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GO GHETTO TIGER



Last Updated: 12/18/2009

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Status: Single
City: Vancouver
State: British Columbia
Country: CA
Signup Date: 6/23/2005

Blog Archive
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Monday, September 28, 2009 
Wednesday, July 15, 2009 
Thursday, July 09, 2009 
As of July 8th . We are # 1 on the CFBX Kamloops electronic charts
Tuesday, June 30, 2009 
We are as of Tuesday June 30th , charting on 2 Campus Radio Stations

1. CJSF Vancouver . # 10 in the top 30 
2. CFBX Kamloops . #26 in the top 30  

Monday, June 22, 2009 
Go Ghetto Tiger May 23rd Purple Crab
by Andrew Tape

May 23rd saw locals Go Ghetto Tiger hit the Purple Crab for the release party of their second album, Backstage At A Puppet Show. Formed four years ago after a revelatory experience at a show by midwest dance rock band The Faint, GGT have just spent eight months recording and mixing the new disk and were more than eager to showcase it for a crowded audience of friends and fans. The trio, consisting of bassist/singer Marco Blacquiere, keyboardist Jason Urquhart and drummer Jason Quirk, hit the stage in assorted jumpsuits and laden with synths, pedals and electronic drum: a picture of ‘80s nostalgia. They proceeded to blast through a poppy, fast-paced set of new songs, breaking up the set with conversational banter and thirty second keyboard figures. Urquhart made good use of the small arsenal of effects at their disposal, creating a thick musical atmosphere, punctuated with sounds that alternately swirled and cut through the air.

Mysteriously, the electronic drum kit was used primarily for an organic sound, but this worked quite well. The vibe of the place was happy and supportive and GGT reciprocated. “We want to thank all you guys who came to our shows and bought our cd because it was that money that was used to record this new album, so thanks again to all of you,” Blacquiere offered near the end of the show. It was that level of connectivity which really made the night fun and even special.
Backstage At A Puppetshow is easily as energetic and entertaining as the live show, but surprisingly darker. The main cause of this is the treatment of Blacquiere’s vocals, which add extra emotional depth with whispers, drones, even using an Autotune a couple of times. However, it’s the keyboardist Urquhart who seems to constantly be centre-stage. While the fact that there is no guitarist in the band may explain why his synthesizers are so prominent, he definitely rises to the challenge. In the robo-dirge “The Kiss Of Death”, he raps words about pestilence and syphilis, setting a menacing tone equaled in other songs. The big aural treat comes in closing track “Goodbye”, where he mixes a Cali hip-hop bounce into what should otherwise be a completely mournful song.

While there are flourishes of variety in the songs, the overall feel of the album is, like the jumpsuits, ‘80s nostalgia. Many of the songs have instrumental parts that would not be out of place in an arcade video game or Eddie Murphy cop film. But that’s one of the best things about Go Ghetto Tiger. While continually referencing that time period in a highly ironic way, the band plays it straight and seem to be enjoying it on its own merits. This is refreshing, even laudable, given that people tend to pull this kind of thing off with disdain rather than glee. GGT prove that irony is not a dead scene yet, and they sound pretty damned good doing it. They play next on July 10th at the Biltmore Cabaret.

Thursday, June 04, 2009 

Go Ghetto Tiger makes its weirdness work

Backstage at a Puppet Show (Independent)
One thing Go Ghetto Tiger has going for it is that it doesn’t sound like any other act on the Vancouver music scene. In fact, the trio doesn’t really sound like anyone else, anywhere. The songs are powered by synthesizer lines reminiscent of late-’90s Euro-trance and drum programming redolent of ’80s electro-industrial, but they follow standard pop-rock arrangements. Singer-bassist Marc Blaquiere is something of a vocal chameleon, but he’s at his best when he sticks to the lower end of his range.
Backstage at a Puppet Show seems padded with unnecessary filler, such as the five instrumental interludes that serve mostly to show how many corny sounds Jason Urquhart can wrestle out of his keyboard. “Trick or Gift”, though, is a catchy pop number that would please anyone who has waited too long for a new Postal Service album. “Hell for the Soul” makes clever use of Auto-Tune and what sounds like the noise emitted by frying circuits, and “Goodbye” plays out like a dying android’s final transmission set to a glitch-hop backdrop. When everything clicks, Go Ghetto Tiger’s curious sound definitely works in its favour.


