige stereotypes from Patchoulidüften and Bongo drums behind it, to the unfortunate term World Music depend. Since its invention - in London, incidentally - mix and the genre exotisiert various local styles. Since Tropical but sounds the same as hip and trandy 1000€ sneaker models.

Such births can style of Alan Scholefield Honest Jons only tired smile. For decades devoted to his institution from record store and label on the Portobello Road immigrants cultures. Behind the counter are the latest label compilations strung: the remix compilation "Shake Lagos, on the House heroes such as Carl Craig pieces of Afrobeat icon Tony Allen finished, and" Living is hard, "a historic collection of West African music from England 1927 to 1929.

Africa is the fixed star of Tropical, but also the Caribbean and India are still very present in the musical landscape of London. This embodies the Popduo Mattafix the two poles of the colonial heritage: India and the West Indies, the Caribbean islands, of which Columbus thought they were on the other side of the world. The singer Marlon Roudette comes from the Grenadines, his partner and producer Preetesh Hirji is a Londoner of Indian descent. The urban anthem "Big City Life" Mattafix made three years ago across Europe and the multicultural pop stars of England. With the Bhangra scene or the Asian Dub Foundation associate him most, but the skin color, says Hirji. However, in their new single "Things Have Changed 'next major hip-hop beats, pressing reggae bass and Calypso elements wonderfully elegiac Bollywood strings are used.

On the other hand, feels Diamond Duggal by the group Swami still deep in the Indian community rooted. Sun told the Indo-British DJ and producer with pride of how the Indian immigrants in England hochgearbeitet. Today Polish workers perform poorly paid jobs. Also Duggal is a product of the hybrid England: As an adolescent, he was arrested in Birmingham, Reggae virus from the infected Jamaican neighbourhood. With his cousin Apache Indian, he invented the Indo-Caribbean mixed genre Bhangramuffin. Meanwhile, he Popgrößen as Shania Twain and Erasure produced. The name stands for his band "So Who Am I". Identity issues are in clash of styles brought to dance: Bhangra from Punjab applies to the reduction of power plant, Bronx-hip-hop to drum and bass from Brixton. Duggal dreams of an identity, all represented by the best of every culture takes. And nowhere is this utopia just as tangible as in London.
On 22 June Mattafix the bands play, Swami, Oi Va Voi, Ska Cubano and the Soul Jazz Sound System at Broadcasting House Europe Summer Days festival in Cologne, dancing fountains. The slogan reads: "London Crossing"
Monday, January 21, 2008 

Category: Life

Yes someone's finally none it! A blog about my (and probably everybody living or has lived at some point in east London's) favorite charity shop: Dalston Oxfam, Kingsland Rd!

http://dalstonoxfamshop.blogspot.com/

The guy behind this blog also organizes a monthly 'African Night' called Manifesto. I like it, I like it, Oh yes indeed I like it!

by the way if anyone knows of any other great charity shops, I'm all ears?

Happy shopping!

A.J. xxx     
   

Wednesday, May 30, 2007 

Current mood:Saved
Category: Religion and Philosophy
OK on the 30th anniversary of George Lucas's Stars War, maybe the most influential childhood film of the early 70's born British baby generation (and you know who you are;). 30 years later we are still wondering "could film ever get any better?" Well yes! here it is, the slightly lesser known Turkish Star War. Real tittle Dünyayi Kurtaran Adam (the man who saved the world).

Here a link to a version with English under tittles 'ENJOY!:

http://video.google.com/videoplay?docid=-7069307816427160377
Tuesday, May 29, 2007 

Current mood:Awesome! in an African tape kind of way
Category: Dreams and the Supernatural

Hi I never felt the need to put anything in the blog sellection of myspace....until now! Today I got this link from Sculpture

http://awesometapesfromafrica.blogspot.com

And it is exactly what it says on the tin :)

Enjoy!

love

A.J. xxx