Status: Married
City: Santa Cruz
State: California
Country: US
Signup Date: 4/12/2007
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Wednesday, January 06, 2010
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Current mood:  accomplished
Category: Music
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In Jazz We
Trust....
http://www.kuumbwajazz.org/concerts/010710.htm....
Known for his
classic interpretation of and undying dedication to the Great American
Songbook, Ron Kaplan now brings us his newest CD titled New York (Kapland
Records), and dedicated to the great east coast jazz mecca of the same name.
Using his sophisticated phrasing, rich, warm tone and superb command of his
trademark baritone, Kaplan personally takes you on a tour of New York City.
“Although I am from California,” explains Kaplan, “Every time I go to New York
City I am always struck by the energy, excitement and exuberance of the place.
It’s the jazz capitol of the world". ....
Having done
extensive research, Kaplan has thoughtfully selected a dozen classic
compositions that specifically reflect a myriad of different aspects of the
sights and sounds of New York - from the ongoing nightlife or riding the subway
to walking around uptown. Close your eyes and let Kaplan and his top-flight
band, featuring Lewis Kaiser on coronet, Dale Mills bringing the reeds, Martan
Mann at the piano, Billy Bosch on bass and Jimmy Baum on drums, transport you
to the "Big Apple".....
Having grown up
in Los Angeles in a musical family, Kaplan studied music, acting and comedy and
earned his BA while attending L.A. Valley College and the University of
California at Santa Cruz. While he settled into family life and a professional
career as an insurance agent in Santa Cruz, he continued to ply his skills as a
singer and is known for his association with the long-standing Santa Cruz jazz
band Warmth, directed by pianist/keyboardist and local legend Don McCaslin.
Kaplan has also performed in LA, Las Vegas, New York and London, and made
television appearances on Musicians Weekly and BET on Jazz. In 1997 he founded
his own record label, Kapland Records subsequently released his debut
recording, High Standards followed by Lounging Around, Dedicated, Jazz
Ambassadors, Saloon, and New York. www.ronkaplan.com....
Aside from being
one of our finest contemporary singers of jazz standards, Kaplan has spent his
entire career championing the Great American Songbook. He is the founder and
executive director of American Songbook Preservation Society, a non-profit
organization whose mission statement is: "To preserve our cultural
treasure known as the Great American Songbook by performing this music at home
and abroad as Ambassadors of Song." www.GreatAmericanSongbook.org....
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Friday, December 11, 2009
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Normal 0
Greetings one and all…
Happy Holidays and New Year too!
A few updates from Ron Kaplan, Kapland Records and American Songbook Preservation Society.
I’m happy to report that I will be appearing at Kuumbwa Jazz Center on Thursday, January 7, 2010 http://kuumbwajazz.org/concerts/010710.htm and will be performing the repertoire from my recording entitled New York. I had the opportunity to perform this material in NYC this summer at Feinstein’s. It was great fun. If you love NY, you will love this evening of New York songs!
I am also happy to report that we have completed the documentary film entitled Words and Music on behalf of American Songbook Preservation Society. You can watch the short film version on our website and if you like make a donation in support of our efforts. http://greatamericansongbook.org/videoMessage.html
We have been receiving play on Community TV of Santa Cruz County as a PSA.
The film is a companion piece to our 15-singer concert DVD of 2008 in Los Angeles.
If you would like to make a tax-deductible donation before year-end, I promise we will make good use of it. http://greatamericansongbook.org/make_a_donation.htm
Thank you for your support!
Lastly…I wanted to share this brief trailer for a film entitled Jake’s Dead that I had the opportunity to play a Newscaster in earlier this year. It will be released in June 2010. http://www.youtube.com/watch?v=O3zmjRUVrDg
Wishing each and every one of you good health, happiness, and good fortune.
