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Eoghan Kidney



Last Updated: 11/24/2009

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Status: Single
City: Dublin
State: Dublin
Country: IE
Signup Date: 6/5/2007

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Tuesday, November 24, 2009 
Sunday, August 30, 2009 
Dear Mr. Politician,

The horribly uninformed suggestion made in the McCarthy report to dismantle the Irish Film Board has shocked me. I need to speak to you in person in order to open dialogue with you on the many reasons why doing this would be a disaster not only for the film industry, AV industry but the spirit of the artists who struggle to create an Irish cultural heritage. It is a huge mistake that will result in a massive amount of money being lost- a lot more than the proposed saving of €18 million.

The most startling statistic is that the state earns more from the film industry than it costs. The audiovisual sector is worth 550 million, employs 6000 people who mostly work for 560 small companies as independent contractors. In 2008 the IFB invested €17m in major film, TV and animation projects which resulted in a total spend of €80 million. The VAT, PRSI, PAYE on production spend alone is more than the cost of the Film Board.

Filmmakers work because it is our passion and our art. We do not ask to be paid well, in fact I don't know many people who earn more than little over social welfare amounts. But by removing the IFB, the Government would effectively be sucking the motivation out of the artform and killing the core artists who give it it's voice. It's hard to describe how an artist works and where one draws inspiration, but being told that you have a job and are worth something to the country could be what gives us the life and energy that helps make us create.

I am a young director and film maker who has spent the last ten years studying and working for nothing in the industry- I have had funding from the Film Board in the past but have at last been working privately as a director for the past year- it has taken me ten years of living hand to mouth, student style to get to this point and I expect many more years of living this way because I love my work and know I have to earn my place as a professional director in a competitive industry.

The funding I received has helped me grow as an artist, given me time to research and develop my art and become comfortable as filmmaker. But if the Film Board is cut I know I will have no future in this country for I will have nowhere I can turn to grow anymore. Private film funding in Ireland is production focused but so much talent is grown by IFB funding. The well established private film industries of for example, the U.S. privately nurture their talent from their massive incomes.

The film industry of Ireland does not have this massive U.S.-style income.

No nurturing of talent, no talent- no talent, no production funding. The industry will grow stagnant, talent and finance will leave to better funded countries and our hoped "knowledge economy" will have no Film, TV or New Media talent to turn to to express this knowledge. It would be complete disaster for the country in the long term.

The industry has grown so much in the past 15 years and hugely talented and gifted people are being nurtured by the IFB, please don't make all this go to waste, don't tell all these hard working and talented people that this country cares so little about them it doesn't even understand how much we give back.

It's a house of cards, it's throwing the baby out with the bathwater, it's plain stupid to dismantle the IFB.

So please reconsider this terrible suggestion. By all means, if you need to make a cut, make a cut. We in the industry are a prepared as anyone else to cut back. But pleae don't destroy something special as part of a kneejerk reaction.

I have been campaigning on the internet and there is a considerable amount of people on Facebook and twitter who I am in direct contact with who feel the same as I do. Our Facebook group is over 3000 people strong. I started a twitter hashtag #savetheIFB which has drawn out wonderful praise of the work of the Film Board.

Please do not make the wrong decision.

I kindly request to meet with you at your clinic before the 11th Sept.

Yours etc.

Eoghan Kidney




Friday, July 10, 2009 
I have a lot of friends who make music and possibly would like to make a long career out of doing so. I find myself in a similar situation- I make films, videos etc- an industry suffering the same setbacks as music. I would like to make a career out of it (i.e. a steadily rising income throughout my life until retirement, similar to what any skilled person would earn).

If you are not aware of this mode of selling music, check this article out: http://www.hypebot.com/..hypebot/2009/07/trent-reznor-..what-to-do-as-a-new-unknown-..artist.html

He's talking about music but I think it's also relevant to other downloadable media- film, comics, books.

