MySpace
myspace music


Marah



Last Updated: 11/28/2009

Send Message
Instant Message
Email to a Friend
Subscribe

Blog Archive
[Older      Newer]
 /  / 
Sunday, October 25, 2009 

"Put 'em in the Graveyard" - the single from the forthcoming MARAH record...

In my short lived "pre-music" days I was a footballer. I played center for the Conshohocken Golden Bears. I weighed in at 68lbs and I sucked hard. Once we played "East Falls" on the frozen dirt field across the street from "Pat's Steaks" in South Philadelphia. I'm guessing we lost. Mostly I remember "East Falls" hitting their thigh pads and clapping their hands to the Queen "We Will Rock You" beat and chanting "Put 'em in the Graveyard ooh ah" over and over. It was terrifying.

In the past our band never played many new songs before records were "officially" released. We always felt new albums/new songs were best absorbed as complete thoughts...records had sequence and rhythm, each song made more sense propped up by its fellow jams, and as the final guitars or bagpipes rang out you could feel like you'd been on a kinda rock & roll journey. We still feel that way. But...

Considering it's been such a long time since we shared a song and dance together we wanna put this out there for y'all...something new to enjoy and discuss while we wait for the other shoe to drop. We also promise that your $contribution will not be blown in some smoky pub but will aid us greatly in bringing a lot more "unreleased" Marah music into the
world this year. Think of the mix tape possibilities.

"Put 'em in the Graveyard" is not a "single" in the "Love is a Battlefield", "Shock The Monkey" kinda way, but merely a new song we are quietly and independently "making available" now due to the timely Halloweenish connotation of its title. Get it?

In 2010 we are gonna play in Syracuse and Serbia. We will spill buckets of sweat on SXSW in Texas and The Basque Country and hopefully Green Bay too. We're gonna need to work real hard but It's exciting, we're gonna do it. We're still in.

So have fun everybody and please remember to sign up for our mailing list. Much album news and tour dates comin' round the mountain.

HAPPY HALLOWEEN!

Yours Truly,
David Bielanko and MARAH

Tuesday, April 21, 2009 

Hey Rock & Rollers,


Just a heads up about this weekend... The NEW YORK CITY show at BOWERY ELECTRIC
on FRIDAY APRIL 24TH (Early Show!) is going to start at 8 PM sharp.
We're really excited about giving NYC a great show this time out and
Bowery Electric's intimacy and "private club" atmosphere should make
for a very memorable evening...FYI it's a VERY small venue. www.ticketweb.com

 

Doors at 7pm
Carla Rhodes at 8pm
Marah at
8:30pm

                                *********************************************
On Saturday Night APRIL 25TH MARAH will be performing again in Millhiem, Pennsylvania (America's Hometown!) at the Elk Creek Cafe. Click here for info, driving
directions, etc. www.elkcreekcafe.net


OK, Can't Wait...Hope to see y'all out there.
Your Friends,
MARAH
NEXT WEEK D.C. & finally PHILADELPHIA!!!!


Monday, March 02, 2009 

Live Last Night: Marah




The Remains, Big Star, The Fleshtones, Tommy Keene, High Back
Chairs. Every rock-n-roll obsessive has their personal list of bands
who shoulda-coulda-woulda been as big as the Beatles. For those whose
list includes Marah -- if pressed, Americana-soaked guitar rock with a
wickedly beautiful poetic twist works as a definition -- last night's
show at Iota was another reason to believe, distilled into two hours of
impeccably styled gutbucket rock.

(Read the rest of the review after the jump.) The
final date in what was conceived as a series of acoustic shows while
guitarist/singer Serge Bielanko (with brother Dave the only constants
since the band's mid-90's inception) stepped away for the birth of his
first child, the tour had escalated into a full-throttle Marah joyride
by the time it got to Arlington, with guitarist/vocalist/songwriter
Dave wild-eyed in the driver's seat.

Part Stones-Petty-Springsteen derived rock show ("Angels of
Destruction," "It's Only Money, Tyrone"), part unspooling of
street-folk vignettes ("My Heart Is The Bums On The Street") and part
something else (Skip James's "Mighty Good Leader," the theme from "All
in the Family"), Dave climaxed the tour with panache.

And while Serge's stinging guitar leads and harmonica were sorely
missed, Dave -- in front of a solid rhythm section and keyboardist
Christine Smith -- compensated with sheer energy. In between stories of
his fruitless quest to get a Virginia ham and using the band's van to
drive college kids to the polls last November, he nearly drowned in his
own sweat doing what he always does -- clawing an infinitesimal bit
closer to the top of the rock-and-roll mountain.

For his fans, torn between praying he makes it and secretly wishing
Marah remains an Iota-scale band, being there was what is always is:
everything.

-- PATRICK FOSTERhttp://voices.washingtonpost.com/postrock/2009/02/live_last_night_marah.html
Saturday, February 21, 2009 



TOUR BOY (PART 1)

Ramblings from the United States

It was snowing when we stumbled off the stage in Chicago. Steam was rising off our clothes as we kicked open the emergency exit that led from the hot box to the freezing street. A group of well wishing fans had already started to gather on the pavement to slap our backs and thank us for comin' back to town. Snowflakes were swirling through Schuba's old-school red neon as we huddled together to light our cigarettes and talk ourselves through the encores that would no doubt follow. A minute later we headed back up onto the stage where we'd kick out a few more jams and leave Chicago behind us once again, another great memory we'd be glad to have in the weeks/months/years to follow. It was Friday the 13th, our 8th show together.