…in jazz we trust
RonKaplan
www.ronkaplan.com
www.greatamericansongbook.org
www.myspace.com/kaplandrecords
LoveAllBeAll
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Wednesday, December 02, 2009
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Current mood:  accomplished
Category: Music
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Tuesday, October 13, 2009
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Current mood:  accomplished
Check out this video: http://GreatAmericanSongbook . org Public Service Announcement (831) 687-0278 Your support and tax-deductible donation will assist us in our mission and programs. You can donate online @ http://greatamericansongbook.org/make_a_donation.htm
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Monday, October 05, 2009
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Current mood:  accomplished
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Thursday, August 27, 2009
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Current mood:  accomplished
Singer Ron Kaplan performs One For My Baby at a benefit concert in Los Angeles on behalf of GreatAmericanSongbook.org
Our Mission:
To preserve our cultural treasure know as the Great American Songbook by presenting this music to public at home and abroad as Ambassadors of Song.
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Monday, June 22, 2009
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Current mood:  accomplished
Category: Music
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Monday, May 25, 2009
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Current mood:  artistic
Greetings one and all...
NYC: Ron Kaplan sings New York! July 10th & 11th 2009
FEINSTEIN'S at the Regency Hotel (540 Park Avenue, NYC - 212-339-4095 )
Great American Songbook Preservationist and classic-jazz-standards
singer Ron Kaplan is making a rare concert appearance in New York City
to present his “New York Song Collection” (a select group of songs
taken from his album entitled New York).
Singer Ron Kaplan keeps the flame burning brightly to illuminate jazz
standards, the Great American Songbook and the classic sound of singers
of the Fifties. The epitome of a "saloon singer," Kaplan has a rich,
warm voice that literally cocoons the listener within the cozy
atmosphere of images it creates. www.ronkaplan.com
Ron Kaplan is an original personality in the world of jazz vocalists
and he has managed to put his name into that previously closed inner
circle. He has breathed new life into it by the sheer force of his
style, for as you know, “the style is the man himself”. The Velvet
Crooner and the elegant power of his seemingly casual phrasing is in
fact, ultra-tight and perfectly seductive… Jean Szlamowicz, Jazz Hot
In addition to his career as a concert performer and recording artist,
Kaplan also is the founder and executive director of American Songbook
Preservation Society, a non-profit organization whose mission statement
is: "To preserve our cultural treasure known as the Great American
Songbook by performing this music to the public at home and abroad as
Ambassadors of Song.” www.greatamericansongbook.org
This very special musical fanfare will be a NY evening to remember. Ron
is delighted to bring this recording to Feinstein’s Loews Regency under
the musical direction of Steinway Artist and New Yorker Pete
Malinverni. www.petemalinverni.com
Jul 10, 2009 at 8:30 PM EDT, Jul 11, 2009 at 8:30 PM EDT, tickets $25-$40 or ticket web
Ron Kaplan Sings New York Buy - New York, NY $33.09 - $49.85
Making
his New York visit even more special, Kaplan will perform some these
New York Songs and talk about this classic material on one of the
city’s top talk shows, “The Joey Reynolds Show” (on WOR 710 and
nationally-syndicated) http://www.wor710.com/
on Thursday, July 9th, starting after midnight.
Hollywood Squares
Click on the squares to view Ronald’s latest work as an Actor out on loan…
http://www.ronkaplan.com/acting.htm
Ron Kaplan Best
The 2 disc CD was released in China December 11, 2008 and is available online from YesAsia.com
http://www.yesasia.com/us/ron-kaplan-best-korea-version/1013766648-0-0-cssid.10-en/recommendation.html
American Songbook Preservation Society
Work
is progressing on our documentary film to make our case for why the
music of the 20th century known as the Great American Songbook is
important and what we can do to keep the music going for future
generations. This is a companion project to our Los Angeles benefit
concert, including interviews with 8 of the 15 singers who
participated. The concert DVD is available for a donation of $20.
http://greatamericansongbook.org/ASPS_LA_BenefitConcert2008.htm
On another note…
Our
application to the National Endowment for the Humanities to build an
elaborate website detailing the history of the music, it’s Composers
and Lyricists was found to have merit although we did not receive
funding for the 2009 granting period. If you would like to support our
mission and organization, your charitable donations and support are
greatly appreciated. http://greatamericansongbook.org/make_a_donation.htm
We
now have an opportunity to collaborate with the Michael Feinstein
Foundation for the preservation of the Great American Songbook in
pursuit of our mutual goals in keeping the music going through
education and performance. We look forward to endowing our organization
to develop our programs to a greater extent, and rise to the occasion
to fulfill our mission on a national and international scale. You can
play a part in making this happen!
