MySpace
myspace music


Brothers Lazaroff



Last Updated: 1/5/2010

Send Message
Instant Message
Email to a Friend
Subscribe

Status: Single
City: Saint Louis
State: Missouri
Country: US
Signup Date: 5/9/2007

Blog Archive
[Older      Newer]
 /  / 
September 9, 2009 - Wednesday 
BROTHERS LAZAROFF — American Artifact

I just got this CD in the mail and played it three times through.  Jeff Lazaroff (main lead singer) has finally persuaded brother David (main guitarist) to return home to St. Louis, but the band will be back and forth anyway, given that Lindsay Greene (bass) and Gary Newcomb (pedal steel extraordinaire!) live in Austin and the lads just cannot get good tacos that far north.  Also featured on the CD are Stacy Hoobler on drums and percussion and Jeremy Schildcrout on harmonica — but trust me, there are PLENTY of people (Dave Sanger and his lovely bride Elizabeth McQueen, for example) who love to play music with THESE guys.
THIS is the record I had long been waiting for — consistent in its sound and with the songs like, “When the Bottom Falls Out” (dark) and “Let It Be Love” (yeah!) and “Creeks Don’t Rise” (sounds like a Robbie Robertson song to me).  The opening cut begins with Newcomb’s signature sound, and then Jeff’s raspy voice promises that “I’ll See You Through.”  The title cut is a real rocker — this is, after all, an Indie rock band of sorts.  More guitars on “Ain’t Gonna Let You In” (I think this is David singing here?)  — this has a little of the sound of “Eight Miles High.”  “Dreamin’” is a ballad sure enough, with lots of pedal steel and passion.  The final cut, “Lament,” is a poet’s version of a Bob Seger song, one to be played late late at night.  I have to run so I will not tell the WHOLE story of this record — but just get it and tell the band they HAVE to get here for about six or seven shows a year at the very least.

P.S.  I played American Artifact several times over last week while driving through the beautiful Vermont countryside — and let me tell you, the juxtaposition of David Lazaroff’s fuzztone guitar and Gary Newcomb’s unequaled pedal steel make this one of the best traveling records in a long time.  The final cut, “Lament,” is nearly nine minutes of pure bliss — Jeff’s spoken vocals reminding us along the way that “paying attention” reaps huge rewards and does not (despite the “paying”) cost a dime — Gary says this is some of his very best work ever, and I concur.  The boys will be down later this year for another round of shows.
June 26, 2009 - Friday 
Americana Artifacts



Posted June 26, 2009;  Tomorrow night, local roots-music heartthrobs David and Jeff Lazaroff, who front Brothers Lazaroff, take the stage at Off Broadway (3509 Lemp Avenue, 314.773.3363) to celebrate the release of their second CD, American Artifact, and based on an advance promo copy of the disc nabbed at Twangfest 13 earlier this month, that event should justify braving summer's first heat wave. With American Artifact, the Lazaroffs and their ace band continue a thoughtful, assured exploration of roots music on 13 tracks often tinged with a bleakness suited to the present. In particular, the third, "When the Bottom Falls Out," conflates our economic and martial woes, mournfully observing, "To be woken from our slumber feels like an attack." A constant and ominous conditionality, meanwhile, suffuses the antepenult, "Creeks Don't Rise." Elsewhere, "I'll See You Through," the midtempo opener, focuses achingly on a stagnant relationship, counterpoised by the guitar jangle of the title track, which follows it and which features vocals like a barroom swagger and percussion like a muscle car at an inconvenient stoplight. Track 8 perhaps constitutes American Artifact's acme, though; that track, "Let It Be Love," radiates gorgeously understated yearning. Recommended, both the disc and the Off Broadway performance.
 


June 26, 2009 - Friday 
Brothers In Arms: Now settled back in St. Louis, the Brothers Lazaroff mines its own distinctive American artifacts.



It's lunchtime, and Hodak's in south St. Louis is jumping. Jeff and Dave, the Brothers Lazaroff, are having fried chicken, cod, beets and iced tea, and their interviewer is having the same — hold the fried chicken, but add a side of awkward questions. Dave reaches for the pause button on the tape recorder. They've got family in town, after all.

Question: What are two nice Jewish boys from the Midwest doing messing around with country music?

Answer: I don't know. Go ask Dylan that! Or Ray Benson or Junior Brown or Robbie Robertson.

Point taken, and besides, the Brothers Lazaroff doesn't play country, not anymore, not the kind you'd recognize as alt, progressive, Americana or otherwise, though the departure isn't a simple casting-off. One listen to the Brothers' new self-released album, American Artifact — with its stinging and expressive pedal steel, plaintive melodies, waltz and shuffle rhythms, and close harmonies — makes clear its affection for and mastery of American roots idioms. It's a connection that has served the band well as it's built an audience in Austin, Texas, where brother Dave has lived over the last ten years. But the way the Lazaroffs approach roots — with psychedelic layers and rhythmic force — isn't the way it's usually done in Austin.

"Down in Austin the roots and the psychedelic don't mix," Dave says. "Maybe they do in a Cosmic Cowboy kind of way, but not in that Dylan and the Dead, Midwestern funky thing."