***********************************

BOOKS READ ON THE ROAD:

Can't Be Satisfied: the Life and Times of Muddy Waters, by Robert Gordon

The Johnstown Flood, non-fiction by David McCullough

The Reader, novel by Bernhard Schlink

Children of the Corn, short story by Stephen King

***********************************

The month of February has been a whirlwind to say the least. We played a show nearly every night: Cleveland, Pontiac, Columbus, Hoboken, Omaha, Louisville, and on and on and on…. Every night we've met awesome fans who'd been looking forward to these shows with great anticipation (many who had tickets to last years canceled AOD! dates). Every night we've also met many folks who'd never seen Marah before and seemed to be very fired up about the prospect of doing it again soon, cool…nice to meet ya's. I've collected thousands of hellos and best wishes for my brother Serge and his new baby Violet. When this tour is over I'll try to pass them along to him. I'm certain he'll be flattered to feel so missed and cared about (who wouldn't).

************************************************

PLACES VISITED:

The Buffalo Bill Cody Museum (Iowa Border): This is a very cool roadside museum in Le Claire Iowa, it begins with some great photos, artifacts and information on "Bill" then quickly becomes beautifully unfocused and slightly bizarre (old wooden buckets, turn of the century woman's shoes, a stuffed porcupine.) Mega.

Nostalgiaville, USA: Purchased a large gold Elvis TCB patch and a tin "Green Acres" waste basket. Johnny Pisano purchased and old 8 x 10 of a young Lucille Ball…. I pondered this impulse buy through the next three states. Johnny has an amazing way of seeing the world. Upon hearing Johnny speak, the two elderly women working behind the counter at Nostalgiaville said "ooohhh Ethel, listen to this one! He sounds like he's from New York! Like a movie!" What fun.

Ozarkland (MO): here I purchased a coconut painted like a pirate head. Christ! Finally.

Stoll's Amish Buffett:
(Indiana): fried foods, pies, and six kinds of cobbler/strudel.

Keyboard Kastle (Omaha, Nebraska): Here we dropped $1,500 hard earned bucks on a newpiano. Christine had dragged her old Yamaha around the world about 1,000 times, and one night in Iowa City it just left the Rock & Roll business for good. Christine is a fantastic musician and deserves to not have to lift each individual piano key back up after they are pressed down…it was getting hard to watch, making this purchase a lot easier for us (although $1,500 could secure a band upwards of 350 painted coconut pirate heads). Keyboard Kastle is the last of the "old school" piano stores…our salesman wore a suit and a name tag. Beats the pants off Guitar Center.

We also stopped at countless highway truck stops: Flying Js, TAs, Circle Ks (coffee, diesel, diet coke). My new hobby is staring into the glass cases of top of the line Cobra CB radios with WeatherTracker™ (someday…).

*********************************

GUEST MUSICIANS WE PLAYED WITH:

In Columbia, MO, Gary Louris from the Jayhawks joined us for a loose, Stonesy version of "Formula, Cola, Dollar Draft" and a set-ending "Point Breeze." It was great seein' Gary again…backstage we talked about Spain and our many, many mutual friends. Thanks Gary, and thanks to Mark Olsen too.

In St. Louis (Gateway to the west), playing at the Duck Room, we ran into our old friend Brian Henneman from Festus, MO's favorite sons, the Bottle Rockets. I absolutely love Brian and consider him to be one of the true, badass Rock&Roller/songwriters…not to mention guitar players out there…. He joined us for Chuck Berry's "Come On." For those of you who don't know, the Duck Room at Blueberry Hill in downtown St Louis is the home of a long-running, monthly Chuck Berry appearance, and the joint reeks of Chuck's history and spirit. Had to be done. Awesome night.

********************************

GOTTA SIGN OFF FOR A SPELL, GIG IN NASHVILLE TONIGHT, GOTTA SOUNDCHECK NOW.

PART 2 (coming in a day or two)

Thanks for reading.

Love ya's!

David Bielanko, MARAH

PS-New NYC, Philly & DC dates coming this week!








Thursday, January 08, 2009 

MARAH ON TOUR IN THE USA! FEBRUARY 2009

Happy New Year! We are pleased to announce our first US Tour since the release of 2008's critically acclaimed "Angels of Destruction!"  Although we are currently at Sixteen Ton Recording Studio in Nashville with our old friend Ray Kennedy mixing up a fantastic new record, it is our New Year's wish to return to the nightclubs this February to warm up new material and celebrate the old songs.  After a year of touring Europe and the UK, we feel this is long overdue and we are anxious to reunite with our American fans.

Despite the absence of brother Serge Bielanko who is on maternity leave (it's a girl!) Marah will be touring as a folkypunkrock four piece: Dave Bielanko (lead vocals/guitar/banjo), long-time member Christine Smith (piano/bvs/accordian), and introducing stateside... Brooklyn's one and only Johnny "whaddyagot?" Pisano on the stand-up bass, and the great Martin Lynds from Nashville on the drums.  Expect shows to be long, comprehensive sweaty affairs...

Viva la future!

Go-bama!

More banjo!

 

Friday, October 10, 2008 
..TR>
 
..DIV>
We've been having so much fun playing our music in a stripped down format we're gonna keep the ball rollin' for a spell....check this out!
 