In appreciation,
RonKaplan
LoveAllBeAll
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Saturday, April 04, 2009
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Category: Music
 
Ron Kaplan: Friday, Jul 10, 2009: 8:30PM Saturday, Jul 11, 2009: 8:30PM Singer Ron Kaplan keeps the flame burning brightly to illuminate jazz standards, the Great American Songbook and the classic sound of singers of the Fifties. The epitome of a "saloon singer," Kaplan has a rich, warm voice that literally cocoons the listener within the cozy atmosphere of images it creates. www.ronkaplan.com "Ron Kaplan is an original personality in the world of jazz vocalists and he has managed to put his name into that previously closed inner circle. He has breathed new life into it by the sheer force of his style, for as you know, “the style is the man himself”. The Velvet Crooner and the elegant power of his seemingly casual phrasing is in fact, ultra-tight and perfectly seductive… Jean Szlamowicz, Jazz Hot"
In addition to his career as a concert performer and recording artist, Kaplan also is the founder and executive director of The American Songbook Preservation Society, a non-profit organization whose mission statement is: "To preserve our cultural treasure known as the Great American Songbook by performing this music at home and abroad as Ambassadors of Song." For more information, visit greatamericansongbook.org.
As to the future, Kaplan says, "I am deeply committed to performing these great standards and doing what I can to keep this music alive and viable for new generations of listeners."

One of our finest contemporary singers of jazz standards, Ron Kaplan has spent his entire career championing the Great American Songbook, with much of that classic material written in or about New York City. So it makes perfect sense that this tradition-oriented vocalist dedicates his latest album, New York, to that remarkable metropolis.
“Although I am from California,” explains Kaplan, “every time I go to New York City I am always struck by the energy, excitement and exuberance of the place. Everything about it is exciting – the history, the architecture, the people, the culture, the arts. It’s the jazz capitol of the world. It’s the home of Broadway theatre, Tin Pan Alley, the Brill Building and countless legendary songwriters over the past century. There is so much to do and the atmosphere is so intense. It’s the city that never sleeps. It is one of the few cities in the world that has had many, many songs written about it. The difficulty wasn’t finding New York-themed songs for this recording, but deciding which ones to sing.”
Ron Kaplan's New York and his other CDs are available at online sites (such as cdbaby.com and amazon.com), digital download locations (including iTunes.com, rhapsody.com) and Kaplan's own ronkaplan.com. In addition to his career as a concert performer and recording artist, Kaplan also is the founder and executive director of American Songbook Preservation Society, a non-profit organization whose mission statement is: "To preserve our cultural treasure known as the Great American Songbook by performing this music at home and abroad as Ambassadors of Song." For more information, go to greatamericansongbook.org. "The Great American Songbook is full of what is known as popular standards -- great songs written generally between 1920 and 1960, most often for Broadway shows or Hollywood musical films, but sometimes simply in the Tin Pan Alley tradition of pianists and lyricists working together to create quality material for the big bands or the pop singers of the day." Kaplan has carved out an exemplary singing career by following in the footsteps left by legends such as Frank Sinatra, Mel Torme, Nat King Cole and Tony Bennett. Ron has superb command of his flexible baritone that literally cocoons the listener within the cozy atmosphere of the images and feelings that he sings about. His trademarks are his sophisticated phrasing, the mature tonal qualities of his vocals, and his relaxed style.
Kaplan selected a dozen classic compositions that reflect a myriad of different aspects of New York City. “The chronology of the songs is like taking a trip to New York City, seeing the different parts of the island, experiencing the nightlife, riding the subway or the buses, walking around or going uptown.” A couple of the tunes are better known as jazz instrumentals than vocalized compositions, but Kaplan did extensive research to track down the lyrics, often going back to the earliest versions or sheet music, and sometimes singing verses seldom heard today.
