Status: Single
City: Portland
State: Oregon
Country: US
Signup Date: 7/7/2005
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Tuesday, January 13, 2009
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DAMN - THE TOP 10 HIP-HOP ALBUMS OF THE YEAR! This is the hardestpost of the year for two main reasons: First, it’s nearly impossiblefor me to list the ten best albums of the year - there’s just too muchdope hip-hop out there; And second, it’s always annoying how everybodygets all heated because my list does not match up perfectly with theirs- and all decide to leave negative comments on the blog. So this year, I just said ‘Fuck It’ and decided to try to preventthese challenges. Instead of calling this post “The Top 10 Hip-HopAlbums of 2008,” I’ve decided to just call it “My Favorite Hip-HopAlbums of 2008.” Hopefully all you argumentative motherfuckers willrealize that everyone can have different favorites and let it slide. Inaddition, I decided not to limit it to ten this year. This year’s list is simply any hip-hop album that really made animpression on me during the great year of 2008. I’d highly recommendchecking out any of these albums if you haven’t already: - The Roots - Rising Down
- Prolyphic & Reanimator - The Ugly Truth
- Homeboy Sandman - Actual Factual Pterodactyl
- K’naan - The Dusty Foot Philosopher Deluxe Edition
- Living Legends - The Gathering
- Atmosphere - When Life Gives You Lemons, You Paint That Shit Gold
- Immortal Technique - The 3rd World
- ScholarMan - Soul Purpose
- Flobots - Fight With Tools
- Vast Aire - Dueces Wild
- Bisc1 - When Electric Night Falls
- Kats - Katskills
- Little Vic - Each Dawn I Die
- Metermaids - Nightlife
- Random - The 8th Day
- Serge Severe - Concrete Techniques
- Core Rhythm - Ronin
http://www.rapreviews.com/year/08patrick.html
Author: Patrick TaylorThe Best of 2008 by Patrick TaylorHere is my list of favorites for 2008, in alphabetical order: 1. Atmosphere, " When Life Gives You Lemons, You Paint That Shit Gold" and " Strictly Leakage."While not every track on "Lemons" works for me, about half that albumis pure genius, mixing up innovative beats and insightful lyrics. Whileother rappers try hard to prove they are winners, Slug tells stories ofthe losers of society, the waitresses who hate their jobs, thehomeless, the drug addicted, the working father on the verge ofcollapse. "Strictly Leakage" proved that he and Ant could still drop amean battle rap and party rhyme, while on "Lemons" they experimentedwith being the Springsteen of rap. 2. Erykah Badu, " New Amerykah: Part One (4th World War)."Ms. Badu teamed up with hip hop producers like Madlib and Sa-Ra,channeling Billie Holiday fronting Funkadelic while singing someserious post-millennium blues. Part Two hasn't appeared yet, and I'mhoping she doesn't pull an Axl. 3. Black Milk, " Tronic."Evidently Dilla wasn't the only great rapper/producer Detroit produced.Black Milk does electro right, and holds his own on the mic. 4. The Cool Kids, " Bake Sale." One of several groups taking hip hop back to its roots as party music, complete with old school beats. 5. Elzhi, " The Preface." This took a while to grow on me, but it is a solid effort of pure hip hop. 6. Invincible, " Shapeshifters." Invincible's debut impresses with banging beats and intelligent lyrics. 7. " Machete Vox Presents Sneak Preview." This sampler from Bay Area label Machete Vox is what hip hop should sound like. 8. Q-Tip, " The Renaissance." Well worth the wait, Q-Tip stays relevant 20 years into the game. 9. Red Ants, " Omega Point." Seriously dark and paranoid. 10. Steinski, " What Does It All Mean?" Your hip hop history lesson, and essential for any fan of the genre. Honorable Mention (AKA how to stretch your top 10 to a top 18):Cecil Otter, " Rebel Yellow." Jack Kerouac meets Woody Guthrie meets El-P. Different, but intriguing. Jake One, " White Van Music." Worth it for Brother Ali's verse on "The Truth" alone. Murs, " Murs For President." It's not all gold, but when Murs is on, he is unstoppable. Check out "The Science." The Roots, " Rising Down."Although the Roots remain a group I respect more than I actually wantto listen to, this is worth owning, especially for the title track and"75 Bars." Sankofa. Go to www.obeseamerica.com and download the many free joints he released this year, all of which are worth your time. Serge Severe, " Concrete Techniques." Serge Severe offers battle rhymes over some of the best production this side of 1990. Tanya Morgan, " The Bridge EP."Between this EP, mixtapes, and a whole lot of free stuff (including awicked freestyle over N.E.R.D.'s "Everybody Nose"), Tanya Morgan keptfans' appetites sated while they finalize their sophomore effort, duein early 2009. Viro the Virus, " The Sharpest Blade." Viro combines wicked rhymes, a laconic delivery, and solid production.