Is this a viable approach to film too?
Monday, June 29, 2009 
The Dail Justice Committee is meeting at 2.30 pm this Wednesday, 1 July, to resume debate on the blasphemy amendment to the Defamation Bill.

It is likely that this will conclude the committee stage of this amendment before the Bill goes to the Dail.

Please email and/or ring these TDs today: http://www.oireachtas.ie/viewdoc.asp?fn=/documents/Committees30thDail/J-JusticeEDWR/Membership/document·htm

This the email I wrote to the committee- I encourage you to do the same, you may use my mail as a template if you like.


Dear Sir/Madam

I am writing to urge the committee to throw out the Blasphemy bill. It is a vague, dangerous and ignorant bill that will only serve to restrict free speech and encourage suppression instead of compassion. Especially in the light of the recent events in Iran, we should be grateful for every ounce of freedom of speech we have. These are rights we need to protect, not hurt.

For example, according to hundreds of millions of Christians, proclaiming that the world is older than 4000 years old is blasphemy. Does that mean a teacher will be find 100,000 euros for telling a child about evolution? Do we ban the movie Jurrasic Park? That is the just the tip of the iceberg!

To quote Carol Coulter in Irish Times, dated 29th April 2009:

"The prohibition on blasphemy dates back to English law aimed at protecting the established church, the Church of England, from attack. It has been used relatively recently to prosecute satirical publications in the UK. In the only Irish case taken under this article, Corway -v- Independent Newspapers, in 1999, the Supreme Court concluded that it was impossible to say “of what the offence of blasphemy consists”"

This bill bans words and would move science towards the dark shadows of fundamentalism. For someone who has grown up in a society that cherishes free speech, science and enlightenment this I find simply ridiculous. Do you have any reasonable reason to impose such blunt and threatening laws on the Irish people? Is restricting intellecutual debate and research to borders defined behind closed doors the sacrifice you are really willing to make?

Yours etc,

Eoghan Kidney



MORE INFO:

Irish Times article: http://www.irishtimes.com/newspaper/frontpage/2009/0429/1224245599892.html


Wednesday, June 03, 2009 
A high concept music vid, shot by 100 fans using their own cameras- anything from DSLRS to old mobile phones- so the resolution varies from tiny to HD. ExperiMENTAL. Alternative cuts coming soon.

Big thanks to the fans who made it and the band for enabling me do it.

Fight Like Apes - Something Global from ξοgΙιαη κιdηεγ on Vimeo.



Director: Eoghan Kidney
Producer: Fionn Kidney
Editor: Eoghan Kidney
Lighting: Paddy Jordan
Assistant Lighting: Gav O'Reilly
Documentary Filmmaker: Quintin Ahern (Army of ID)
Sound Engineer: Stu Condron
Still Photographer: Loreana Rushe
Props: Neil O'Driscoll
Additional compositing: Lena Talena

Watch Army of ID's 'Making Of' at youtube.com/watch?v=Jbby4H7ricQ

See Loreana's pics from the shoot at myleftventricle.wordpress.com/2009/04/20/shoot-like-apes/

Crew Camera Operators: Paddy Jordan, Eoin Holland, Micheal Kelly, Leon Giblin

Production Assistants:
Christian Hughes, Etain Kidney, Anita Delaney, Daithí Ó HÉignigh, Darragh Doyle, Niamh Smith, Edel Kirke, Christine Kelly, Aoife O'Donoghue, Alan McHale, Damien Kavanagh, Lucy Whittaker, Eoin Whelehan, Suzanne Guinan, Michelle Moran, Lena Talena, Darragh McCausland, Kieran Frost, Anthony McGuinness