While most of the CD’s tunes are from the first half of the Twentieth Century, the stage is set with a song from the Seventies, Billy Joel’s “New York State of Mind” (“He’s saying that once you’ve been a New Yorker, you always feel the pull to go back to that city.”). Lester Young’s “Jumpin’ With Symphony Sid” is about a famous New York disc-jockey playing the swing, R&B and jazz of the Forties over the air. No trip to NYC would be complete without a stop on Broadway, represented by both “Lullaby of Broadway” and a medley, “New York New York/Broadway,” where, as the lyrics say, “the night is brighter than day.” Then it’s off on a historical ride around the city with Billy Strayhorn’s classic “Take the ‘A’ Train” which became one of Duke Ellington’s signature themes. Appropriately, next comes the Ellington-penned “Drop Me Off in Harlem” and a Cotton Club standard, “Harlem Nocturne,” which Kaplan first heard as an instrumental on a noir-ish private eye television show years ago.
The journey around the big city continues with “Forty Second Street.” Kaplan says he loves the historical content (“it talks about everything from dancing girls and chorus lines to Times Square and Wall Street”). Another side of the city is presented in “Sunday in New York” (“it reminds me of strolling along the streets and people watching”). For many years striving, struggling artists have flocked to this important entertainment capital determined “to make it” and this drama is described in the Sixties Brill Building hit “On Broadway.” Kaplan injects a little humor with the cynical tongue-in-cheek “Give It Back to the Indians,” written by tunesmiths Rogers and Hart. The recording closes with another song by the same team, “Manhattan” (“perhaps the quintessential song about New York”).
Kaplan’s other albums are High Standards, Dedicated, Jazz Ambassadors, Lounging Around, Saloon and a special-edition fund-raising live recording American Songbook Preservation Society Singing the Great American Songbook. “All of my albums are an acknowledgment and tip-of-the-hat to those who came before us and paved the way for us to have a truly American soundtrack of music for our lives,” explains Kaplan. “My greatest desire is to keep this wonderful music before the public for the next hundred years and beyond. This music needs to be elevated and cared for, which is why I started the not-for-profit American Songbook Preservation Society.”
Ron is delighted to bring this recording to Feinstein’s Loews Regency under the musical direction of Steinway Artist and New Yorker Pete Malinverni. www.petemalinverni.com
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Sunday, March 08, 2009
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Current mood:  accomplished
Category: Music
Sing Into Spring article….Ron Kaplan…for Jazz Improv NY April ’09
Can you talk about some of the things that are currently happening in your career that you are excited about?
This past December a double CD entitled Ron Kaplan Best was released in China featuring 34 songs from 6 of my recordings. I am excited and hopeful about the possibilities to reach new audiences and to represent American Jazz and the Great American Songbook abroad.
I am also delighted to have the opportunity to collaborate with Michael Feinstein and his new Foundation for the Preservation of the Great American Songbook and the Charitable Organization I founded in 2004 American Songbook Preservation Society…Singing the Great American Songbook. We have very similar missions and goals for keeping this music and it’s history in front of the public for new generations.
As I am able to raise my profile I can do more and more for this art form and passion of mine. We are currently in the process of editing a documentary film on behalf of GreatAmericanSongbook.org in order to make our case for support for our mission.
In addition to your involvement in music, what other activities help provide balance and fulfillment in your life?
I live in a beautiful place called Santa Cruz, California in the Monterey Bay. I take daily walks near my home as a way to maintain my health, and am able to enjoy the ocean vista and wildlife in all its forms. I find that for me, walking is good for the mind and body, and it allows my mind to meditate and wander. This is a place where I have conceived, incubated and hatched many an idea that has come to fruition.
I also love film and watch many on cable or at the three local indie movie theaters in the county. I also take occasional roles in small indie films as an actor. It is almost as fun as singing. I also love Biography and American Masters programming.
Enjoying people and conversation, family and friends, appreciating the precious moments of now, and being mindful of my personal journey in this amazing universe.