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Wednesday, November 26, 2008
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Rating:  Review Date: November 24, 2008 Website: Serge Severe Website Label: Focused Noise .. Serge Severe "Concrete Techniques" Album Review Serge Severe was the first underground emcee ever featured on HHL. I remember receiving his debut album, "Walk In My Shoes," almost four years ago – and the way it helped strengthen my belief that real hip-hop could still be found in the underground. Since then, I've eagerly anticipated his follow-up solo project, and "Concrete Techniques" has definitely lived up to my long-standing expectations. Serge Severe's "Concrete Techniques" was definitely worth the wait. Why I Like This Album: 1. The production is ridiculous son! Now I hate to draw immediate attention to beats when discussing an emcee that is as lyrically-gifted as Serge Severe, but the music on this album, created by Universal DJ Sect, really stands out. Sect uses an amazing combination of old school turtablism and futuristic synthesized instrumentation to create twelve tracks of groovy, jazzy, funky hip-hop beats that create multiple canvases for Serge's vocals. Tracks like Here We Come, Concrete Techniques, It's On Mine, Ain't It Funky, and Bring The Horns feature horns, keys and occasional strings, while tracks like Break Dream, Classic Ish, Keep It Goin', and Operatin' Correctly feature heavier baselines, break beats, samples and scratches. 2. Serge has a unique flow. Something about Serge Severe's laid back rhyme style has always just hit home with me. Whether he's incorporating conscious subject matter into his rhymes, or simply demonstrating the art of rapping gracefully over a beat, Serge's flow continually impressed me on this album. The following verse, from the album's title track shows an unorthodox rhyme style in which Serge spit a bunch of short phrases meticulously placed together over a beat to create a verse: Mic check, hype yes/ High step end zone/ Headphones, red zone/ Yes no man can match me/ Stand to catch me/ Actually plan to pass me/ Nasty nouns that's catchy/ Added on the adjectives/ Spat it in the labyrinth/ Kicking it with Lazarus/ Spitting it thats hazardous/ Toxic chemical thoughts of generals/ Locked in intervals plot's incredible/ Knock the pedestal/ Hip-Hop's original/ Autographs, slaughter rap/ Bring it back, let it blast/ Boom it in your systems/ Feel it in an instant/ Realer with a sentence/ Point blank period/ This joint banks serious/ 3. This album makes you think. Part of what I like about Serge's rhyme style is that it's very wordy, utilizing similes, metaphors and abstract language. This approach makes it really interesting when attempting to decipher the lyrical content of "Concrete Techniques" as a whole. Most verses on this album are worth multiple listens, and many of them will take multiple listens to understand correctly. One of my favorite verses is from Ain't It Funky, in which Serge demonstrates a combination of conscious lyricism and masterful wordplay: Way out west in the city of bridges/ In a day out stressed by conditions we livin'/ Where the payout's less than the effort that's givin'/ So I play like chess and attack with a vision/ I'm back with a vengeance, die hard, rap as a weapon/ When the flow click-clack, the kick back is tremendous/ Got a show, I rip that, then it's back to the trenches/ Gotta go quick fast. Can I catch your attention?/ Please just let me see if you can catch what I'm pitchin'/ I'm smashing the rhythm, actually I've mastered the rhythm/ Subtraction, addition, multiply capitalism/ Math and division, full of lies trapped in the system/ Tell me why I seen so many guys packed in the prison/ Fact from the fiction, please let the pastor forgive 'em/ Like how they declare war and still practice religion/ I just gotta prepare more so it's back to the kitchen/ 4. This is real hip-hop, kids! I know the term "real hip-hop" is a little cliché nowadays, and I can't stand most motherfuckers who still make reference to this thing they call "real hip-hop," but Serge Serve's "Concrete Techniques" does a great job of both paying respect to the elements, and of moving forward with a new direction. And that's the really real yo. From the lyrics to the beats to the four years it took Serge to drop this sophomore solo release, it is clear that everyone involved in this project put their hearts into it – and you can just feel that when you listen. Serge drops a dope verse in It's On Mine talking about this hip-hop mentality of staying true to the art form and remaining independent: It's the DIY, gotta do it yourself/ So just say bye-bye to the corporate help/ Watch the culture get preserved with the portions it's dealt/ Man take