Audience Camera Operators:
Karen Conroy, Kira Baker, Clare Singleton, Aoibheann McGuigan, Cherry Morgan, Cat Beahan, Enda McKenna, Fiona McCluskey, Brid Collins, Joanne Chee, Keith Browett, Louise McSharry, Ross Madigan, Nicola Leddy, Rhiannon Walsh, Aidan Cuffe, Ian Healy, Kevin Purcell, Darren Fitzpatrick, Derek Noonan, Peter Connolly, Aileen Twohig, Alice Ryan, Andrew Greer, John Devitt, Bevin McInerney, Barry O'Donoghue, Conor Brady, Janyce Sandell, Donnacha Bolger, Brian Collins, Ruth Carey, Charlotte Mc Eneaney, Cillian Shields, Chris Cashen, Ciaran McGinn, Claire Mahon, Clare Crehan, Emma Hopkins, Jennifer Corrigan, Diarmuid Bolger, Ciara Dowd, Megan O'Grady, Eddie Tuite, Eimear Gallagher, Emma Jane Wade, Emma Leonard, Sasha Bondareva, Cormac Fallon, Siofra Cronin ,Aisling Barratt, Gaelen Britton, Eric Gallagher, Garreth Murray, Gavin Murray, Michelle McLynn, David Byrne, Grainne Newman, Ollie Grant, Hannah Wolahan, David Horgan, Sara Holbrook, Shane Clark, James O'Neill, John Byrne, Jonathon Sage, Jonathan Dowling, Kate Lahart, Barry Kane, Laura Harford, Hilary O’Mahony, Tara Mc Dermott, Michael Brady, Colum Mangan, Mark Allen, Matthew Reid, Conor Keane Kennedy, Grace Sutton, Aaron Poole, Roy Cheung, Natalie Leddy, Neill Cooney, Sarah Devereux, Olivia Flynn, Peter Keogh, Roisin Sharp, Damian Poder, Richard Timmons, Robert Young, Rory Mac Intyre, Rosie Pender, Lisa Russell, Saoirse McDermott, Sarah Oates, Rory Rowntree, Sinead Connolly, Siobhan McHugh, Maurice Dalton, Ciaran Rabbitte, Giles Mulligan, Brendan Kennedy, Alan McFadden, Darragh Moloney, Tim Sinnott, Hannah Boylan, Vinny Goeijenbier, William Murphy, Emma Louise Finch, Caroline Mills, Ellen Newman, Ian Pearce
Saturday, April 11, 2009 
Friday, March 13, 2009 

Here follows a complaint about myself and Somadrone's performance on Sat for the Cork French Film Festival. It was a droney remix of the Luc Besson film "Subway"", advertised as a "unique audiovisual retelling". I find it kind of strange that a festival would feel the need to complain to performers they invited, but what we did must have provoked them to the point where they decided they should let us know how bad they think our art is.

The actual complaint itself is quite revealing as to the emotional attachment people form with their favourite movies, and how hard it can be to see a beloved film retold without mainstream structure or narrative. How can he comment on the narrative when he walked out before it was finished? If one chose to embrace the piece, as some in the audience did, it did have a narrative- as well as structure, meaning, form and emotional content. I won't bore you with the other theory behind it but if you would like to understand my work a little better this is a good
starter: http://...com/ddd7fl


Note to the complainer: As somebody in "the Arts" who feels that Luc Besson's work needs to be "respected'',  I recommend you should go see the extremely racist and violent Luc Besson produced Daddy fantasy 'Taken' and write a complaint about that too. It could be more productive than complaining that he had to waste 30 minutes of his life experiencing something he didn't understand and may have scared him a little.

So, in the hope that I don't offend anybody with my work ever again, I promise the next time I do a movie remix I will advertise it as a "Bastardisation" instead of "retelling". Anyone else want to give us a show?

update:  My friend Paul Rowley just mailed me: "Somehow it reminds me of my friend Mr. ***'s story about watching 'Memento'. He thought the DVD was scratched and brought it back to the video shop to complain."

The letter of complaint from the Festival:

"Thank you for participating in the 20th Cork French Film Festival again this year, which we are pleased to say was a great success.

The two cine-concerts L’Argent and Subway were a very important part of the festival eagerly awaited by the public and on both occasions sold-out.

