We've just been made aware of our first official album reviews for "OKgiraffe"
Here they are.....
Exclaim Magazine
By Rachel Sanders
The BC transplants in OKgiraffe must feel much more at home in their
adopted city of Montreal than they ever did on the west coast. With its
heavy blend of cultures and high sense of drama, Montreal is a fitting
backdrop for the band's unique brand of urban gypsy soul, a sound
that's far more martini-and-cigarettes than soy-latte-and-weed. On
their debut album, the hypnotic drone of the band's dual double basses
is counterbalanced by the catchy shuffle of Latin-jazz-inspired drums.
They combine equal measures of soul and funk, adding the occasional
kick of hip-hop-style vocals for extra flavour. The ominously murmuring
double bass of the opening track picks up speed and momentum as the
album progresses, making way for guitar and sassy accordion on several
tracks. Rosa Smedley's soulful vocals lift tracks like "Let Them Go"
and make them fly. (Independent) http://www. exclaim. ca/musicreviews/latestsub. aspx?csid1=128&csid2=870&fid1=35788 ______________________________________________________________
Vernon Morning Star
By Dean Gordon-Smith Published: January 22, 2009Trio meets tall order
The Okanagan–raised musicians in OKgiraffe have fittingly moved their scene of creative endeavour to Montreal, the closest you can get to European
sensibility in Canada.
This trio of jazz-based hypnotic adventurers (Rosa Smedley, Kevin Bertram and Brandon Goodwin) boasts a grooved-out hipster tone based on unconventional instrumentation and free-form presentation.
The sound of OKG’s self-titled album is densely coloured by groaning, growling acoustic bass and a wheezing accordion. These clearly add to the trio’s “outside” vibe. There’s a smooth groove to these songs that’s part
Dixieland and Parisian café flair – it’s down tempo with elements of
swing. The band recorded live off the floor, and this decision clearly
enhances the after-dark night club ambiance that the group generates.
The continental edge of the recording is broken up by the high, clear
vocals of Rosa Smedley. At times ethereal, and other times inflecting
an au natural alternative jazz-rap vibe (BC Premier, Heaven Only
Knows), she retains a languid calm and assurance.
Some of the material suggests exotic locales (Solo Espera) or
soundtracks (Jackson Said), but most of all, OKG has a wide-stretching
atmospheric sound that’s wholly organic and unhurried, suggestive of
other times and places.
OKANAGAN’S OWN OKgiraffe,
Brandon Goodwin, Kevin Bertram and Rosa Smedley, delivers a hypnotic
blend of sounds on its self-titled debut. ______________________________________________________________
This one from
CHOQ.FM "en francais"
By Simon Maltais Morand
OKgiraffe est difficilement définissable mais ne manque pas de nous

charmer avec l'album
OKgiraffe. La merveilleuse voix de
Rosa Smedleynous laisse pantois sur des compositions très originales puisant dans
le jazz et dans le funk tout en ayant un son tout à fait unique.
Passant de l'anglais au français à l'espagnol, OKgiraffe nous propose
un voyage dans leur univers qui n'est pas sans rappeler certaines
sonorités d'Europe de l'est. L'album a été lancé au divan orange le 22
octobre dernier et le groupe était de passage dans les studios de
CHOQ.FM quelques jours avant dans le cadre de l'émission
Univers Folk pour une performance mémorable. Un groupe à découvrir et à voir sur scène absolument!
_____________________________________________________________
Ear to the Sound BlogPosted by
Michael ElvesOne of the first things I do when receiving new albums at the station is mark up the cases and discs with a
sharpieto prevent them from being lifted from UMFM and sold (and believe it or
not I've heard of this happening at other stations - and I've
personally seen what I know are radio promo copies for sale at
Cheapo in Minneapolis).
The
added benefit of marking up the discs is a chance to check out
something more than the cover art - sometimes if I were just relying on
my initial impression of an album's cover I'd pass over some decent
records that don't grab my attention off the hop. A classic example of
this is the Parlour Steps
self-titled album, but for a more recent case-in-point I turn to this entry's subject, Montreal band OKgiraffe.

The
cover of OKgiraffe's new record (pictured above) is kind of cutesy, but
didn't really grab my attention. It was when I turned to the inlay and
found a picture of the band holding a curious assortment of instruments
that my interest was piqued. Standing in the middle of an ill-lit
street, Brandon Goodwin stands behind a lone snare drum, beside him
Rosa Smedley supports an upright bass and to her left Kevin Bertram
cradles an accordion. I had to give this album a listen.
Thankfully
OKgiraffe don't just have a fantastic photographer in their arsenal -
they've also got a clutch of great tunes that utilize their peculiar
instrumentation to full effect. Consider "
Heaven Only Knows,"
where the accordion line introduces the melody and then takes a
backseat role with a rhythm-guitar-type line while Smedley RAPS IN
FRENCH!! What with living in Montreal it's not totally surprising that
they're bilingue but the way they back-and-forth within the song is
still impressive. And the song is damned funky for something so folky.
That
strange juxtaposition of funk and folk is what makes this record so
compelling - there's a tongue-in-cheek mention on the band's Sonicbids
EPK that says OKgiraffe "leads the Urban gypsy surprise movement." I
don't know if there is such a movement but after listening to OKgiraffe
I'm hoping one develops so I can hear more of this type of music.
Speaking of more, check out "
Let Them Go" and then go check out the band's
Myspace page.
______________________________________________________________