Between Dec 15th and Dec 20th we are very excited to be adding 5 Acoustic MARAH performances en Espana! It will be Christmas Time, We will be en fuego!
(Barcelona, Bilbao, Valencia, and 2 more...) It is long over due for us to play music with acoustic guitars, piano, banjos, up-right bass in Spain and The Basque Country, so it is with great pleasure we add these dates. ...All ticket, venue, show date/time information will be added here soon, Muchos Gracias!
 
The European Light of Day dates are as follows...
November 29 - Stockholm, Sweden
November 30 - Oslo, Norway
December 2 - Amsterdam
December 3 - Rome, Italy
December 5 - Madrid, Spain
December 6 - Conwy Bay, Wales
December 7 - London, England

Now between Dec 7th in London and Dec 15th down in Spain I had two choices...one, get a coffee and sit behind a club called Water Rats for 7 days (tempting) or...
Find a gig....score!
Our old, New York friend Jesse Malin is headlining 6 UK shows, and luckily thanks to Jesse I've been invited along to play the support slot...So me and Christine Smith will open the following shows...
THESE ARE THE DATES: 
 
12/8  Brighton Engine Room, Brighton UK 
        for tix: www.ticketweb.co.uk

12/9 The Musician, Leicester UK

12/10 The Gassienda, Keighley UK
         www.crashrecords.co.uk

12/11 ABC2, Glasgow, Scotland

12/12 Water Rats, London
             www.ticketweb.co.uk

12/13 Whelans, Dublin, Ireland
             www.ticketmaster.ie
As some of you may know Me and Jesse got to do this one other time back in the spring and we had a blast. great shows... let's do it again.
 
ALSO on Sunday November 16th we're gonna do "an evening with..." Acoustic Marah show at Jammin' Java in Vienna Virginia. The folks at Jammin Java have been kind enough to give us the whole night to work with so we plan to make this one a long and comprehensive performance, Folk 'em....Don't miss it.
                                                 Jammin' Java
                            227 Maple Avenue East, Vienna VA 22180
                                   703.255.1566 I 703.255.6718 (fax)
                                             www.jamminjava.com 
Gotta finish a record, Gotta vote for Obama, Gotta root for the Phillies, Gotta fix our stupid message board, Talk to ya soon,
DB 
 
Powered by
Google Translate
English
Albanian
Arabic
Bulgarian
Catalan
Chinese
Croatian
Czech
Danish
Dutch
Estonian
Filipino
Finnish
French
Galician
German
Greek
Hebrew
Hindi
Hungarian
Indonesian
Italian
Japanese
Korean
Latvian
Lithuanian
Maltese
Norwegian
Polish
Portuguese
Romanian
Russian
Serbian
Slovak
Slovenian
Spanish
Swedish
Thai
Turkish
Ukrainian
Vietnamese
Thursday, September 04, 2008 

Category: Music
Nashville Now - a letter from Dave Bielanko...

Howdy MARAH fans!

Gonna ramble now... Gotta do it, gotta be done... it's been way too long and I'm super excited to dish out some gossip...

(F.Y.I. i just spent the last six or seven hours typing this update/blog whatever only to accidentally erase it. So now i am back but in a slightly different, darker mood... my initial rage has faded to a spooky silent determination, i am a pecking, zombie chicken at the keyboard, i will get this done...here goes...again....)

Having spent the last couple weeks a recording studio on a sleepy, tree-lined street of Nashville's "Music Row" we are now back in the swirl of New York City (the city where know one listens!) and are dying to tell someone about our new music, studio life, spaghetti dinners, rebounding spirits bla bla bla... We recorded 10,12,? a bunch of new songs. We made Awesome music. We had an awesome time.

First of all i gotta thank my great friend Al Pappas (Al's kinda tough to explain, he has operated behind the scenes for our band for quite some time now...in the studio, on the road etc) He's become a real "big picture" guy for me personally... Come to think of it i don't think I've recorded any music at all in the last 5 or so years where Al wasn't in the room (or at least in the next room) So on quite a few occasions in the last couple weeks it was he who would reel me/us back in from going too far...over thinking, under playing, He'd call bullshit on ridiculous overdubbing of whooshing sheet metal sounds and let me
know if a song had too many shouty bits! Thanks Al,when you're right you're right... Bale Perfecto!

Without brother Surge around this time I had imagined a lilting beautiful folky record of acoustic guitars, tack pianos, and the stand-up bass. It would be nostalgic and extremely time appropriate considering his absence for such a glorious "real world" obligation like having a baby!! (oh, BTW I'm getting really excited for him & Monica... CONGRATULATIONS! + I'm gonna be an uncle!!) I could call this acoustic affair a MARAH record without a second thought and be granted amnesty straight across the board....And besides an acoustic/stripped down type record has been a long time comin around here, and one i think we'd pull off quite well, kinda like a return to "Let's Cut The Crap..." How it began. But when the record light turns red, things can change...actually they always do.

I knew we wanted a "pick-up" drummer for a few (2-3?) songs so upon rolling into Nashville i called up Marah's old friend Steve Earle, i texted his boy Justin too, i asked some nice folks finishin up a country music session before our session began, i even asked a mysterious white haired ex-Texan by the name of Dennis down a local beer joint (a place called The Idle Hour, Music Row's finest boozer/song pool) We asked anyone we met if they knew a drummer who could play the devil Rock&Roll music and would do it for considerable less then the going cooperate, country rate of $1,500 a minute and "i can't be within 300 yards of a lit cigarette". Someone said "Martin, y'all should call Martin" so we did.