Who are some of the influential artists with whom you have performed that have created demands and challenges for you, therefore influencing your development, perspective, life understandings, and personal growth? How have they done so?
As a musician whose axe happens to be his voice, I have always had the mindset of being a work in progress. I do my best to learn from each musical experience and musician and grow with the intention of evolving as an artist. The work of mastery is never done, and the work changes as we age and our experience and perspective change, and as our body changes as we age. Many musicians learn to do and say more with less, know what to leave out and what to imply. It is an ongoing process, as is continuing to peal away the layers of the onion in exposing our vulnerabilities and embodying the song so as to reveal its truth.
What are your top five desert island vocal albums, and please state why.
Everybody’s Bopin’…Lambert, Hendricks and Ross (their best effort, and its just simply a great recording)
Frank Sinatra Sings for Only the Lonely…(my favorite FS album, great album with a blue feel. I love a good ballad and have been characterized in the past as a blues balladeer)
About The Blues…Julie London (one of my favorite female singers with great repertoire that I find I can identify with as a male vocalist)
Letter From Home…Eddie Jefferson (you gotta' love his style. I dig his take and would love to have his vocalese skill set. I could never figure out who influenced who between he and King Pleasure)
Ella and Louis with the Oscar Petersen trio recordings (1956-1957) (great duets with two of our finest legends)
Self consciousness can be the enemy of creativity, and it takes the most strength for a singer to diffuse it. If you’ve experienced that kind of performance anxiety or nervousness in your career, what helped you and how did/do you overcome it?
I am reminded of the Miles Davis statement that surprised me but also inspired me. He said something to the effect that “If you are not nervous, you are not in the game”. It surprised me in that he was typically characterized as nonchalant and detached, but this quote invites further inspection and may even explain why he might have turned his back on the audience in not wanting to be distracted and lose focus, or simply shy underneath his projected personality of ultra confidence.
Going back to junior high and high school plays and musicals, in the theater world, there is a term referred to as stage fright. This is a natural and normal feeling to experience right before going on stage and can actually give you a boost as a performer by adrenal zing yourself for the “fight or flight” response that increases your awareness and focus. Not a bad thing really. Over the years I look for that sensation of fear as a welcome friend. If I don’t experience it, then I am not really in the game, as Miles would say. Now, having said that, there is a type of anxiety that can be completely crippling and paralyzing sometimes referred to as performance anxiety. I have only experienced this once during a gig in the middle of a difficult song where the vocals were very much out front. All I can say about it is that it overwhelmed me coming out of nowhere and it was a challenge to get through the song midway through the set. I was taken aback in it being something I have never experienced as a performer in all of my years. I would never want to experience it again under any circumstances and was able to not feed it but acknowledge it on the next two songs. It never reappeared and was a valuable experience if nothing more than an exercise in including the unexpected in the space and time of the moment and to recognize the nature of the beast as it were.
What were some of your early influences and turning points that solidified your desire to follow this life path as an artist?
Singing is what comes most naturally to me. I always had an innate affinity for music and song. My father was a trumpet player and my mother played the phonograph and the radio. I grew up in the 1950's when the popular music of the day was the Great American Songbook and the Popular Standards featuring the best talent of the 20th century. When there was a great song, all of these singers had their own arrangement of it. This repertoire is the basis of the Great American Songbook.
I once asked myself the question as a 41-year-old adult: "If God could give me one job in life to do, what would it be?" The answer came right away...to SING. That started me back on the road to singing and performing after putting that on the shelf for a dozen years when I was building and raising a family, but listening to instrumental jazz.
I believe that getting back into music saved both my emotional life and marriage. As Duke Ellington once put it, “music is my mistress”. I was able to channel my emotions into the creative pursuit of music and musicality, rather than self-destructive behavior that many of us engage in when bored or detached emotionally in our lives. It gave me a vehicle to express myself and become part of a community that remains rewarding emotionally to this day.
The act of co-creating with other musicians is not unlike being lovers, in that the experience is shared and creates a bond in love and in a loving and respectful manner under the best circumstances. This experience brings people including the audience together in ways that religion attempts to do and is often alike a religious experience where the ego self dissolves and one becomes part of the collective self.