Though separated by five years, Jeff (lead lyricist, singer and elder) and Dave (lead guitarist, singer, sonic guide) are often mistaken for twins. Their Bob Dylan beards, dark shades, wiry builds and manner of holding a stage — with relaxed cool and intuitive responses — are artifacts of a lifetime of filial music. However, the pair's career as a band — the brothers have always seen their music in a group context — has been a slow burn and build, in part because of its long-distance relationship.

The Lazaroffs have been largely associated with the Austin scene, where Dave attended school, pursued a solo career, played in bluegrass bands, and worked as a side man for the likes of Elizabeth McQueen and Michael Fracasso, while Jeff, who was also recording and performing as a "solo" artist, traveled down to Texas to assemble their first album (2007's Pure Delight, which was produced by David Sanger of Asleep at the Wheel), and work the Austin clubs with what musicians they could hire.

This year, the brothers decided to bring it all back home to St. Louis (they grew up in Creve Coeur) and have put together one of the more striking, tight and steady bands in town, in keyboardist Mo Egeston, drummer Grover Stewart and bassist Teddy Brookins. The veterans of the funk, jazz, drum & bass, swing and world-music scenes in town had never played with singer-songwriters before, but they've radically altered the Lazaroffs' sound. The trio adds muscle to the rhythms, expands arrangements with funk and jazz, and grooves without ever descending into aimless jams — all while daring the brothers to jump out of their literate, open-ended songwriting skins.

The band was gathered via MySpace after the sessions for American Artifact, starting with Stewart. Brookins was cherry-picked from Stewart's friends list, and Egeston, whom the brothers first saw playing the keytar with Lamar Harris at the Delmar Restaurant & Lounge, came onboard last. "We're all from St. Louis," Jeff says. "And that gives us that thump, that driving, live sound. Our stuff can be done so rootsy, but we'd rather destroy it a little bit."

The Lazaroffs are reluctant to take credit for one side or the other of songwriting — the process is open, though it often starts with lyrics and basic chords from Jeff, structures that are always subject to revision and criticism.

"Usually, if you play something for the other person, you'll know yourself that, er, it sucks," Dave says. "You'll know that you have something, but it's not good yet," Jeff interjects. "Honesty isn't the issue. Everything is up for discussion, for saying, 'Let's just mess with it.' It's never, 'Here's the song, don't change it.' I'm always hesitant to say I've written something. I don't think I could do what I've done without David. The song has always felt somewhat superficial until it gets manifested together."

Adds Dave: "We have roles. If Jeff doesn't think something is strong, I believe him. If musically, I'm bothered by something, he'll defer."

American Artifact, their second album under the Brothers Lazaroff name, was recorded at Sawhorse Studios with Jacob Detering. They tracked twelve songs over the course of two days, with minimal overdubs. "It was fast, but Dave and I have recorded a lot together," Jeff says. "And the bass player [Lindsay Greene] has worked with us for a long time." Gary Newcomb, of Austin rock band Lil' Cap'n Travis and Bruce Robison's touring band, adds mandolin, twelve-string guitar and the distinctive pedal steel that ups the psychedelic feel. The result pays homage to Daniel Lanois' soundscapes (think Oh Mercy and Yellow Moon) and a Cohen-esque mix of existential poetry and social anxiety.
"We're Jewish. What do you want?" Jeff laughs. "But, really, I lost my mother-in-law a few years ago. She was sick for a long time. We lost our grandparents, who we were very close to, over the last five years. And relationships. It's not all personal, but also recognizing the anxiety out there." Dave clarifies: "This is definitely a George Bush-era record. We're numbing the pain. With Jeff's lyrics, I don't think he does it consciously, but they make me feel better about the situation. The songs address it, face it, releasing those anxieties. We can't just make party music."

Adds Jeff: "I think there's a certain spiritual element to creative work, and we've been open to each other that way. Our oldest brother [Josh] talks about how rhythm and movement allow you to incorporate the intellectual side of things. When you're dancing, you really get the meaning.",,

June 13, 2009 - Saturday 
June 10, 2009 - Wednesday 
Lucky 13, Second Verse (Twangfest 13)



"St. Louis and Austin's charismatic and eclectic Brothers Lazaroff, multi-instrumentalists Jeff and David Lazaroff, start the night stylishly, likely treating attendees to a preview of their 13-track sophomore offering, American Artifact, which debuts June 27 at Off Broadway."

June 1, 2009 - Monday 


O Brother Here art thou- at Twangfest 13 (twangfest.com).  Brothers Lazaroff- St.Louian Jeff L. and his Austinite sib, David- hit the Duck Room June 11 as part of this year's edition of that local multiple-day, genre, and venue musical bash.  Two years back, they recoded Pure Delight, 12 tracks of jangly joviality featuring everything from euphonious cacophony to easy swing.  For more on the bros, visit brotherslazaroff.com...and then catch 'em at the festival.

January 27, 2009 - Tuesday 


http://vids.myspace.com/index.cfm?fuseaction=vids....

Brothers Lazaroff rehearsal in Grover's basement - playing "American Artifact," the title track off their upcoming March release.

September 1, 2007 - Saturday 


LISTEN TO THIS RECORD!  Accept "Pure Delight" before it destroys you! Brothers Lazaroff craft intelligent lyrics with textured music that sounds terrific! Lots of brothers try Jeff and David deliver!

Bryan Beck
Morning Show DJ
All Radio Production
107.1 KGSR
Emmis Austin Radio