Later that same evening Me and Christine and a guy called Martin sat at the bar smoking and drinking diet Cokes, talking shop... in the background Johnny Pisano played Donnie "PizzaSauce" in pool (like extras out of Donnie Brasco II or recent transplants from the witness protection program, I'm guessin certain locals were uncomfortable) nice one!ANYWAY...Martin said he came from the D.C. Punk rock music scene but also talked passionately about his love for the music of Buck Owens...we were curious to be sure.

We left the bar directly and reconvened in a small practice room/office above 16 TON Recording where we were to begin cutting songs the following day. In this room we played two new songs...one called "Bats on the Watertank" and another called "Road To Ruin" Marty played Brushes on a drum case or a shoebox or somethin...we made plans to meet in the morning have a coffee and give it a go.

The next morning Martin arrived with a really cool set of handmade wooden drums he'd bought down in Alabama a few years before, he set em up and we all made smalltalk.

Now considering that we'd planned to record much of this music without a drummer if that proved necessary, we had rehearsed a pretty complete sound drumless...So....
if Martin would have completely sucked, we were prepared to bullshit our way through a few takes, send him on his way and re-record the tracks again properly once he'd left. Martin did not suck.
Martin's not sucking in conjunction with how well rehearsed we were enabled us to make a pretty amazing noise together in fact...He was free to play in and around the holes of our music, around the chord changes with great style and even with a sense of humor (rare!) kinda like Ringo! We were blown away...He destroyed those two songs. We asked him if he would like to stick around. He said he liked our songs, liked us, and would do just that. Score.

The Next thing we did is a song called "Life is a Problem"
Every summer in the big city (and in my hometown of Conshohocken too) some guy tries to swim across the river...they always make it across (pride, stubbornness, the sheer determination of a boozy dare) They always make it across, but unfailingly die on the way back. I could relate to this idea on many, many levels and wrote a song loosely based on that theory. The song starts with the banjo strumming, it has bells in it, the acoustic bass is bowed to respond to it's electric brother, marching band drums play off each other, castanets rattle and an over-drivin piano sounds like a church bell or a subway car...everything is swirling and flashing around until about the 3 minute mark where i sing "life is a problem...you
die on the way home" and the band caves in as the guitars begin to play....every once in a while you make a song with magic in it, I think this is one of those songs. In fact i know it is....I feel lucky to be part of it. My kinda music. Even Al Pappas smiled at me from across the room later that night as we listened to it playing back louder then an airplane taking off...I borrowed the title from an old, religious country blues record that me and Christine played constantly around the time we were preparing for this recording session...life is a problem...ain't that the truth... If in a few months from now when this song is released officially you find that you don't like it, then good luck to ya, we are no longer boys.

Next we cut "No Man Knows My History" our take on a Sunn Records type rave up...slappy echos and gospel stomping...then a beautiful one called "Moonlight Carousel" (i even stole the first line of Moonlight Carousel's chorus from an old song of Serge's i found in the song box in my living room...he probably wrote the line when he was 17 years old and high as hell! don't tell him, He won't remember)

We joked around alot about Serge too...often said "what would the Surge do??"...bang his tambourine in my ear, yell some cool sounding shit behind the chorus, play a harmonica on the outro and tell me to go fuck myself and disappear back to the hotel for 2 days only to turn up later like nothing ever happened...i missed him alot, but then again this wasn't the first time I'd ever recorded music without him, "Walt Whitman Bridge" was cut while he was away so was "firecracker" if i remember correctly.

Next came "Within the Spirit Saggin" very American.... country even! I remember having a real "Nashville" moment during this one....headphones on, me and Christine singin it live together in the "piano room" listening to our new friend Martin play amazingly his first impression of the song as it was going down, Through the glass window we could see Johnny Pie playin his big acoustic bass lookin like some kinda O'brother Where Art Thou, 1930's Brooklyn cowboy...if we made eye contact we would crack up and the take would fall apart...when it was finished i could only marvel at how great all these musicians were and how lucky i was to be recording my songs with them at all. Seriously y'all...I'm speechless, thank you.

More songs came and went, "Merrily to Hell In Chains", "For Nothing" and "Put'Em In The Graveyard" (an UN apologetically 1965 loose as a goose R&R ramble, a protest song that's positivly anti-people) and on and on and on....at some point during the last 2 weeks i turned a corner and now there is no going back...a follow-up session is being planned as i write this, a record will come out. I won't stop now till it's got a cover and a title and with any luck at all 37 to 42 minutes of the most exciting, American, Underground fine rock & roll art around...Should this record be called something other then MARAH (in which case i will undoubtedly be criticized for sounding too much like MARAH, ugh.......ummmph....gimme a minute....cause me singing and strumming banjos kinda sounds like... ya know) it would be only to allow MARAH to co-exist next to it. Then again perhaps we'll book ourselves into a studio in Salt Lake City and finish this fucker up there??? I'm guessing, i don't know! seriously, i don't....In any case i promise to keep you updated as soon as I do. Cool?... as the other side of the pillow Dave, cool. (BTW! i will try and leak some new music here soon...the "old rules" concerning that no longer need apply)
couple more things!!! (I'm En Fuego)

Donnie "PizzaSauce": thanks for playin on those couple songs and thanks for cookin' all that amazing Italian/American food!! You made it feel like the "kids in philly" days again, i was very proud in front of all those southern boys!

Bruce Springsteen: god knows you know what it feels like to be over-budget while making a record! so for you to let me invite the studio manager down to your gig, only to be pulled up on stage to play "Rosalita" with you made me look..?...i dunno, really fuckin cool! Thanks Boss, you were pretty good too!...

