The album Remnants of Life is available to download now on Amazon and other download sites. Physical product with 8 page booklet and hidden bonus track (on first limited edition run) available in a few days from good stockists.

Below is some info on the project:

Osiris The Rebirth is the brainchild of veteran space-rocker Dave Adams.
In 2007, while playing bass with reknowned Hawkwind tribute band Assassins of Silence,  he had the thought of resurrecting one of his early bands, Osiris.
First stop was fellow Assassins founder-member, guitarist/producer Milo Black, another veteran of the music wars with a 20-year recording pedigree. Old Osiris songs were rearranged and reworked, and new music in a similar vein began to emerge at speed.
After some experimentation with personnel, the band settled as a collective, with Dave and Milo as core members and guest contributions from other artists.
The debut CD Remnants Of Life features guest appearances from ex Hawkwind members Nik Turner (flute) and Bridget Wishart (vocals), and well-known space-rock violinist Cyndee Lee Rule.
Further lead vocals are provided by ex-Assassin James Hodkinson, currently with space-rockers Xoo and performing with Pre-Med, and by Texas-based singer Kim Novak, with whom Milo previously collaborated on the Raspberry Silk album Inner Voices.
Although not a concept album as such, the CD plays as a continuous piece, one song merging into the next, with the eight main songs framed with short dialogue inserts, suggesting that the listener is a passenger on an interstellar voyage – and perhaps implying that the songs represent the fragmented images and half-dreams that might be experienced during travel through some hypothetical non-Einsteinian space.
The music marks out the OTR home turf of space-prog – a blend of Hawkwind-esque space-rock, instrumental excursions reminiscent of Ozric Tentacles, and the experimentation with odd meters and varied orchestration typical of progressive rock. The Hawkwind and Ozrics influence is to the fore, but there are many nods to other bands and genres – even extending to some classical influence in the linking piece Gymnofeetie (a slanted reference to Satie's Gymnopedie No 1) and the piano introduction and coda to Dragonslayer. Osiris clearly do not intend to be pigeonholed – the final three tracks on the CD comprise a spacey instrumental, an accessible power-ballad with a smoky sax solo and romantic lyric (although still set in a science-fiction context) and a 15-minute prog epic, ticking all the boxes for symphonic intro, odd meters, oblique lyric, extended instrumental sections and – of course - electric violin.