a look around, it's supporting itself/ 'Cause it's importance is felt/ Expressed through the elements/ The fresh mixed with eloquence/ Yes push the pendulum/ Swing towards the relevant/ Bring forth the excellence/ Relax, they pressurin'/ But easy does it/ Try to write what I live but I see he doesn't/ My advice to the kids is just be no frontin'/ Put your lilfe into this and just see who want it/ Do it right, do it big, so they seen who done it/ Overall: Pick it up fo' sho'. "Concrete Techniques" is a very entertaining, head nodding, thought provoking album from one of my favorite underground emcees. Favorite tracks include Here We Come, It's On Mine, Ain't It Funky, Bring The Horns, Break Dream, Classic Ish. Peace. Album Track Listing: - Here We Come
- Concrete Techniques
- It's On Mine
- Ain't It Funky
- Bring the Horns
- Break Dream
- Classic Ish feat. Reyna Mallare
- Keep It Goin'
- Operatin' Correctly feat. Santotzin
- Slow Down Baby feat. Mic Crenshaw
- Take Ya Back (Like Before)
- This Path
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Wednesday, November 26, 2008
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Category: Music
http://artofrhyme.com/reviews/Serge-Severe_Concrete-Techniques/150/

Serge Severe "Concrete Techniques" Oregon isn't even the Northwesternmost state in the Continental United States, but it may as well be Alaska in Hip-Hop geography. The capitol city of Portland has in fact graced us with worthwhile acts such as Lifesavas and Braille, so it's no magic trick when local artist Serge Severe gets your head nodding. The Portland native may not be a trailblazer (bad pun), but this intelligent, Urb Next 1000 member embodies all of the necessary traits of a true MC. Serge's latest project, Concrete Techniques, was entirely produced by Universal DJ Sect, which sounds like a cult for turntable lovers. Storming through the gate with "Here We Come," Serge makes his M.O. clear. Witty wordplay, rhyme schemes that require delicate care and flashes of confidence but never cockiness. For the most part, Concrete Techniques follows this pattern of free-flowing lyricism, or lack of a pattern. The often feel-good content can't be nailed down to particular subjects since Serge's verses are ever-evolving. In his words, "No Cadillac doors or battle axe swords." As always, there are exceptions. The intense "Break Dream" chronicles an affair with Hip-Hop that began at five years old, while "This Path" further investigates Serge's life choices. "Slow Down" with Mic Crenshaw encourages pumping the brakes when caught in the fast lane. The rest consists of Serge in his previously established comfort zone. Universal DJ Sect's production can be partially summed up by song titles such as "Bring the Horns" or "Ain't It Funky," although lumping "Classic Ish" into that group might be a stretch. The blaring horns and funky rhythms in question leave joints like "Concrete Techniques" sounding as crisp as live instrumentation. U.D.S. dug-up plenty of gems in the funk and jazz department, so don't expect sleep-inducing loops or samples that sound as if they've been put through the wringer. "Concrete Techniques" was once an opening line by Inspecteh Deck, and now it's a refreshing piece of work by Serge Severe. It's not that he's reinventing the wheel, but actually doing something well in today's Hip-Hop market is a breath of fresh air. Whether cult or beatmaker, Universal DJ Sect found that rare balance of digging and ignoring limitations. A few of the tracks displayed Serge's knack for substance, so perhaps he'll delve deeper inside with the next album. For now fresh rhymes are hitting the spot. To simplify using his own words, Serge is just a "speech conductor over sweet production." 3.5 out of 5
andy
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Wednesday, November 12, 2008
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http://www.rapreviews.com/archive/2008_11_concretetech.html

Serge Severe :: Concrete Techniques :: Focused Noise as reviewed by Patrick Taylor "Concrete Techniques" is the second album from Portland MC Serge Severe. His 2006 debut, "Walk In My Shoes," generated positive reviews, and was declared one of the top ten albums of 2006 by at least one critic. Like a lot of Portland MCs, Serge is on the more conscious end of the hip hop spectrum. After listening to "Concrete Techniques," you will still be unsure what kind of car he drives, what jewelry he likes to wear, his favorite drink, what kinds of shoes he wears, or whether or not he has ever been to a strip club. Musically, he leans more towards golden age sounds (DJ Premier is one of his Myspace friends) rather than mainstream rap or hipster rap. Strippers will probably not be dancing to this while they shake their g-string at