Johnny Pisano: being that you are an absolute demon on that yellow, electric bass you got, it is beyond me how gracefully you stepped up to that giant Stand-Up, Acoustic bass and owned those songs the way you did. You never questioned that decision/direction and i'm so glad. I'll never forget the two of us standing there cracking up in the control room listening to how very huge and mysterious and perfect it sounded playing back... you rock the world! whadayagot?

Christine Smith: being that i have never co-written a Christmas card let alone a rock & roll song with anyone other then my brother, i put you in a very difficult position but you totally rose up and killed it (and by co-write i don't mean "hey Christine, what rhymes with orange?") You are really, really good at the "music thing", seriously, it's all about what you throw away and what you keep around huh?...also, thanks for advising me against making this into the Count of Monte Cristo of rock too BTW ... if it wasn't for you dragging me off my kitchen floor i would have never found the guts to write or record a single thing...fingers crossed, could be an awesome record! you deserve it. THANK YOU.

Engineers: Mike and Patrick! thanks for puttin up with us! see ya this fall.


OK, winding down now...we should play some gigs soon huh? maybe update this ridiculously out of date website too huh?
(anyone wanna help me with that e-mail us straight away at marahland@yahoo.com)

Also I'm gonna post Serge and Monica's baby registry on these boards later this week, they asked me not to, but i think i should...if Coldplay can sell $275 tee-shirts on their web-site then surely y'all can pitch in and get my nephew (the future king of Rock & Roll) a sponge duck or whatever it is babies like. cool? damn right Dave. cool.
Alright then, Life is Problem, Nashville Skyline, Gather 'round Family Gather 'round, Train 'a Comin....next stop, around the block.
All aboard.

love
david bielanko

Thursday, June 26, 2008 
Hey Everybody,

I'm gonna ramble for a few minutes just cause I wanna....read this on your lunch break, it's kinda long.
I received this e-mail yesterday...check it out
****************************
what evers goin on Dave, please keep going. Your band's music is a massive part of my life and I'm sure it is to many others.

I don't expect you to reply, I'm sure you're busy but just wanted to let ya know. Keep on keeping on man..... please
****************************
It came under the subject line of YO! and was signed simply with the writers first name. Recently we've received quite a few other similar e-mails too. I'll come back to this later...

Two nights ago me and Christine Smith and Johnny Pisano played a house concert in New Jersey to warm up for a Swedish Festival date we are playing this coming weekend. The music (old songs/new songs) sounded incredible in their hands...truth be told, those songs never sounded better to me (i can say this only because I've been lucky enough to have the best seat in the house for every MARAH gig ever, of all time, ever) My brother Serge was not there and I missed him a lot, but the Surge and I decided that their would be no full band, R&R shows this summer...heres why

We'd been through alot since Christmas 07 when our beautiful band hit a roadside fucking bomb and sent Me, Serge and Christine scattered to the mercy of the wind....depression, desperation, pain killers, therapists, fits of deranged songwriting, Utah, AA meetings, mothers houses, ice cream, gigs, creepy park benches, fishing holes...we landed where we landed.

(in all seriousness I have never/or will ever in my life again be as heartbroken and utterly destroyed as i have been for the last bunch of months since the night that i saw the words CANCELED, CANCELED, CANCELED plastered all over this website...i had gotten sober to make that album, to save that band. "Angels of Destruction" was meant to be the album that took our live show into a place reserved for very few…after that we would have been in position to make a real move)

perhaps god had another plan? I dunno.

i recon if we were Pearl Jam or REM (or any other band badass enough to survive for ten years or more) we probably would have decided to take off the next two/four years.

But Marah was kinda forced to turn immediately around and do a 7 week tour of Europe (I say forced because if we would have canceled that tour as well, THEN YES, it is quite possible that we would have lost EVERYTHING we had ever worked for) The best analogy for this might be like having a beautiful 1973 red Chevy Malibu that gets T-boned by an 18 wheeler in a really bad neighborhood far from your home. You love the car so much that you wait there for 2 months fighting off the vultures until the tow-truck finally comes and takes you back to the garage where you can fix her in private.
In real life we ended up in Spain playing shows to amazing crowds that managed to breath some life back into our broken spirits, it was an amazing, soulful time and I'm so glad we did it (thank you Joe G & Johnny Pie!!)

But when that tour ended we did the collapse for real, for real, have a great summer everyone…Kaboom.

ANYWAY in the week leading up to this "house concert" performance the promoter led me to believe that this gig was turning into a "press conference" of sorts and that had me pretty nervous to be honest...What will you say? "the message boards!?" this guy said this! this guy is FURIOUS with you!! He's an "insider" he knows!!! AAAAAGGGHHH

Insider?...Jesus dude, I have 2 friends and neither of them even has the Internets….

So fuck em', we just played a bunch of songs, I thought they sounded bad ass, i mumbled some shit between em but that was about it...the music was talking again and that felt great.

If our band/music/members make people emotional...I am super proud of that.
Because since laying our guitars down at the end of the song "Wilderness" in Barcelona on April 5th 2008 We have said NOTHING and now I see that was wrong.
I apologize…I was drained….I am sorry. We let this web-site go untouched and gave nobody any information, regular people just worried about a band that has played some role in their lives. I should have said something.
But as a testament to y'all…. these forums have continued to buzz with gossip, hearsay and even straight up "made up shit"!!! Ha, you guys are awesome music fans...seriously, makin shit up! you all deserve music fan Grammys.