Regrettably, concerning cine-concert Subway, we have had a lot of negative feedback, particularly from those who left early on in the concert, including one very critical e-mail attached here. The general concensus was that the show did not respect the film, the scenes deconstructed dragged on and on to the point of absolute boredom, as people on the night and some callers said.  Some attending requested refunds.

All this, as you can imagine, was very disappointing from the Festival point of view, as we had such high expectations having so much appreciated La jete last year. All throughout the week the Festival enjoyed huge success, however, the eagerly awaited final event did not come up to the expectations of those present and reflects badly on the Festival as a whole.
We are sorry to have to impart this, as we know from your work with us inlast year’s Festival as well as your very fine reputation that the standard of Somadrone performances usually does not disappoint.
Would appreciate your comments.
We thank you for your participation in this anniversary Festival wish you continued success.
Très cordialement,"


The attached mail, from the artistic director of a well known Dublin Theatre.


"
Dear Sir/Madam
I am writing to you in connection with Saturday's  performance of Subway as part of the French Film Festival. I have never felt compelled to write and comment on an individual performance before but having sat through 20 minutes of incompehensible twaddle I feel I have no other choice but to do so. 
As a person working in the arts one realises that  each person's experience differs on any given performance and so what I do not enjoy maybe the cultural highlight for another. However after watching 40 minutes of Subway on Saturday night (for 40 minutes is all I could endure) I do feel that any misrepresentation of the essence of a show in a marketing brochure is absolutely remiss on the part of the festival organisers and as an audience member leaves one feeling cheated not only of the 15 euro ticket fee but also of a precious Saturday evening. The presentation on Saturday night removed all narrative meaning from the film which frankly the closing film of a
film festival should not do or at the very least it should point out in the
brochure that this is not a showing of the film. I do not think "retelling of
the film" remotely resembles what we saw Saturday night.  After watching 40
minutes of the film Saturday night one wonders what would Luc Besson make of his
film being bastardised in such a way.
This was my first trip to the Cork French Film
Festival and I have to say based on the evidence of Saturday night it will
absolutely be my last.
Yours sincerely..

"

UPDATE: To those wondering: no, we did not receive a fee but our expenses were paid. I'm also waiting on a response from the author of the above letter.





Monday, February 23, 2009 

Category: News and Politics

Fact:

The Pirate Bay is not an illegal entity. Filtering such a site is
censorship, plain and simple. It is impossible to prove whether the site
is illegal or not because the activity on the site is user generated,
not generated by the site itself. It provides a link to a torrent -a form of decentralised data collection and an efficient way to
transfer files without relying on the heavy bandwith of a central server.

This allows any file to be distributed if enough users exist to allow it distributed. By its decentralised nature it is impossible to 'stop' a torrent once it has enough users 'seeding' a file. The Pirate Bay is one of the many torrent search engines which has decided to not actively weed out links to copyright material.

To a certain extent, this could apply to any sort of aggregate site- Google, Digg, Youtube etc. as they all blatently link to some forms of copyright material and all surf a legal grey area that doesn't look like it will change.

One wonders whether they targeted The Pirate Bay just because of their name. In fact, this 'illegal' site is at the forefront of information sharing online and should be celebrated for its achievements.

Maybe the guys at Sony, Paramount, EMI, IMRO and Eircom want this
to happen because they are panicking. They see that they have no way to
charge individuals with piracy charges. It's extremely costly and
difficult to find someone guilty of piracy and to charge them. It's
could also be embarrassing for them once they realise that the person
they've been tracking is an eleven year old girl who has downloaded too
many Britney Spears tracks. They need to curb illegal downloading in
one foul swoop- so for years they have been desperately banging on the
most popular torrent seach engine's doors- The Pirate Bay. They even
successfully convinced the Swedish government to confiscate their
servers. A decision which was rashly overturned days later and proven
to completely illegal. It also resulted in major support for the
website from proponents of freedom of information online and digital
rights.