johns, and the shady dude at the back of the bus will probably not be bumping this through the shitty speakers on his MP3 player. (Of course, there was a guy on the back of the 6 Parnassus yesterday banging M.I.A.'s "Paper Planes," so anything is possible). In short, Serge Severe makes clever, heartfelt hip hop that picks up where classic 90s artists left off, and continues on the trail blazed by labels like Fat Beats and Rhymesayers. Severe has a rapid, steady flow, and peppers his verses with similes, metaphors, and wordplay. He gets that hip hop is about saying things in a creative, clever way, and he nails it in that respect. He is reminiscent of Atmosphere both in his delivery and in the content of his rhymes, which combine humor and pathos into a compelling mix. He gets things started right on "Here I Come," rapping: "Quick like a deer's sprint Gotta make moves a lot Really wanna know? Type my name in the Google box Press search Let's work it out like a Bowflex Yessir Shower clean verse when I flow fresh Let's get busy like kangaroos jumping I switched up my lingo My verbal's all custom" There are a lot of old school party raps on here, with Serge reiterating his skills on the mic both through his lyrics and his flow. He also details the struggles of being an MC on several tracks, and on "Break Dream" details his history with hip hop, from a kid breakdancing and collecting stacks of vinyl. He takes a serious turn on "Slow Down Baby," in which he and Mic Crenshaw describe the perils of a life of crime with sympathy and honesty. Serge holds his own on the mic, but the real star here is Universal DJ Sect, who produced all the tracks on the album. Universal mines old soul, jazz, and funk records for his beats, and the result is 12 tracks of the kind of sample-based hip hop that has been an endangered specie ever since De La Soul and Biz Markie got their asses sued. There's the bounce of "Here I Come," the chopped up "Concrete Techniques," the jazzy funk of "Ain't It Funky," the horns on the aptly titled "Bring the Horns," and the nasty bass and guitar on "Classic Ish." "Operatin' Correctly" has a four-on-the-floor beat reminiscent of Eric B. and Rakim, and the KRS One sample makes it seem like it was recorded in '88, not '08. Universal also offers up some slower, more pensive beats on "This Path" and "Slow Down Baby," which are matched by Serge Severe's pensive rhymes. It's rare that one producer handles the boards for an entire album, and Universal mixes it up enough so that it never gets boring. What with the old school sampled beats, and the old school battle rhymes, "Concrete Techniques" seems in some ways like a product of another era, when rappers where dreaming about going gold, not platinum, and were more concerned with being the fiercest MC on the block than on shifting product and moving units. Serge Severe looks back to a simpler time, when rappers were judged by the strength of their flow and not the length of their rap sheet or whether or not they had a vodka line. Put "Concrete Techniques" on and imagine an alternate universe where Diddy never happened, where Eric B. was still president, and where hip hop stayed true to its roots. Music Vibes: 8.5 of 10 Lyric Vibes: 7.5 of 10 TOTAL Vibes: 8 of 10 Originally posted: November 11, 2008 source: www.RapReviews.com
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Friday, October 31, 2008
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http://therunoffgroove.blogspot.com/ Serge Severe is an MC that once you see the name, you know you're going to get an earful, and it's going to be not blends, but full 100 percent uncut Serge Severe. His name may not be a household one, and maybe that's for the better because I don't know if hip-hop as a whole could handle him. Yet after hearing his brand new album, there's no doubt in my mind he's ready to handle hip-hop. Concrete Techniques ( Focused Noise) is a continuation of excellence from this Portland, Oregon-based rapper, whose last two projects released two years ago received positive reviews from me. One was his solo album Walk In My Shoes, the other united him with Diction for their album Our Purpose and I was hopeful Serge would come back with more. He has. This is the kind of gritty and grimy album that would have felt right if it was released between 1994-1996, kind of a Black Moon/ Smif-N-Wessun feeling in terms of stories, flows, and production. On the production side he has Universal DJ Sect, whose beats and scratches touch upon the familiar and the obscure, with the kind of chops and slices that will cause chicken skin. Everything is appropriate to the feel and lyrics, and all of it is done well. Serge likes to do things with a lot of depth and meaning, he doesn't just drop words, lines, and verses