Someone said MARAH RIP (good album title BTW) He said he wanted to be the first one to say it...I honestly can't blame him, i didn't give him any reason to think otherwise until now i guess.

( & here is where it might get a little touchy for you over-protective superfans) MARAH RIP is a term reserved for only me to say, not me with my brothers permission, not managers, ex-managers, record labels, horn sections, the IRS (who are after me), the EasyPass Police (after me) I will kill this bad bitch when I am ready and not before (next Tuesday, 8 records from now) It's my call… Cool? Cool.
If you love or have ever loved this band then I assure you you are in good hands with me as captain because I am a junkie for it. I have proven over & over again that I can swing very low to keep it alive. The junkie will get high. It's a fact.

To be completely honest I do sometimes fantasize about making a new band with a new name that could carry all of Marah's music forward while adding new chapters to the songbook , in my fantasy every old ceiling Marah has ever slammed into disappears and all the old locked doors swing open making our music suddenly available to thousands and thousands of different people who maybe could really use a band like ours...would really love it perhaps, why not?
I've seen great bands come from great bands before...BUT
(and this is what makes me ME!)
Lately I've ALSO been thinking very seriously about getting the word MARAH tattooed on both of my inner forearms (Jesus Christ i would look hard as fucking nails if i did that!!)
just tonight walking up Bedford Avenue in Brooklyn going to rehearsal i stopped and stared into the window of a tattoo parlor, a gothy, tattooed girl inside smiled at me…a sign? What's stopping me?? Fear of offending somebodys grandma at some christening I'm not going to anyway. I don't think so. Fuck. Maybe tomorrow.

In August we will be in Nashville recording new music.

Show dates will begin to appear here by then as well.

I hope this helps a little bit.

Have a great 4th of July.
HAPPY BIRTHDAY AMERICA!
David Bielanko

Tuesday, June 24, 2008 

Category: Music
"The Road to Redemption" by Lisa Iannucci
re: Marah acoustic show at Drew's House 6/22/08

The Road to Redemption
It hasn't been an easy year for Marah. In late January, the excitement of a brand new record and a spring and summer filled with tour dates vanished into the ether; in the space of about three days, they went from the highest of highs (a strong performance on Conan O'Brien's show, some excellent reviews from the likes of Q and Uncut) to the lowest of lows (a broken up band, the departure of a longtime manager and a cancelled U.S. tour). How does one recover after a sucker punch to the gut?


Well, if you're Dave and Serge Bielanko, you know from struggle, being from Philly and all; the city that spawned Rocky does not suffer wimps, and those boys could hold their own with the best of them. So they regrouped and honored their European tour dates. But there was another challenge to come: Serge, who had recently left the east coast with his wife, departed on a long-threatened hiatus from the band not long after their return to the States. Serge--the heart and soul and spirit of Marah--was gone, as was the drummer they'd signed on for the European tour. Now what, you ask? To quote from Springsteen: "How many times can you get up after you been hit?"

But we're not talking about just anyone here--we're talking about Dave Bielanko. The guy who toured with a broken hand; the guy who, after years of alcohol abuse, stopped drinking cold turkey (probably saving his life). Dave, though he's not much over 6 feet tall, is pretty badass. He played J.V. football in Conshohocken, Pa. (still has the jersey to prove it), and he throws a pretty mean punch--just ask his brother Serge. Dave is someone you almost never see without a cigarette in his mouth; he frequently lights several during shows and sticks them in under the strings at the top of his guitar while he's playing. And I'm sorry--I know this is a bad thing to say and very politically incorrect--but he looks incredibly hot with a cigarette dangling from his mouth. So there. And did I mention that he has deep blue eyes that absolutely devastate me to the point where I forget what I'm talking about when he looks at me? When I interview him I always have to stare at my notes or look away or I get all flustered. Can't help it. I know I'm a professional journalist and all, but I'm a girl too, and he's a guy with a guitar who writes some pretty killer songs. What can I say?)

Ok, so where was I? Oh yeah, so Dave B. is badass and all. And he pulled his shit together and--with some help from Jesse Malin, who took him on the road with him in Europe--put together a pretty decent show with just himself on guitar or banjo and Christine Smith on the keyboards. (The two of them, after having met courtesy yours truly some years back, have become virtually inseparable. They are so in tune with each other musically it's almost as if they're thinking each other's thoughts. It's an amazing thing to see, and it warms my heart watching them play and knowing that I brought them together.)

Which brings me to tonight. So Dave and Christine--with bassist extraordinaire Johnny Pisano in tow--are headed to Spain in about a week to play some festival or another and needed to warm up a bit, so they played a house part in North Jersey in front of a few good friends. They'd played there before and always done well, but this was different. There was a lot riding on this show; the departed band members had a gig tonight in Philadelphia with their band, and a lot of the Marah Faithful were likely to attend. Gas is expensive, it's a Sunday night in the summertime, etc. etc. And worst of all, months of carping and speculation on the Marah message board about just what was going on with their favorite band had demonstrated that their fans' patience was wearing thin. In short, Dave, Christine and Johnny didn't know who--if anyone--was going to show up.

