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Last Updated: 12/16/2009

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Thursday, April 09, 2009 

Mark Eleveld, editor of the Spoken Word revolution books, has arrange a meeting of the supposedly opposing camps of Page and Stage, but from what Keven Stein says there's not much opposition, at least, on the philosophical front.

... .." I believe all poetry is at root performative--whether for page or stage.  To be honest, I never think of my poems as made only for the page -- how limiting that would be -- and have always been keen on sound and the musical phrase. How else do we think and feel?"

Now if only other establishment institutions could follow suit and drop their prejudices against performance poetry and the slam movement that has garnered more audience for poetry than such institutions ever dreamed possible.

Kevin has expressed these hopes for Tuesday night's  performance

......."We've a chance to show what matters about poetry is in the music and the performance and the pleasures therein, including those of mind and body.  Let's make our event a model for what other poets of supposedly different ilks can do together to enliven our shared poetic heritage."

Come and see how it all shakes out.

..................

Tuesday, April 14, 2009

Illinois Poet
Laureate
Kevin Stein v. Poetry Slam founder Marc Kelly Smith

Page v. Stage: This reading/performance brings together two poets from completely different worlds, one who writes primarily for the STAGE
and one who writes primarily for the PAGE. The poets read together for almost
an hour, back and forth, poem for poem. It is not a slam or competition in any
way, just a good spirited, entertaining poetry evening from different poetic
genres.

Cliff Dwellers Club, 22nd Floor, 200 S. Michigan
Ave., Chicago

Open to all: Social hour at 6:00 (cash bar) program at 7:00.
Five dollars for non-members.








Sunday, April 05, 2009 
Look at this I'm actually blogging two days in a row. A record for me.

And what's it about? Definitions.

For
years I've been answering the same questions over and over and over.
Today's offering is and answer to the most frequently asked question
and the one most often skewered by narrow points of view.


 ............

What is slam poetry?....

.. ..

As the slam
movement has
expanded its history and identity has sometimes been distorted by
people (especially in the electronic media)
like to pigeon hole complex concepts into bite size chunks of sound and
light they can easily pack into 30 seconds of on-air broadcast or
cocktail conversation. That can't be done with the slam. It's too big.
It's multi-headed. It refracts
a very broad spectrum of human activity and exprsssion.


So, the question what is slam poetry demands several definitions for
slam poetry. Here a few of them in order of importance:....


.. ..

a) Slam poetry (which is synonymous
to performance poetry) is the re-marriage of the art of performing with the art
of writing poetry. ....


.. ..

That doesn't raise many
eyebrows these days but in 1984 Chicago (and the rest of the USA and most of
western Europe) to perform poetry was a radical departure from how poetry was
"supposed" to be presented orally. The establishment circles of proper poets (the
famous nobodies we called them) scorned and dismissed those of us who dare perform
poetry calling us clowns, hack actors, and unfunny comedians. "A true poet
allows the words to speak for themselves" was their mantra. "Hmmm?"
I wondered, "How do words speak for themselves."....


.. ..

b) A poetry slam is any interactive,
highly entertaining performance poetry show/event modeled after the original Uptown
Poetry Slam started (and still running) at the Green Mill Jazz Club in Chicago
twenty-two years ago. There is a legacy of hundreds of (maybe a couple thousand)
spin-off shows that have inspired other shows that have inspired still more. But the
Green Mill slam is the one that began them all and has remained the most authentic
model of slam.....


.. ..

c) A poetry slam is an
interactive performance poetry competition. ....


.. ..

You can go to the Poetry Slam Inc
website [poetryslam.com] and read their narrow definition of slam competitions and all the
associated rules and qualification paperwork for yourself. Most slams have a
competition incorporated into their events, but to say that slam poetry is
simply competitive poetry is a distortion. Any event that showcases performance
poetry and encourages audience interaction is a slam
whether it includes a competition or not. The competition format (a splendid theatrical
device) has merely been the easiest for journalists to report on and for the less creative
programmers to duplicate.  ....


.. ..

d) Poetry slam is a worldwide social/literary
performing arts movement, a network (sometimes called a family) of performance
poets, organizers, patrons, and audience members who love and passionately
support performance poetry.


It's made up of every kind of person you can imagine -- scientists,
grandpas, punkers, grade school kids, ex-cons, teachers, plumbers, cops, professors,
homeless folks -- all races, all nationalities, all ages -- men, women, boys,
girls. It celebrates all forms and styles of poetry: haiku, free verse, rants,
sonnets, ballads, limericks, hip hop, villanelles, narratives, and even
non-poems if they have something to say. It's the big house of poetry where all
are welcomed -- where everything gets said that needs to be said.


