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P.O.O.R



Last Updated: 12/10/2009

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Status: Single
City: Sacramento
State: California
Country: US
Signup Date: 4/15/2007

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Thursday, December 03, 2009 

Category: Music

My interview on Capital Public Radio (CPR) 90.9FM

I had just gotten off of work when I had received an email from Capital Public Radio stating that they would love to have me come in and do an interview on their program. I had sent them an email a couple of weeks back and forgotten about the whole thing. I couldn’t believe it at first, so I read it a couple of times. When I had concluded they wanted me to be there the following Monday, I responded with no hesitation.

I’m a big fan of NPR, and a couple of other local news radio stations. So I had felt completely honored to be invited on. The next couple of days I had racked my brain thinking about what I was going to do. What songs I was going to play, and what my tone was going to be. Was I going to be the introverted artistic Poor that I usually am, Or was it going to be the funny off the wall guy? Or would the revolutionary Poor go on, and tell the world how it is, and how he sees it? I didn’t know. These were the things that kept me lying awake at night for the next couple of days.  

Music was the main thing on my mind. I kept thinking which songs I could present on the radio, and still give the audience a sense of who I am as a whole. A lot of my favorite songs that I’ve recorded are not suitable for the radio. For example “sex sales”, and “poor drunk bastards”,” throw some keef on it”, and the list goes on. I figured my next step should be getting some of the tracks edited. So I called my homie Mike Colossal, and told him my dilemma. He had agreed to whip me up something that was a little more P.C.

I finally got the tracks back the morning of my interview. I rushed all around the house trying to get my shit in order. I had to feed my son, get him ready to go to the baby sitters, plus get myself ready for work. Man it was a rough morning. I’m almost certain I got to work late that day.

When I did get there though, a lot of my co-workers were very interested in what was about to unfold in the next hour or so. They asked me who was doing the interview, and was I nervous, and what not. I wasn’t in slightest. The time flew by really fast, and the next thing I knew it was time for me to hop in the car, and be on my way. In route I listened to my disk at least five times. I think I even smoked about 20 cigarettes.

When I finally found the place I showed up with a hand full of red bulls, and a dozen of doughnuts. I couldn’t wait to get pass security so I could take a shit. I had this monster in my belly that demanded my attention. “Yeah yeah yeah blah blah blah” I say to the girl at the front desk, and head straight for the bathroom. The bliss I felt after those teeth clinching moments where indescribable.

I get into the green room with the rest of the guest who were going to be on the show for the day, and just sit there. I was feeling pretty out of place. One of the guys was an older man in about his late 50’s with a brown blazer, and a ten gallon cowboy hat. He claimed to be an expert of bankruptcy. He talked with a lot of confidence, and assumed he was in charge. Still I sit there… There was a father and daughter couple on the couch directly across from me who were there for their sculpture art. I thought that was pretty cool. Then the daughter says something like “watch my purse in case those rowdy teenagers are in here” or something like that. At first I’m like Bitch please! Assuming she was talking about me. Turns out she got her purse stolen the night before from some kids in a hotel. The lady I had sat right next to was a writer for children’s books. Very sweet lady. She had a really soft voice so I could see why she would be into the whole children’s market.

One by one we were called into the studio to do our interviews. During the segments we could listen to the person who was actually on air at the time. We were all trying to figure out something just as important to say as the last person. I was the last man standing by the end of the show, and went in with my head high, and a empty belly. Jeff was sitting there on the other side of the desk with a half smile, and his hand out. I shook it then sat down again. They adjusted my mic to where my mouth was, and then all the magic began. To listen to this interview stay tuned. I’ll put it up on my myspace page soon.

Thanks for reading. Yours truly Poor.   
 