Wednesday, May 21, 2008 
Go Ghetto Tiger's Roller Coaster Year

Go Ghetto Tiger's Roller Coaster Year
by: Randy

 

 

 

 

 

 

 

 

 

 

 

 

Go Ghetto

Tiger

Roller Coaster Year

_____________________________

It's been a busy year of rebuilding in the Go Ghetto Tiger camp.

Before going out on last year's tour to support their 2007 release, they found out guitarist Skoty B couldn't join them on tour. This left the local trio with a rather large hole to fill to not only do the tour - but to continue on with Go Ghetto Tiger life as they knew it.

But thankfully for Go Ghetto Tiger fans, the roller coaster year has left the band with a brighter future than ever before. They added a drummer to the mix - creating a whole new dynamic and sound for the band, and they restructured the keys to fill in the hole left by the absent guitar.

They've continued on writing with this new set up, and according to bassist and vocalist MarQuo Blacquiere, the process has resulted in a stronger Go Ghetto Tiger, and plans are already underway for a new album.

"We feel the songs we have now going into the next recording are so advanced compared to what we did before," said Blacquiere over the phone. "We've really narrowed in on performance and being really clear about our songwriting. We feel like we've cut out all the fat, and that we've really progressed."

But fans of Go Ghetto Tiger would be even more happy to hear, that Skoty B isn't completely off the roster, and will still have a role in the new Go Ghetto Tiger. He wasn't able to join them on tour because of plans to start his own recording studio named castOpus, which will be kind of like a home for artists during the crafting their album.

And according the Blacquiere, this just gives him a new role in the band.

"Skoty B is actually still very much a part of Go Ghetto Tiger," said Blacquiere. "He just changed hats. He wants to start that kind of commune where people are coming in and they sleep over and stay for a while and he helps produce and co-write. So that's what's going on now, and we're going to do our next record with him."

But for a trio that only had a bassist, a guitar player a keyboad player backed by an MP3 player, losing a member means taking a big hit. So it wasn't an easy road rebuilding Go Ghetto Tiger over the past year.

According to Blacquiere, the chain reaction that set off their roller coaster year started when the band found out that going on tour wasn't in the cards for Skoty B. And everything after was about trying to not only repair Go Ghetto Tiger, but to create something new out of the ashes.

"When we went on tour, and Skot wasn't able to come with us, we had to find a guitar player, and it was a total problem," said Blacquiere. "First we had to borrow all his gear, and find somebody to come on tour, and it's a total process. He's an excellent guitar player, and he had a very distinct sound."

Many bands faced with the same situation might have thrown in the towel of surrender. But thankfully for Go Ghetto Tiger fans - Blacquiere won't let anything get in his way.

"I'm very ambitious about my own music career - and my music career with Go Ghetto Tiger,". "I feel like it gives me so much happiness that little things like members changes - I mean - that's just life you know? That's just part of life."

Blaquiere said he managed to find a guitar player to fill in on the tour. But when they returned in November, they were again faced with a hole where the guitar used to be. The search didn't pan out in a guitar player, but in January, they ended up finding something they had in mind all along, in JQ, who joined up with the band in January.

"In the beginning we had a drummer in mind, and we tried out acoustic drummers," said Blacquiere. But for the longest time we were just going ahead and thinking that if we never find anybody, we're still gonna do it. Imagine," he added, "trying to find a drummer that plays an electronic kit - it took us basically the whole three years we were a band."

And according to Blacquiere, finding drummer Jason, or JQ in Go Ghetto speak, made a world of improvement both on stage and in the sound.

"It's adding so much," beamed Blacquiere. "Jason is also a showman, so we went from the MP3 player to having a showman on stage," he laughed.

"So yeah, just the energy and plus with the equipment that Jason brought with him, it was like 20 times better. Now all the people that come to our show, are like 'Wow - this is so much better - you guys have improved so much having the drums and having Jason.'"

The addition of JQ and his electronic kit powered by a Roland amp and equipped with a harmonic sub-woofer, may have made a world of difference in the band - but the hole still remained where the guitar used to be. So they continued their search for a guitar player.

But Blacquiere said that adapting to fill the void temporarily - bought out the long term solution.

