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Sublime Frequencies



Last Updated: 1/31/2010

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Status: Single
City: Sumatra, Iraq, Nepal, Syria, Algeria, Palestine
State: Thailand, Burma, Morocco, India, Java, Bali, Mali,
Country: KH
Signup Date: 6/10/2007

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January 31, 2010 - Sunday 

Current mood:  excited
SUBLIME FREQUENCIES - please pre-order to guarantee copy

*Omar Khorshid - Guitar El Chark (Guitar Of The Orient) double LP $29.99 (Sublime Frequencies)
"The late Omar Khorshid remains an iconic legend of the Arab world, though he's received criminally little international acclaim. Born in Cairo in 1945, the glittering age of Egypt's cultural reinvention, Khorshid was soon to become one of its luminaries and most well-known, if short-lived, voices. He is regarded as the greatest guitarist the Arab world has ever known. By the mid-'60s, Khorshid was established with his group Le Petit Chats, an Egyptian beat group modeled after the prevailing influence of Elvis and The Beatles. It was at this time that one of the reigning figures of contemporary Arabic music, Abdel Halim Hafez, asked Omar Khorshid to join his orchestra. With Baligh Hamdi composing, Hafez with Khorshid in place would create some of the most innovative modern sounds in the Arabic musical canon. Time with the Hafez orchestra offered Khorshid instant fame, and it wasn't long before he was asked to play with the queen of Arab music, the voice of Egypt herself, Oum Kalthoum. Over the next few years, Khorshid became a well-established and integral part of the Arab musical landscape. He was featured heavily in live concerts, national TV and radio and studio recordings, playing for the leading artists of the day. The guitar had now become an essential ingredient in the Oriental orchestra. Khorshid began recording albums under his own name for the prestigious Lebanese record labels Voice Of The Orient and Voice Of Lebanon. Working with visionary engineer Nabil Moumtaz at Polysound studios in Beirut, Khorshid would take his music into some of the most progressive musical terrain of its time. The tracks included here in this retrospective are from the prolific span of Khorshid's career in Beirut from 1973 to 1977. The venerable Palestinian poet Mahmoud Darwish best encapsulated this time in Lebanon: "unfortunately, it was paradise." Khorshid's prolific instrumental music enjoyed recognition that transcended class and status during the brief period he shone. It's a testament to his immense talent and some of the finest guitar music the world has ever heard. This limited edition 2LP vinyl release features over 80 minutes of classic original recordings compiled by Sublime Frequencies housed in a beautiful full-color gatefold jacket with extensive liner notes."


January 19, 2010 - Tuesday 

Category: Music
Regarding Sublime Frequencies Label/Tour...

http://www.bln.fm/2009/06/alan-bishop-sublime-frequencies-interview/


Thanks Dan!
February 5, 2009 - Thursday 
Mind-Blowing DJ set featuring retro 1960’s and 1970’s Hybrid-Pop Rock Folk Beat Yeh-Yeh Go-Go Freak Beat Psychedelic Surf and many indigenous styles from North Africa, The Middle East, South and Southeast Asia. (DJs: Mark Gergis & Alan Bishop)

February 5, 2009 - Thursday 
This tour will feature screenings of the newest DVD project by Sublime Frequencies

"PALACE OF THE WINDS"
a film by Hisham Mayet
(45 minutes/color)
Palace of the Winds explores a culture that is cloaked in mystery and mired in struggle: the Saharawis from the dry, tea-fueled and wind swept Mauritanian Sahara. Journey through music from the northern fringes of the Western Sahara to the Mauritanian capital of Nouakchott--an intoxicating tapestry of sight and sound from some of this obscure region's most legendary musicians. (The filmmaker, Hisham Mayet will be in attendance)