to hear himself. There's no airy vibe about him, you know you're going to get content because Serge himself isn't content with just the surface, he's a storyteller and has studied the fine art of rapping. In a track like "Bring The Horns" he's telling people to rock a party, all while the various horn samples come close to sounding like car horns. He explains what he wants to do with his music in "This Path" and "Concrete Techniques", and the wordplay is done as a way to boast of his skills, but as a test to see if you're listening. This isn't meant for casual listening, this album is a head nodder and you want to play this loud in 20 degree weather even though the cops are ready to give you a ticket. Outside of the work that went into writing and producing Concrete Techniques, it's a feel good album that has the basement feel of those classic mid-90's albums, but when you hear it you know it's not dated. With cameos from Mic Crenshaw, Santotzin and Reyna Mallare, Serge is also capable of bringing people into his world but still being able to define what a Serge Severe album is about. I also hope with the release of this, he'll be able to collaborate with others, as there are a lot of MC's and groups that he would sound great with in a track and/or freestyle. The guy is legitimate, and again, he's ready to handle hip-hop because it's a no brainer. Listen to this and find out why. ( Concrete Techniques will be released on November 18th through ( Focused Noise Records)
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Sunday, January 28, 2007
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Category: Music
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Thursday, December 07, 2006
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Local MCs, the Radio, and Hip-Hop Playlists I often wonder what hip-hop would be like if it only existed on the local level. I mean, any city I go to has a "hip-hop" station that plays the same songs as everyone else. The same songs you hear in Denver, or Chicago, or Honolulu, or Columbus, or Albuquerque, or Phoenix, or Tampa (all places I've been recently). The same songs you see on MTV, or VH1, or BET. All nationally known hip-hop artists. No variety. No underground. Not even an hour for local acts trying to come up.
Regardless, I can't help but imagine what hip-hop could be like if these national stars didn't exist. What if every city played only local acts? What if the playlists were determined by, say, whom the audience picked instead of who may have been lucky enough to get a major marketing scheme to back them up? What if the radio picks weren't completely about getting paid? Would this help hip-hop?
Mos Definitely Well, my opinion is that this scenario would, as a hip-hop linguist might say, mos definitely help hip-hop. It would mos definitely make the radio playlists more diverse and unique. It would mos definitely help the local communities and real starving hip-hop artists. And if you ever rolled way out west, say San Francisco or Portland, you would mos definitely hear Serge Severe spitting lyrics all over the radio.
A lot of not-yet-famous artists from all over the country have been sending me their albums, or EPs, or demos recently for review possibilities. Unfortunately, this is probably the hardest part of running this website. I don't write bad reviews, so its not like I'm going to diss anyone online or anything … if I don't like your album, I'm just not going to review it. But it's still hard because I constantly have to tell cats with a dream that I wasn't feeling their stuff and am not going to review it, and that's not easy for me to do.
Luckily, Serge Severe's newest album, "Walk in My Shoes," forced me to do neither. Not only did I think it was hot, even to the point of possibly being the best underground album I've heard this year, but it also inspired me to write a review, something that not many albums do for me these days. The production was clean and innovative, the lyrics were creative, clever and intelligent, and Serge's laid back flow was a unique and refreshing change from the repetitive ways cats seem to be rhyming over beats these days.
"Walk in My Shoes" Serge Severe represents a new breed of local MC that is popping out all over the country. He is an intelligent lyricist attempting to use his words to further conscious thought and understanding, yet the songs are still fun and entertaining. The manner in which he stretches words around tight beats shows off a verbal dexterity seldom seen in mainstream hip-hop, and leaves heads nodding in acceptance. And the production of "Walk in My Shoes," apparently created by other local talent, fit not only the mood of each song, but the rhyme style of Serge Severe and his few talented feature lyricists.