As it turns out, they needn't have worried. There was a respectable number of fans in attendance, and they were attentive and boisterous. And Dave & Co.--with only two days' rehearsal time--well, they came out and they kicked ass. Christine--the lovely and multi-talented--played keys and accordion, while Johnny Pie wailed on his upright bass (which is totally cool and tougher than it looks to play--go ahead and try if you don't believe me). Dave was on fire vocally and his guitar work was razor sharp. I don't know if it's because he's stopped drinking or what, but he is focused like I've never seen him. They played both old stuff--Marah songs written by Dave--and new material co-written by him and Christine. (The two of them apparently have over an album's worth of material--they have been writing songs together for a year or so now. After what I heard tonight, all I can say is someone needs to record this shit now.) And I think even they were surprised by how well things went--I caught them shooting looks of relief at each other several times throughout the night.

It was 90 minutes of pure musical joy. I can't remember when I've smiled so hard, but it had to have been at a Marah show. Here they were, once again playing these songs that I love so dearly and have missed so much. And even better, I was reunited with my favorite people in the world--Marah fans. It's the kind of thing that gets you through the week, that you reflect back upon when life has dumped another load of crap on you. And you smile all over again. It's hard to describe how happy this band makes me, how happy I was tonight. (And just when I thought it couldn't get any better, Dave handed me the set list before walking off--he never does that. Wow.)

(Oh yeah, I should mention that at some point early in the show, Dave realized he had smoked his last available cigarette and began fishing in his pockets for a new pack. He pulled them out finally and then realized he had nothing to light them with. Turning to Christine, he asked, "Got a light?" She shrugged. But yours truly saved the day. I happen to always carry a lighter in my purse, and thinking fast, I pulled it out and, striking a flame, held it up for Dave , who leaned down and lit his Marlboro Light. I gotta tell you, it was pretty hot. Good thing I was on my third beer by then...)

It was pretty amazing. And the new stuff, while not necessarily Marah material, is every bit as powerful and vibrant and beautiful as anything Dave's ever written. One the new songs is--ironically enough, given the events of this year--called "Road to Ruin," and quotes another Ramones album title in the lyrics. (Did I mention both Dave and I were wearing Ramones t-shirts?)

There are times when your life turns to shit and you don't know how you're going to get through the day. When everything seems pointless and empty. At times like that, it's very easy to give up on all of it. But nights like tonight help me remember why I'm still here.

Thanks Christine, thanks Johnny. And thank you Dave--for everything.

****

Oh yeah, here's the set list:

Can't Take it With You
Coughing Up Blood
Barstool Boys
Angels of Destruction
Within the Spirit Sagging (new)
This Town/Mighty Good Leader (Skip James?)
So What if We're Outta Tune (With the Rest of the World)
Wild West Love Song
Angels on a Passing Train
For Nothing (new--introduced by Dave as their attempt at Bossa Nova)
Body
Road to Ruin (new)
Waitin' for the Devil (new, kind of folky)
City of Dreams
Fever
Point Breeze
Formula, Cola, Dollar Draft

Encore:

Hey Rock & Roll (new)
Faraway You

(No, I'm not one of those total geeks who tells people what was on the set list but not played because frankly, I don't have the time or inclination.

Get a life. Seriously.)

Here's the link to Lisa's blog:
http://blog.myspace.com/index.cfm?fuseaction=blog&friendID=6451378
Friday, February 15, 2008 

Category: Music
MARAH INTERVIEW FOR "EL CORREO" – the most important newspaper in the Basque County)

Q: Who is answering this interview and where are you right now? (I suppose you are David, but I'm not sure)

DB: This is David Bielanko, I'm the singer!! I'm at home in Brooklyn NY, it's cold and raining. MARAH are rehearsing for upcoming European tour and can't wait to get on the road again!

Q: A lot of people who saw you in Bilbao last year say that its was the best concert in their lives. But I ask you: Which are the 3 best concerts you have seen as a fan, from the crow, as an spectator?

DB: If a lot of people who saw us play music in Bilbao last year say it was the best concert in their lives, then we are very flattered and proud! Sometimes when a band and an audience break down the
invisible wall between them and celebrate all the joy, sadness, hope and triumph of Rock n Roll music together, it makes a very magic night. Perhaps that night in Bilbao was a magic night. Let's do it again! Top 3 gigs of all time:

1 - The Ramones (Halfway to Sanity tour) 1989? I was just a little kid and some older friends took me to see The Ramones. They were amazing, the volume, the leather jackets, Dee Dee's 1-2-3-4! Later, in the parking lot, I was attacked by "skinheads" for having long hair. My brother, Serge, saved me!

2 - Townes Van Zandt (the Tin Angel, Philadelphia) This show was towards the end of Townes' life. He cried a lot on stage and told a lot of silly jokes and stories. He was also terribly drunk but the music was beautiful and heartbreaking, it has stayed with me ever since. Townes is one of my all time heros.

3 - Andre Williams (the Continental Club, Austin Texas). Andre is an old soul singer from Detroit. I think he's maybe 80 years old. By the end of the night, he had hit on every white woman in the place..... by the end of his first song he was more rock n roll than 10,0000 "next big thing" bands. Andre Williams is a bad, bad man.

Q: Why did you created the band?

DB: I created this band to try to tell my life story (however small or irrelevant) in songs, like writing chapters in a book. From the time that I was very young (9 or 10), I saw rock n roll music as a means to happiness through communication and escapism. For me it was a way to say all the things I could never say to other people and in the process surround myself with other musicians interested in pursuing the finest of the arts...and to possibly get laid as well.

Q: Which are your influences? Springsteen, Graham Parker, folk music…?

