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Haroldo Mauro Jr.



Last Updated: 12/27/2009

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Status: Single
City: New York, NY
State: New York
Country: US
Signup Date: 6/13/2007

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Monday, September 22, 2008 

Category: Music
Haroldo Mauro's CD Bossa na Pressão is one of All About Jazz Top 10 Jazz Albuns for 2006, by reviewer Dan McClenaghan. Check it out at allaboutjazz.com by clicking here.
Saturday, June 23, 2007 
Review of CD Bossa na Pressao
By Dan McClenaghan, All About Jazz

It seems obligatory on a bossa nova outing to include some Jobim tunes. Brazilian pianist Haroldo Mauro takes care of that duty on the opener of his debut CD, Bossa Na Pressao, with the classic "Caminhos Cruzados." It's a standard bossa nova, but in the way that the late Bill Evans' take on "Witchcraft," from Portraits in Jazz (Riverside, '59), was an American Songbook standard--with a richly developed harmonic freshness, subtle yet inventive improvisaton, and vibrantly original trio interplay.

The Bill Evans Trio comparison--especially the tragically short-lived Evans/La Faro/Motion lineup--is not one to be brought up lightly, but listen to Sergio Barrozo's bass on Mauro's original "Quietude"--a big, thick center for Mauro's light, glowingly pretty melody, plus drummer Duduka da Fonseca's pastel splashes and delicately insistent timekeeping.

The disc includes a couple more Jobim tunes, "Voce Vai Ver" and the much-covered "Desafinado" (bright and uptempo), in addition to familiar bossa tunes from the pens of Mendonca, Moraes and Lyra, as well as five excellent Mauro originals.

Haroldo Mauro Jr. is new and a bit of mystery to this writer. He attended Berklee School of Music (1972-73) and the Manhattan School of Music (1981-83) and currently teaches at the University of Rio de Janeiro. But Bossa Na Pressao features liner notes in Portuguese, and a trip to the pianist/composer's web site shows a biography "under construction." But there's no mystery to this piano trio take on bossa nova, with light and gorgeous sounds floating over the trio's contrasting richness and depth. A mesmerizing listening experience, from beginning to end.