So pick up a copy. Next time you're in any major city in this country and decide you've heard the radio bumps a few too many times, throw it in and contemplate what hip-hop could be if local acts would just get some airtime. After you listen, I guarantee that if someone were to ask you if Serge Severe's new album, "Walk in My Shoes," is worth picking up, the only suitable answer you'd be able to give would have to be "mos defniately, homie. Mos definitely." Check out some of my favorite verses below:
Sings to Me At times I feel trapped in a bottomless hole And yes, it's far from rap when you manifest soul This is hard to match and cannot be sold And though it makes me laugh, how the game is funny Cats only in it for the fame and money Thick chains and honeys But when it comes down to it, they're really changing nothing Dang it's the same, not a grain of substance That's all you had to say, you must be saving something
Where we living, we all had to weather the storm Same time a man dies, another is born That says of one's cries, others will joy In addition to one's lives, others is torn I hear the voice of the needy, voice of the innocent Second hand through the air, just like cigarettes In fact my interest which sparks my intellect Motivation, my weapon make my heart my biggest threat It sings, happy to sadness Aim for peaceful, but the world screams madness No beauty in it, so at times no pageants It's tactics, run by corruption and greed It's something to see, but it's enough when it sings I hear the songs of the poor, rich and wealthy Songs of the old, young, sick and healthy Sucker punch society so I know they felt me But reached out to grab the hand that's helping And I reached out my hand, the hand that's helping
Clockwork Late nights under shadows when the moon hits the darkness Throw my rhymes like knives; see who is the sharpest
Put my raps on the airplane, you know they fly So when I get up on the mic, I'ma blow they high Razor blade smooth delivery; my tongue don't tie Who's this new kid Watch the flow get your ears open just like Q-tips So no excuses; just put me in the bank This beat is my canvas, my words are the paint Hungry eating with my hands, cleaning all of my plate Then it's off to my show once my stomach is full Plan to keep the crowd moving like the running of bulls
On beat that's my MO, my timing's incredible If rhymes were outlawed, then my crimes would be federal Thinking about one line while I'm inking about several So, just listen man Dropping more lines than fisherman Knew I was here when I started spittin' man Cause my lyrics stay ticking like second hands on a watch Music without red light, so it can't be stopped Yao Ming flow, can't be blocked
This Smile I don't know if there's a god, I don't know if there's a devil What I do know is my income's at the poverty level So hard to be civil When you just wanna break something, take something Time's getting hard; it just makes you want to hate something I ain't fronting, trying to get rid of the pain so my raps hotter than eight ovens Baked hundreds of degrees, hairy like monkeys Catch me swinging from trees; it's the agile rap style Giving you a half smile and half frown Cause that's my life now Electrical surgeon … light's out! Dark house, lived through that Still do rap trying to move forward and not move back Like no more shitty apartments No more family departed
I'm from a place where police wanna see me fail But over my dead body will they ever see me jailed So they can point their fingers like "See, he failed" Regardless you gonna feel me like you read brail
100 Proof I gotta way with words, I use words in ways On the tip of my tongue, so every one I spray Duck the ricochet Never slipping like the butter off toast I'm better than most
That Sound Y'all Cats like me I was born to do it Flick your lighters, the flow's embalming fluid Don't mess with the cops cause they gonna shoot ya That's why I'm Mr. Nice Guy like Alice Cooper That's where I'm from y'all just read the papers It's either that, or they gonna tase ya
This is not pop phony; this is hip-hop homey Single instrumental in my tape deck, Sony Black suede Pumas with the fat white laces Worn by that Knick guard, the name Clyde Frazier Gliding to the basket witness poetry in motion When I rap it up like a gift for ya Shine up my spit for ya Back in the swing of things And you gonna know my name like I punched you with a four-finger ring That reads Serge You see I just can't help it, my pen bleeds words Plus breathes metaphors I'm the writer and editor
Y'all know how I do things Kill the beat by hanging it with its own shoestrings I feel the tension Cause nowadays rappers really don't speak to the consensus I'm here to make my point like the period of a sentence You see most listeners aren't gangsters or millionaires But when that album drops I guess a million cared Enough to drop fifteen bucks plus tax When you can cop mine for under a dime plus facts
