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The Perfects



Last Updated: 12/14/2009

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Status: Single
City: Baltimore
State: Maryland
Country: US
Signup Date: 6/6/2005

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Friday, December 21, 2012 
You can download the entire new album "Future Automatic" for free by going here

http://www.theperfects.com/download.html

Once you click on your preference of WAV or MP3 just right click and "save link as" on each track.

If you want to pick up a hard copy CD please visit

http:///www.merchdirect.com/theperfects

Enjoy the album and please feel free to spread the link around for the free download.
Friday, October 16, 2009 
http://www.mi2n.com/press.php3?press_nb=123896

Baltimore, MD: October 12, 2009 – The Perfects bassist Colleen Haile-Fucci is proud to announce her endorsement of Daisy Rock Girl Guitars.

Colleen joins other prolific artists on the Daisy Rock roster, such as Avril Lavigne, The Bangles and The Donnas. “This is truly an exciting opportunity,” says Colleen, “I can’t wait to use my Stardust Elite Bass for The Perfects’ west coast tour early next year.”

Electro-rock band The Perfects recently released their debut album Future Automatic for free on their website, www.theperfects.com. The album is also available on iTunes, Amazon and Amie Street. The responses have been positive, with Insomnia Radio hailing the album as “everything that was right with industrial/techno rock.” The Muse Box praised Future Automatic as “a record truly without fault.”

The Perfects is returning to the studios with producer Nic Hard (The Bravery, The Church) for their second album, featuring remixes by Chris Vrenna (Marilyn Manson, NIN), Grammy nominated DJ Richard Vission, Assemblage 23’s Tom Shear and more.





Thursday, August 27, 2009 
Monday, June 22, 2009 
Thanks to MicControl for such a flattering review.

Micontrol review

The Perfects, an electro-rock outlet for founder Ric Peters, has recently released their latest album entitled Future Automatic. The music displayed on this album is modern yet remains a throwback to the earlier artists of the genre such as Nine Inch Nails and The Cure. Although the music is very electro-heavy, the melodic aspect of the songwriting is quite different than what is commonly heard in todays music. The Perfects have stayed away from the dance beat side of electronica, which is really the direction that the genre has headed toward in the last few years, in order to maintain the ideals of actual songwriting craftsmanship. Even with such layered electronic instrumentation, the music remains about the songwriting, not just the beat. It seems that the big difference between this music and most of today’s examples of the same electro-rock genre is that this music seems to be pop driven, while most of it is more hip-hop driven (if anything- a lot of times it is just a beat or layered electronica piece without fusing together with any other style).

The music itself is actually quite good. The fact that this music IS about the songwritting, makes it much more accessable than most of today’s electronica music. Typically, I find it hard to listen to the genre without feeling the need to dance (and I’m not the biggest fan of dancing), but the melodies and the constantly strong chorus lines held my interest throughout listening to the album and also made it easier for me to look into what was actaully going on on the programming side of things. Speaking of which, the programming is also very well put together. The music has been nicely layered, and the album really uses the ability to pan sound to it’s advantage. There are lots of little details that could have gotten lost in the mix, but are easily heard due to the way certain things have been panned to be specifically heard from one side or another; this also allows the layering of similar pitches to work better as well.

The vocal work on Future Automatic is very strong. The melodies are well crafted, and the harmonies are perfectly executed. The strong, deep lead vocals work quite well over the music. If it not for the deep vocals (similar to those of Trent Reznor of Nine Inch Nails), the songs would feel unbalanced due to the strength and density of the electronic based music. Thankfully this is not the case, and neither the vocals nor the music feel overpowering- they work very well together to create strong, driving songs.

Saturday, May 23, 2009 
Insomnia Radio

A big thanks to Tim Poggioli, Don Rogers, and Jason Evangelho of Insomnia Radio

Don Rogers who also hails from WTMD got the ball rolling by turning Tim onto the band and in kind Tim turned us onto Jason.  lol that sounds kinky hahaha, no but seriously thanks guys!

In addition to the daily dose link above The Perfects will be featured on show #165 hosted by founder Jason Evangelho and I will be sure to post that once it's up.


Friday, May 15, 2009 
Review

These days, to do anything in earnest is to run a risk; if the effort fails, critics can more easily mock something done sincerely than anything done ironically. The Perfects, a dance-rock band from Baltimore, Maryland, seem to have created an album, Future Automatic, in earnest. Like Joy Division, Gang of Four, The Faint, and Cut Copy before them, The Perfects merge broodiness with dance beats. On Future Automatic, the seven songs are tightly produced by Nic Hard (producer of The Church, Aberdeen City, The Bravery). Future Automatic is filled with dark, serious dance tunes that run the gamut from break-up ballads to loving odes to an angel.

Future Automatic begins with “End Of Us,” a dark, brooding song about romantic woe. The Perfects tackle the break-up song with the usual amount of angst, but the song’s catchy beat and sing-a-long chorus rescue it from the same old, same old. “Come Down” has a very similar dance beat to “End Of Us,” and retains the tone of dark, Robert Smith-inspired dance rock. “Because Of You” seems to echo Orchestral Manoeuvres In the Dark’s classic ‘80s opus “If You Leave.” A cheesy but addictive ‘80s band seems a good point of comparison for The Perfects - their lack of self-consciousness is what allows them to produce such nuggets of easily likable, listenable music.


The Perfects hit a stride with “When I Cared.” The song sounds like the B-side to “Somebody Told Me,” one of the best tracks ever produced by The Killers. “New Life” begins with an electronic arrangement worthy of Kraftwerk. The song is not pretentious ‘70s art rock, but instead, it’s radio-friendly dance-pop, reminiscent of The Bravery. On “The Hidden,” The Perfects demonstrate their rock influences, leaning toward the guitar-hero side of radio rock. The closing track, “Darling Angel,” has the band finally emerging from their cocoon of brooding anger. On “Darling Angel,” the band allows themselves a little bit of joy, and the soaring melodies are a welcome reward.


With Future Automatic, The Perfects haven’t invented a new genre, or changed the world with a new conception of pop music. But Future Automatic is solid, fun, and incredibly catchy- and all seven songs bear the mark of pop genius. - JULENE PAUL



Wednesday, May 13, 2009 
Monday, May 04, 2009 


http://internetpopular.wordpress.com/2009/05/04/in...

Extremely flattered and humbled by this great write up. Thanks guys!

Monday, May 04, 2009 
Sunday, April 12, 2009 
Grammy nominated and billboard chart topper DJ Richard Vission and The Perfects have teamed up on a new song called "Far Away"

The song sounds amazing and is sure to ignite a fire on turn tables everywhere once it drops.

Details soon on the release date and some big big remix news.

Stay tuned!