Or maybe, like a lot of people, they just don't understand? For
Eircom, IMRO, CEO's of large entertainment networks, maybe the Internet
seems like something to be afraid of. A place where the same people who
run websites with the name 'Pirate Bay' fund terrorism and sex
trafficking. So, to be sure, I feel like I should turn to metaphors to
explain.


If the Internet, with it's networks, websites etc is thought of as
a city with a network of roads and buildings, The Pirate Bay and any
other torrent tracker like it (of which there a thousands, and it would
be impossible to ban them all) would be the rundown area full of
artists, hipsters, criminals and drug addicts with little civic support
and a lot of freedom. There are some copy written material but a lot of
it is free to share.


What Eircom are doing could be described as erecting a wall around
this area to make sure no Irish people go inside, because if they do
they aren't trusted to not do illegal things, such as buying heroin or
downloading movies like 'The Happening'.


Ok? Simple!

Yet because these institutions do not trust us to
not download copy written material they deny us the right to use these
sites to search for legal torrents such such as open source software
(Open Office, Ubuntu etc) which heavily rely on torrent technology to
unburden themselves of costly server transfer rates, which they can't
afford due to the not-for-profit nature of open source.


It's a preemptive strike on the user- or guilty before being proved innocent.

Banning
these sites from the Irish people is not only censorship, it shows a
clear lack of understanding by Eircom, IMRO and the courts and reveals
a disturbing amount of influence that the American mainstream
entertainment giants have on our governing system. The Pirate Bay, far
from being a shady piracy group, have proven themselves to be heroes of
anti-corporate bullying in their steadfastness and legal guile. They have taken a clear stance in the questions that torrents and media sharing have put forward.

Research also indicates that these sites may not only improve
cinema attendance, they might have actually been responsible for
cinema's outstanding performance over the past decade- an era which
predicted the demise of cinema in the DVD age.


Even more frightening is the suggestion that the "3 strikes and
you're out" law which may actually result in a ban of Internet use- I
should think this an extreme punishment. Since when did home taping
result in a ban of postal use? Or shopping? Or flying abroad? Even
prisoners can write letters. This draconian suggestion was recently
attempted in New Zealand and quickly delayed after an immense amount of
public pressure. The techniques used to identify the accused remain
shady and have been proven erroneous.


Barring the public from using torrent search engines is one foot on
a path which only leads to more filtering and censorship informed by an
industry in crisis, people accused of crimes they have not committed,
restricting the development of important technologies and punishments
that are extreme in relation to others. We must not allow this first
step.


Yes, the existence of sites such as the Pirate Bay may suggest the
unfortunate fact that the Internet could possibly end copyright law as
we know it today. By its very nature it is impossible to deny people
the right to share what they have with others and to try and change it
is to try and reverse one of the greatest technological achievements of
modern times. It is the essence of the Internet.

I
hope that once the bullying and time wasting has stopped another new
economy will emerge from ubiquitous file sharing technology- maybe a
new and uncharted era of culture without limits or borders. Maybe then
these people won't be scared into instigating laws which undermine our
human right for freedom of information.


I suggest you read up yourself on the issues:

http://www.digitalrights.ie/..2009/01/29/three-unproven-..allegations-and-youre-out/



Bravo New Zealand for succeeding in delaying their government's equivalent:

http://computerworld.co.nz/..news.nsf/news/..86D681292534A2CCCC25756600143F..D1



http://arstechnica.com/..telecom/news/2009/01/irish-..isp-agrees-to-disconnect-..repeat-p2p-users.ars


http://torrentfreak.com/..eircom-customers-wide-open-to-..erroneous-
Thursday, January 29, 2009 


http://vimeo.com/2966126

My new music viddy!

Wednesday, June 11, 2008 

Current mood:  sad
Algis Budrys, author of 'Rogue Moon' (a book I am working on adapting), died a couple of days ago. He had been very ill for a while. Vibes to his family.