DB: We are very influenced by books and movies, by staring at great paintings, we are influenced by sitting on park benches and watching people or walking down streets in strange cities ourselves. We also listen closely to the man at the corner cafe with his accordion..... As far as other music is concerned, there are many great ones who have come before: The Cure, Robert Johnson, Ramones, Frank Sinatra, Public Enemy, Blind Lemon Jefferson, Howlin' Wolf, Oasis, Connie Francis, Motorhead, Badly Drawn Boy, The Faces, E street Band, Tony Bennett, Big Bill Broonzy, the Jam, John Coltrane, X Pensive Winos, Irving Berlin, Willie Nelson, New York Dolls and on and on and on...it's all folk musik.

Q: The leaders of Marah are two brothers. Are you good friends? Did you discover the music at the same time?

DB: My brother Serge and I have no other siblings. We've been living our lives through music almost since I can remember. This has made us very close. We have great admiration for one another in the world of rock n roll. It is not always easy. Sometimes we fistfight But, yes, somehow we have remained good friends.

Q: Which are the differences between the two brothers?

DB: One wears a vest and plays the harmonica on his back in puddles of beer. One doesn't.

Q: David, answer if you want: What kind of booze use to drink two years ago?
DB: To be perfectly honest, we would drink any kind of booze. Usually Jack Daniels and thousands of lagers. Oh my.

Q: How did you pass the hangovers? I mean, did you suffer a lot the next day, during the hangover? (my hangovers use to be very awful)

DB: After awhile of touring and playing long, exhausting, sweaty rock n roll shows, the act of drinking, being drunk, being hung over, all kind of blended together into one big blurry, slightly disappointing feeling. For a long time however, alcohol was a great enhancer of the passion in our lives. It helped us awaken the spirit of friendship, brotherhood, and rock n roll. In the Basque country, we drank lots of cloudy apple cider! Oh my god.

Q: What do they think about your drinking the people who loves you: family, friends, girlfriends?

DB: By design, rock n roll bands and their "people" become very insular, like living in a fish bowl! (us vs. you) After awhile, you and your band mates and your loved ones all share the same ups and downs, the same hopes and dreams...the same failures too. For the most part, many of my friends would have been too drunk to ever notice a problem if one existed at all. But eventually, those closest to me revealed themselves to only want to help make sure that the MUSIC continued and didn't suffer as a result of a lifestyle (only ever afforded by the music in the first place) HA! Thanks for that!

Q: When I wrote about you new album, I said that David drunk as if he wanted to die? Is it true?

DB: I don't really understand question number 8. But on this Wednesday morning in rainy New York, I want to live. Not die.

Q: Tell us something about your last album, entitled 'Angels of destruction'? I like it. Is the best sound production of your career.

DB: Most of this record was made in a quick, 5-day blast in Brooklyn NY. We played the music standing together in a room as loud as we could. The 11 songs on AOD! are just the tip of a song iceberg that was created in 2007. This record represents the beginning of a new era for this band. Angels of Destruction! also makes me think we are still growing as a band and that maybe our best work is yet to come!!! That makes me excited beyond words.... I am very proud of this record and what I've heard it means to other people.

Q: Any words about your lyrics. About religion, redemption…

DB: The words, songs, stories on this album are loosely conceptual (like many great RnR albums). We address the topics of angels and devils, good and evil, right and wrong, as it pertained to our every day lives. As a writer, you can only go so far before you are forced to use religious imagery as a means of telling your story. Redemption & destruction are two enormous forces in rock n roll music. .... If you don't believe me, go ask Jerry Lee Lewis!

Q: Do you believe in God? (I do, men)

DB: I believe if you do the right thing, the right thing will happen to you. I believe in myself as much as is safe or advisable. But mostly I just love playing music in the Basque Country!

Q: How are gonna be your concerts in this Spanish tour?

DB: I am dying to get out of New York for awhile...i wanna sweat and sing and play my guitar... to walk the streets of foreign cities! to talk with strangers about serious things, I wanna eat nice tapas and see beautiful girls, I wanna listen to gypsy music and duck out on hotel mini-bar bills, I want the people to watch us play our music and feel like they really saw something worth seeing. The shows will be full of soul and magic! Life is too short to have it another way.

Q: Any words about the other band of the gigs, Deadstrings Brothers? I think you have recommended them for the tour.

DB: Don't know em, never met em....hope they're not better then us, that would suck!

Q: What do you like about the people and the country of Spain?

DB: I may be wrong but it seems to me that many Spanish/Basque Co. people share a similar idealized view of "America" with us....we both love Elvis but not George Bush!..... In my heart I believe the
greatest thing the USA ever made was Rock n Roll music....the Spanish lifestyle agrees with us completely; the bars, the cafes, museums, the food, wine....it is one of the best places in the world
during one of it's best eras. You are lucky to live there, We are lucky to visit.

Q: Are you more popular in USA or in Europe? Are you such popular in another European countries as in Spain?

DB: I think (as it should be) our band Marah is popular in the big cities of the world...in New York, in Chicago, Madrid, London, San Francisco etc....we understand why we may not be well known in Finland or France or wherever but that's also kind of the point...we are NOT a commercial band, we are an independent, underground, cultish, talented group of people doing exactly what we want to do on our own terms...jesus! if that's not a recipe for success.

OK, I GOTTA GO NOW! THANKS FOR WRITING ABOUT US...IF YOU NEED TO ASK MORE I"D BE GLAD TO ANSWER, JUST EMAIL....SEE YOU SOON, GIGS WILL BE GREAT!

Thank you. We'll see you in Bilbao & Santoña too. Rock on & keep the faith - Oscar Cubillo