February 5, 2009 - Thursday 
Group Doueh are led by the enigmatic guitar hero Bamaar Salmou, who is known simply as ‘Doueh’ (pronounced: ‘Doo-way’).  They are from Dakhla, in the Western Sahara.  The group's sound is unlike anything that you’ve ever heard before.  It is a sound that is rooted in the traditional foundations of Sahrawi/Hassania music, but one that is also entirely its own. It shares its roots with the neighboring styles of Mauritanian music, however Group Doueh have managed to transcend the classical limitations of that music with a fiery, independent, and avant approach that incorporates a distinctly pop and rock element that is anomalous in the region. This is a sound that can only come from the land that inspired it.  This is the sound of the Sahara desert.  It is a searing, meditative, and hypnotic modal sandstorm of note clusters that has been cathartic to anyone who has heard it.  Group Doueh have been playing together for over 20 years.  The band consists of their leader, Doueh on guitar and tinidit, his wife Halima on vocals and tbal, their son Jamal on organ, and longtime friend Bashiri also on vocals.  They had declined several offers from Moroccan, French and Spanish recording labels to release their music.  It was not until Sublime Frequencies, after a long search for the music landed them at the man's house in Dakhla, that Doueh agreed to have his music released for the very first time.  Sublime Frequencies & QuJunktions are proud to present Group Doueh's first ever UK appearance and extended shows in Europe.

February 5, 2009 - Thursday 
Omar Souleyman is a musical legend from Syria. For the past 15 years,
he and his group have emerged as a staple of folk-pop throughout the country,
having issued more than five-hundred studio and live-recorded cassette albums
which are easily spotted in the shops of any Syrian city.  

Hailing from the rural Northeastern city of Ras Al Ain, Souleyman began his
musical career in 1994 with a small group of local collaborators that have been
with him from the start. The group tirelessly performs concerts throughout Syria and has accepted invitations to perform abroad in Saudi Arabia, Dubai and Lebanon.

The myriad musical traditions of the region are evident in their music, which reflect the sounds of Syia, Iraq, Turkey and the sizable Kurdish population. The moods swing from coarse and urgent to dirgy and contemplative in the rugged anthems that comprise Souleyman's repertoire. Expect the ultimate party music. Omar's superb and varied vocal stylings feature over high-octane Syrian "Dabke" (the regional folkloric dance music) and a host of other styles. Frantic Arabic keyboard solos provided by the incredible Rizan Sa'id intertwine with reeds, stringed instruments and percussion. Mahmoud Harbi, a long-time collaborator and the man responsible for much of the poetry sung by Souleyman accompanies Omar for an unforgettable onstage collaboration as they perform the Ataba, a traditional form of folk poetry, where Omar's
unaccompanied freestyle "mawal" singing stands in a league of its own.

Sublime Frequencies & QuJunktions are honored to present the Western debut of Omar Souleyman and his group with this UK/European concert tour. This is a rare opportunity to glimpse into Syrian street-level folk-pop – a phenomenon seldom heard in the West in this form, and rarely, if ever, included on the import agenda of worldwide academic musical committees. Experience the genuine sounds of Syria and the Middle East without the condescending polish and shine of much exported "world beat".


February 5, 2009 - Thursday 

Sublime Frequencies was founded in 2003 by Alan Bishop, Hisham Mayet, and Richard Bishop. In just over 5 years, the label has produced 35 CDs, 8 DVDs, and 5 LPs.

Sublime Frequencies specializes in releasing audio & video from North Africa, the Middle East, and Asia. The presentation, aesthetic, and approach sidesteps traditional ethnomusicology, academic protocol and corporate funding, documenting the sound and images of ignored cultural phenomenon rich in expressive ideas.

The projects are divided into four areas of presentation: regional radio collages, field recordings, folk and pop music compilations, and video/film documentaries. Sublime Frequencies is self-motivated, self-financed, and fearless in approach. The world is changing so quickly that it has become apparent that cultures and ideas from less-developed countries will be buried and replaced entirely by the export of western-styled culture unless there are alternative perceptions of the great traditions and hybrids of these traditions that still remotely exist today across the globe.

The productions are not limited to their own archive and expand to the many associates the group correspond and work with who have similar interests. The list of contributors to the label includes Mark Gergis, Robert Millis, Tucker Martine, fm3, Laurent Jeanneau, Carlos Casas, Stuart Ellis, Hicham Chadly, Geoff Hawrylk, and Anla Courtis.

Today’s ‘controlled’ presentation of foreign culture, traditions, and spiritualism in the west is steeped in judgment and spin agenda. SF are presenting some of the greatest expressive music in the world with only one agenda in mind: that it needs to be heard or seen, respected and recognized.