Could you talk about your musical background? What steps did you take to get where you are now? What were your studies like? How did you develop your skills?
I believe that singers are born and not raised. I was born a singer. Singing is what comes most naturally to me. As far back as I can remember, I always had an innate affinity for music and song. There are anecdotal stories of me singing into a wooden spoon as if it were a microphone at age two or three.
I suppose that I have simply followed my inclination to sing and was able to recognize when doing it in various contexts or formats; the ones that resonated with my core being and natural talent, and the ones that did not. As an example, for some singing in a choir with other voices is it, or a barbershop or madrigal with your own part is it. For me, it is as a voice with other instruments. I learned how to play other instruments so that I could accompany myself, but realized that my real talent was for singing and not as an instrumentalist. I also wrote and performed songs in the folk-rock genre that were a great experience and rewarding, but enjoyed working with others musicians who could follow “accompany” me and embellish musically where I lacked the skills. When I put my playing aside and came back to music after years of listening, but “laying out”, I simply focused on singing. I learned the jazz standards and found the proper key signatures for my particular timbre, and most importantly found a mentor who invested his time in my development as a singer, and gave me the opportunity to sit in week after week, year after year. There is a great tradition in jazz of mentoring other developing musicians, and I have found myself in this role paying back what was given me.
What advice do you have for young singers who are looking to develop their own voice and the ability to do this professionally?
I believe that anyone can deliver a song if they find their true and authentic voice. I'm sure that most of us have seen and heard someone without a great voice deliver a song in such an authentic way, that it works! The lyric and the intention of the song come through loud and clear. This is what I believe is our duty as singers; to find our own true and natural voice; in essence, our own true self.
This is not something one can fake. The audience knows if it is real and true. This I believe is also the goal as a singer, to become ourselves and peal away the layers of the onion so to speak of falseness, and to find the song within our self and to reveal it to others. In acting, we call these making brave choices, by revealing ourselves and our own vulnerabilities as human beings, casting aside our vanity in the process.
This is a process that takes many years to develop and the process never ends. One has to simply do it time and again. It could take singing a song dozens or even hundreds of times to investigate all of the aspects and approaches to one particular song. Even then, each time you take it out and dust it off, it is an adventure in most of all, being present within yourself, and being cogniscent of the musicians you are playing with, listening deeply, responding accordingly, and a keen awareness of the space in which you are performing, and the audience you are performing to.
What is it about jazz that draws you to it? There are so many styles of singing—why jazz?
As a singer, I know that in the core of who I am, that I am compelled to sing, and the meditation of that process nurtures me at the deepest level of my soul. It is also the one way that I have found to express my true Self personally, artistically and spiritually. Being inside the moment of the song is an eternal and joyful experience that gives me an opportunity to be fully engaged in life and to comprehend and participate on an intuitive level that is fully engaging, akin to being in the zone so to speak, and particularly in the idiom of jazz with the opportunity to improvise and co-create, time expands and I discover the many choices I have from my palate to paint my canvas in those eternal moments of now.
What is the most rewarding facet of your life as an artist?
As a singer, I know that in the core of who I am, that I am compelled to sing, and the meditation of that process nurtures me at the deepest level of my soul. It is also the one way that I have found to express my true Self personally, artistically and spiritually. Being inside the moment of the song is an eternal and joyful experience that gives me an opportunity to be fully engaged in life and to comprehend and participate on an intuitive level that is fully engaging, akin to being in the zone so to speak, and particularly in the idiom of jazz with the opportunity to improvise and co-create, time expands and I discover the many choices I have from my palate to paint my canvas in those eternal moments of now.
What is the greatest compliment that a listener can give you?
That they listen to my music and have incorporated it into their own lives by allowing it to become part of their personal environment and musical landscape. This after all is my greatest desire, to share my music with others. I simply want the opportunity to do it more often and expand my listening audience, and to carry on the tradition and craft. As George Gershwin one wrote, “Jazz is America’s folk music”.
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