Life's a Beach Life's a bitch, life's a beach Getting burnt from the heat And weathered from the weather I grab paper and write with the ink quill feather I dap neighbors and tell them it can only get better Trying to keep a positive outlook Like it's never obviously doubtful Tired from the rat race I wanna retire on a fat lake Who do I trust? I hear voices Preaching wrong choices I'll show ya But I ain't never seen an arc or Noah Nor the Middle East I feel a snake slithering I feel its fangs digging in I feel its poison venom sink From the Portland that's not promised I stay honest and brutal to be brutally honest I'm like some people with problems looking to solve them Overlooked, but not out of luck Seen the light once, thunder struck Felt my mic underbrush Wrapped my hands around it like a hug
Life's a beach and I feel just like a grain of sand Just one small piece of some vacant land Doing my best not to get washed up Wins and losses I've chalked up And stood my ground whenever the storm struck
Down to Earth I'm like, what up lady, I'm single now You don't know me but you will when my single's out Got a face like Carmen that's why you Singled Out Skin like caramel; can I sneak a piece? I used to be with an imitation Alicia Keys My fav until that day she didn't know my name Rest of us got tainted I just want one reliable I don't need them high maintenance Get outta the mirror Told you "you look fine" let's go slam a few beers We so young in our years So screw the finances Cause if it's all about money, honey, that would ruin our chances If you was romantic then blow me a kiss Just be real from the jump cause you know I ain't rich And of course I'm trying to touch some paper But that don't gotta be what is up to date ya
Real Reason I gotta be here for a real reason Winter, spring, summer, fall. All season Some will live; some will fall. Believe me It's gotta get hard before it gets easy
Now I seen a lot of things in my lifetime No Regis of millionaires, couldn't call for a lifeline Getting out of the darkness, I'm letting my mic shine
Feel the inferno, feel how my words grow From a seed planted deep in my soul As a child I wanted to know more so I peeped through the holes So now y'all should be peeping my flow It's reality based Lick the cold concrete and tell me how reality tastes And why do salaries make the man When that same man might not look you in the eye when he shakes your hand That's a front like a door or the fakest tan I look in the mirror, face the facts of life, and write it down Treat my mic like the sharpest knife and slice my sound I'm from Nike town in to so-called city of roses But the job market's slow and there's public school closures
Rap Circles I'll write the best verse ever down to the last word Rip it up and write something the next day you never heard Or thought of Then you be like "Where'd he get those thoughts from?" An author who's awkward Laid back but on the mic a real talker
Where I live there's no palm trees, just the cold wind on your chin My hair needs a cut Never stayed at the Hilton but I heard Paris a slut Knew a broke Nicole But never a Richie Plus life is far from simple, ya feel me? Massage music, you gotta feel it Bra boosting telling the secret Victoria's Hip-hop historian Lyrical librarian Quiet on the set like you don't wanna miss what I'ma say
You see I'm pissed off from being pissed on And my purpose if for you to see the picture When I kick bars like inmates boxed in There'll be no more questions on who spits hotness No gossip the proof is in the pudding Cause I'ma take it there where you know you wouldn't Where you know you couldn't Relentless never thinking that maybe I shouldn't You see me, I get it done with my own rap sound Attack a beat with authority and don't back down Push myself to the limit, and won't pass out
Hungry Babies I seen these snakes slither shedding their epidermis Cutting deep without scissors attacking the system's nervous Verses one on one and mano y mano Similar sounds frequent cause they follow and follow
They say give me liberty or give me death But the conditions that I'm living in got me stressed Soldiers escape bomb to come home with hearts of bravery Same skin color that would've had them forced to slavery And from the news, moving target seems is what they're paid to be It's so amazingly America is what they tell me We're so fascinated with our own worldly relations We fail to look inward and witness the deprivation Along and it's hell These are the times that breed sex, violence, drugs and monopolies as long as it sells This should stimulate your memory, let it ring a bell
We got hungry babies But still got a budget to fund our navy We got hungry babies But still got a budget to fund our spaceships It's a dirty business And our so-called leaders rub me suspicious It's a dirty business And our so-called system needs to scrub its dishes
News flash, meth watch, weather report Crime families get caught, west of the north They cook it with chemicals Killing like cereal numbers abundance dependency Cleaning out our pharmacies Is harming the community Ruins the appearance of children Smoking alone, in a locked room of the building Dirtiest drug, man made, chop something nasty Amphetamine zombies wandering for more seeds Rocked up From household products | | |
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