"We looked for a guitar player for a while, and then we were like, 'Ok, we still have shows to play, and we're not going to find a guitar player. So let's start changing the piano parts, and changing them so they're not as atmospheric and they're more rhythmic.' And then we thought, 'You know, let's make the band sound great just with piano, bass and drums - and that way when a guitar player comes in, it will be that much better.'"

"And then when we started changing parts," he added. "We were like, 'You know what? This record is going to be the three of us - we're really confident with just piano and bass, and plus Jason started using distortion pedals - so he's really simulating guitar sounds just on the keys. "

And according the Blacquiere, who also wears the managerial hat in the band, the new sound and the new dynamic might open up a few doors when it comes to label and promoter interest. He explained that with the sound from the 2007 album, he had a hard time booking shows with promoters who really didn't quite get what genre Go Ghetto Tiger fell under.

"Promoters are still like, 'What are you guys?' In out there places, some promoters are like, 'You know what? Uh, we can't put you with a rock band.'"

"I think that when you listen to our recording, it's a lot more subdued than our performance," he added. "So hopefully that will change now that we have real drums and we'll be able to slow things down, and speed things up. It was just so rhythmic and click track tight last time."

So for now, the trio is collaborating on new material, and working with Skoty B on pre-production, and getting set to hit the studio to start recording around August, where they'll spend two or three months in castOpus, working on the new album. Then it will be up to Blacquiere to work hard promoting the album independently.

"I think with us, every record means the recording and then about eight months afterwards, of you know, doing the CD release in town. And the last time we went on tour across Canada, but we have different plans this time. Like we're thinking about Europe and Japan."

While Blacquiere says he'll keep working hard independently on the managerial end of things - he's optimistically keeping his fingers crossed that some day soon, he'll get a little label help.

"Well that's what I'm hoping. But I'll keep on keeping on, and not making any money - and living in my shitty appartment until you know - whenever," he laughed. "But I feel that you know, we deserve to go to the next level. The encouraging thing is that we are seeing bands like Fake Shark Real Zombie going into Japan, and bands like You Say Party We Say Die! and Black Mountain who are now at the highest level and getting the greatest accolades. So to me, that's very encouraging."

For those of you curious about the new sound after their roller coaster year you can check them out on the 24th when they hit the stage at the Media Club with the new line up, and their new dynamic.

-randy gaudreau

randy@cityintune.com

 

 

 

 

Check Out Go Ghetto

Tiger's Profile

on City In Tune.

click this for link

http://cityintune.com/index.php?c=go_ghetto_tigers_roller_coaster_year&user_id=8

Thursday, March 20, 2008 

http://www.straight.com/article-137363/go-ghetto-tigers-aims-be-tighter-most

 

Go Ghetto Tigers aims to be tighter than most

By Elaine Corden
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If you fell in love with the songs on 2007’s Go Ghetto Tiger, the eponymous debut from the Vancouver trio composed of MarQuo Blacquiere, Jason "Super J" Urquhart, and Skoty B, you’re out of luck if you want to hear them live anytime soon. In February, the group—which has been drawing fans with its mix of industrial noise, ’80s new wave, and ’90s indie rock—lost guitarist-vocalist Skoty B to time-commitment conflicts. Without him, eight of the nine songs on the record are off the set list, and the group is almost starting from scratch. But fear not—there are no tears in the Ghetto. While the group may have lost a guitarist, it has gained a new drummer, and Go Ghetto Tiger is more excited than ever about writing songs.

Sitting in a Main Street café, the band’s members hardly look the way they sound. Vocalist and bassist Blacquiere, 34, is the gregarious leader who, apart from fingernails painted with what appears to be Sally Hansen’s Ru-by or Not to Be nail polish, comes across as the kind of guy you might see in a sports bar watching the game. Sporting horn-rimmed glasses and a floppy, fringed haircut, 26-year-old keyboardist Urquhart offers a nervous handshake and seems your typical shy indie-rock enthusiast, and new drummer Jason Quirk is somewhere in between the two.

But after just a minute’s chat, Go Ghetto Tiger, or perhaps more accurately Blacquiere, is all enthusiasm and rock-star dreams. While the band may at some point add guitars again, right now it’s all about songwriting and whatever Quirk brings to the mix.

"For three years, we had a sequencer," says Blacquiere. "We went on tour with an MP3 player with all the drum tracks on it."

"I’m replacing a computer," adds Quirk, who previously held down the back end for Vancouver punk/new-wave band IROC. "A robot. I’m actually still playing a bit like a robot. I’m a human trying to play like a drum machine."

