|
Friday, August 28, 2009
 |
Just follow the directions below. My one disappointment is that the Noisetrade site we're distributing it through only let's you preview samples from the first few seconds of every song... usually before the drums and bass have a chance to kick in. Hope you enjoy it - Help spread the word! -Lee
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Saturday, August 01, 2009
 |
This song was written for my wife, and is about the day I bought an engagement ring for her. I was in Aberdeen, Scotland missing my
girlfriend terribly. I had made enough scratch from buskin to buy a humble
engagement ring there. The one I picked out had some lines from a Rupbert
Brooke poem inscribed in it which read, "I held your name and sewed the
sky." Those words became
paraphrased into the chorus of the song.

Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Saturday, August 01, 2009
 |
Most of the lyrics for Green Room Mirror were written scribbled
down on a napkin during of a low point a few years back. I was burned out from
promoting my last album "Out of Place", and doing my last show. I was
tired and stressed. But what I felt more than anything was defeat - I really couldn't even stand to look at myself.
When the time came to write a song to close the album,
naturally I knew where to look. I pulled
out what I had scrawled years before, added some things, took away some things,
and viola. I wove in the theater and Commedia Dell'Arte players as a metaphor for what I was going through at the time. The fact the Commedia Dell'Arte was a century-old forerunner to Vaudeville helped draw the album to a close very nicely.

Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Saturday, August 01, 2009
 |
Let me just say I REALLY had a lot of fun writing and recording this
song. Response to this song is a subjective thing. Depending on who the listener is, it will either evoke serendipity or an unexpected shock. I'm content with either reaction. There is more of a focus on story-telling here. The plot is simple enough; Romeo
and Juliet scenario set in Oklahoma.
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Saturday, August 01, 2009
 |
This song was penned about 2 years back - when you couldn't swing a dead
cat without hitting a news story about Paris Hilton. She's laying low these days, but the song can
still equally apply to whoever Hollywood's latest idiotic "It Girl"
is. Honestly, this is where the U.S.press
really disappoints me. We need the media to swarm and report on strong,
intelligent women instead - and no, Sara Palin doesn't count. When is the last time you read an article
about someone like Amelia Earhart or Mother Theresa?
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Monday, July 27, 2009
 |
This song is not indicative of what the album is like, but it makes a damn fine introduction. This album was first conceived 2 years back on a weekend trip in Galveston, where by an odd coincidence I watched "Road to Bali" hours before going to the legendary Balinese Room. This got the wheels in my head turning - thinking about the music and entertainment my grandparents grew up with. An irrefutable fact is that both the movie "Road to Bali" and the Balinese Room itself featured entertainers who cut their teeth on the vaudeville stage. Vaudeville was a breeding ground for what became the popular forms of American musical genres like Country and Blues - look no further than vaudeville veterans Bob Wills or Ma Rainey for evidence of that. SO, that's what gave way to the vaudeville format for the new album. It seemed only fitting to use the Balinese Room as a conduit to open up the album. Tragically, the Balinese Room was destroyed by Hurricane Ike a few months after this song was actually recorded. So in some ways I hope it makes a fitting tribute for the recently lost establishment. This song also features Houston's own Pete Simple on Trumpet.
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Monday, July 27, 2009
 |
Although I was born in (and currently reside in) Houston, I moved
around a lot as a kid, growing up all over the great State of Texas. I lived some 5
years or so among the East Texas towns of Laneville, Mt. Enterprise, and Nacogdoches. If you've ever lived in the "Piney Woods"
of East Texas, it has a way of sinking its claws into you, and you
miss it terribly when you're away. This song is sort of my homesick
ballad for the deep East Texas region. It also features Houston's David Andrew Collins on trumpet.
For those not familiar with the fabulous "Mayhaw"...it's a berry that grows on the May Hawthorn tree. It grows exclusively in East Texas, Louisiana,
and the hilly regions of a few other southern states. It's very picky
about where it grows, needing the elevation, humidity, and soil acidity
to be just so. Like black-eyed-peas and sweet potato pie,
it is a Southern delicacy. It's most popularly used to make jelly, but
like any fruit, it can be fermented into wine. Nobody knows
when mayhaw wine was first produced, but older folks in the region say it became popular during prohibition, when liquor was scarce and it was cheap and easy to pick some berries, boil them into a mash, and add some yeast and sugar.
 
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Thursday, July 23, 2009
 |
OK, so I'm slowly thawing
from carbon-freeze and will be on the move again soon with a new album entitled
Mayhaw Vaudeville. It's a quasi-conceptual album. The original intent was
to do variety show featuring grass-roots forms of Southern genres of music. To
make a long story short; I got bored with that concept and included a few
contemporary numbers, while still keeping with the "Variety Show"
theme of the album: A traditional nine-act Vaudeville Show with a prelude and
curtain call thrown in for good measure. Best of all, the album will be offered
up as a download free of charge.
The Album release party will be at Avant Garden (411 Westheimer, Houston, TX) at 9:00 on August 22nd. It's sort of a sneak preview, as attendees there will
be the first to get free access to download the new album. We won't be
publicizing the download location of the album for the rest of the public until
a few weeks after the release party.
Till that time, over the
next few weeks I’ll be posting a handful of selections from the new album here
on myspace, along with corresponding blogs discussing the finer points of writing
and recording of each song.
Stay tuned…

Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Wednesday, August 06, 2008
 |
I wanted to thank everyone who took the time to vote for me in the Houston Press Music Awards. Unfortunately it seems the Susan Lucci curse shall continue for another year. I also want to thank the live music-going public out there who came out to show support for all the bands during the music showcase. I also owe you an apology for the delay of the new CD, "Mayhaw Vaudeville". The intended goal was to finish recording it by July and have it out by late-August. But Murphy's Law has a particular affinity for picking on us Alexander's, and as some of you know, I've been dealing with tendonitis in my right hand since early July. It's one of those things where you let it go and say to yourself, "I'll see how it feels next week and figure out what to do." The pain seems to dissipate a little over time and you think you're recovering, then it flares up again. I have no idea what aggravates it, but the pain makes playing instruments and even operating the recording console intolerable. Being that I am among the 30 million Americans who can't afford health insurance or a visit to the doctor, seeing a professional about it is out of the question. I've had tendonitis before and it just takes a while to heal on it's own – no point in paying doctors and referral specialists hundreds of dollars just to tell me they can't do anything for it (Don't you hate it when they do that?). Anyway, as soon as it does clear up I will be back on track - only thing standing in my way right now is time. On the up-side, I am going to be releasing some of the material from the CD in advance. The first is up on my profile right now. It's called "Mayhaw Wine". I will eventually have a local cat throw down a muted trumpet solo on there, but for now I think the piece is alright for an appetizer. Enjoy, -Lee
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Monday, January 21, 2008
 |
Once or twice in a heated exchange, some people have been angry enough to go so far as to call me "unpatriotic" because I openly criticize the president. I fail to see the logic in that assertion. The president is merely a public servant we vote into employment every four years – since when was it ever unpatriotic for managers to criticize their employees? There are many forms of patriotism, and none so remarkable as the men and women in the military service of this country (and their parents). But I think we would be remiss if we undervalued the honest, self-effacing patriotism that comes in the form of political dissent. After all, it was acts of political dissention that gave birth to the U.S. Revolution and founded this nation before a shot was ever fired. And people like the Abolitionists, Martin Luther King Jr., Susan B. Anthony, and numerous other protesters in various causes over the centuries have proved their patriotism by fighting to maintain the integrity of the Bill of Rights so that we are ALL equally entitled to the freedoms that it guarantees. The dissenter's love for his or her country is like the love a parent has for its child…and a good parent doesn't condone misbehavior.
That being said, some of you will notice a brand new political song on my profile called "Mr. Walker's Epilogue". The song itself is fairly old – written as I was wrapping up the last album. It was inspired by the movie "Outfoxed", a scathing documentary on Rupert Murdock, FOX news, and their deceivingly biased support of the Bush Administration. With the elections underway, I felt it would be better timing to release it now instead of later when the CD is out. To me, the song is a simple observation of the demise of a commander and chief that, in time, the U.S. will come to remember as "ineffective and disappointing" at best. I intend for the song to remain free for downloading and sharing from now through the entire lame-duck phase and until the day the next President is inaugurated. I strongly encourage file-sharing and pirating of this song as much possible and hope that if anything, it will motivate people to get informed, get out and vote, and carefully consider who we're electing to that very important office for the next four years. -Lee
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Friday, November 30, 2007
 |
Category: News and Politics
I'm breaking my long hiatus from myspace and email (due to computer problems) to let you guys know about a cool review on my disk in the November issue of Performing Songwriter Magazine (pictured below). You can find the magazine at most bookstores like Borders, Barnes & Noble, Walden, etc. Also, I apologize in advance…that promised new song "Mr. Walker's Epilogue" is behind schedule (also due to computer problems). It will be up on my profile as a free download in December. I'll shoot you guys a bulletin once it's up there. Hope you all had a great Thanksgiving! -Lee 
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Sunday, April 01, 2007
 |
Anyone who knows me will tell you I'm all for freedom of expression, but there is one form of expression that my fair-skinned cousins have repeatedly abused…I'm speaking of course about the mustache. What spawned this blog was a recent visit I had with an old friend. When I arrived at the cafe I noticed he was sporting a new mustache – Burt Reynolds style. I'm not sure that I recall anything we actually talked about…the only thing I kept thinking about was that confounded mustache and how ridiculous he looked with it. I also remember pondering whether or not to call the Crime Stoppers hotline, because his face now resembled many I had just seen on the post office kiosk just a few hours before.
Now don't get me wrong, I don't have anything against mustaches in and of themselves. In fact, I think they look rather distinguishing on SOME men. But there is a certain demographic of men (which sadly, I am a part of) who shouldn't grow mustaches. As a rule, white males between the ages of 14 and 40 should not where a mustache. Fellas, it doesn't make you look cool or more distinguished – instead, it makes you look more like a registered sex offender or a serial killer, so please stop it! If you've ever wondered why female joggers and parents with children leave the park when you come around…well, now you know why. I'm sorry I had to be the one to break it to you my brothers, but somebody had to finally come out and say it.
As an alternative, please consider a nice full beard (which is back in style by-the-way) or at least a goatee. Sporting lamb chops or that Lincoln/Amish jaw-frame thingy adds a nice eccentric twist that you more rebellious souls might want to consider as a substitute, but for God's sake there should be no mustaches for Caucasians until they've gone through mid-life crisis first. The one exception to this whole mustache rule is if you grow a HUGE handlebar mustache which curls all the way up to the crow's feet on your eyes…now that's COOL!
If on the other hand, you have your hair styled into a mullet, then none of these facial hair rules will apply, because no matter what style you groom your whiskers into, you will still look like you're inbred.
-Lee
 | Currently listening: Fandango! By ZZ Top Release date: 28 February, 2006 |
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|