Saturday, April 04, 2009 

After years of distancing themselves from the term
"poetry slam" in the hopes of gaining  mainstream "street cred" in the
music industry or access to prestigious MFA programs, it looks like
some former "spoken word artists" and proper poets are back to branding
themselves as slammers.  Does this have something to do
with a second round HBO productions focusing attention on a few lucky
teens emerging from Youth Speaks Brave New Voices competition or could
it be the dream (lust, desire, ambition) of performing at the White
House for the Obama crew that has inspired a number of performance
poets to re-embrace the moniker they once shunned as beneath their
artistic and commercial stature. The P word is not known to boost
recording sales and the S word is poison in the fine arts academies.



The chaff goes where the wind blows. One thing that will be interesting
to witness and record in the upcoming months is whether the Chicago
nurtured Obama administration recruits any Chicago based performance
poets and organizers to program and stage their "edgy" White House
poetry slams. (There's a bit of history that indicates they should.) Or
will former coastal slammers turned spoken word artists turned back
into slammers get all the kudos? Stayed tuned.



Friday, April 03, 2009 

....................

CBS 2 ....Chicago....
Weekend

On Sunday, April 5, sometime during
the 10am to 11am CST timeslot, I’ll be appearing on the CBS 2 Chicago Weekend
news show. I know, I know, So What! Exactly, but that’s my mission these days -
to bark the arrival of two new slam guides, Take the Mic and Stage a Slam, from every street corner that’ll give
me a stage, and on Sunday April 5, that just happens to be CBS 2. That’s CUBS
without the U plus 2.

If you can’t drag yourself out of
bed by 10am, don’t worry. I have it on good faith that they usually post video
of their interviews later in the day on their Web site: cbs2chicago.com.




Monday, December 29, 2008 
Chicago Poet and playwright Eddy Two-Rivers has passed away to wherever authentic personalities go when their bodies cave in.

Story goes (not certain if its completely true, but this is how he would tell it) that he was on sabbatical from a certain state institution and stopped by the Green Mill for a cold one before reuniting with his family in Uptown. The Green Mill had been a well known watering hole for northside skins before Dave Jemilo took over ownership from Steve Brent in 1986. Eddy came through the door expecting to find cousins and brothers celebrating the freedoms of the Americanization dream in mad dog style. Instead, he found ex-construction worker me whooping atop the bar rail bucking out blue collar lines of poetry rage -- pleasing a hunk of the dark masses and frightening the more timid poetry pastels. 

Eddy thought to himself, "Hey. I write poetry, too. Some of it better than that guy's stuff. And I'm a machinist. Maybe I've found something here."

Weeks later he was up on stage at the Green Mill alongside the early slam greats: Patricia Smith, Cin Salach, Sheila Donohue, Lisa Buscani, Marvin Tate, Gregorio Gomez, John Sheehan, Rob Van Tuyle, Mike Barrett, Tony Fitzpatrick and many many others. He became one of the outstanding performance poets of the Chicago slam scene during the late 1980s and throughout the 90s. He formed a Native American Theater group at Truman College, published several volumes of poetry, gave countless performamces, taught workshops, and produced a bagful of plays based on the urban Indian experience. He pieced together a modest living writing, performing, organizing, and helping young writers and performers develope their chops.

He was a no bullshit (well, maybe a little bullshit) voice of Uptown Chicago, the Slam, and his north woods heritage. He was a friend, a brother in spirit, and a streetwise trickster. May his words live on.  And may all us in the slam community keep his memory bright.
Friday, January 25, 2008 

Category: Writing and Poetry
Looks like a reporter or two might be covering the Anti-Super Bowl Slam on Feb. 3. If you're in Chicago on Super Bowl Sunday come to the Green Mill armed with a poem or performance mocking the mania -- you just might make the news. Go to www.slampapi.com for details.
Monday, January 21, 2008 

Category: Writing and Poetry
Hello Chicago fans and elsewhere. I may have got myself into a squeeze. Pete the manager at the Green Mill and I have been planning for years to stage an Anti-Super Bowl Slam. We've finally got around to doing it, but have done a half-ass job promoting it. The total prize money is $300 (divided up between the best solo poem, best group poem, best costume, porps, etc.) and as of this date there are very few contestants. If you're near Chicago on Feb. 3 and are not going to watch the Super Bowl, come by the show.

Go to www.slampapi.com for details.

marc