"We’re supertight. That’s our thing," Blacquiere says. "Tighter than most. We’ll have to prove it to everybody. But I’m serious. Tighter than most."

The group laughs at this, but frankly its members will have to be tight if they’re going to continue to make the music they do. Not terribly radio-friendly, and certainly not trendy, Go Ghetto Tiger’s body of work traverses some strange territory. For example, Go Ghetto Tiger’s opening track, "Deluxe Deluxe", manages to recall ’80s also-rans the Icicle Works, ’90s indie-rock bands like Nada Surf and Soul Coughing, and, to add to the confusion, Vancouver’s own industrial legends Skinny Puppy. In other words, the song is every night at Luv-A-Fair rolled into three minutes and 32 seconds. Four tracks later, Urquhart’s "Before We’re Friends" reveals the soft-spoken musician’s affection for dreamscapes in the vein of Sigur Rós and synth-pop à la Violator-era Depeche Mode.

Sound like a muddle? Strangely, it mostly works, especially when Urquhart’s keys are at the forefront.

Indeed, if there’s anything that might be a bit over-the-top about Go Ghetto Tiger, one suspects it will be fixed with the new lineup. The beats that seemed a bit prefab on the debut will likely sound more soulful with Quirk behind them, and the effects-laden guitars that made the record just a tad too ’80s presumably departed with Skoty B.

"Our next record, we’re skipping 10 feet ahead," says Blacquiere. "This past record was not as well crafted. I’m definitely feeling really excited about crafting more songs and making them perfect. We’re definitely a pop band. A lot of people say that we’re ’80s, and I guess I can kind of hear it, but I’m also a huge fan of noise bands—Fantômas, Mr. Bungle. I love death metal and speed metal."

Quirk interrupts. "MarQuo tends to write faster-tempo songs, and Super J tends to write the slower songs, so I think it’s a pretty good marriage," the drummer says.

Whatever the chemistry, it seems like Go Ghetto Tiger is headed in a new direction. Blacquiere promises more-accessible lyrics, and Urquhart insists he’s learning how to write up-tempo songs that are less sad and more dance-oriented. Quirk, for his part, is playing catch-up, but says that this is the most democratic band he’s ever been in. One thing is for sure: the group’s notoriously energetic live shows—sometimes replete with uniforms, makeup, and other visual surprises—aren’t going anywhere. Go Ghetto Tiger wants to be a band that sounds even better live than on disc.

"When I first started Go Ghetto Tiger," says Blacquiere, "for me, it was a situation where I wanted to impress people, and I thought that would get us ahead, whereas now I feel this intense happiness when we’re playing in a room, and I really just want to continue to do that."

Go Ghetto Tiger plays the ANZA Club next Thursday (March 27).

Thursday, August 16, 2007 

Category: Music

Recordings

Go Ghetto Tiger

Recordings By Mike Usinger
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Go Ghetto Tiger (Independent)

No doubt to the horror of Axl Rose, the ’80s are today remembered as a time when synth pop ruled the world–or at least the movies of John Hughes. Displaying a slavish devotion to that now-fabled period, Go Ghetto Tiger gets top marks for authenticity on this eponymous outing. Featuring devastatingly gloomy synth riffs and irresistibly danceable drum-machine beats, "is this disco" sounds like the Luv-A-Fair circa 1982. Throw it on between Blancmange and New Order at Salon des Bourgeoisie, and watch the dance floor detonate. What keeps Go Ghetto Tiger from being more fun than Chromeo is that it tends to take its ’80s obsession too seriously.

The early Edge–indebted guitar work and blue-Monday vocals are admirable enough, but tracks like "deluxe deluxe" are more suitable for slinking around in black pointy shoes than celebrating the decade that taste forgot. The greatest offender on that front is arguably "before we’re friends", the kind of limp waver that, back in the day, got people beat up for wearing parachute pants and committing mousse abuse. And yes, it was usually an Axl Rose look-alike doing the beating.

Tuesday, June 26, 2007 

Category: Podcast

http://playlist.citr.ca/podcasting/audio/20070622-180242-to-20070622-194245.mp3

 

This is a big file, give it a little time to start

recorded on June 22nd at UBC CITR 101.9fm

with Spike .

Go Ghetto Tiger and Castle Grey Skull