Tuesday, November 17, 2009 
Saturday, August 29, 2009 
Sunday, March 01, 2009 

Current mood:  adored
This is a good opportunity for all the people in other states and other countries who have asked me for a copy of this album to get it here. Im sorry, Im not rich, and can afford to push my music as far as I would like. So if you haven't already got a copy of "For what it's worth" Please buy a copy from me online today. Just go to my profile, and download it from my snocap. Peace and Blessings to all.
Friday, March 07, 2008 

Current mood:  confident
By Aaris A. Schroeder
Founder/Editor-In-Chief

Abstract, bluesy and significant is Poor of Tribe of Levi's new album, "…For What It's Worth." Turning a jazzy corner into the ways of hip-hop and providing a more revolutionary standpoint towards the inner grind of the culture itself.
"Dark Blue," samples live instruments, body-moving beats and lyrics more familiar to an east-coast sound yet saturated right here in Sacramento.
"This song was about how a relationship can go wrong. I'm sure you all know what that's like. This song is very personal to me and happens to be one of my favorites so far," says Poor.
Poor also includes a special hidden track entitled, "Poor Shark Girlfriend." This song is recorded live and has a rebellious sample added in for extra flavor. Find out where Poor and Tribe of Levi perform at www.myspace.com/holdenclaufield.
Thursday, December 20, 2007 

Category: Music
Photobucket
In this oversaturated rap market full of self-conscious and boring emcees, Poor's brutally honest approach is a breath of fresh air. And so is Mic Jordan, whose imaginative production takes interesting turns—from rock to straight-up hip-hop. "Sex Sells" flaunts Poor's obvious love of language, while Jordan hops on the mic to round out a beautifully obscene track. The disc's highlight, though, is "Dark Blue," produced by Jeremy Pearson, who loops breathtaking jazz piano over a lazy drum track to mesmerize the listener into a near-trancelike state. Poor uses the beat wisely, not merely as a backdrop but as a tool for his voice to craft structurally sound compositions with—ingeniously, Poor rhymes underneath, over and through this texture-heavy track. Stay on the lookout for this rich emcee.

Josh Fernandez
Wednesday, November 21, 2007 

Current mood:  awake

Photo Sharing and Video Hosting at Photobucket

Around two or three months ago I had the opportunity to do a song with one of my favorite emcees. Yeah that’s right. The one and only Sadat X. My man was coming down from Portland while he was on tour in the west coast.

Before the event even went down, the shit seemed unreal to me. I couldn’t believe me and my brothers from the Levi were going to be on the same track as a Brand Nubian. I got to the lab where we were going to be recording and immediately grabbed a beer to get me in the right mind state.

As soon as dotty X walked through the door we started rolling up some of dat good good Calli. We shook hands wit the cat as if he was family we haven’t seen in a long time. He had showed us his new tattoo he had just gotten like two nights before. It was a skeleton of his hand outlined on the top of his hand. Shit looked maddddd painful.

From there we started getting right down to business. Listing to our beats, our tracks we had already made, and brainstorming on new concepts. He bobbed his head as if he was intensively listening to our lyrics to see what we were about. He bobbed his head faster in a rapid motion as if it was in agreements with what we were doing. That was the most satisfying moment I’ve had in my rap career. A cat you grew up listening to as a shorty was now feeling your music as a stranger.

We had played him a song off our slow coming, but forth coming album entitled "What it means to be black" (don’t bite the song) Oh man, Sadat was really feeling that one. Tell you the truth I really dig that one myself. It’s just a hard ass song. So everything we played after that he just kept asking about that slapping ass track my man DJ Filth produced. So we threw the instrumental on, and let him get busy. He wrote the track in about the time it takes to smoke 2 L’s. He got in the both and put it down like pro. I remember looking at my man NON while he was recording, and he was smiling from ear to ear. In disbelieve that X was on our song.

This was a dream come true for me, and I wanted to share this experience with everyone I could. I would like to thank my brother Mic Jordan for his hard work on hooking that up. I also would like to thank cool Z for making that happen. I will remember that day until Im in an old folks home. Who is the Tribe of Levi again?

But until that day it will stay in my heart.

 

 

 

 

 

 

 

-Poor (Tribe of Levi)